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Статті в журналах з теми "Network co-production model":
Busacca, Maurizio, and Flaviano Zandonai. "Platform social enterprises as a new model for co-production." STUDI ORGANIZZATIVI, no. 2 (December 2020): 61–86. http://dx.doi.org/10.3280/so2020-002003.
Mezgár, István, and George L. Kovács. "PLENT: A European Project on SME co-operation." Human Systems Management 18, no. 3-4 (December 29, 1999): 193–201. http://dx.doi.org/10.3233/hsm-1999-183-404.
Zeng, Guang Sheng, Hui Zhang, and Hua Chen. "The Forecast of Co-Rotating Twin-Screw Extruder's Screw Based on BP Neural Network Model." Applied Mechanics and Materials 711 (December 2014): 257–60. http://dx.doi.org/10.4028/www.scientific.net/amm.711.257.
Zeng, G., J. E. Williams, J. A. Fisher, L. K. Emmons, N. B. Jones, O. Morgenstern, J. Robinson, D. Smale, C. Paton-Walsh, and D. W. T. Griffith. "Multi-model simulation of CO and HCHO in the Southern Hemisphere: biogenic emissions and model uncertainties." Atmospheric Chemistry and Physics Discussions 15, no. 2 (January 27, 2015): 2615–78. http://dx.doi.org/10.5194/acpd-15-2615-2015.
Ghatak, Manjula Das, and Amitava Ghatak. "Artificial neural network model to predict behavior of biogas production curve from mixed lignocellulosic co-substrates." Fuel 232 (November 2018): 178–89. http://dx.doi.org/10.1016/j.fuel.2018.05.051.
Hewitt, Gillian, Joan S. Roberts, Adam Fletcher, Graham Moore, and Simon Murphy. "Improving young people's health and well-being through a school health research network: Reflections on school–researcher engagement at the national level." Research for All 2, no. 1 (January 25, 2018): 16–33. http://dx.doi.org/10.18546/rfa.02.1.03.
Zhong, Zhi, Alexander Y. Sun, Bo Ren, and Yanyong Wang. "A Deep-Learning-Based Approach for Reservoir Production Forecast under Uncertainty." SPE Journal 26, no. 03 (January 18, 2021): 1314–40. http://dx.doi.org/10.2118/205000-pa.
Zeng, G., J. E. Williams, J. A. Fisher, L. K. Emmons, N. B. Jones, O. Morgenstern, J. Robinson, D. Smale, C. Paton-Walsh, and D. W. T. Griffith. "Multi-model simulation of CO and HCHO in the Southern Hemisphere: comparison with observations and impact of biogenic emissions." Atmospheric Chemistry and Physics 15, no. 13 (July 2, 2015): 7217–45. http://dx.doi.org/10.5194/acp-15-7217-2015.
Moreno Cárdenas, Edilson León, Arley David Zapata-Zapata, and Daehwan Kim. "Modeling Dark Fermentation of Coffee Mucilage Wastes for Hydrogen Production: Artificial Neural Network Model vs. Fuzzy Logic Model." Energies 13, no. 7 (April 2, 2020): 1663. http://dx.doi.org/10.3390/en13071663.
Zhang, Lei, Hai Gang Xu, Chao Zhang, and Chao Wei Duan. "Research for Coiling Temperature Control System and Mathematical Model on Hot Strip Mill." Advanced Materials Research 411 (November 2011): 274–78. http://dx.doi.org/10.4028/www.scientific.net/amr.411.274.
Дисертації з теми "Network co-production model":
Tontodonato, Richard Edward. "Co-production of Science and Regulation: Radiation Health and the Linear No-Threshold Model." Diss., Virginia Tech, 2021. http://hdl.handle.net/10919/103886.
Doctor of Philosophy
This dissertation provides a social science perspective on an enduring paradox of the nuclear industry: why is regulation of radiation exposure based on a model that everyone involved agrees is wrong? To answer that question, it was necessary to delve into the history of radiation science to establish how safety regulation began and evolved along with the understanding of radiation's health effects. History shows the philosophy of keeping radiation exposures as small as possible for any given application developed long ago when the health effects of radiation were very uncertain. This practice turned out to be essential as science started to indicate that there may not be a safe threshold dose below which radiation exposure had no potential for health consequences. By the 1950s, a combination of theory, experiments, health studies of the survivors of the World War II atomic bombings, and other evidence suggested that the risk of cancer was proportional to the amount of radiation a person received (i.e., linear). Although this "linear no-threshold" model was far from proven, both sides used it in debates over nuclear weapon testing and safety standards for nuclear reactors in the 1950s through the early 1970s. Since the model predicted small health risks for the levels of radiation experienced by radiation workers and the public, nuclear advocates used it to argue that the risks were smaller than many other risks that people accept every day. At the same time, opposing activists used the model to argue that small cancer likelihoods added up to a lot of cancers when large populations were exposed. This decades-long discourse effectively institutionalized the model. The model's "unproven but useful" status was strengthened in the early 1970s when the Atomic Energy Commission supplemented its numeric exposure limits by turning the longtime practice of dose minimization into a requirement. This "As Low As Reasonably Achievable" requirement plays a vital role in rationalizing why a non-zero exposure limit is safe enough despite the fact that the linear no-threshold model treats any amount of radiation as harmful.
Näsberg, Victoria. "Internationalization and its role in the utilization of Influencer Marketing within Business." Thesis, Luleå tekniska universitet, Institutionen för ekonomi, teknik och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-85284.
Hsu, Wen Chuan, and 許文娟. "The Study of Value Co-creation of The Production Committee Model in Japan by Actor-Network Theory: Implications for Taiwan's Original Comics in Digital Content and Co-creation Community Development." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/48s3c7.
國立清華大學
高階經營管理碩士在職專班
103
Impacted by the evolution of information technology, digital content has been the major form of modern cultural development. The path of the software and hardware development for digital content industry in Taiwan is comparatively fast. However, the industry still struggles for the creation of original content as well as the right business models for the ever changing markets. The former is resulted from the education and the cultural attainment of profession, and the latter is the key successful factor for improving the total value of the industry. It has been a normal practice the people directly use computer tools to create digital content and then publish their works through the digital platforms on the internet. Content producers become the integrators to orchestrate the different teams of storytelling, visual effect, musical composition, and user interface design. All these professional services as mentioned above accomplish the core of the original content. The profit sharing mechanism for all the actors in the network is achieved by interconnecting the professional services in the value chain of the industry. In the domain of cultural creation and digital content, comic is a fundamental material. This research discusses the possible alternative ways to reform the value chain of the digital content industry in Taiwan by investigating the Production Committee Model in Japan and applying the Actor Network Theory. The goal of this research is to find out the methods, workflows and driving factors to make an innovated service system for comic industry in Taiwan. This research shows the insight of providing a feasible way to form a new industry value chain for the digital content industry in Taiwan.
Частини книг з теми "Network co-production model":
Demiray, Melek, Sebnem Burnaz, and Yonca Aslanbay. "The Crowdfunding Market, Models, Platforms, and Projects." In Crowdsourcing, 115–51. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-8362-2.ch007.
Demiray, Melek, Sebnem Burnaz, and Yonca Aslanbay. "The Crowdfunding Market, Models, Platforms, and Projects." In Crowdfunding for Sustainable Entrepreneurship and Innovation, 90–126. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-0568-6.ch006.
Carroll, Noel. "Open Innovation." In Advances in Systems Analysis, Software Engineering, and High Performance Computing, 1–22. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-6485-2.ch001.
Carroll, Noel. "Open Innovation." In Intelligent Systems, 31–53. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-5643-5.ch002.
Harwood, Tracy. "Convergence of Online Gaming and E-Commerce." In Advances in Electronic Commerce, 61–89. IGI Global, 2011. http://dx.doi.org/10.4018/978-1-61692-808-7.ch004.
García, Juan de Dios. "Knowledge and Technologies for Learning and Action Network." In ICT Management in Non-Profit Organizations, 1–16. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-5974-2.ch001.
Browne, Pierson, and Brian R. Schram. "Intermediating the Everyday : Indie Game Development and the Labour of Co-Working Spaces." In Game Production Studies. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725439_ch04.
Leisink, Peter, Lotte B. Andersen, Christian B. Jacobsen, Eva Knies, Gene A. Brewer, and Wouter Vandenabeele. "Conclusion." In Managing for Public Service Performance, 297–316. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192893420.003.0016.
"large audience” (Goldstein 1983: 26); and “Here was an Australian with a wry sense of humor and gruff charm [this was post-Crocodile Dundee], equally alluring to men and women” (Brown 1987: 33). In other words, Robert Scorpio is conveniently – if not tokenistically – played by an Australian. The limits of tolerance of the non-American for the world of network soap are instanced in General Hospital’s casting criteria for an (American) actor to play Robert Scorpio’s long-lost brother, Malcolm. The actor, John J. York, is quoted in the ABC house journal, Episodes, saying: “They didn’t want a strong dialect [sic] . . . . They didn’t want a Paul Hogan type, because that accent is too strong. They were saying ‘just a hint’” (Kump 1991: 29). The Australian is more “exotic” than Peter Pinne may have wished: too exotic. Just the accent, though, if muted, can have an appealing otherness. The second index of the acceptability of the non-American, again Australian, has yet to be tested on the American market place. Called Paradise Beach, it is not a ready-made Australian soap seeking overseas sales, but a co-production between the Australian-based Village Roadshow, Australia’s Channel 9, and the American New World Entertainment, which has secured pre-sales to the CBS network at 7:30 p.m. week-nights (beginning June 14, 1993) and Britain’s Sky Channel as well as in nine other territories worldwide (Gill 1993; Chester 1993; Shohet 1993). As an Australian-based soap directed primarily at a teen audience, it recalls Neighbours and Home and Away. As a youth drama serial set in a beach tourism center, it recalls Baywatch and summer holiday editions of Beverly Hills 90210. And like Melrose Place and the Australian E Street, each episode includes what one report breathily calls “an MTV moment . . . a two-minute montage of sleek shots of beautiful bodies and plenty of sun, surf and sand set to the latest pop music hit” (Shohet 1993: 5). Set in and around Surfers Paradise on Queensland’s Gold Coast, it recalls, for Australian viewers, the 1983 film, Coolangatta Gold, which celebrates Australian beach culture (see Crofts 1990). It is noteworthy indeed that most of the performers are recuited from a model agency, not an actor’s agency. An American actor, Matt Lattanzi, plays an American photographer, and Australian actor, Tiffany Lamb, sports an American accent. There is a concern, understandable in a program sold overseas, to make Australian colloquialisms comprehensible (Gill 1993: 2). In terms of physical geography, the locations are Australian; in terms of cultural geography, Queensland’s Gold Coast is substantially indistinguishable from much of Florida and parts of California and Hawaii. The era of the co-production re-poses the question of the degree of acceptability of non-American material in the American market-place by begging the question of the distinguishability of the two. But given the unequal cultural exchange long obtaining between Australia and the US, with shows like Mission: Impossible being filmed in Australia to take advantage of cheap labor; given the tight money of Paradise Beach’s shooting schedule of 2.5 hours of soap per week; and given New World’s Head’s, James McNamara, ignorance of Australian soaps (“Paradise Beach is the first soap to be skewed at a teen audience” (quoted by Gill 1993: 2)), one might wonder which party is defining the." In To Be Continued..., 123. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-25.
Тези доповідей конференцій з теми "Network co-production model":
Khan, Hassan, and Clifford Louis. "An Artificial Intelligence Neural Networks Driven Approach to Forecast Production in Unconventional Reservoirs – Comparative Analysis with Decline Curve." In International Petroleum Technology Conference. IPTC, 2021. http://dx.doi.org/10.2523/iptc-21350-ms.
Hackney, R., S. K. Sadasivuni, J. W. Rogerson, and G. Bulat. "Predictive Emissions Monitoring System for Small Siemens Dry Low Emissions Combustors: Validation and Application." In ASME Turbo Expo 2016: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/gt2016-57656.
Ubando, Aristotle T., Joel L. Cuello, Mahmoud M. El-Halwagi, Alvin B. Culaba, and Raymond R. Tan. "Multi-Regional Multi-Objective Optimization of an Algal Biofuel Polygeneration Supply Chain With Fuzzy Mathematical Programming." In ASME 2014 8th International Conference on Energy Sustainability collocated with the ASME 2014 12th International Conference on Fuel Cell Science, Engineering and Technology. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/es2014-6461.
Pundle, Anamol, David G. Nicol, Philip C. Malte, and Joel D. Hiltner. "Modeling the Formation of Pollutant Emissions in Large-Bore, Lean-Burn Gas Engines." In ASME 2017 Internal Combustion Engine Division Fall Technical Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/icef2017-3577.
Hemmes, Kas, Anish Patil, and Nico Woudstra. "Internal Reforming SOFC System for Flexible Coproduction of Hydrogen and Power." In ASME 2005 3rd International Conference on Fuel Cell Science, Engineering and Technology. ASMEDC, 2005. http://dx.doi.org/10.1115/fuelcell2005-74153.
Fackler, K. Boyd, Megan F. Karalus, Igor V. Novosselov, John C. Kramlich, and Phillip C. Malte. "Experimental and Numerical Study of NOX Formation From the Lean Premixed Combustion of CH4 Mixed With CO2 and N2." In ASME 2011 Turbo Expo: Turbine Technical Conference and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/gt2011-45090.
Sasso, Maurizio, Raffaello Possidente, Carlo Roselli, and Sibilio Sergio. "3-E Analysis of a Heat Pump Driven by a Micro-Cogenerator." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-80885.
Martell, Meritxell, and Anne Bergmans. "Potential Scenarios for Broadening Stakeholder Involvement in the Implementing Geological Disposal Technology Platform." In ASME 2013 15th International Conference on Environmental Remediation and Radioactive Waste Management. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/icem2013-96151.
Lipperheide, Moritz, Thomas Bexten, Manfred Wirsum, Martin Gassner, and Stefano Bernero. "A Comparative Study of Data and Physically Based Gas Turbine Modeling for Long-Term Monitoring Scenarios: Part II — Emission Prediction Utilizing Different Levels of Design Information." In ASME Turbo Expo 2018: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/gt2018-76650.
Colella, Whitney G. "Optimizal Design and Control Strategies for Novel Combined Heat and Power (CHP) Fuel Cell Systems: Part II of II—Case Study Results." In ASME 2010 8th International Conference on Fuel Cell Science, Engineering and Technology. ASMEDC, 2010. http://dx.doi.org/10.1115/fuelcell2010-33147.