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Статті в журналах з теми "Networked feminism":
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Stevenson, Paulette. "Empowerment Discourses in Transnational Sporting Contexts: The Case of Sarah Attar, The First Female Saudi Olympian." Sociology of Sport Journal 35, no. 3 (September 1, 2018): 238–46. http://dx.doi.org/10.1123/ssj.2017-0129.
Анотація:
This article starts with the occasion of the 2012 London Olympics as “The Women’s Olympics” and looks both backward and forward to situate this occasion within the global north’s discourses of global human rights and neoliberal feminism. The global north’s coverage of the 2012 Olympics and Oiselle’s branding campaigns of Sarah Attar acts as data. I use transnational feminist analysis in combination with Foucauldian discourse analysis to trace how the global north’s discourses of human rights and neoliberal feminism travel and operate in transnational sporting contexts. As such, I trace the female athlete’s representation as white, middle-class, and heterosexual as a regime of truth. The discourses of human rights and neoliberal feminism, when networked with commodified images of women from the middle east and the politics of US feminism and the middle east, uncovers the neoliberal feminist cultural logics surrounding the branding of Attar.
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Cooky, Cheryl, and Dunja Antunovic. "“This Isn’t Just About Us”: Articulations of Feminism in Media Narratives of Athlete Activism." Communication & Sport 8, no. 4-5 (January 13, 2020): 692–711. http://dx.doi.org/10.1177/2167479519896360.
Анотація:
Historically, the world of sport has served as a symbolic site for social justice, ushering change in the wider society and inspiring movements that often do not directly or solely tie to sport. Recently, academics and sports journalists have noted a “rebirth” of athlete activism in the United States. Despite the activism of women of color, who have initiated and been at the center of these movements, and sportswomen’s outspokenness on a variety of social justice issues, women’s roles are rendered invisible in narratives that instead privilege sportsmen or men’s professional leagues. We examine articulations of feminism in the context of athlete activism and re-center the role of sportswomen. Drawing upon social media, official statements from athletes, and online news media coverage, we locate feminist narratives in networked communication, specifically in the Women’s National Basketball Association’s activism as it relates to #BlackLivesMatter and the U.S. women’s soccer equal pay lawsuit. Our analytical approach is attuned to how feminism circulates in an economy of visibility, where certain feminisms become more visible than others. Our findings illustrate how narratives of solidarity and collectivism are informed by articulations of intersectional and neoliberal feminisms. This article concludes with a call for sports media scholars to tell stories differently.
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Forlano, Laura. "Data Rituals in Intimate Infrastructures: Crip Time and the Disabled Cyborg Body as an Epistemic Site of Feminist Science." Catalyst: Feminism, Theory, Technoscience 3, no. 2 (October 19, 2017): 1–28. http://dx.doi.org/10.28968/cftt.v3i2.28843.
Анотація:
While much feminist STS has focused on science and laboratories as sites of critical engagement, feminism and feminist theory has introduced alternative sites of knowledge production and engagement. This essay draws on new materialism and feminist theories of nature, embodiment and technology in order to analyze the disabled cyborg body as an epistemic site of feminist science. In particular, I analyze my own experience of adopting and using networked technologies—specifically, an insulin pump and glucose monitor--to manage Type 1 diabetes and the kinds of scientific practices that I engage in on a daily basis. These technologies and practices deserve attention in terms of what they can teach us about common discourses around science, innovation and infrastructure and, ultimately, about ourselves.
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Fotopoulou, Aristea. "Digital and networked by default? Women’s organisations and the social imaginary of networked feminism." New Media & Society 18, no. 6 (September 29, 2014): 989–1005. http://dx.doi.org/10.1177/1461444814552264.
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Sa, Sonia de. "As RP em rede e o envolvimento dialógico em plataformas feministas (“A Coletiva” e “INMUNE”)." Las Relaciones Públicas en el nuevo milenio: retos y oportunidades 10, no. 20 (December 22, 2020): 05–26. http://dx.doi.org/10.5783/rirp-20-2020-02-05-26.
Анотація:
Feminist movements are currently asserting themselves by the capacity of involvement and aggregation of activists and the public identified with the feminist cause, who have in common both the struggle for women's rights and the spaces where they create existence and attribute dimension to that struggle: digital social networks. The purpose of this article is to understand the communication strategies, supported by dialogue, that underlie this aggregation and sharing of meaning when it comes to feminism and its close connection with the fight for gender equality, the end of gender violence or the eradication of racism. Based on the theoretical review on networked PR (Grunig, 2009; Kent, 2017), networked dialogue (Theunissen & Wan Noordin, 2011; Smith & Taylor, 2017; and networked feminism (Fullagar, Parry and Johnson, 2019; Keller, Mendes & Ringrose, 2018; Araüna, Willem & Tortajada, 2019; Yang, Uysal & Taylor, 2017), we applied content analysis (Bardin, 2006) to publications and digital interactions on two Portuguese feminist platforms. Thus, in an adaptation of the model proposed by Lane and Kent (2018) - Dialogic Engagement Interaction - this exploratory study analyzes the dialogical involvement of Coletiva and INMUNE - Instituto da Mulher Negra de Portugal. The analysis results, however, shows a low level of dialogical involvement between organizations and their audiences and, consequently, a reduced collective force to stop online hate clusters with increasing protagonism and with highly technological and effective modus operandi. Thus, the outcomes indicate that the two platforms analyzed do not apply communication strategies through dialogue, limiting exchanges between the organization and the public to the classic top-down communication option, summarizing the practice of dialogical involvement in social digital media to the publication unidirectional content and openness to comments and other reactions. As for the hypotheses raised, only one of them was validated, taking into account that 1) there was no significant dialogical involvement in the content analysis of the two feminist platforms, and 2) although we were unable to verify in the content analysis of the two feminist platforms, the theoretical review validated the idea that online anti-feminist and hate clusters can be fought by online anti-feminist and anti-hate clusters with the same effectiveness in spreading messages as the former. And here, the networked PR must take the strategic and tactical leadership of the action. This work also proposes a model for the analysis of dialogical involvement in digital social networks based on the broader initial proposal of Lane and Kent (2018). The model we propose comprises six categories: 1) existence of comment(s), sharing(s) and / or emoji(s); 2) existence of comment(s) and answer(s); 3) existence of dialogue (with the five dialogical principles: mutuality, propinquity, empathy, risk and commitment; see in Kent, 2017).; 4) existence of freedom to choose the theme and the dialogical flow (when both parts – public and organization – are given freedom to choose the topic and flow of dialogue); 5) without agenda or manipulation (when there is no intention to put issues on the agenda, essentially, those that indicate manipulation); and 6) rhetorical (when a persuasion strategy is applied by both parts participating in the dialogue).
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Pajnik, Mojca, Žiga Vodovnik, Živa Humer, and Boris Mance. "The Shape of Feminism to Come." Southeastern Europe 44, no. 3 (December 21, 2020): 343–65. http://dx.doi.org/10.30965/18763332-44030001.
Анотація:
Abstract This article explores the networked politics of feminist and lgbt movements in Slovenia, focusing on the organizational (“actional”) and the thematic (content-related) credo of the movements during the “All-Slovenian Uprisings” of 2012–2013. Analysing the movements’ “repertoires of contention”, the authors argue that the movements are driven by cross-movement and cross-issue (i.e. connective) alliances. They identify the presence and/or absence of those interconnections, and explore the content on which the movements focus and around which they generate various forms of activity. The empirical part of the article analyzes ten relevant feminist and lgbt movements in Slovenia and their online activities using the methods of network analysis. The results confirm the “prefigurative” character of movements, showing how they formulate their agenda in line with their own inner causes, so as to confirm their strategic orientation. The analysis also points to the development of the trans-thematic consciousness that emerges beyond the thematization of gender and sexual inequality, opening up larger anti-austerity issues.
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Angel, Maria, and Anna Gibbs. "Digitising Ariadne’s Thread: Feminism, Exscryption, and the Unfolding of Memory in Digital Spaces." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 6, no. 2 (August 10, 2018): 53–64. http://dx.doi.org/10.14195/2182-8830_6-2_4.
Анотація:
Working against the instantaneity of the hyperlink, new forms of feminist praxis work with movement and the unfolding of new networked and digital spaces which remake histories of women’s work. In this paper we introduce the concept of feminist exscryption to characterise the kind of performativity which refuses the evaporation of sexual difference and which draws on the lived materiality of bodies and their insertion back into the network.
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Rentschler, Carrie A., and Samantha C. Thrift. "Doing feminism in the network: Networked laughter and the ‘Binders Full of Women’ meme." Feminist Theory 16, no. 3 (December 2015): 329–59. http://dx.doi.org/10.1177/1464700115604136.
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Comeforo, Kristin, and Berna Görgülü. "Negotiating the challenge of #ChallengeAccepted: transnational digital flows, networked feminism, and the case of femicide in Turkey." Review of Communication 22, no. 3 (July 3, 2022): 213–30. http://dx.doi.org/10.1080/15358593.2022.2096414.
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Weber, Millicent, and Mark Davis. "Feminism in the troll space: Clementine Ford’s Fight Like a Girl, social media, and the networked book." Feminist Media Studies 20, no. 7 (August 15, 2019): 944–65. http://dx.doi.org/10.1080/14680777.2019.1652667.
Дисертації з теми "Networked feminism":
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Sjöberg, Cecilia. "Not One (Woman) Less Social Media Activism to end Violence Against Women: The case of the Feminist Movement ‘Ni Una Menos’." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23344.
Анотація:
The struggle to end violence against women and girls has long been a priority topic for women’s and feminist movements in Latin America. Lately, since the changes in the new media landscape (Castells 2015; Lievrouw, 2013) with the increased use of information and communication technologies (ICTs), such as social media platforms like Facebook and Twitter, the way women and feminist movements advocate their intentions are changing (Harcourt, 2013; Mathos, 2017). Departing from this reality, the aim is to investigate the role the use of social media activism played for the recent feminist movement, Ni Una Menos (NUM [Not One Less]), in Argentina and Chile while advocating for the end of violence against women. Taking a cross disciplinary approach this research combines theories from the fields of feminist studies, social movement and communication sciences. Through in-depth interviews with core activists from NUM both in Argentina and Chile as research method, it has been possible to identify the role of certain social media platforms for NUM’s tactical repertoire in their strive to advocate for the end of violence against women and girls. The findings also demonstrate the activism on social media platforms by the NUM movement has played an important role to set the topic on the public agenda in these countries, resulting in a generally greater awareness. Regardless off the role social media activism played, the importance seems to lie in a combination of activism on social media and the streets for feminist movements advocating to end violence against women because it assures a broad reach to all people in society. Nevertheless, to end violence against women in these countries much more effort is needed by society at large.
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Wright, Cassie Anne. "Networking Sports Feminism: Rhetoric, Transnational Feminisms, and Sport Policy in a Digital Era." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/293613.
Анотація:
This dissertation brings an interdisciplinary methodology to bear on the rhetorical analysis of women's sport and health social movements in the twenty-first century. Specifically, I read "sports feminism" as a rhetorical discourse that engages ongoing feminist struggles for women's rights to both their bodies and public space. Drawing on transnational feminist rhetorics, I network sports feminist arguments to international policy documents, like the Brighton and Beijing Declarations, to illustrate how the topoi of sport, health, and fitness function as commonplaces in global gender mainstreaming policy. In applying the metaphor of the network to the communicative infrastructure of global sports feminist advocacy, I also draw on new media rhetorics to analyze the role of the wireless Internet and social networking in the rhetorical practice of networking sports feminist policy and arguments across transnational lines of difference. Yet, in reading the rhetorical practices of the Women's International Sports Movement and Nike's Girl Effect through transnational feminist rhetoric, I illustrate how sports feminism is neither a homogenous discourse nor singular feminist identity, and thus, must be analyzed as a pluralistic political praxis with competing rhetorical objectives and audiences. Thus, the final chapter situates sports feminist rhetoric locally in the context of US-based girl power media culture, analyzing the impact of sports feminist rhetoric on the embodied perceptions of gender and gender relations of adolescent American girls. The project thus demonstrates the importance of understanding sports feminist rhetoric's global sociopolitical and economic roles and its impact on gendered identity and labor in the twenty-first century.
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Kusina, Jeanne Marie. "Interconnection as an Ethic of Generosity." See Full Text at OhioLINK ETD Center (Requires Adobe Acrobat Reader for viewing), 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=toledo1083714749.
Анотація:
Thesis (M.A.)--University of Toledo, 2004.Typescript. "A thesis [submitted] as partial fulfillment of the requirements of the Master of Arts degree in Philosophy." Includes bibliographical references (leaves 78-81).
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Ferraz, Claudia Pereira. "Ciborgues Coquetes: a condição da mulher no Século XXI pela cultura Ciberfeminina." Pontifícia Universidade Católica de São Paulo, 2015. http://tede2.pucsp.br/handle/handle/2511.
Анотація:
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Previous issue date: 2015-03-06Conselho Nacional de Desenvolvimento Científico e Tecnológico
This dissertation is an ethnographic methodological study on feminine and feminist communities of Facebook based on recent studies for data collection and analysis at the virtual context. From the phenomenon of the explosion of technology in social media, I mapped a female category in the social network, that I have termed as "Ciberfeminine . Such terminology, this is a representation of the patriarchal and media features in the femininity digital culture. This analyse used like resource, those online personal profiles (among girls, women and ladies) used to circumvent the ciberfeminino was done, from the practice of hidden observation of personal pages and monitoring of selected communities. The reflex of female at the social network is analysed in this dissertation, from the portraits and self-portraits are "posted", which reproduce a virtual actresses acting in Ciberfeminine at the social network, as Cyborgs Coquettish . Like this, I showed the similarities of the profile characteristics of female culture presented, immersed in Simmelian reference, where the explicit sensuality in the poses, in the looks and in the smiles, surround a segment of female culture called "coquetry." They use the instrumentalized technology to reproduce and disseminate the female image based on sexualized "beauty", working in this way, the social / virtual self-marketing. On the other hand, in the same sphere of social / virtual relationships, the traditional condition persists massacring the woman's sexuality release. As a counterpoint, I presented the recent developments of causes, on which feminists communities in Facebook have raised and have challenged. In this context, the work approaches the female class split into social niches, propagators of coercive values, scaling for online life the ideal of Foulcault panopticon. Thus, I demonstrated that social pressures for visibility may stigmatize or disciplinary female categories, from aesthetic values of image and/or from traditional moral to feminine principles, reflecting the maximum of quantitative signs in Brazilian feminine exposed on Facebook
A presente dissertação é um estudo etnográfico em comunidades femininas e feministas do Facebook baseado nos recentes estudos metodológicos para coleta e análises de dados no contexto virtual. Pelo fenômeno da explosão das tecnologias em mídias sociais, mapeei uma categoria feminina na rede social e a denominei de Ciberfeminino . Tal terminologia, se faz aqui representativa dos traços patriarcais e midiáticos, típicos da mercado na cultura da feminilidade digital. A análise dos perfis pessoais online (entre meninas, mulheres e senhoras) utilizada para contornar o ciberfeminino foi desempenhada, a partir da prática da observação oculta de paginas pessoais e do monitoramento das comunidades selecionadas. O reflexo do feminino na rede social é analisado, por esta dissertação pelos retratos e autorretratos, postados , os quais reproduzem a feminilidade ditada pelos valores tradicionais e midiáticos. Então denominei estas atrizes sociais/virtuais que atuam no Ciberfeminino da rede social, como Ciborgues Coquetes. Assim, demonstrei as semelhanças das características do perfil da cultura feminina apresentada, imersas na referência simmeliana, onde a sensualidade explícita nas poses, nos olhares e nos sorrisos, contornam um segmento da cultura feminina chamado de coquetismo . Estas utilizam a tecnologia instrumentalizada para reproduzir e disseminar a imagem feminina baseada na beleza sexualizada trabalhando desse modo, o seu auto-marketing social/virtual. Por outro lado, na mesma esfera das relações sociais/virtuais está a condição tradicional que persiste em massacrar a identidade libertadora da sexualidade da mulher. E como contraponto, apresentei os recentes desdobramentos das causas, as quais as comunidades feministas do Facebook levantam e contestam. Sob este contexto, o trabalho abordou a classe feminina desmembrada em nichos sociais com valores coercitivos, redimensionando para a vida online o ideal foulcaultiano de panóptico. Desse modo, demostrei que as pressões sociais pela visibilidade podem estigmatizar ou disciplinar as categorias femininas, aos princípios puramente estéticos da imagem e/ou moralmente tradicionais como signos máximos do feminino brasileiro no Facebook
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Silva, Talita Bristotti Pereira da. "Feminismo nas redes digitais: um estudo sobre a formata??o do movimento feminista no Facebook." Pontif?cia Universidade Cat?lica de Campinas, 2018. http://tede.bibliotecadigital.puc-campinas.edu.br:8080/jspui/handle/tede/1105.
Анотація:
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Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES
The purpose of this research is to identify the changes in the process of communication in the contemporary society observing the feminist movement in Brazil on the digital social media. As elements of analysis, data were collected from the Facebook page ?N?o Me Kahlo? about five events related to the feminist movement that had national impact. The data were used to reflect how these changes are transforming the contemporaneity. The methodology used in this study was Content Analysis, and, as support, Social Network Analys, because those tools helps to understand the current configuration of feminism on the Internet, as well as makes it possible to observe the structure of a communication process that is more collaborative. As theoretical scope, this research is mainly based on the concept of Ecosophy by the French sociologist Michel Maffesoli, who argues about the saturation? of society due the excess of searching for perfection. His theoretical proposal is to comprehend the natural social relations of the world on a network system instead of the coercion of emitter to receiver. The sociologist Bruno Latour explains in his Actor- Network Theory (ANT) the group formatting, understanding the hybrid groups between humans and object. Massimo Di Felice, another sociologist that is involved in this theoretical universe, argues about how the communication takes place in the midst of this other configuration of society.
A proposta desta pesquisa ? observar as mudan?as do processo da comunica??o na sociedade contempor?nea, a partir da compreens?o das transforma??es observadas no movimento feminista do Brasil nas redes digitais. Como elementos de an?lise, foram levantados dados da p?gina N?o Me Kahlo, no Facebook, sobre cinco fatos relacionados ao movimento feminista, que tiveram repercuss?o nacional, para tentar perceber e refletir como essas altera??es est?o acontecendo na contemporaneidade. A metodologia utilizada no estudo foi a An?lise de Conte?do, com apoio no processo de An?lise de Rede Social, por entender que essa ferramenta ajuda a compreender a atual configura??o do feminismo na Internet, bem como torna poss?vel observar a estrutura??o de um processo de comunica??o mais colaborativo. Como escopo te?rico, esta pesquisa baseia-se, principalmente, na ideia da Ecosofia do soci?logo franc?s Michel Maffesoli, que argumenta sobre a satura??o da sociedade em fun??o do excesso da busca pela perfei??o. Sua proposta te?rica ? compreender o mundo a partir do natural das rela??es sociais em um sistema de redes, e n?o mais em um esquema de imposi??o de emissor para o receptor. O conceito de Teoria Ator-Rede do soci?logo Bruno Latour auxilia no entendimento sobre a formata??o de grupos, entendendo os agrupamentos h?bridos entre humanos e objetos, enquanto o soci?logo Massimo Di Felice, que transita nesse universo te?rico, disserta sobre como a comunica??o se concretiza em meio a essa outra configura??o de sociedade.
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Rodrigues, Laís Modelli [UNESP]. "Blogs coletivos feministas: um estudo sobre o feminismo brasileiro na era das redes sociais na internet." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/148674.
Анотація:
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Esta pesquisa tem por objetivo estudar a maneira como o processo comunicativo se estabelece em blogs coletivos feministas brasileiros. Para isso, foram analisadas duas páginas: o Blogueiras Feministas, que reuni postagens de mulheres feministas de todo o país; o Blogueiras Negras, que reúne postagens de mulheres negras feministas de todo o país. Propõe-se um exercício analítico sobre a rede que é gerada a partir dessas manifestações de mulheres feministas na internet, observando: quais foram os temas pautados no período de março de 2015 e março de 2016 – meses em que se comemora o Dia Internacional da Mulher, assim como, no Brasil, compreendem o período correspondente a reeleição de Dilma Rousseff e o início do processo de impeachment da primeira presidenta brasileira – , qual foi a repercussão deles nos blogs, a periodicidade das postagens, quem são as autoras envolvidas nas postagens analisadas e se há pontos de contato entre ambos os blogs. Como protocolo metodológico, seguem-se as concepções de estudos de gênero propostas por Lagarde (2005) e Fraser (2002), vislumbra-se os métodos de pesquisa para internet de Fragoso, Recuero e Amaral (2011) e analisa-se a comunicação das feministas mediada e estruturada pelas redes sociais na internet seguindo as pontuações de Castells (2013) e Lévy (1999). Busca-se resultados diretamente relacionados com a participação político-social de cada ator e de suas conexões na rede on-line, assim como resultados diretamente relacionados com o potencial das redes sociais na internet para o revigoramento da luta feminista contemporânea no Brasil.
This research aims to study and understand how the communication process is established in feminist collective blogs in Brazil. For this, two pages were analyzed: Blogueiras Feministas, which brings together posts of feminist women from all over the country perspective; and Blogueiras Negras, a page with posts of black women, also from different parts of Brazil. It is proposed an analytical exercise on the network that is formed from these manifestations of feminist women on Internet, watching: what were guided by issues in the time of this research, what was the impact of them on blogs, frequency of posts, who are the authors involved in the posts and if there are points of contact between the two blogs studied. As a methodological protocol, this research uses conceptions of gender proposed by Lagarde studies (2005) and Fraser (2002), the internet search methods came from Fragoso, Recuero and Amaral (2011) and communication of feminists is analyzed by mediation and organization of social networks on internet based on Castells (2013) and Levy (1999). The study searched results directly related to the political and social participation of each actor and their connections in the online world and with the potential of social networks on Internet to refresh feminist contemporary struggle in Brazil.
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Rodrigues, Laís Modelli. "Blogs coletivos feministas : um estudo sobre o feminismo brasileiro na era das redes sociais na internet /." Bauru, 2016. http://hdl.handle.net/11449/148674.
Анотація:
Orientador: Mauro de Souza VenturaResumo: Esta pesquisa tem por objetivo estudar a maneira como o processo comunicativo se estabelece em blogs coletivos feministas brasileiros. Para isso, foram analisadas duas páginas: o Blogueiras Feministas, que reuni postagens de mulheres feministas de todo o país; o Blogueiras Negras, que reúne postagens de mulheres negras feministas de todo o país. Propõe-se um exercício analítico sobre a rede que é gerada a partir dessas manifestações de mulheres feministas na internet, observando: quais foram os temas pautados no período de março de 2015 e março de 2016 – meses em que se comemora o Dia Internacional da Mulher, assim como, no Brasil, compreendem o período correspondente a reeleição de Dilma Rousseff e o início do processo de impeachment da primeira presidenta brasileira – , qual foi a repercussão deles nos blogs, a periodicidade das postagens, quem são as autoras envolvidas nas postagens analisadas e se há pontos de contato entre ambos os blogs. Como protocolo metodológico, seguem-se as concepções de estudos de gênero propostas por Lagarde (2005) e Fraser (2002), vislumbra-se os métodos de pesquisa para internet de Fragoso, Recuero e Amaral (2011) e analisa-se a comunicação das feministas mediada e estruturada pelas redes sociais na internet seguindo as pontuações de Castells (2013) e Lévy (1999). Busca-se resultados diretamente relacionados com a participação político-social de cada ator e de suas conexões na rede on-line, assim como resultados diretamente relacionados com o p... (Resumo completo, clicar acesso eletrônico abaixo)
Mestre
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O'Shea, Susan Mary. "The art worlds of punk-inspired feminist networks : a social network analysis of the Ladyfest feminist music and cultural movement in the UK." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/the-art-worlds-of-punkinspired-feminist-networks--a-social-network-analysis-of-theladyfest-feminist-music-and-cultural-movement-in-the-uk(5d20bada-4101-47be-9442-c58cefe18e4d).html.
Анотація:
Riot Grrrl, Girls Rock camps and Ladyfest as social movements act as intermediaries in cultural production spaces, where music focused artefacts are made, collaborations forged, distribution networks established and reception practices enacted to create new conventions which can be understood as feminist art worlds. The growing literature on gender and cultural production, particularly in music communities such as Riot Grrrl, frequently speak of networks in qualitative narrative terms and very little is known about Ladyfest as a feminist movement and as a distribution network. This thesis offers an original contribution to cultural sociology by: employing a novel participatory action research approach to gathering social network data on translocal feminist music based cultural organisations; exploring how these networks can challenge a gendered political economy of cultural production in music worlds; understanding who participates and why; investigating how network structures impact the personal relationships, participation and collaboration opportunities for those involved. Engaging with Howard Becker’s Art Worlds theory as a framework, this thesis explores how music and art by women is produced, distributed and received by translocal networks. It takes into account contemporary issues for feminist music-based communities as well as the historical and international context of these overlapping and developing social movements. The literature suggests that one of the most pressing tasks for a sociology of the arts is to understand how organisational structures negotiate the domains of production, distribution and reception, with distribution modes being the most the most under-researched of the three. By focusing on UK Ladyfest festivals as case study sites, this research serves to address these gaps. Primary data sources include on-line social media, surveys, documents, focus groups and multi-mediainterviews. Findings indicate that those involved with Ladyfest tend to be motivated by a desire to challenge gender inequalities at a local level whilst drawing on local and international movements spanning different time periods and drawing on the works of feminist musicians. Homophily and heterophily both have important roles to play in the longitudinal development of Ladyfest networks. Participants show an awareness of intersecting inequalities such as ethnicity, class and disability with sexuality playing an important underlying role for the development of relationships within the networks. For some, Ladyfest involvement is a gateway into feminist activism and wider social and cultural participation, and for many it leads to lasting friendships and new collaborative artbased ties.
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Carmo, Quesia Silva do. "Quem precisa do feminismo? Pedagogias e narrativas feministas no Tumblr." Faculdade de Educação, 2017. http://repositorio.ufba.br/ri/handle/ri/24912.
Анотація:
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CNPq
Houve nos últimos anos um incremento do ativismo nas redes sociais na internet. Cada vez mais pessoas utilizam desses espaços virtuais para aprender, divulgar e discutir diversos temas relacionados à política, injustiças, preconceitos e opressões. As redes têm sido também locais de formação para movimentos sociais, sendo o movimento feminista um dos que mais vem se destacando no ciberespaço ultimamente. As feministas em rede tem utilizado diversas estratégias de visibilidade, sendo uma delas o compartilhamento de narrativas pessoais. Essa visibilidade tem permitido o crescimento do número de mulheres autodeclaradas feministas e que publicam diariamente narrativas feministas na rede. Um dos sites de redes sociais mais populares, principalmente entre os jovens, e que possui um grande número de conteúdo feminista, é o Tumblr e, por isso, ele foi escolhido como campo empírico de análise. Tendo isso em vista, o problema da pesquisa foi: como o feminismo tem sido disseminado no Tumblr e que pedagogias ele cria? A dissertação teve como objetivo discutir como o feminismo tem sido disseminado em rede e que tipos de pedagogias ele cria a partir da análise de narrativas de blogs autodeclarados feministas no Tumblr. O método utilizado foi o da pesquisa qualitativa, de cunho descritivo e analítico e o formato da dissertação seguiu o modelo multipaper. Dentre outros aspectos a pesquisa verificou que as redes sociais tem sido um espaço de prática de uma pedagogia crítica feminista, onde seus membros consomem produtos da indústria cultural de massa mas, ao mesmo tempo, os criticam, denunciam e reivindicam melhores representações para as minorias.
ABSTRACT In recent years there has been an increase in online activism. More and more people have been using those virtual spaces to learn, propagate and discuss plenty of themes concerning politics, injustice, prejudice and oppression. Social networks have also been used as learning environments for social movements, feminism being one of the most prominent nowadays in cyberspace. Feminists online have been using numerous visibility strategies, and personal narrative is one of them. Such visibility enables the increasing number of self-identified feminist women who share their feminist narratives online every day. Up to the end of the research period, Tumblr was one of the most popular social networks platforms, specially among young people. The website has a massive amount of feminist narratives and that‘s the reason why it was chosen as the empirical field of analysis. Considering this, the problem was: how has feminism been spread on Tumblr and which pedagogies does it create? The research aims at understanding how feminism is spread online and which pedagogies it creates by analyzing the narratives of self-identified feminist blogs on Tumblr. The methodology used was qualitative, descriptive and analytical and the thesis followed the multipaper format. Among other aspects, the research revealed that social networks have been spaces of critic feminist pedagogy practice, in which its members consume mass cultural industry products while criticizing, denouncing and fighting for better representation for minorities.
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Gruwell, Leigh C. "Multimodal Feminist Epistemologies: Networked Rhetorical Agency and the Materiality of Digital Composing." Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1436810721.
Книги з теми "Networked feminism":
1
James, Simon Rita, and Women's Freedom Network. National Conference, eds. Neither victim nor enemy: Women's Freedom Network looks at gender in America. Lanham, Md: Women's Freedom Network & University Press of America, 1995.
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Fotopoulou, Aristea. Feminist Activism and Digital Networks. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-50471-5.
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Brückner, Margrit. Frauen- und Mädchenprojekte: Von feministischen Gewissheiten zu neuen Suchbewegungen. Opladen: Leske + Budrich, 1996.
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Ahlawat, Neerja. Women organizations and social networks. Jaipur: Rawat Publications, 1995.
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Bock, Stephanie. Regionale Frauennetzwerke: Frauenpolitische Bündnisse zwischen beruflichen Interessen und geschlechterpolitischen Zielen. Opladen: Leske + Budrich, 2002.
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Dingo, Rebecca Ann. Networking arguments: Rhetoric, transnational feminism, and public policy writing. Pittsburgh, Pa: University of Pittsburgh Press, 2012.
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Román-Odio, Clara. Transnational borderlands in women's global networks: The making of cultural resistance. New York, NY: Palgrave Macmillan, 2011.
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Schönpflug, Daniel, and Oliver Janz. Gender history in a transnational perspective: Networks, biographies, gender orders. New York: Berghahn, 2014.
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Blais, Hélène. A chance to talk: The birth of the Feminist Literacy Workers' Network. Toronto, Ont: Feminist Literacy Workers' Network, 1993.
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Taylor, Verta A. Rock-a-by baby: Feminism, self help, and postpartum depression. New York: Routledge, 1996.
Частини книг з теми "Networked feminism":
1
Fotopoulou, Aristea. "Women’s Organisations and the Social Imaginary of Networked Feminism: Digital and Networked by Default?" In Feminist Activism and Digital Networks, 37–60. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-50471-5_2.
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English, Leona M., and Catherine J. Irving. "Network Feminism and Social Movement Learning." In Feminism in Community, 57–74. Rotterdam: SensePublishers, 2015. http://dx.doi.org/10.1007/978-94-6300-202-8_5.
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Thelandersson, Fredrika. "Introduction." In 21st Century Media and Female Mental Health, 1–32. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-16756-0_1.
Анотація:
AbstractThis chapter serves as the introduction to 21stCentury Media and Female Mental Health: Profitable Vulnerability and Sad Girl Culture. As such it describes the prevalence of sadness and mental health awareness in the popular media landscape of the 2020s. I describe the main sites studied—magazines, celebrities, and social media networks—to understand the contemporary discourse around gendered mental health, and the feminist media studies theories I use in my analysis. The chapter also contains a timeline of the emergence of a twenty-first-century sadness, exemplified by the artist Lana del Rey and her employment of a sad aesthetics. I also define my use of the terms neoliberalism, governmentality, biopolitics, postfeminism, and popular feminism, before briefly accounting for feminist approaches to affect theory. The chapter ends with an outline of the other chapters in the book.
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Dahl, Ulrika. "Nordic Academic Feminism and Whiteness as Epistemic Habit." In Feminisms in the Nordic Region, 113–33. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53464-6_6.
Анотація:
AbstractThis chapter is a contribution to ongoing discussions about Nordic academic feminism. It asks why and how this field continues to assume and reproduce whiteness as its naturalised point of departure and orientation and for forming a Nordic feminist “we.” It is largely conceptual, and I draw on a lived archive of 15 years of participant observation in ”Nordic” academic feminism as it has taken shape at conferences, in network and research meetings, and in classrooms and public debates. Building on the work of Sara Ahmed, Sirma Bilge, Lena Sawyer, Marta Cuesta and Diana Mulinari, I propose that whiteness can be understood as an epistemic habit of and within Nordic academic feminism. To that end, the chapter sketches a framework for understanding how whiteness is habitually and epistemically reproduced in broader logics of narration about the field, in forms of assembly and in responses to critiques of racism. Thus, whiteness is not simply a question of over-representation of white bodies, it is also about the orientations and comfort of white bodies, and about how some critiques and stories become understood as “ours” and others not.
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Fotopoulou, Aristea. "Epilogue: Looping Feminist Threads." In Feminist Activism and Digital Networks, 155–62. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-50471-5_6.
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Simon-Martin, Meritxell. "Unfolding Feminism: Letters, Networks and Friendships." In Barbara Bodichon’s Epistolary Education, 1–27. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41441-2_1.
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Outshoorn, Joyce, and Jantine Oldersma. "Dutch Decay: the Dismantling of the Women’s Policy Network in the Netherlands." In Changing State Feminism, 182–200. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230591424_10.
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Wylie, Gillian. "Neo-abolitionism and transnational advocacy networks." In Feminism, Prostitution and the State, 12–28. Abingdon, Oxon ; NewYork, NY : Routledge, 2017. | Series: Routledge studies in gender and global politics: Routledge, 2017. http://dx.doi.org/10.4324/9781315671437-2.
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Dolan, Jill. "The Social Network." In The Feminist Spectator in Action, 67–72. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-03291-1_12.
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Adiku, Geraldine Asiwome. "“Network problems”." In Global Feminist Autoethnographies During COVID-19, 64–75. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003223832-7.
Тези доповідей конференцій з теми "Networked feminism":
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Martyanov, Denis S., and Natalia A. Martianova. "Communication Strategies of Networked Feminism in Russia." In 2019 Communication Strategies in Digital Society Workshop (ComSDS). IEEE, 2019. http://dx.doi.org/10.1109/comsds.2019.8709636.
2
Ramírez Rivera, Jessica Beatriz. "Prácticas Feministas en Museos y sus Redes Sociales en México: una respuesta ante la pandemia. Feminist Practices in Museums and their Social Networks in Mexico: a response to the pandemic." In Congreso CIMED - I Congreso Internacional de Museos y Estrategias Digitales. Valencia: Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/cimed21.2021.12631.
Анотація:
El objetivo de esta comunicación es presentar algunas prácticas feministas que han hecho uso de las tecnologías en los museos de México, así como reflexionar en torno a la soberanía digital, los derechos culturales que se ejercen en las redes sociales y si estos se inscriben en la “internet feminista” desde los museos.En los últimos años, los movimientos feministas en México han tomado relevancia política, en ámbitos públicos y de intervención social. Muchas de ellas, han sido juzgadas negativamente por hacer uso de bienes culturales, lo cual ha desencadenado opiniones polarizadas.Si bien, la postura de los museos mexicanos a este respecto es reservada, existe una apertura a prácticas con perspectiva de género, desde sus investigaciones, oferta cultural y exposiciones temporales. Con las medidas de confinamiento derivadas del COVID-19, quedó claro que las estrategias de los museos para continuar sus actividades, se centraron y volcaron en las Redes Sociales y sus páginas web. Asimismo, se lograron continuar no solo con las prácticas con perspectiva de género que incipientemente se realizaban en estos espacios, si no que se incrementaron los contenidos de corte feminista y de acción política cultural.Entre los ejemplos más notables estuvieron la apertura de nuevos espacios virtuales como lo hizo el Museo Universitario de Arte Contemporáneo, con su Instagram Brillantinas MUAC, en donde se publican diversos materiales feministas desde la cultura y se ínsita al diálogo y la profundización de varios temas con perspectiva de género.Por otro lado, la actividad digital y cultural a raíz de la Conmemoración del Día Internacional para la Eliminación de las Violencias contra las Mujeres, fue adoptada por una gran cantidad de museos desde privados hasta estatales, ya sea con una mención al tema o una actividad o serie de actividades al respecto. Fue un ejercicio que trascendió a los 10 días de activismo y que obtuvo una interesante respuesta tanto negativa como positiva dentro de los públicos.Finalmente, uno de los ejercicios más interesantes que se lograron a pesar de las dificultades por la situación sanitaria, fue la iniciativa “Laboratoria: Mujeres en el Museo” lanzada por el Observatorio Raquel Padilla del Instituto Nacional de Antropología e Historia, que por medio de diversas herramientas digitales, se pudo llevar a cabo un ejercicio feminista y de soberanía digital en la elaboración de prototipos con perspectiva de género y para la prevención de las violencias contra las mujeres.-------- The objective of this communication is to present some feminist practices that have made use of technologies in museums in Mexico, as well as to reflect on digital sovereignty, the cultural rights that are exercised in social networks and if they are registered in the "Feminist internet" from museums.In recent years, feminist movements in Mexico have taken on political relevance, in public spheres and social intervention. Many of them have been judged negatively for making use of cultural property, which has triggered polarized opinions.Although the position of Mexican museums in this regard is reserved, there is an openness to practices with a gender perspective, from their research, cultural offerings and temporary exhibitions. With the confinement measures derived from COVID-19, it was clear that the museums' strategies to continue their activities were focused and turned over to Social Networks and their web pages. Likewise, it was possible to continue not only with the practices with a gender perspective that were incipiently carried out in these spaces, but also the contents of a feminist nature and of cultural political action were increased.Among the most notable examples were the opening of new virtual spaces such as the University Museum of Contemporary Art, with its Instagram Brillantinas MUAC, where various feminist materials from culture are published and the dialogue and the deepening of various issues are encouraged. gender perspective.On the other hand, the digital and cultural activity as a result of the Commemoration of the International Day for the Elimination of Violence against Women, was adopted by a large number of museums from private to state, either with a mention of the subject or an activity or series of activities in this regard. It was an exercise that transcended 10 days of activism and that obtained an interesting negative and positive response from the public.Finally, one of the most interesting exercises that were achieved despite the difficulties due to the health situation, was the initiative "Laboratory: Women in the Museum" launched by the Raquel Padilla Observatory of the National Institute of Anthropology and History, which through various digital tools, it was possible to carry out a feminist exercise and digital sovereignty in the development of prototypes with a gender perspective and for the prevention of violence against women.
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Costa, Geandreson de S., Danielle C. C. Couto, Antonio F. L. Jacob Junior, and Fábio M. F. Lobato. "Feminismo e Redes Sociais Online: uma Análise de Tweets sobre o Dia Internacional da Mulher." In Brazilian Workshop on Social Network Analysis and Mining. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/brasnam.2022.223334.
Анотація:
As redes sociais estão desempenhando um papel cada vez mais importante no suporte a discursos e agendas do movimento feminista atual. Visando identificar quais as temáticas abordadas pela agenda feminista ao redor do mundo e quais polaridades estão presentes nessas manifestações, este trabalho analisa dados coletados do Twitter relacionados ao Dia Internacional da Mulher. Para isso, foram aplicadas modelagem de tópicos e análise de sentimento. Os dados utilizados foram coletados em tempo real durante os dias anteriores e posteriores ao 8 de março nos anos de 2020 e 2021. Os resultados mostraram que as temáticas encontradas variam de um ano para o outro, mas todos estão confluentes com o movimento. E ainda, existem tópicos que sempre são abordados e que a polaridade em relação a essas manifestações tende a ser de maioria neutra.
4
Freitas Moro, Francielli, and Luciana Bolan Frigo. "Expressando Emoções e Sentimentos no Facebook." In Computer on the Beach. Itajaí: Universidade do Vale do Itajaí, 2020. http://dx.doi.org/10.14210/cotb.v11n1.p148-155.
Анотація:
Computer systems are increasingly adapting to user needs. Human-machine interaction or human-computer interaction (HCI), as it is known, has discussed sociological approaches in order to design interfaces taking into account user's differences. This article presents an analysis of the Facebook social network based on the evolution of traditional HCI and some of its concepts for feminist HCI, thus exploring its functionality and evaluating it in this context. Surveys based on the concepts of feminist HCI were applied to evaluate this methodology and the impacts on gender diversity in these systems. The results indicate that most users seek more freedom to express themselves at the system and its content.
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Hadzantonis, Michael. "Eden’s East: An ethnography of LG language communities in Seoul, South Korea." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.8-4.
Анотація:
Motivated by social inclusion, lesbian and gay communities have long attempted to negotiate languages and connected discourses. Social ascriptions act to oppress these communities, thus grounding Cameron’s (1985) Feminism and Linguistic theory. This practice of language negotiation significantly intensifies in regions where religious piety (Hinduism, Christianity, Buddhism, Islam) interacts with rigid social structure (Confucianism, Interdependency), mediating social and cultural positioning. Consequently, members of LG communities build linguistic affordances, thus (re)positioning selves so to negotiate ascribed identities and marginalizations. Paradoxically, these communities model discourses and dynamics of larger sociocultural networks, so as to contest marginalizations, thus repositioning self and other. Through a comparative framework, the current study employs ethnography, as well as conversation and discourse analyses, of LG communities, to explore ways in which these communities in Seoul (Seoul) develop and employ adroit language practices to struggle within social spaces, and to contest positivist ascriptions.
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Braga, M. Luísa P., Fabíola G. Nakamura, and Eduardo F. Nakamura. "Criação e Caracterização de um Corpus de Discurso Sexista em Português." In Brazilian Workshop on Social Network Analysis and Mining. Sociedade Brasileira de Computação, 2020. http://dx.doi.org/10.5753/brasnam.2020.11166.
Анотація:
Identificar o discurso de disseminação de ódio e preconceito é um desafio contínuo para os ambientes de mídias sociais online. Uma caracterização e identificação precisa são peças-chave para tratar e mitigar a violência, assim como, educar os usuários de forma eficaz e assertiva. A disseminação online de ódio pode ser direcionada a grupos distintos de pessoas, o que gera várias classes de discurso de ódio, como por exemplo o racismo, a homofobia ou o sexismo. Esse último é um tópico cujo interesse social tem crescido a medida que a figura feminina vence as barreiras da desigualdade de gênero. Em particular, o discurso sexista propaga e incentiva o comportamento depreciativo e abusivo contra mulheres. Neste trabalho, apresentamos um corpus de discurso sexista em Português coletado a partir de portais de notícias de grande penetração popular, como G1 e UOL, por exemplo. O trabalho apresenta três contribuições principais: (1) o processo de criação do corpus e de rotulação de comentários (sexista/não sexista); (2) a caracterização e análise do corpus e do comportamento dos rotuladores anônimos; (3) uma avaliação inicial de técnicas de aprendizagem de máquina para classificação de comentários sexistas/não sexistas. Os resultados preliminares mostram que, ao utilizar support vector machine, é possível identificar comentários sexistas com uma medida F1 acima de 0,8, precisão acima de 0,9 e revocação próxima a 0,8.
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Lee, Yuk Yee Karen, and Kin Yin Li. "THE LANDSCAPE OF ONE BREAST: EMPOWERING BREAST CANCER SURVIVORS THROUGH DEVELOPING A TRANSDISCIPLINARY INTERVENTION FRAMEWORK IN A JIANGMEN BREAST CANCER HOSPITAL IN CHINA." In International Psychological Applications Conference and Trends. inScience Press, 2021. http://dx.doi.org/10.36315/2021inpact003.
Анотація:
"Breast cancer is a major concern in women’s health in Mainland China. Literatures demonstrates that women with breast cancer (WBC) need to pay much effort into resisting stigma and the impact of treatment side-effects; they suffer from overwhelming consequences due to bodily disfigurement and all these experiences will be unbeneficial for their mental and sexual health. However, related studies in this area are rare in China. The objectives of this study are 1) To understand WBC’s treatment experiences, 2) To understand what kinds of support should be contained in a transdisciplinary intervention framework (TIP) for Chinese WBC through the lens that is sensitive to gender, societal, cultural and practical experience. In this study, the feminist participatory action research (FPAR) approach containing the four cyclical processes of action research was adopted. WBC’s stories were collected through oral history, group materials such as drawings, theme songs, poetry, handicraft, storytelling, and public speech content; research team members and peer counselors were involved in the development of the model. This study revealed that WBC faces difficulties returning to the job market and discrimination, oppression and gender stereotypes are commonly found in the whole treatment process. WBC suffered from structural stigma, public stigma, and self-stigma. The research findings revealed that forming a critical timeline for intervention is essential, including stage 1: Stage of suspected breast cancer (SS), stage 2: Stage of diagnosis (SD), stage 3: Stage of treatment and prognosis (ST), and stage 4: Stage of rehabilitation and integration (SRI). Risk factors for coping with breast cancer are treatment side effects, changes to body image, fear of being stigmatized both in social networks and the job market, and lack of personal care during hospitalization. Protective factors for coping with breast cancer are the support of health professionals, spouses, and peers with the same experience, enhancing coping strategies, and reduction of symptom distress; all these are crucial to enhance resistance when fighting breast cancer. Benefit finding is crucial for WBC to rebuild their self-respect and identity. Collaboration is essential between 1) Health and medical care, 2) Medical social work, 3) Peer counselor network, and 4) self-help organization to form the TIF for quality care. The research findings are crucial for China Health Bureau to develop medical social services through a lens that is sensitive to gender, societal, cultural, and practical experiences of breast cancer survivors and their families."
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SMORZHEVSKA, Oksana. "INCESSANT WORRY OR HAPPINESS IN UKRAINIAN." In Happiness And Contemporary Society : Conference Proceedings Volume. SPOLOM, 2021. http://dx.doi.org/10.31108/7.2021.56.
Анотація:
«Incessant worry» - this phrase-meme actively «walks» on social networks and has already become part of the language of everyday life. It is usually used in a somewhat ironic sense. But at the same time, in my opinion, this irony really contains a deep understanding of «what is happiness in Ukrainian». Cordocentrism is considered one of the characteristic features of the Ukrainian mentality. And also antheism (kinship with the native land) and execution (dominance in the psyche of the «feminine principle», but is not synonymous with femininity). All these features have found their embodiment, among other things, in art. And it is precisely the «Incessant worry» that reflects the cordocentrism of the Ukrainian character, and hence the understanding of happiness in Ukrainian. In pursuit of the material components of our everyday life, we have forgotten that happiness is harmony, it is order within ourselves and the creation of a positive attitude around us. Happiness in Ukrainian is coziness, cute little things that make our life more pleasant, it is pleasure from the work that you do, it is your health and your loved ones. And then this «Incessant worry» of Cossack Mamai, a warrior-wise man, in combination with a reeled doll (motanka), acquire a modern sound in our present. It has gone through difficult centuries, tempered in the whirlwind of complex life's vicissitudes and remains national archetypes, the cores of Ukrainian spiritual culture. KEY WORDS: «Incessant worry», happiness in Ukrainian, archetype, cordocentrism, reeled doll, Cossack Mamai.