Добірка наукової літератури з теми "Opera in the Seventeenth Century Venice"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Opera in the Seventeenth Century Venice".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Статті в журналах з теми "Opera in the Seventeenth Century Venice":
Calcagno, Mauro. "Censoring Eliogabalo in Seventeenth-Century Venice." Journal of Interdisciplinary History 36, no. 3 (January 2006): 355–77. http://dx.doi.org/10.1162/002219506774929818.
Rabb, Theodore K. "Opera, Musicology, and History." Journal of Interdisciplinary History 36, no. 3 (January 2006): 321–30. http://dx.doi.org/10.1162/002219506774929782.
Thorburn, Sandy. "What News on the Rialto? Fundraising and Publicity for Operas in Seventeenth-Century Venice." Canadian University Music Review 23, no. 1-2 (March 6, 2013): 166–200. http://dx.doi.org/10.7202/1014523ar.
Rosand, Ellen. "Commentary: Seventeenth-Century Venetian Opera as Fondamente nuove." Journal of Interdisciplinary History 36, no. 3 (January 2006): 411–17. http://dx.doi.org/10.1162/002219506774929845.
Rosselli, John. "From princely service to the open market: Singers of Italian opera and their patrons, 1600–1850." Cambridge Opera Journal 1, no. 1 (March 1989): 1–32. http://dx.doi.org/10.1017/s0954586700002743.
Mamy, Sylvie, and Ellen Rosand. "Opera in Seventeenth-Century Venice. The Creation of a Genre." Revue de musicologie 81, no. 2 (1995): 293. http://dx.doi.org/10.2307/946973.
Bouwsma, William J., and Ellen Rosand. "Opera in Seventeenth-Century Venice: The Creation of a Genre." Journal of Interdisciplinary History 23, no. 2 (1992): 383. http://dx.doi.org/10.2307/205320.
Schmidt, Carl B., and Ellen Rosand. "Opera in Seventeenth-Century Venice: The Creation of a Genre." Notes 49, no. 2 (December 1992): 520. http://dx.doi.org/10.2307/897890.
Williams, Sarah F. "Opera and Women's Voices in Seventeenth-Century Venice. Wendy Heller." Early Modern Women: An Interdisciplinary Journal 1 (September 1, 2006): 159–61. http://dx.doi.org/10.1086/emw23541461.
Bruno, Salvatore, and Ellen Rosand. "Opera in Seventeenth-Century Venice: The Creation of a Genre." Italica 70, no. 3 (1993): 406. http://dx.doi.org/10.2307/479570.
Дисертації з теми "Opera in the Seventeenth Century Venice":
Miller, Robin A. (Robin Annette). "The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277705/.
MARGETTS, JAMES ANOR. "Echoes of Venice: The Origins of the Barcarolle for Solo Piano." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218894990.
Calcagno, Mauro P. "Staging musical discourses in seventeenth-century Venice : Francesco Cavalli's Eliogabalo (1667) /." Ann Arbor (Mich.) : UMI, 2005. http://catalogue.bnf.fr/ark:/12148/cb40050069g.
De, Vivo Filippo Luciano Carlo. "Wars of papers : communication and polemic in early seventeenth-century Venice." Thesis, University of Cambridge, 2002. https://www.repository.cam.ac.uk/handle/1810/272055.
Patierno, Carolina. "Miti allo specchio : Ero e Leandro, Piramo e Tisbe : dal testo alla scena, dalle fonti classiche alle riscritture del Seicento italiano." Thesis, Sorbonne université, 2021. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2021SORUL152.pdf.
The present research focuses on the reception of the fabulæ of Hero and Leander and of Pyramus and Thisbe in Seventeenth-century Italian literature, in particular in four texts differing by genre, style and geographical origin: the idyll of Giovanni Capponi, Gli amori infelici di Ero e Leandro (1618); the ‘favola maritima’ Hero e Leandro (1630) and the ‘lieta favola’ La Tisbe by Francesco Bracciolini; and the ‘dramma per musica’ Il Leandro by Badovero-Pistocchi (1679). The decision to place the two myths in close relationship with each other was inspired by some remarks found in authoritative historical-philological studies on the origin of the ancient Greek novel and the Greek novella (Rodhe 1876, Lavagnini 1921, Cataudella 1957) where the two fabulæ are cited as examples of proto-novels for the insistent recurrence in them of topoi proper to the Hellenic novel. Starting from an accurate thematic-rhetorical analysis of the 'common heritage', or rather, of the 'Hellenic-romance nucleus' belonging to the classic versions of reference (Mus.; Ov., Her. 18-19; Ov. Met., IV, 55-166), the course of the research in modern rewritings in question follows three main coordinates: verification of the idea of correspondence between the two myths, already found in the ancient, medieval and Renaissance versions, and identification of the ways in which it is expressed in seventeenth-century texts; analysis of the processes of rewriting the myth within the new Baroque metamorphoses and the new stage hybrids, both in reference to the interaction between the 'Hellenic-romance nucleus', tragic inheritance and influences of the idyllic and pastoral genre, as well as in regard to the relationship between Hellenic and Baroque romance; focus on the hermeneutic aspect within which to read the new meaning assumed by the myth: clementia or sententia for the two couples of lovers?
Karp, Jamie Marie. "The Changing Symbolic Images of the Trumpet: Bologna and Venice in the Seventeenth Century." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500135/.
Lin, Thomas Wen Tsen. "Giasone's Travels: Opera and Its Performance in the Seventeenth Century." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467520.
Music
Hammerton, Rachel Joan. "English impressions of Venice up to the early seventeenth century : a documentary study." Thesis, University of St Andrews, 1987. http://hdl.handle.net/10023/2792.
Pfost, Bodie. "The Trombone in A: Repertoire and Performance Techniques in Venice in the Early Seventeenth Century." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/19710.
Henderlight, Justin. "Declamation in seventeenth-century English opera, or the nature of "recitative musick"." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42032.
Книги з теми "Opera in the Seventeenth Century Venice":
Rosand, Ellen. Opera in seventeenth-century Venice: The creation of a genre. Berkeley: University of California Press, 1991.
Heller, Wendy Beth. Emblems of eloquence: Opera and women's voices in seventeenth-century Venice. Berkeley: University of California Press, 2003.
Glixon, Beth Lise. Inventing the business of opera: The impresario and his world in seventeenth-century Venice. New York: Oxford University Press, 2005.
Glixon, Beth Lise. Inventing the business of opera: The impresario and his world in seventeenth-century Venice. New York, NY: Oxford University Press, 2006.
Alm, Irene Marion. Theatrical dance in seventeenth-century Venetian opera. Ann Arbor: UMI Dissertation Services, 1993.
Setton, Kenneth Meyer. Venice, Austria, and the Turks in the seventeenth century. Philadelphia: American Philosophical Society, 1991.
Burke, Peter. Venice and Amsterdam: A study of seventeenth-century elites. 2nd ed. Cambridge, UK: Polity Press, 1994.
Altieri, Joanne. The theatre of praise: The panegyric tradition in seventeenth-century English drama. Newark: University of Delaware Press, 1986.
Coryate, Thomas. Venice visited: Being a dozen extracts from the journal of Thomas Coryat, who, in the early seventeenth century, walked from Somerset to Venice and back. Bath: Old School Press, 1999.
Aikin, Judith Popovich. A language for German opera: The development of forms and formulas for recitative and aria in seventeenth-century German libretti. Wiesbaden: Harrassowitz, 2002.
Частини книг з теми "Opera in the Seventeenth Century Venice":
Tedesco, Anna. "Ancora sulla fortuna de La Fuerza lastimosa nell’opera del Seicento: Alfonso I di Matteo Noris (Venezia Napoli Palermo)." In Studi e saggi, 179–204. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.12.
Davis, Robert C. "9. Arsenal and Arsenalotti: Workplace and Community in Seventeenth-Century Venice." In The Workplace before the Factory, edited by Leonard N. Rosenband, 180–203. Ithaca, NY: Cornell University Press, 2020. http://dx.doi.org/10.7591/9781501737732-011.
Shaw, James. "14. Liquidation or certification? Small claims disputes and retail credit in seventeenth-century Venice." In Buyers and Sellers, 277–95. Turnhout: Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.seuh-eb.4.00125.
Kennedy, T. Frank. "Jesuit Opera in Seventeenth-Century Vienna: Patientis Christi memoria by Johann Bernhard Staudt (1654–1712)." In The Jesuits II, edited by John W. O’Malley, Gauvin Alexander Bailey, Steven J. Harris, and T. Frank Kennedy, 787–92. Toronto: University of Toronto Press, 2005. http://dx.doi.org/10.3138/9781442681552-048.
Markaki, Tatiana. "Innovations and the art of deception: mixed cloths in Venetian Crete (17th century)." In La moda come motore economico: innovazione di processo e prodotto, nuove strategie commerciali, comportamento dei consumatori / Fashion as an economic engine: process and product innovation, commercial strategies, consumer behavior, 15–24. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-565-3.04.
Calcagno, Mauro. "Censoring Eliogabalo in Seventeenth-Century Venice." In Studies in Seventeenth-Century Opera, 181–203. Routledge, 2017. http://dx.doi.org/10.4324/9781315087610-7.
Glixon, Beth L. "La sirena antica dell’Adriatico: Caterina Porri, a Seventeenth-Century Roman Prima Donna on the Stages of Venice, Bologna, and Pavia." In Studies in Seventeenth-Century Opera, 207–33. Routledge, 2017. http://dx.doi.org/10.4324/9781315087610-8.
Glixon, Beth L., and Jonathan E. Glixon. "INTRODUCTION TO THE BUSINESS OF OPERA IN SEVENTEENTH‐CENTURY VENICE: PEOPLE AND FINANCES." In Inventing the Business of Opera, 3–16. Oxford University Press, 2006. http://dx.doi.org/10.1093/acprof:oso/9780195154160.003.0001.
"OPERA." In Music in the Seventeenth Century, 161–264. Cambridge University Press, 1987. http://dx.doi.org/10.1017/cbo9780511586132.006.
Antonelli, Valerio, Raffaele D’Alessio, and Emanuela Mattia Cafaro. "Bookkeeping Treatises in Seventeenth-Century Venice." In The Origins of Accounting Culture, 101–25. Routledge, 2018. http://dx.doi.org/10.4324/9781315102627-6.
Тези доповідей конференцій з теми "Opera in the Seventeenth Century Venice":
Simou, Xeni. "The Old Navarino fortification (Palaiokastro) at Pylos (Greece). Adaptation to early artillery." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11389.
Ballarin, Matteo, and Nadia D'Agnone. "Paesaggio, suolo, tempo: la rappresentazione dei tempi geologici nella citta' di Catania." In International Conference Virtual City and Territory. Roma: Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.8041.