Готові списки джерел за темами / Phrase rhythm in macrotext

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Добірка наукової літератури з теми "Phrase rhythm in macrotext"

Автор: Grafiati
Опубліковано: 3 червня 2025
Оновлено: 31 липня 2025

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Статті в журналах з теми "Phrase rhythm in macrotext"

1

Kulyaeva, E., and S. Chapayeva. "Rhythm as the main part of makroteksta: the example of the passage from a novel by S. O'Casey "I knock on the door"." Bulletin of Science and Practice, no. 11 (November 14, 2017): 430–34. https://doi.org/10.5281/zenodo.1048744.

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Анотація:
The present article is devoted to the study of rhythm in English speech, which is regarded as the general-linguistic system that organizes language in general. In the author’s view, the rhythm is considered as a special type of contextual indicator, as it is involved in the corresponding of meaning. As an example, a passage from the autobiographical novel by the Irish writer Sean O’Сasey is taken.
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2

Love, Stefan. "An Approach to Phrase Rhythm in Jazz." Journal of Jazz Studies 8, no. 1 (2012): 4. http://dx.doi.org/10.14713/jjs.v8i1.35.

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Анотація:
In jazz improvisation, the meter of the original theme is strictly preserved, and the middleground harmonies are maintained, while the original melody is varied freely, especially with respect to its grouping structure—where phrases begin and end. This poses problems for theories of phrase rhythm that rely on a tonal definition of the phrase. In this paper, I propose a new approach to jazz phrase rhythm. First, I divide a melody into segments on the basis of four criteria. Then I classify each segment on the basis of its relationship to the meter and to surrounding segments. The result is a hi
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3

Graybill, Roger, and William Rothstein. "Phrase Rhythm in Tonal Music." Notes 48, no. 2 (1991): 502. http://dx.doi.org/10.2307/942052.

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4

Sutcliffe, W. Dean, and William Rothstein. "Phrase Rhythm in Tonal Music." Music Analysis 10, no. 3 (1991): 388. http://dx.doi.org/10.2307/853976.

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5

Fernández-Soto, Alicia, Arturo Martínez-Rodrigo, José Moncho-Bogani, José Miguel Latorre, and Antonio Fernández-Caballero. "Neural Correlates of Phrase Quadrature Perception in Harmonic Rhythm: An EEG Study Using a Brain–Computer Interface." International Journal of Neural Systems 28, no. 05 (2018): 1750054. http://dx.doi.org/10.1142/s012906571750054x.

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Анотація:
For the sake of establishing the neural correlates of phrase quadrature perception in harmonic rhythm, a musical experiment has been designed to induce music-evoked stimuli related to one important aspect of harmonic rhythm, namely the phrase quadrature. Brain activity is translated to action through electroencephalography (EEG) by using a brain–computer interface. The power spectral value of each EEG channel is estimated to obtain how power variance distributes as a function of frequency. The results of processing the acquired signals are in line with previous studies that use different music
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6

Gandour, Jack, Bernd Weinberg, Soranee Holasuit Petty, and Rochana Dardarananda. "Rhythm in Thai Esophageal Speech." Journal of Speech, Language, and Hearing Research 29, no. 4 (1986): 563–68. http://dx.doi.org/10.1044/jshr.2904.563.

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Анотація:
Duration measurements associated with rhythmic aspects of speech produced by one Thai esophageal speaker were compared to previously published identical measures for normal Thai speakers. Measures of central tendency and variability were taken of the duration of syllables, pauses, phrases, and interstress intervals. Despite a slower-than-normal overall speaking rate and a shorter-than-normal phrase length, the esophageal speaker was able to maintain normal relative temporal relations among syllables within phrases. Although his speech was dysrhythmic at the overall discourse level, it was rhyt
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7

Morgan, Robert P. ": Phrase Rhythm in Tonal Music . William Rothstein ." 19th-Century Music 15, no. 1 (1991): 75–80. http://dx.doi.org/10.1525/ncm.1991.15.1.02a00070.

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8

Byrne, Cathy. "The interrelation of rhythm and pitch in Bartók’s first Piano Concerto." Studia Musicologica 53, no. 1-3 (2012): 275–84. http://dx.doi.org/10.1556/smus.53.2012.1-3.19.

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Анотація:
The central hypothesis of this paper is that rhythmic patterns in Bartók’s melodies correlate with intervallic structure. Recognition of a motif or phrase as a distinct musical idea depends on its rhythmic character as well as its ordering of pitches. Rhythmic asymmetry is also significant to the rhythm-pitch interrelation theory. In Bartók’s music, rhythm often varies while the melodic identity is retained. Equally, his use of chromaticism and inversion as forms of melodic variation often occur with the rhythmic identity intact. Many rhythmic patterns form phrases that undergo such extreme ch
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9

Ng, Samuel. "Phrase Rhythm as Form in Classical Instrumental Music." Music Theory Spectrum 34, no. 1 (2012): 51–77. http://dx.doi.org/10.1525/mts.2012.34.1.51.

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10

Portugalskaia, A. A., G. Ja Levenchik, and V. B. Pavlenko. "THE ACTIVITY OF THE MIRROR SYSTEM OF THE BRAIN DURING THE PERCEPTION OF SPEECH AND ITS RELATIONSHIP WITH THE LEVEL OF INTELLIGENCE AND EMPATHY." Scientific Notes of V.I. Vernadsky Crimean Federal University. Biology. Chemistry 7 (73), no. 1 (2021): 156–68. http://dx.doi.org/10.37279/2413-1725-2021-7-1-156-168.

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Анотація:
Previously, researchers hypothesized that the emergence of a system of mirror neurons (MNS) in the process of evolution could be a key mechanism that ensured the appearance of speech in humans. The aim of this work was to establish a relationship between the activity of the MNS in the perception of speech messages, indicators of intelligence and empathy. 25 healthy men and women (18–35 years old) were test subjects. We found that when observing hand movements with a computer mouse on a monitor screen and performing such movements independently, the power of EEG mu- and tau rhythms in the centr
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Дисертації з теми "Phrase rhythm in macrotext"

1

Reef, John S. "Perspectives on phrase rhythm in J. S. Bach's keyboard fugues." Thesis, Indiana University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3623241.

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<p> This dissertation posits that an essential aspect of temporal experience in Bach's keyboard fugues resides in the interaction of their inherent repetition with a general, unsystematic trend toward longer phrases as the pieces unfold, and it inquires into how this interaction takes place. This inquiry necessitates a subsidiary inquiry into the segmentation schemes operative in these fugues and into how these schemes promote phrase-rhythmic continuity. Analytical methodologies draw mainly from Schenkerian theories of phrase rhythm, as exemplified by the work of William Rothstein and Channan
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2

Geyer, Benjamin M. "Meter, Phrase, and Form in the Compositions of Maria Schneider." UKnowledge, 2016. http://uknowledge.uky.edu/music_etds/56.

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The central claims of this study are that Maria Schneider relies on normative rhythmic structures from the jazz tradition, and that her expressive deviations from those norms are comprehensible to experienced listeners in real time. The study proposes a non-recursive model of hypermeter wherein the measure is formed through entrainment, the four-bar sub-unit is formed through recognizable qualia at the measure level, and the eight-bar level is formed through the expectation for sub-units to group into pairs. I introduce the “structural phrase” as a unit that, while normatively hypermetrical, i
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3

Heilgendorff, Simone. "Die Analyse des «Phrase Rhythm» von William Rothstein - ein amerikanisches Modell zum Verständnis tonaler Musik." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37080.

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4

Landey, Peter M. "Phrase rhythm and thematic function in early nineteenth-century music theory : Anton Reicha and his contemporaries." Thesis, Goldsmiths College (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262598.

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5

Deslauriers, Claire. "Le morphème etc. chez Stendhal : du fait de langue au trait de style." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSEN013/document.

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Анотація:
Aucune étude systématique dans le domaine de la linguistique française n’a porté spécifiquement sur le morphème etc. Nous proposons de cerner les enjeux de cet objet linguistique et littéraire problématique, en diachronie puis en synchronie. Notre travail s’ouvre sur les questions de l’origine et la morphosyntaxe de etc. En effet, l’histoire de la langue permet d’observer le processus de figement partiel de la séquence « coordonnant + adjectif substantivé » et dans un même temps, de distinguer deux grands types d’emplois du morphème. Ces deux types d’emplois établissent un critère de classemen
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Книги з теми "Phrase rhythm in macrotext"

1

Rothstein, William Nathan. Phrase rhythm in tonal music. Schirmer Books, 1989.

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2

Kratus, John Kevin. Rhythm, melody, motive, and phrase characteristics of original songs by children aged five to thirteen. [s.n.], 1985.

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3

Beach, David. Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive and Form. Taylor & Francis Group, 2019.

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4

Beach, David. Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive and Form. Taylor & Francis Group, 2019.

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5

Beach, David. Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive and Form. Taylor & Francis Group, 2019.

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6

Beach, David. Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive and Form. Taylor & Francis Group, 2019.

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7

Beach, David. Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form. Taylor & Francis Group, 2013.

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8

Beach, David. Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form. Taylor & Francis Group, 2013.

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9

Beach, David. Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form. Taylor & Francis Group, 2013.

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10

Beach, David. Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form. Taylor & Francis Group, 2013.

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Частини книг з теми "Phrase rhythm in macrotext"

1

Beach, David. "Phrase Rhythm and Phrase Expansion." In Schenkerian Analysis. Routledge, 2019. http://dx.doi.org/10.4324/9780429453793-3.

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2

Santa, Matthew. "Hypermeter and Phrase Rhythm." In Hearing Rhythm and Meter. Routledge, 2019. http://dx.doi.org/10.4324/9781351204316-2.

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3

Santa, Matthew. "Phrase Expansions and Hypermeter." In Hearing Rhythm and Meter. Routledge, 2019. http://dx.doi.org/10.4324/9781351204316-3.

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4

Stephenson, Ken. "Phrase Rhythm." In What to Listen For in Rock. Yale University Press, 2002. http://dx.doi.org/10.12987/yale/9780300092394.003.0002.

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5

"Phrase Rhythm." In Schubert's Mature Instrumental Music. Boydell & Brewer, 2017. http://dx.doi.org/10.2307/j.ctvbtzptx.5.

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6

"Phrase Rhythm and Phrase Expansion." In Advanced Schenkerian Analysis. Routledge, 2013. http://dx.doi.org/10.4324/9780203122716-11.

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7

"1 Phrase Rhythm." In What to Listen For in Rock. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300128239-003.

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8

Schachter, Carl. "Rhythm, Hypermeter, and Phrase." In The Art of Tonal Analysis. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780190227395.003.0010.

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9

"Chapter Two. Phrase Rhythm." In Schubert's Mature Instrumental Music. Boydell and Brewer, 2017. http://dx.doi.org/10.1515/9781787440166-003.

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10

Willner, Channan. "Sequential expansion and Handelian phrase rhythm." In Schenker Studies 2. Cambridge University Press, 1999. http://dx.doi.org/10.1017/cbo9780511470295.012.

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Тези доповідей конференцій з теми "Phrase rhythm in macrotext"

1

Jabeen, Farhat, and Elisabeth Delais-Roussarie. "The Accentual Phrase in Urdu/Hindi: A prosodic unit at the interplay between rhythm and intonation." In 10th International Conference on Speech Prosody 2020. ISCA, 2020. http://dx.doi.org/10.21437/speechprosody.2020-111.

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2

Vyshpinska, Yaryna. "Formation of Creative Personality of Students Majoring in «Preschool Education» in the Process of Studying the Methods of Musical Education." In ATEE 2020 - Winter Conference. Teacher Education for Promoting Well-Being in School. LUMEN Publishing, 2021. http://dx.doi.org/10.18662/lumproc/atee2020/38.

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Анотація:
The body of the article goes on to discuss the creative models of a student’s personality’s development in the process of mastering the course «Theory and methods of musical education of the preschool children». In general, the teacher's profession accumulates a big number of opportunities for the creative improvement of a would-be teacher's personality. All types of activities used while working with children in the process of mastering the artistic competencies (like fine arts, modeling, designing, appliqué work or musical activities) require not only technical skills, but also sufficient cr
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