Готові списки джерел за темами / Popular culture – california – los angeles

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Добірка наукової літератури з теми "Popular culture – california – los angeles"

Автор: Grafiati
Опубліковано: 25 липня 2024
Оновлено: 31 липня 2025

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Статті в журналах з теми "Popular culture – california – los angeles"

1

Zappia, Natale. "Map Room." California History 91, no. 4 (2014): 4–5. http://dx.doi.org/10.1525/ch.2014.91.4.4.

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In the minds of Californians, then, Mulholland’s aqueduct represents a historical pivot; a before-and-after event when farmers lost and the city won; a moment when Los Angeles began to soak the desert with water and populate it with people. The idea that the city is an actual desert disguised by uninhibited water theft has permeated the minds of policy makers and popular culture (i.e. “Chinatown”) for so long that it is hard to rectify the map above with the “genesis myth” of the Owens River Aqueduct. Yet, in the minds of engineers in 1888 (when the population of Los Angeles stood at around 50
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2

Hidalgo, Leigh-Anna. "The Love Story against Displacement." Latin American and Latinx Visual Culture 3, no. 2 (2021): 11–28. http://dx.doi.org/10.1525/lavc.2021.3.2.11.

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Fotonovelas, or photo-based comics, are a form of popular visual culture with a long history within Latin America and US Latinx communities. In 2016, I was part of a cross-disciplinary team of scholars from University of California, Los Angeles, who partnered with the East LA Community Corporation (ELACC)—through an Urban Humanities Initiative funded by the Andrew W. Mellon Foundation. Based in Boyle Heights, ELACC is a community-driven development organization focused on building affordable housing for local residents and improving quality of life in the neighborhood. Given the lack of engage
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3

Jacobs, Elizabeth. "The Theatrical Politics of Chicana/Chicano Identity: from Valdez to Moraga." New Theatre Quarterly 23, no. 1 (2007): 25–34. http://dx.doi.org/10.1017/s0266464x06000601.

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Critical opinion over the role of popular culture in relation to ethnic and cultural identity is deeply divided. In this essay, Elizabeth Jacobs explores the dynamics of this relationship in the works of two leading Mexican American playwrights. Luis Valdez was a founding member of El Teatro Campesino (Farmworkers' Theatre) in California during the 1960s. Originally formed as a resistance theatre, its purpose was to support the Farmworkers' Union in its unionization struggle. By the early 1970s Valdez and the Teatro Campesino were moving in a different direction, and with Zoot Suit (1974) he o
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4

DeNora, Tia. "Popular Music and National Culture in Israel. By Motti Regev and Edwin Seroussi. Berkeley and Los Angeles: University of California Press, 2004. Pp. x+298. $24.95." American Journal of Sociology 111, no. 4 (2006): 1245–47. http://dx.doi.org/10.1086/503000.

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5

Clunas, Craig. "David Johnson and tow others (ed).: Popular culture in late imperial China. xvii, 449 pp. Berkeley, Los Angeles and London: University of California Press, 1985. £33.95." Bulletin of the School of Oriental and African Studies 50, no. 3 (1987): 587–88. http://dx.doi.org/10.1017/s0041977x00040040.

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Schwartz, Vanessa R. "Pulp Surrealism: Insolent Popular Culture in Early‐Twentieth‐Century Paris. By Robin Walz. Berkeley and Los Angeles: University of California Press, 2000. Pp. xii+206. $35.00." Journal of Modern History 74, no. 4 (2002): 865–67. http://dx.doi.org/10.1086/376236.

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Kruse, K. M. "ERIC AVILA. Popular Culture in the Age of White Flight: Fear and Fantasy in Suburban Los Angeles. (American Crossroads, number 13.) Berkeley and Los Angeles: University of California Press. 2004. Pp. xx, 308. $39.95." American Historical Review 111, no. 2 (2006): 526–27. http://dx.doi.org/10.1086/ahr.111.2.526.

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8

Link, Perry. "War and Popular Culture: Resistance in Modern China, 1937–1945. By Chang-tai Hung. Berkeley, Los Angeles, London: University of California Press, 1994. xvi, 432 pp. $37.00." Journal of Asian Studies 54, no. 2 (1995): 538–40. http://dx.doi.org/10.2307/2058779.

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9

Harris, Rachel. "China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978–1997. By Nimrod Baranovitch. [Berkeley, Los Angeles and London: University of California Press, 2003. xiv+332 pp. £16.95; $24.95. ISBN 0-520-23450-2.]." China Quarterly 178 (June 2004): 518–19. http://dx.doi.org/10.1017/s0305741004270291.

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An enjoyable overview of the world of pop, rock and politics in Beijing, accessible for students of Chinese culture and popular music studies. This is an area that has been exceptionally well covered in the literature, and Baranovitch's claim to originality lies mainly in his focus on ethnicity and gender. The overview of the development of pop from 1978–97 does a useful job of drawing together the various strands, though most of this is very familiar from the writings of Geremie Barmé, Andrew Jones et al. We begin with the introduction of Gangtai (Hong Kong and Taiwan pop) to the mainland, le
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Holmes, Larry E. "Russian Peasant Schools: Officialdom, Village Culture, and Popular Pedagogy, 1861-1914. By Ben Eklof. Berkeley, Los Angeles, and London: University of California Press, 1986. xv, 652 pp. Figures. Tables. Cloth." Slavic Review 46, no. 3-4 (1987): 605–6. http://dx.doi.org/10.2307/2498121.

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Дисертації з теми "Popular culture – california – los angeles"

1

Goldberger, Stephanie. "Mexican-Americans in Los Angeles: Strengthening Their Ethnic Identity Through Chivas USA." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/307.

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A large Mexican-American population already exists in Los Angeles and, with each generation, it continues to rise. This Mexican-American community has maintained its connection to its heritage by playing and watching soccer, Mexico’s top watched sport. In this thesis, I analyze how Major League Soccer's Chivas USA serves as an outlet through which many Mexicans in Los Angeles have developed their ethnic identities. Since the early twentieth century, Mexicans in Los Angeles have created separate residential communities and sports organizations to strengthen their connections with one another. T
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2

Clegg, Mindy L. ""Through the Roof and Underground": Translocal Hardcore Punk in Los Angeles and Ljubljana." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/history_theses/44.

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ABSTRACT Punk moved from a marginal subculture to an underground counter-culture -- hardcore punk -- which shared musical culture and sense of a communal identity. Local punk scenes grew, in part due to attention from mass media. New kids in the scene brought new tensions and attracted the attention of authorities. Two police incidents signaled a shift in the punks' view of themselves. I examine two punk scenes from 1975 to 1985 in Los Angeles, USA and Ljubljana, Yugoslavia by looking at newspapers, television programs, fanzines, music, and clothing. I show that a loosely connected group of in
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Rios, Bernardo Ramirez. "Culture, Migration, and Sport: A Bi-National Investigation of Southern Mexican Migrant Communities in Oaxaca, Mexico and Los Angeles, California." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338140496.

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4

Weller, Rebecca Ann. "Los Angeles look(ing) process, perception, and popular culture in the art of Larry Bell, Craig Kauffman, and John McCracken /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 270 p, 2008. http://proquest.umi.com/pqdweb?did=1601513221&sid=2&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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5

Evans, Victoria Louise, and n/a. "Douglas Sirk, aesthetic modernism, and the culture of modernity." University of Otago. Department of Media, Film and Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080707.122544.

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In this dissertation, I argue that Douglas Sirk was attempting to dissolve the boundaries of the cinematic medium by assimilating elements of avant-garde art, architecture and design into the colour, composition and settings of many of his most popular studio produced films. While the exaggerated artifice of this director�s formal style has often been remarked upon, it has yet to be interpreted in the light of his detailed cognisance of the major art and architectural movements of the period, which include German Expressionist painting and Machine Age Modernist design. This is a lacuna that my
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Alvarez, Luis Alberto. "The power of the zoot : race, community, and resistance in American youth culture, 1940-1945 /." Thesis, Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008265.

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Oliveira, Campoy Juliana de. "Framing the presidency : presidential depictions on Fox's fictional drama 24." Thesis, 2014. http://hdl.handle.net/1805/5754.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>Framing theory is one of the most used theories in the discussion of media effects on how people make sense of issues, especially in the political environment. Although it is majorly used for the discussion of news media, framing theory can also be applied in other areas surrounding media production. This thesis uses this theory to discuss how presidents are framed in fiction and implications of race and gender in the assessment of presidential characters by analyzing Fox’s fictional drama 24. Although at first the show seems to b
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Книги з теми "Popular culture – california – los angeles"

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Phoenix, Charles. Southern California in the '50s: Sun, fun, fantasy. Angel City Press, 2001.

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2

Avila, Eric. Popular culture in the age of white flight: Fear and fantasy in suburban Los Angeles. University of California Press, 2006.

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3

Hernandez, Robb. The fire of life: The Robert Legorreta-Cyclona collection. UCLA Chicano Studies Research Center Press, 2009.

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4

Hernandez, Robb. The fire of life: The Robert Legorreta-Cyclona collection, 1962-2002. UCLA Chicano Studies Research Center Press, 2008.

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5

Klein, Norman M. The history of forgetting: Los Angeles and the erasure of memory. Verso, 2008.

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6

Klein, Norman M. The history of forgetting: Los Angeles and the erasure of memory. Verso, 1998.

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7

Kim, Sojin. Chicano graffiti and murals: The neighborhood art of Peter Quezada. University Press of Mississippi, 1995.

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8

McGimpsey, David. Hamburger Valley, California. ECW Press, 2001.

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9

Palm, Carl. The great California story: Real-life roots of an American legend. Northcross Books, 2004.

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10

Blasis, Celeste De. Graveyard peaches: A California memoir. St. Martin's Press, 1991.

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Частини книг з теми "Popular culture – california – los angeles"

1

Hartig, Anthea. "“A Most Advantageous Spot on the Map”: Promotion and Popular Culture." In A Companion to Los Angeles. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444390964.ch16.

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2

Padoongpatt, Mark. "“More Than a Place of Worship”." In Flavors of Empire. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520293731.003.0005.

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This chapter examines food festivals at the Wat Thai of Los Angeles, the first and largest Thai Buddhist temple in the nation, which was established in 1979, as a window on the relationship between food, race, and place in the suburbs during the 1980s. It charts Thai American suburbanization in the East San Fernando Valley near Wat Thai and traces the history of the temple, including how it evolved into a community space that became popular for its weekend food festivals. The festivals, which attracted thousands of visitors, fostered a public-oriented Thai American suburban culture that was a
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3

Moser, Patrick. "Introduction." In Surf and Rescue. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044441.003.0001.

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The popular image of California beaches as a place of fun and excitement was first established as a marketing venture in 1907 when mixed-raced Native Hawaiian George Freeth was hired to give surfing exhibitions in western Los Angeles. When Freeth joined a local volunteer lifeguard program, his instruction of surfing, swimming, and lifeguarding helped change how Southern Californians perceived the beach because of the persistent problem of drowning. Freeth’s sense of beach culture, drawn from his Native Hawaiian roots, always included women, whom he taught to swim, row, dive, and surf. Though h
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4

Gurza, Agustin. "A Century of Latin Music at the Hollywood Bowl." In Tide Was Always High. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520294394.003.0006.

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This chapter focuses on the Hollywood Bowl, summer home of the Los Angeles Philharmonic, and one of the first institutions to support cultural diversity even before that term entered the popular lexicon. The Hollywood Bowl has had a long-running practice of sharing its prestigious stage with Latino artists working in a wide variety of musical genres, from classical to mariachi, romantic boleros to hard-driving salsa and Latin jazz. In 2009, there was much ado about the arrival of Gustavo Dudamel as the philharmonic's latest musical director. However, many of those cheering the move may not hav
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Courtney, Susan. "Framing the Bomb in the West." In Cinema's Military Industrial Complex. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520291508.003.0012.

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Focused on the period of atmospheric (above-ground) nuclear weapons testing in the continental United States, from 1945 to 1963, this chapter, written by Susan Courtney, does two things. First, it describes some of the basic conditions and infrastructure that shaped the proliferation of films of nuclear weapons tests, including the U.S. government’s secret military film studio dedicated to this work in the hills above Los Angeles, known as Lookout Mountain Air Force Station or Lookout Mountain Laboratory. Second, it turns to the representational legacy that resulted, which was by no means limi
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Smith, Catherine Parsons. "The New Negro Movement in Los Angeles." In Making Music in Los AngelesTransforming the Popular. University of California Press, 2007. http://dx.doi.org/10.1525/california/9780520251397.003.0012.

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Gandhi, Shreena Niketa. "Yoga in Popular Culture." In Religion and Popular Culture in America, Third Edition. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520291447.003.0017.

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Yoga has historically been understood as a spiritual practice, a form of embodied prayer, and it came to United States as part of the nation's fascination with the East. Today, it is often practiced as a form of exercise and mindfulness in settings ranging from Christian churches to gymnasiums. Americans imagine yoga as a secular practice, which has been gendered, racially categorized, and socially classed in a particular way, free from the entanglements of any religious traditions or beliefs. This categorization involves both buy-in and push-back, and this chapter examines three examples of t
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Robertson, Jennifer. "Ambivalence and Popular Culture." In TakarazukaSexual Politics and Popular Culture in Modern Japan. University of California Press, 1998. http://dx.doi.org/10.1525/california/9780520211506.003.0002.

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Smith, Catherine Parsons. "Calling the Tune: The Los Angeles Federal Music Project." In Making Music in Los AngelesTransforming the Popular. University of California Press, 2007. http://dx.doi.org/10.1525/california/9780520251397.003.0015.

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Chidester, David. "Popular." In Religion. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520297654.003.0014.

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This chapter explores the circulation of characteristically religious patterns and processes through popular culture. Although religious themes might appear in cultural media, popular culture also generates formations that seem to operate like religion. This chapter highlights three ways in which popular culture acts like religion in the formation of communities of sacred allegiance, the devotion to sacred objects, and the rituals of collective effervescence in sacred exchange. Illustrations are drawn from professional sports, consumer products, and entertainment media. As a business enterpris
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Тези доповідей конференцій з теми "Popular culture – california – los angeles"

1

Vice, Garrett, Michelle Mary, Daniel Sturmer, and Stuart Sumida. "TEACHING GEOSCIENCE CONCEPTS THROUGH POPULAR CULTURE: EXAMPLES FROM THE DISNEYLAND RESORT." In GSA Connects 2024 Meeting in Anaheim, California. Geological Society of America, 2024. http://dx.doi.org/10.1130/abs/2024am-403697.

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Koy, Karen, and Carissa Ganong. "FROM KAIJU TO KILLER BUGS: USING POPULAR CULTURE AS A SPRINGBOARD FOR CRITICAL THINKING ABOUT SCIENCE & SOCIETY." In GSA Connects 2024 Meeting in Anaheim, California. Geological Society of America, 2024. http://dx.doi.org/10.1130/abs/2024am-400980.

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"Exploring the Features of Social Media to Promote Research Activities." In InSITE 2018: Informing Science + IT Education Conferences: La Verne California. Informing Science Institute, 2018. http://dx.doi.org/10.28945/3991.

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Aim/Purpose: This paper, explored features of popular social media in promoting research activities for successful integration of information services on social media platforms. Background: Leisure, in the early days, was more aligned with reading and research activities and enjoyed a long term monopoly until the advent of Information and Communication Technologies (ICTs). The society milieu is now accentuated with arrays of technological innovations and academic activities are, therefore, relegated to remnant time resulting from application and the use of ICTs. While reading and research are
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Palacios, Ronald N., Steven S. Fan, Hansong Lee, and Michael A. Soto. "From Grease to Gas: Anaerobic Digestion of Fats, Oils, and Grease (FOG) at the Hyperion Treatment Plant." In ASME 2011 5th International Conference on Energy Sustainability. ASMEDC, 2011. http://dx.doi.org/10.1115/es2011-54108.

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Anaerobic digestion of high-strength organic wastes, such as Fats, Oils, and Grease (FOG) has become increasingly popular among wastewater treatment facilities in Southern California [1]. In 2010, the City of Los Angeles’ Hyperion Treatment Plant started running its own FOG Digestion Pilot Project. The project injects processed grease trap wastewater (FOG) into one of 16 anaerobic digesters at the facility. A partnership was formed between the Hyperion Treatment Plant (HTP) and Baker Commodities, Inc., a Grease rendering company located in the City of Vernon. They provide processed grease trap
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