Готові списки джерел за темами / Postcolonial and literary ecocriticism

Добірка наукової літератури з теми "Postcolonial and literary ecocriticism"

Автор: Grafiati
Опубліковано: 28 вересня 2022
Оновлено: 28 січня 2023

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  1. Статті в журналах
  2. Дисертації
  3. Книги
  4. Частини книг
  5. Тези доповідей конференцій
  6. Звіти організацій

Статті в журналах з теми "Postcolonial and literary ecocriticism":

1

FitzGerald, Lisa. "Border Country: Postcolonial Ecocriticism in Ireland." Ecozon@: European Journal of Literature, Culture and Environment 11, no. 2 (October 2, 2020): 59–65. http://dx.doi.org/10.37536/ecozona.2020.11.2.3504.

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The spatial turn in Ireland has emerged from a focus on postcolonial discourse, a historical model that critiques the inequalities inherent in Irish modernity. A focus on place as a means of establishing identity, particularly within the context of colonial and imperialist narratives, led to a dynamic discourse on literary representations of the environment in Irish studies depicting fraught relationships between land and scarcity. And yet, there was resistance to engaging with ecocriticism on a systematic level, as Eóin Flannery observes, “the field of Irish cultural studies has yet to exploit fully the critical and analytical resources of ecological criticism” (2012: 6). Previously, the discourse of space and place has been in the service of Irish cultural studies: how has our relationship with place made Ireland what it is today? One of the interesting aspects of the intervention of ecocriticism in the field of Irish studies is how much of ecocriticism is still in the trawl of the cultural implications for the environment. This article will examine the emergence of Irish studies and ecocritical discourse in recent years and explore the dynamic between post-colonialism and environmental criticism with respect to the Irish canon.
2

Cilano, C., and E. DeLoughrey. "Against Authenticity: Global Knowledges and Postcolonial Ecocriticism." Interdisciplinary Studies in Literature and Environment 14, no. 1 (January 1, 2007): 71–87. http://dx.doi.org/10.1093/isle/14.1.71.

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3

Huggan, Graham. "Postcolonial ecocriticism and the limits of Green Romanticism." Journal of Postcolonial Writing 45, no. 1 (March 2009): 3–14. http://dx.doi.org/10.1080/17449850802636465.

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4

Mabie, Joshua. "The field is ripe: Christian literary scholarship, postcolonial ecocriticism, and environmentalism." Christianity & Literature 65, no. 3 (May 11, 2016): 279–97. http://dx.doi.org/10.1177/0148333115585488.

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5

Peters, Ursula. "Die Rückkehr der ›Gesellschaft‹ in die Kulturwissenschaft." Scientia Poetica 22, no. 1 (December 1, 2018): 1–52. http://dx.doi.org/10.1515/scipo-2018-001.

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Abstract Coinciding with the cultural turn in the humanities, a critical discussion in literary studies has begun in recent years that relates to the problems of rejecting social questions and an associated turning away from social history. Against the backdrop of this debate, my research report offers an overview of the conceptual possibilities and methodological problems in a ›return of society‹ within medieval philology. This is based on three established research areas of socio-historical literary studies: postcolonial literary criticism, literary ecocriticism and literary economics.
6

Iheka, Cajetan. "Dispossession, Postcolonial Ecocriticism, and Doris Lessing’sThe Grass is Singing." ISLE: Interdisciplinary Studies in Literature and Environment 25, no. 4 (2018): 664–80. http://dx.doi.org/10.1093/isle/isy070.

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7

Rahman, Shazia. "The Environment of South Asia: Beyond Postcolonial Ecocriticism." South Asian Review 42, no. 4 (October 2, 2021): 317–23. http://dx.doi.org/10.1080/02759527.2021.1982613.

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8

Heise, Ursula K. "Globality, Difference, and the International Turn in Ecocriticism." PMLA/Publications of the Modern Language Association of America 128, no. 3 (May 2013): 636–43. http://dx.doi.org/10.1632/pmla.2013.128.3.636.

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Comparative literature has always pursued literary studies in a transnational framework. But for much of its history it has been a “modest intellectual enterprise, fundamentally limited to Western Europe, and mostly revolving around the river Rhine (German philologists working on French literature). Not much more,” as Franco Moretti pithily sums it up (54). The rise of postcolonial theory in the wake of Edward Said's and Gayatri Spivak's influential work vastly expanded comparatist horizons, as did the attention to minority literatures that spread outward from the study of American literature and culture in the 1990s. In 1993 Charles Bernheimer's report to the American Comparative Literature Association, “Comparative Literature at the Turn of the Century,” criticized the elitist and exclusionary tenor of earlier reports on the state of the discipline by Harry Levin (1965) and Tom Greene (1975). Instead, it emphasized “tendencies in literary studies, toward a multicultural, global, and interdisciplinary curriculum” and called for an expansion from comparative literature's traditional focus on a mostly western European and North American canon of works to a truly global conception of Goethean Weltliteratur, for inclusion of previously marginalized minority literatures from around the world, and for connections to media studies, other humanities disciplines, and the social sciences (47).
9

Hartnett, Rachel. "Climate Imperialism: Ecocriticism, Postcolonialism, and Global Climate Change." eTropic: electronic journal of studies in the Tropics 20, no. 2 (September 10, 2021): 138–55. http://dx.doi.org/10.25120/etropic.20.2.2021.3809.

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Global climate change threatens to kill or displace hundreds of thousands of people and will irrevocably change the lifestyles of practically everyone on the planet. However, the effect of imperialism and colonialism on climate change is a topic that has not received adequate scrutiny. Empire has been a significant factor in the rise of fossil fuels. The complicated connections between conservation and empire often make it difficult to reconcile the two disparate fields of ecocriticism and postcolonial studies. This paper will discuss how empire and imperialism have contributed to, and continue to shape, the ever-looming threat of global climate crisis, especially as it manifests in the tropics. Global climate change reinforces disparate economic, social, and racial conditions that were started, fostered, and thrived throughout the long history of colonization, inscribing climate change as a new, slow form of imperialism that is retracing the pathways that colonialism and globalism have already formed. Ultimately, it may only be by considering climate change through a postcolonial lens and utilizing indigenous resistance that the damage of this new form of climate imperialism can be undone.
10

Wanjala, Alex Nelungo. "(East) African postcolonial ecocriticism: Revisiting Okot p’ Bitek’s Song of Prisoner." Tydskrif vir Letterkunde 58, no. 1 (May 25, 2021): 139–57. http://dx.doi.org/10.17159/tl.v58i1.8301.

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This article celebrates Okot p’Bitek’s contribution to East African literature in general and the song school of East Africa in particular, by revisiting one of his less-known works, Song of Prisoner on the fiftieth anniversary of its publication. I subject the text to a close reading in order to demonstrate how p’Bitek uses imagery that is drawn from East Africa’s natural environment in a way that evokes issues that are an assault on the prevailing social and political order in East Africa at the time, in a nuanced manner. With the benefit of hindsight, the paper establishes that p’Bitek’s attempt to preserve his natural environment (that of East Africa) through writing it into his poetry, was a precursor for texts that would later be examined within the framework of the contemporary critical theory of postcolonial ecocriticism, and that using the text, one can narrow the scope further in a manner that takes into account the specificities of (East) African environmental literature. In so doing, the paper establishes that p’Bitek indeed highlights social realities through his poetry, in order to launch his attack on the existing neo-colonial capitalistic order prevailing at the historical moment of his writing, thus confirming that he displays a social vision that strives for decolonisation without the exploitative aftermath encapsulating modernity. The paper thus demonstrates how this poem is still relevant as a study to the student of East African literature reading it in the 21st century.
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Статті в журналах Дисертації Книги

Дисертації з теми "Postcolonial and literary ecocriticism":

1

Eya'a, Obame Daisy Fabiola. "Pour une réflexion écocritique postcoloniale : lecture de Petroleum de Bessora, Les neuf consciences du Malfini de Patrick Chamoiseau, The Conservationist de Nadine Gordimer et la trilogie postcoloniale de Kate Grenville (The Secret River, The Lieutenant, Sarah Thornhill)." Thesis, Brest, 2021. https://tel.archives-ouvertes.fr/tel-03789590.

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La logique impérialiste et anthropocène a donné lieu à des pratiques dont les traces se lisent dans un hégémonisme environnemental et une difficulté à tenir compte du lien au vivant, à cet autre différent, humain ou non-humain, qui participe cependant de la relation. Par une analyse écocritique postcoloniale, il apparaît que ces exploitations qui se perpétuent dans la contemporanéité ont un lien avec la crise écologique. Une approche comparatiste des œuvres de Bessora, Patrick Chamoiseau, Nadine Gordimer et Kate Grenville éclaire cet état de crise : elle guide le lecteur vers de nouvelles réalités et annonce les contours changeants d’un environnement naturel en mutation. Les œuvres réapprennent également à l’humain à poser un regard autre sur la nature environnante et véhiculent des valeurs culturelles propres à enrichir la relation au vivant. En ce sens, la littérature contribue à montrer que la réconciliation se construit par l’éveil d’une conscience environnementale, c’est-à-dire la modélisation de l'interaction entre l’humain et l’environnement pour préserver la nature. La réconciliation se tisse en outre par un rapprochement entre l’imagination littéraire et l'inclusion de réalités socioculturelles, qui conduit à une poétique sensible de l’habitation du monde. La trajectoire culturelle d’un groupe étant liée à la terre, il est nécessaire que la prise de conscience écologique passe d’abord par les cultures locales. Autrement dit, il faut décoloniser le savoir écologique afin d’aboutir à une restauration de l’environnement naturel et des relations entre les différentes formes de vie. Le but de ce travail est donc de mettre en évidence les éléments qui rendent possible une réconciliation entre exigences anthropocentrées et éthique environnementale
The imperialist and anthropocene logic has given rise to practices whose traces are to be found in an environmental type of hegemonism and a difficult apprehension of the connection to the living, to this different, human or non-hum another, who nevertheless participates in the relation. A postcolonial ecocritical analysis shows that these exploitations which are perpetuated in the contemporary world have a link with the ecological crisis. A comparatist approach to the works of Bessora, Patrick Chamoiseau, Nadine Gordimer and Kate Grenville highlights this state of crisis: it guides the reader to wards new realities and announces the evolving contours of a changing natural environment. These works also teach humans to look at the surrounding nature in a different way and convey cultural values that are likely to enrich the relationship with the living. In this sense, literature shows that reconciliation cannot be achieved without man’s awakening to an environmental conscience, that is to say the modelling of the interaction between humans and the environment to preserve nature. Reconciliation means that the working together of the literary imagination and the inclusion of socio-cultural realities will lead to a sensitive poetics of inhabiting the world. Since the cultural trajectory of a group is linked to the earth, ecological awareness must first be developed by local cultures to then influence global cultures. In other words, it is necessary to decolonize ecological know ledge in order to restore the natural environment and the relationships between the different forms of life. The goal is therefore to identify the elements that enable a reconciliation between anthropocentric requirements and environmental ethics
2

Smart, Kirsten. "National consciousness in Postcolonial Nigerian children's literature." Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/22880.

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This project highlights the role of locally produced children's written literature for ages six to fourteen in postcolonial Nigeria as a catalyst for national transformation in the wake of colonial rule. My objective is to reveal the perceived possibilities and pitfalls contained in Nigerian children's literature (specifically books published between 1960 and 1990), for the promotion of a new national consciousness through the reintegration of traditional values into a contemporary context. To do this, I draw together children's literature written by Chinua Achebe, Cyprian Ekwensi and Mabel Segun in order to illustrate the emphasis Nigerian children's book authors writing within the postcolonial moment placed on the concepts of nation and national identity in the aim to 'refashion' the nation. Following from this, I examine the role of the child reader in relation to the adult authors' intentions and pose the question of what the role of the female is in the authors' imagining of a 'new nation'. The study concludes by reflecting on the persistent under-scrutiny of children's literature in Africa by academics and critics, a preconception that still exists today. I move to suggest further research on the genre not only to stimulate an increased production of children's literature more conscious in content and aware of the needs of its young, (male and female) African readership, but also to incite a change in attitude toward the genre as one that is as deserving of interest as its adult counterpart.
3

Peeters, Erik Christian. "Resistant misfit subjectivities in selected postcolonial literary texts." Thesis, University of Leeds, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439582.

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4

Gardner, Barbara J. "Speaking Voices in Postcolonial Indian Novels from Orientalism to Outsourcing." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_diss/85.

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In Orientalism, Edward Said identified how the Westerner “spoke for” and represented the silent Orient. Today with the burgeoning call-center business with India, it seems that the West now wants the Orient to speak for it. But is the voice that Western business requires in India a truly Indian voice? Or is it a manipulation which is a new form of the silencing of the Indian voice? This dissertation identifies how several Postcolonial Indian writers challenge the silence of Orientalism and the power issues of the West through various “speaking voices” of narratives representative of Indian life. Using Julie Kristeva’s abjection theory as a lens, this dissertation reveals Arundhati Roy as “speaking abjection” in The God of Small Things. Even Roy’s novelistic setting suffers abjection through neocolonialism. Salman Rushdie’s narrative method of magic realism allows “speaking trauma” as his character Saleem in Midnight’s Children suffers the traumas of Partition and Emergency as an allegorical representation of India. Using magic realism Saleem is able to speak the unspeakable. Other Indian voices, Bapsi Sidhwa, Khushwant Singh, and Rohinton Mistry “speak history” as their novels carry the weight of conveying an often-absent official history of Partition and the Emergency, history verified by Partition surviror interviews. In Such a Long Journey, Mistry uses an anthrozoological theme in portraying issues of power over innocence. Recognizing the choices and negotiations of immigrant life through the coining of the word (dis)assimilation, Jhumpa Lahiri’s writings are analyzed in terms of a “speaking voice” of (dis)assimilation for Indian immigrants in the United States, while Zadie Smith’s White Teeth “speaks (dis)assimilation” as a voice of multiple ethnicites negotiating immigrant life in the United Kingdom. Together these various “speaking voices” show the power of Indian writers in challenging the silence of Orientalism through narrative.
5

Keller, Laura. "“Terrible in its Beauty, Terrible in its Indifference”: Postcolonial Ecocriticism and Sally Mann’s Southern Landscapes." W&M ScholarWorks, 2018. https://scholarworks.wm.edu/etd/1530192830.

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Sally Mann (1951- ) has spent forty years photographing scenes in the American South, including domestic scenes, landscapes, and portraits. Although scholars generally interpret her work as a reflection of the region’s history of violence and oppression, my research will consider her work through the lens of postcolonial ecocriticism. In her art and writing, Mann portrays the land as an indifferent witness to history, a force intertwined with humanity, lending matter for human lives and reclaiming it after death. However, she also describes the way the environment interferes with her the antiquated technology she uses, creating dramatic flaws that imbue the landscapes with emotion absent from the scenes themselves. My research offers new perspectives on Mann’s body of work, especially the way she grants agency to the environment, thereby giving a voice to silent ecologies or silenced histories.
6

Temiz, Ayse Deniz. "Gens inconnus political and literary habitations of postcolonial border spaces /." Diss., Online access via UMI:, 2008.

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7

Rochester, Rachel. "Postcolonial Cli-Fi: Advocacy and the Novel Form in the Anthropocene." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23736.

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Through the filters of postcolonial theory, environmental humanities, and digital humanities, this project considers the capabilities and limitations of novels to galvanize action in response to environmental crises. My findings suggest that novels are well equipped to engage in environmental education, although some of the form’s conventions must be disrupted to fully capitalize upon its strengths. The modern novel is conventionally limited in scope, often resorts to apocalyptic narratives that can breed hopelessness, is dedicated to a form of realism that belies the dramatic weather events exacerbated by climate change, defers authority to a single voice, and is logocentric. By supplementing conventional novels with a variety of paratexts, including digital tools, scientific findings, non-fiction accounts of past, present, and future activism, and authorial biography, it is my contention that the novel’s potency as a pedagogical tool increases. After addressing this project’s stakes and contexts in my Introduction, Chapter II assesses three South Asian novels in English that are concerned with sustainable development: Bhabani Bhattacharya’s Shadow from Ladakh, Bharati Mukherjee’s Jasmine, and Aravind Adiga’s The White Tiger. I conclude by considering how StoryMaps might further disrupt pro-sustainable development propaganda alongside more traditional novels. Chapter III examines how explicitly activist South Asian novelists construct authorial personae that propose additional solutions to the environmental problems identified in their novels, focusing on Amitav Ghosh’s The Hungry Tide and Indra Sinha’s Animal’s People. Chapter IV coins the term “locus-colonial novel,” a novel that decenters the human, situating place at the fulcrum of a work of historical fiction, using Hari Kunzru’s Gods without Men as one exemplar. I examine Kunzru’s novel alongside promotional materials for planned Mars missions to consider how narratives of colonialism on Earth might lead to a more socially and environmentally sustainable colonial model for Mars. Chapter V introduces the concept of a digital locus-colonial novel that allows users to develop informed, environmentally focused scenarios for colonial Mars. Through these chapters, this dissertation identifies specific rhetorical techniques that allow conscientious novels to create imaginative spaces where readers might explore solutions to the social, economic, and increasingly environmental problems facing human populations worldwide.
8

Al-Abbood, Muhammed Noor. "The cultural politics of resistance : Frantz Fanon and postcolonial literary theory." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310373.

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9

LaVine, Heidi Lee. "Paradoxes of particularity: Caribbean literary imaginaries." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/695.

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"Paradoxes of Particularity: Caribbean Literary Imaginaries," explores Caribbean literary responses to nationalism by focusing on Anglophone and Francophone post-war Caribbean novels as well as a selection of short fiction published in the 1930s and `40s. Because many Caribbean nations gained their independence relatively recently (Jamaica and Trinidad in the 1960s, the Bahamas, Grenada, Dominica, St. Lucia, and St. Vincent in the `70s, Antigua and St. Kitts in the `80s) and because some remain colonial possessions (Aruba, Martinique, Guadeloupe, etc.), nationalism and its alternatives are of major literary concern to Caribbean authors. This project considers how and to what extent the writings of such authors as Edouard Glissant, Maryse Condé, and Robert Antoni counter nationalist tendencies with Pan-Caribbean alternatives, arguing that the Caribbean texts under examination propose that we view the Caribbean as a unified region despite substantial differences (racial, linguistic, colonial, etc.) that otherwise tend to encourage separate, nationalist sentiments. Moreover, these Caribbean texts paradoxically emphasize discrete identities based on racial pasts and language communities, even as they forward a Pan-Caribbean ideology: uniqueness is, for many Caribbean writers, the fundamental basis for a unified sense of "Caribbeanness." This project dubs the phenomenon the "paradox of particularity," and identifies it as a postcolonial rhetorical strategy in twentieth-century Caribbean fiction. After an historical introduction, Chapter One examines the increasingly Pan-Caribbean content of Barbadian literary journal Bim, Martinican ex-patriate journal La Revue du Monde Noir, and BBC radio program Caribbean Voices. Each of these media sources encouraged contributors to focus on topics that were of central and unique concern to his/her island community. However, these concerns often overlapped: authors from multiple islands submitted fiction and essays touching on labor struggles, the plight of the poor, wartime anxieties, and racial inequalities. Thus, in printing that which was nominally unique and particular to individual islands, these widely digested media sources in fact highlighted similarities throughout the archipelago, setting the stage for bolder expressions of a particularity-based regionalism. Chapter Two focuses on the Pan-Caribbean antillanité of Edouard Glissant. In Glissant's fiction, the only character capable of both recovering this past and of uniting the Caribbean is the defiantly isolated maroon (and, occasionally, his male descendants). Set against the backdrop of Martinique's fight to become a semi-autonomous département of France and the emergence of Jamaica and Trinidad as independent national entities, Glissant's novel La Lézarde (1958) at once celebrates postcolonial zeal for independence, and emphasizes that national autonomy is the first step in a process of regional unification. Chapter Three looks at gendered and cultural counterpoints to Glissant's notion of "marooning," through novels that reimagine the history of New World slavery and the Caribbean Black Power Movement. The chapter focuses on Simone Schwarz-Bart's Pluie et Vent Sur Telumée Miracle (1972), in which an ostracized sorceress attempts to unite her fragmented community, Maryse Condé's Moi, Tituba, Sorcèriere Noire de Salem (1988), which imagines a Glissantian link between Barbados, other Caribbean islands, and North America through the benevolent workings of a black female maroon, André and Schwarz-Bart's La Mulâtresse Solitude (1972), which both recuperates an historical maroon figure (as, indeed does Condé) and imaginatively reconstructs the African past which informs her New World rebellion, and Michelle Cliff's Abeng (1984), which features a psychologically marooned heroine who imagines not only a unified Caribbean, but also a Caribbean that serves as the racially inclusive bridge between diasporic communities in North and South America. Ultimately, in identifying female maroons as the unifying agents of cultural transmission, Schwarz-Bart, Condé, and Cliff's experimental fiction not only proposes a feminist, regional alternative to patriarchal nationalism, but imaginatively links colonized Caribbean citizens to broader, nation-less communities of suffering. Chapter Four focuses even more explicitly on formal and linguistic experimentation by examining Trinidadian Robert Antoni's Divina Trace (1991), and Martinican Patrick Chamoiseau's Texaco (1992) in relation to literary postmodernism. Rather than casting a wise maroon as the oracular voice of wisdom, both novels deluge us with a heteroglossic babble of voices, paradoxically suggesting that the potential for Caribbean interconnectedness lies in the collision of multiple, idiosyncratic uses of language. Moreover, by testing the boundaries of the novel form, these texts gesture toward the possibility of formally innovative alternatives to the nation-state. Thus, this project both identifies the "paradox of particularity" (in which difference is the defining component of group identity) as a postcolonial tactic in twentieth-century Caribbean fiction and demonstrates the intense political engagement of experimental modernist and postmodern Caribbean fiction. By strategically keeping individuality and collectivity in tension with one another, these writers offer a model for postcolonial independence that both preserves autonomy and avoids mimicking the colonial Western nation-state.
10

Van, Dam Hendrika. "Making it right? : writing the other in postcolonial neo-Victorianism." Thesis, Cardiff University, 2016. http://orca.cf.ac.uk/97579/.

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This thesis examines the representation of ‘otherness’ in postcolonial neo-Victorian fiction. It analyses a selection of novels that not only engage critically with the Victorian past but specifically with the legacy of Victorian Britain’s empire. By looking at the ways in which neo-Victorian novels depict the (de)construction of their characters’ identities, this thesis investigates whether these representations are able to provide insight in present-day constructions of who is seen as being at home in British or Western European society and who is defined as ‘other’. Otherness, these novels show, is not limited to a binary of the Western ‘self’ and the stereotyped, non-Western ‘other’. Rather, many of the novels’ characters are made to discover the other(ness) within themselves. The introductory chapter considers neo-Victorianism’s postmodern background and the way it relates to postcolonial theories of race and sexuality. Chapter One focuses on two novels: Julian Barnes’ Arthur & George (2005) and Belinda Starling’s The Journal of Dora Damage (2007). Both novels are set in Britain and engage with the figure of the other coming (too) close to home. The chapter employs a potentially multidirectional ‘looking relation’ to study how postcolonial neo-Victorian fiction constructs the other against which the British characters define their own identities. Moving away from Britain, Chapter Two looks at the notion of the journey, specifically sea voyages between metropole and colony. Using Gail Jones’ Sixty Lights (2004) and Joseph O’Connor’s Star of the Sea (2002), this chapter studies how the liminal experience of travel can function as an othering device. Chapter Three, finally, examines how Daniel Mason’s The Piano Tuner (2002) and David Rocklin’s The Luminist (2011) describe British society in the colonies. Away from the imperial mother country, making stable distinctions between self and other becomes increasingly difficult for the novels’ characters. Ultimately, this thesis questions whether postcolonial neo-Victorianism maintains a binary between the Western self and a stereotyped figure of the other, or if it can play a role in changing readers’ views of those people seen as ‘other’ in Western society.
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Книги з теми "Postcolonial and literary ecocriticism":

1

Huggan, Graham. Postcolonial ecocriticism. New York: Routledge, 2009.

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2

Huggan, Graham. Postcolonial ecocriticism. New York: Routledge, 2009.

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3

Thieme, John. Postcolonial Literary Geographies. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-45687-8.

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4

Ramone, Jenni. Postcolonial theories. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011.

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5

Cheryll, Glotfelty, and Fromm Harold, eds. The ecocriticism reader: Landmarks in literary ecology. Athens: University of Georgia Press, 1996.

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6

Sorensen, Eli Park. Postcolonial Studies and the Literary. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277595.

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7

Garrard, Greg. Teaching ecocriticism and green cultural studies. New York: Palgrave Macmillan, 2012.

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8

Garrard, Greg. Teaching ecocriticism and green cultural studies. New York: Palgrave Macmillan, 2012.

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9

Catrin, Gersdorf, and Mayer Sylvia, eds. Nature in literary and cultural studies: Transatlantic conversations on ecocriticism. Amsterdam: Rodopi, 2006.

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10

Sharrad, Paul. Postcolonial literary history and Indian English fiction. Amherst, NY: Cambria Press, 2008.

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Частини книг з теми "Postcolonial and literary ecocriticism":

1

Fromm, Harold. "Ecocriticism." In A Companion to Literary Theory, 439–50. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118958933.ch35.

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2

Alexander, Robert. "Literary Journalism and Ecocriticism." In The Routledge Companion to American Literary Journalism, 482–97. London ; New York : Routledge, [2020] |: Routledge, 2019. http://dx.doi.org/10.4324/9781315526010-33.

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3

Heffes, Gisela. "Ecocriticism." In The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms, 262–71. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429058912-29.

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4

James, Erin. "Teaching the Postcolonial/Ecocritical Dialogue." In Teaching Ecocriticism and Green Cultural Studies, 60–71. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358393_6.

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5

Raimondi, Luca. "Black Jungle, Beautiful Forest: A Postcolonial, Green Geocriticism of the Indian Sundarbans." In Ecocriticism and Geocriticism, 113–34. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137542625_7.

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6

Thieme, John. "Postcolonial Mappae Mundi." In Postcolonial Literary Geographies, 15–40. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-45687-8_2.

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7

Ahmed, Siraj. "Postcolonial Theory." In A Companion to Literary Theory, 261–74. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118958933.ch21.

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8

Thieme, John. "Introduction: Exploring Space, Excavating Place." In Postcolonial Literary Geographies, 1–13. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-45687-8_1.

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9

Thieme, John. "After the Bounty: Botany and Botanical Tropes." In Postcolonial Literary Geographies, 41–76. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-45687-8_3.

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10

Thieme, John. "‘Lucent Syrops, Tinct with Cinnamon’: Romantic Spice, Postcolonial Spice." In Postcolonial Literary Geographies, 77–99. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-45687-8_4.

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Тези доповідей конференцій з теми "Postcolonial and literary ecocriticism":

1

"Beyond East Asian Landscapes: A Survey of Ecocriticism in Thai Literary Studies." In International Conference on Trends in Economics, Humanities and Management. International Centre of Economics, Humanities and Management, 2015. http://dx.doi.org/10.15242/icehm.ed815006.

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2

Embley, Charity. "A Postcolonial Narrative Inquiry Into the Identity Paradigm of Filipino American Adolescents Using Literary Texts." In 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1569384.

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Звіти організацій з теми "Postcolonial and literary ecocriticism":

1

Stefan, Madalina. Conviviality, Ecocriticism and the Anthropocene: An Approach to Postcolonial Resistance and Ecofeminism in the Latin American Jungle Novel. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, April 2022. http://dx.doi.org/10.46877/stefan.2022.43.

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Анотація:
In the context of the Anthropocene, ecocriticism is gaining an increasingly important role, foregrounding the inextricability of nature and culture, on the one hand, and the postcolonial cultural representation from the Global South on the other. Against this backdrop, the present working paper will focus on the Latin American context, suggesting that conviviality signifies a crucial contribution to the discourse about the Anthropocene and serves as an ideal theoretical framework for the research project on “Postcolonial Resistance and Ecofeminism in the Latin American Jungle novel”, which is outlined at the end of the paper.

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