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1
Pereira, Karendale B. "IPA capture at the lithographic printing press." Thesis, University of Surrey, 2016. http://epubs.surrey.ac.uk/812941/.
Повний текст джерелаАнотація:
The release of volatile organic compounds to the atmosphere is harmful to human health and the environment. The printing industry is one of the highest contributors to VOC emissions in the UK. According to the Solvent Emissions Directive (1999), only 30 % (by weight) or less of solvents used in the printing industry can be released into the atmosphere as emissions; this is proving to be a challenge to the industry. Thus, the aim of this project is to develop and test a complete demonstration scale capture and regeneration system capable of reusing both, the adsorbent and the adsorbed VOC (in this case IPA). A prototype adsorber was built and tested at a lithographic printing company for the purpose of capturing the isopropanol (IPA) emissions, under industrial conditions. The prototype itself consisted of an extractor pipe and an adsorbent cartridge placed inside a vacuum cleaner. Adsorption was carried out by drawing in air from the printing machines where vapour emitted from the dampening solution (which comprised of about 10% by vol IPA and 90% by vol water) was concentrated. Three trials of varying inlet concentrations with an adsorbent Dowex Optipore V503 (Dow) and a one trial with activated carbon (AC), was carried out at the printing facility. The time taken until the start of breakthrough was approximately 86 minutes and 250 minutes (of printing time) for Dow and AC respectively. Results showed that, until the start of breakthrough, all of the IPA entering the bed had been captured by both adsorbents. Of the material captured on the adsorbent, the percentage that was IPA for Dow was 66 wt% to 80 wt% and the IPA percentage that was captured on AC was 54 wt%. The rest of the captured material on the adsorbents was found to be water. A higher IPA loading, however, was evident for AC as compared to Dow. Results on microwave (MW) regenerating the two adsorbents showed that maximum regeneration of 88% for Dow and 97% for AC occurred after 12 and 13.5 minutes of microwave irradiation respectively. Tiny flashes of light across and within the whole AC bed were evident frequently during the initial stages of MW regeneration. Thus, in terms of safety, the existence of tiny sparks during AC regeneration indicates that Dow is the safer of the two adsorbents. Fractional regeneration of Dow showed that maximum IPA content was found in the regenerate collected between the 6th and 9th minute while the lowest IPA content was found between 0 and 3 minutes. For AC, the percentage of IPA in the regenerate was also found to increase with irradiation time. An attempt was made to model the process. The first step was to obtain the pure adsorption isotherms at 298 K using an Intelligent Gravimetric Analyser (IGA). For the AC and Dow adsorbents, the Toth and the CIMF model fitted extremely well to the pure IPA and water isotherms respectively. The mixture isotherms were described by the virial equation. The results from the mixture experiments involving Dow showed ideal adsorption of the mixture; AC showed highly non-ideal behaviour. A mathematical model (compiled on Matlab), which incorporated the co-adsorption isotherms, was used to predict breakthrough times during fixed-bed adsorption. This model was able to predict breakthrough data for Dow fairly accurately. An economic analysis was conducted which shows that AC is the cheaper of the two adsorbents to use, subject to safety considerations. Overall, a system that captures and regenerates the IPA from the print works had been successfully developed and tested. Microwave regeneration was found to be favourable for both adsorbents since, no loss in adsorbent capacity was found after exposure to microwave radiation. On comparing the two adsorbents, Dow was found to capture a higher percentage of IPA than water as compared to AC. However, with regards to economic viability, AC was found to be the more economic adsorbent.
2
Kulachenko, Artem. "Mechanics of paper webs in printing press applications." Doctoral thesis, Stockholm, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-3863.
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3
Sorvetti, Laura. "California Printing History and the Shakespeare Press Museum." DigitalCommons@CalPoly, 2010. https://digitalcommons.calpoly.edu/theses/438.
Повний текст джерелаАнотація:
The Shakespeare Press Museum, a working letterpress museum at Cal Poly, San Luis Obispo, houses letterpress printing presses and equipment dating from the 1850s to the 1970s. Although the museum has been at Cal Poly since the 1960s, little work was completed on the historical context of the collections or to address the archival and educational frameworks of the museum’s collection. This thesis has three purposes: to place the museum’s collections in their nineteenth-century California historical context; to provide the first in-depth examination of the museum’s original founder, Charles “Shakespeare” Palmer; and to create an archival reference and program for the museum’s collections in their physical and digital form.
4
O'Callaghan, Amy. "Anti-Semitism and the Early Printing Press: a Study of the Effect of the Printing Press on Jewish Expulsions in Germany, 1450-1520." Oberlin College Honors Theses / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1374059638.
Повний текст джерела
5
Pearson, Craig. "Printing news and money, a look at corporate influence on the press." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1995. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ52630.pdf.
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6
Lee, Rachel. "This Bright Luminary, the Press| Metaphor as Media Theory during the Romantic Printing Revolution." Thesis, University of Rochester, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3600417.
Повний текст джерелаАнотація:
In the history of printing, the Romantic period (1780–1830) is not an especially important milestone. Until the introduction of steam in the 1840s, the basic process of printing had remained relatively unchanged since its invention in the fifteenth century. However, it is during the Romantic period that the process of printing begins to evolve from an artisanal handicraft into a full-scale industrial process. Although this technological transition was slow and subtle, public discourse during the Romantic period reveals a surprisingly nuanced awareness of what it means to communicate in a system dominated by print. Among those theorizing the new culture of print, satirists and periodical editors are particularly invested in commenting on print culture, as doing so helps create an audience for their work. Although their materials are ephemeral (e.g., pamphlets and periodicals) and designed to sell, their printed productions also attempted to solve some of the cultural problems associated with the rise of print. In particular, paratextual elements (such as fantastical illustrations of printing presses and editorial introductions) convey important messages about the implicit and explicit contexts for the texts they accompany. The editorial introductions to brand new periodicals, which constitute the bulk of my analysis, are particularly rich veins of discourse since—by the nature of the genre—the editorial introduction argues for the text's relevance to its audience, a new nation of readers unused to the strange conditions of information overload. Furthermore, the editorial introduction ambitiously envisions the purpose of the new periodical not only in relation to the known problems and established protocols of print culture, but also to the imagined conditions of posterity. In order to relate such messages, the editorial narratives and satirical illustrations I study use powerful metaphors to convey the ascendency of the press in the public imagination. Within the metaphors established in these paratextual elements, particular visions of the Romantic printed present, the literary past, and the future of textual culture become possible. These visions, I argue, while not cohesive, nevertheless reveal something about the ways in which Romantic print culture invented itself as an exceptional period.
7
Addie, Jerrold O. "Development of a training manual for University of Wisconsin-Stout's Graphic Communications program's gravure printing press simulator." Online version, 2003. http://www.uwstout.edu/lib/thesis/2003/2003addiej.pdf.
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8
Hedman, Jonas. "A study of company-initiated training in US and Swedish printing firms relative to prepress, press, and finishing operations /." Online version of thesis, 2003. http://hdl.handle.net/1850/12188.
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9
Reiter, April Ann. "PRINTING PRESS AND BROADSHEET IMAGERY: REPRODUCIBILITY AND PERCEPTION DURING THE EARLY GERMAN EVANGELICAL REFORMATION (1517-1530)." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1308557884.
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10
Harvey, David J. "The law emprynted and Englysshed: the printing press as an agent of change in law and legal culture, 1475-1642." Thesis, University of Auckland, 2012. http://hdl.handle.net/2292/10841.
Повний текст джерелаАнотація:
This thesis takes the theory of Professor Elizabeth Eisenstein in her book The Printing Press as an Agent of Change and considers it within the context of the intellectual activity of the English legal profession in the Sixteenth and Seventeenth Centuries. The legal profession had developed a sophisticated educational process and practice based upon an oralaural system along with the utilisation of manuscript materials, largely self-created. The printing press provided an alternative to this culture as printed law books - law reports, abridgements and treatises - became increasingly available and were used by lawyers and students. At the same time movements were afoot to discard the arcane language of the law and make printed legal materials available in English. A tension arose as the advantages of print were recognised by the authorities - the Church and the State. Those very qualities also turned out to be disadvantages as the authorities struggled to regulate the vastly increased flow of information that the printing press enabled. The law proved to be an unwieldy instrument in this tension. The legal works printed in the Sixteenth Century were primarily law reports and abridgements with a new style of law report becoming evident with the printing of Plowden's Commentaries and, in the Seventeenth Century, the works of Sir Edward Coke. Print enabled legal writers to concentrate upon principle rather than pleading and procedure. The Seventeenth Century saw a shift from printed reports to printed treatises and guide books for administrators and members of the “lower branch” of the legal profession. Legal information for the purposes of standardising procedures and for educational purposes as a supplement to a troubled traditional legal education system began to dominate. The study closes on the eve of the English Civil War - a time that saw for a short period the end of press licensing and the demise of Star Chamber which had played a significant albeit largely unsuccessful role in attempting to regulate the output of the printing press and the printing trade.
11
Ahmad, Alzghoul. "Screening Web Breaks in a Pressroom by Soft Computing." Thesis, Halmstad University, School of Information Science, Computer and Electrical Engineering (IDE), 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-1144.
Повний текст джерелаАнотація:
Web breaks are considered as one of the most significant runnability problems
in a pressroom. This work concerns the analysis of relation between various
parameters (variables) characterizing the paper, printing press, the printing
process and the web break occurrence. A large number of variables, 61 in
total, obtained off-line as well as measured online during the printing process
are used in the investigation. Each paper reel is characterized by a vector x
of 61 components.
Two main approaches are explored. The first one treats the problem as a
data classification task into "break" and "non break" classes. The procedures
of classifier training, the selection of relevant input variables and the selection
of hyper-parameters of the classifier are aggregated into one process based on
genetic search. The second approach combines procedures of genetic search
based variable selection and data mapping into a low dimensional space. The
genetic search process results into a variable set providing the best mapping
according to some quality function.
The empirical study was performed using data collected at a pressroom
in Sweden. The total number of data points available for the experiments
was equal to 309. Amongst those, only 37 data points represent the web
break cases. The results of the investigations have shown that the linear
relations between the independent variables and the web break frequency
are not strong.
Three important groups of variables were identified, namely Lab data
(variables characterizing paper properties and measured off-line in a paper
mill lab), Ink registry (variables characterizing operator actions aimed to
adjust ink registry) and Web tension. We found that the most important
variables are: Ink registry Y LS MD (adjustments of yellow ink registry
in machine direction on the lower paper side), Air permeability (character-
izes paper porosity), Paper grammage, Elongation MD, and four variables
characterizing web tension: Moment mean, Min sliding Mean, Web tension
variance, and Web tension mean.
The proposed methods were helpful in finding the variables influencing
the occurrence of web breaks and can also be used for solving other industrial
problems.
12
Tittle, Miles C. "Pen and Printing-Block: William Morris and the Resurrection of Medieval Paratextuality." Thesis, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/20581.
Повний текст джерелаАнотація:
My dissertation, Pen and Printing-Block: William Morris and the Resurrection of Medieval Paratextuality, considers William Morris’s influence on the rise of paratextual awareness, his negotiation strategies for Victorian England’s social identity, and his rhetorical construction of an idealized past through textual artifacts. The effect of Morris’s growing social awareness on his transition from illumination to print is reframed by considering his calligraphy as paratextual experiments, based on medieval examples, in combining graphic and discursive meanings with rhetorical and social dimensions. The varied and less ambitious agendas of those printers who followed Morris’s Kelmscott Press, however, limited Morris’s legacy in the book arts. The full significance of his illuminations’ meaningful interplay between text and image, and the social intent of these innovations applications in print, has received little critical attention.
The opening chapter frames Morris’s visual work in light of his philosophies and introduces the major concerns of material art, the role of history, the limits of language, and the question of meaningful labour. The second chapter surveys select predecessors of Morris’s developing conception of the Gothic, the significance of architecture as its defining form, and the irreplaceability of the physical past. The third chapter considers the role of the illuminated manuscript in Pre-Raphaelite art, tracing Morris’s calligraphic experiments chronologically while identifying medieval inspirations and examining his artistic development. These experiments led to his final collaborative manuscript, the illuminated Æneid which is the fourth chapter’s focus. The sophistication of its paratextual elements is discussed in light of its unique physicality and limitations. The fifth chapter asserts the Kelmscott Press’s role in balancing craftsmanship and aesthetic paratextual strategies with reproducible models. The Kelmscott Chaucer is the culmination of these strategies, and it is compared to the visual rhetoric of its predecessors. The final chapter compares the philosophies and calligraphic elements of major private presses that followed Kelmscott’s legacy. This evolution of aesthetic, social, and practical considerations is also identified in the work of selected Canadian printers, and a final note considers the implications of the rise of immaterial digital text (radiant textuality) for the continuation of material paratextuality’s role in the future.
13
Miranda, Rodrigo. "Um caminho de suor e letras : a militancia negra em Campinas e a construção de uma comunidade imaginada nas paginas do Getulino (Campinas, 1923-1926)." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279619.
Повний текст джерелаАнотація:
Orientador: Celia Maria Marinho de AzevedoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-05T10:25:17Z (GMT). No. of bitstreams: 1 Miranda_Rodrigo_M.pdf: 16165146 bytes, checksum: ccd42f1b5e3969dcdb41c6101d2dca6b (MD5) Previous issue date: 2005
Resumo: Esta dissertação tem por objetivo estudar a formação da militância negra na cidade de Campinas na década de 1920, identificando pontos de atrito e solidariedade entre seus membros. Partindo das orientações teóricas propostas pela História Cultural, pretende-se compreender os caminhos seguidos por essa militância no interior dos significados construídos pela linguagem para a constituição de identidades raciais. Nesse sentido, elege-se como fonte primária para essa pesquisa o jornal da imprensa negra campineira intitulado Getulino, cujo discurso será analisado a fim de se identificar as representações que nele são construídas. Para se compreender a relação entre o texto desse jornal e as ideologias que circulavam na sociedade da época, serão abordados os debates envolvendo perspectivas para a formação da nação brasileira, notadamente saturados pela idéia de "raça" e "evolução". Pretende-se, ao final deste trabalho, tornar mais claro o processo de formação de identidades no interior de um movimento cultural e social e não fixar uma identidade estanque para essa militância
Abstract: The aim of this M.A. thesis is to approach the formation of the black militancy at the city of Campinas in the 1920's by identifying the points of conflict and solidarity among the militants. Having in mind the theoretical proposals from the New Cultural History, this thesis searches for the meanings emanating from the militants' specific language in their effort to construct racial identities. In this way this research focuses on the pages of a black newspaper the Getulino - whose discourse is analyzed along with its diverse representations. The relationship between the text of this primary source and the ideologies, which impregnated society by then, may be better understood by examining the debates on the formation of the Brazilian nation. As one shall see, the notions of "race" and "evolution" deeply permeated those debates. In conclusion, by refusing to adopt the notion of fixed identities, this thesis allows to visualize the invention of identities within a social and cultural movement
Mestrado
Historia Cultural
Mestre em História
14
Jampy, Marc. "Expériences de presse, Lyon 1870-1914." Thesis, Lyon 3, 2013. http://www.theses.fr/2013LYO30016/document.
Повний текст джерелаАнотація:
Cette thèse est héritière de l’histoire de la presse qui s’est d’abord intéressée aux journaux puis aux journalistes. Cette étude, des journaux et en parallèle des journalistes, vise à combler un vide sur le journalisme de la presse périodique. Elle s’intéresse à la période 1870-1914, et analyse de façon critique ce qui est considéré comme l’âge d’or de la presse. Ce travail s’appuie sur des archives inédites, notamment les rapports de police qui ont été rédigés régulièrement sur les journaux et journalistes de Lyon à cette époque. En effet, si les contraintes politiques sur la presse diminuent, notamment avec la loi sur la liberté de la presse de 1881, la surveillance continue à Lyon. La liberté de la presse, avec les progrès techniques, l’alphabétisation, l’urbanisation, la publicité expliquent la hausse du nombre de journaux, de leur tirage et du nombre de personnes qui se rattachent à ces journaux. 1 725 titres parus durant cette période ainsi que 1130 individus ont été recensés. Ces journaux sont des plus divers par leur périodicité, leur tirage et leur sujet, des quotidiens, aux journaux militants, religieux, de loisirs, professionnels. Mais ils répondent tous à un nouveau besoin d’informer et d’être informé, de médiatisation. Ils ont aussi en commun d’être lancés par des jeunes hommes issus de la classe moyenne. Cette expérience permet à certains de devenir journalistes de quotidien et de connaître une ascension sociale à travers les duels, les décorations et l’appartenance à une association de journalistes. Pour la quasi-totalité d’entre eux cela reste cependant une expérience éphémère qui dure quelques semainesThis doctoral thesis is in line with the history of the press which originally focused on newspapers and later on journalists. The research aims at filling a gap of information on the journalism of periodicals by studying newspapers and journalists simultaneously. It focuses on the years 1870-1914 and provides a critical analysis on the era which is often considered as the Golden Age of the press. The author’s work relies on archives that had not been exploited before, in particular on police reports dealing with journalists and newspapers, which were then made on a regular basis. Indeed, although political pressure on the press diminished after the 1881 freedom of the press act was passed, police surveillance remained active in Lyon. Freedom of the press, as well as technical progress, a higher literacy rate, urbanization and the rise of advertising account for an increase in the number of newspapers, their circulation and contributors. 1725 newspapers and 1130 journalists have been listed. Those newspapers varied in periodicity, circulation and topics, ranging from the daily to the activist, the religious or professional. However, they all fulfilled a new need to inform and be informed, of media coverage and they were all launched by young men from the middle class. The experience of journalism allowed some of those young men to become journalists in daily newspapers, to climb the social ladder by fighting duels, getting decorations or joining association of journalists. And yet, for most of them, journalism remained a short-lived adventure of a few weeks only
15
Laurenza, Ana Maria de Abreu. ""Jornalismo e políticas públicas. A imprensa de São Paulo esclarece a dinâmica da participação política quando cobre o discurso e a ação pública?" (1994-2004)." Universidade de São Paulo, 2005. http://www.teses.usp.br/teses/disponiveis/27/27142/tde-22032006-124047/.
Повний текст джерелаАнотація:
Esta tese Jornalismo e Políticas Públicas analisa uma amostra da cobertura da pauta Políticas Publicas pela imprensa de São Paulo, no período entre 1994/2004, dos jornais Folha de S.Paulo e O Estado de S.Paulo e das revistas semanais Carta Capital e Veja . Este estudo parte de um universo de 170 matérias e seleciona 18 textos para refletir se o jornalismo traz em si o potencial de estabelecer relações entre o discurso e a ação pública, comunicando ao leitor a interação que se dá entre Estado, governo e sociedade civil na implementação de uma política pública, no gasto do orçamento para a resolução dos problemas sociais do país. Desta forma, se observa se o jornalismo auxilia na dinâmica da participação política, que possa ser concretizada pela administração pública e o cidadão. A pesquisa reúne reflexões de autores de referência sobre democracia, poliarquia, espaço público, participação dos movimentos sociais, redimensionamento e questões do Estado, governabilidade, uso público da razão e da emoção, a natureza do espaço e do tempo na globalização acelerada, o estado da arte das políticas públicas no Brasil dos anos 90. A partir deste corpus teórico, criaram-se cinco categorias (engenharia social, pluralidade, noção de transformação sócio - política, didatismo e agir público) para se realizar a análise de conteúdo dos 18 textos escolhidos e dimensionar se, apesar da fragmentação inerente à atividade jornalística, a imprensa escrita consegue desempenhar esta tarefa com competência editorial, isto é, refletir o grau de conhecimento e participação que a sociedade brasileira já amealhou sobre Políticas Públicas, informando ainda o caráter matricial da pauta, que perpassa por diversos campos da atividade humana. O comentário a seguir de Theodoro Lowi, esclarece a expressão Política Pública e pontua o significado do termo de que trataremos nesta tese. A expressão política pública é um termo engenhoso que reflete a interpenetração entre o governo liberal e a sociedade, insinuando a existência de uma flexibilidade e reciprocidades maiores do que permitem alguns sinônimos unilaterais tais como: leis, estatutos, éditos e semelhantes. Essa difusão reflete novos valores na cultura política relativos à publicização de decisões e à noção da esfera pública como distinta da esfera estatal Jornalismo e Políticas Públicas conclui que o jornalismo tem em si o potencial de estabelecer relações entre a ação pública e o discurso, quando aborda com competência editorial, pautas relativas às políticas públicas implementadas para resolver problemas sociais. Este princípio se fortalece na medida em que o processo de implantação de uma política pública possibilita em tese a criação e o fortalecimento das relações entre os agentes sociais, através da ação e do discurso, que segundo Hanna Arendt, encerra a condição humana na esfera pública, para Arendt, a esfera das aparências De maneira geral, é na mídia impressa que se processa maior relacionamento critico entre meio de comunicação e o leitor. Ao menos, pressupõe se que ao público do jornal está consagrada a ferramenta básica da cidadania que é o entendimento da língua e o potencial de expressão, base do relacionamento público. Em relação ao jornalismo, a reflexão sobre sua contribuição no desenvolvimento social mais equilibrado do Brasil, ao estabelecer relações entre discurso ( o pensamento) e ação pública, levantou questões que ajudam a entender melhor a posição híbrida dos jornais e revistas que, são meios de produção privados, portanto visam lucros e defendem interesses vários, ao mesmo tempo em que lançam no espaço mental público, informações e debates. É possível que os jornais, antes de se transformarem em tribunais de execução sumária da reputação alheia, sejam agentes do princípio mais caro da ação política pública : a necessidade de se submeter o pensamento (discurso) ao exame público.Abstract This Journalism and Public Policies thesis analyzes a sample of press coverage of Public Policy issues in São Paulo between 1994 to 2004, as published by the newspapers Folha de S. Paulo and O Estado de S. Paulo, as well as the weekly magazines Carta Capital and Veja. This study is based upon 170 stories. Eighteen texts have been selected to determine if journalism itself is capable of establishing connections between discourse and public action, communicating to the reader the interaction that takes place between the State, government and civil society for implementing public policy and budget expenditures for the resolution of social problems faced by the country. Thus, the question posed is whether or not journalism furthers the dynamic of public participation, which the government and citizens can put into practice. The research blends the reflections of the referenced authors on democracy, polyarchy, public space, participation in social movements, the redesign and questions of the State, governability, public use of reason and emotion, the nature of space and time in an era of accelerated globalization, as well as state-of-the-art public politics in Brazil during the 1990s. Five categories were then created from this theoretical body (social engineering, plurality, the notion of socio-political transformation, didacticism and public action) to analyze the content of the eighteen chosen texts and to provide a framework. Despite the fragmentation inherent to journalistic activities, the written press is able to perform this task with editorial competence, that is, to reflect the degree of knowledge and participation that Brazilian society has already gained little by little about Public Policies, which further informs the core nature of the issue and runs through various fields of human activity. The quote below from Theodoro Lowi clarifies this expression of Public Policy and emphasizes its meaning as it is used in this thesis. Public political expression is a clever term that reflects the blending of liberal government and society, insinuating the existence of greater flexibility and reciprocity than some unilateral synonyms would allow, like: laws, statutes, bills and the like. This diffusion reflects new values in political culture relative to the diffusion of decisions, and the notion of a public sphere that is distinctly separate from the state sphere. Journalism and Public Policy concludes that journalism itself has the potential to establish an active relationship between public action and discourse, when editorial integrity is upheld, on public policies implemented to resolve social problems. This principle is strengthened to the extent that the process for implementing a public policy makes it possible, in theory, to create and strengthen associations among social agents through action and discourse, which, according to Hanna Arendt, confines the human condition in the public sphere, which, for Arendt, is a sphere of appearances. In general, it is the print media that contains the greatest critical relationship between communication means and the reader. At the very least, it assumes that the newspapers readership is in command of the most basic tools of citizenship, which are an understanding of the language and the potential for expression, that is, the basis of a public relationship. With respect to Journalism, reflections on its contribution towards a more balanced social development in Brazil, by establishing relationships between discourse (thought) and public action, have raised questions that aid in a better understanding of the hybrid position of newspapers and magazines, which are means of private production, and, as such, seek profits, defend various interests, and attempt to inject information and debates into the public consciousness. Newspapers can, prior to becoming forums for the summary execution of reputations, be agents of the most precious principle of public political action: the need to submit thought (discourse) to public examination.
16
Serena, Gaëlle. "D’encre et de sang. Politiques jésuites de l’écrit dans les premiers temps de la mission anglaise de 1580 à 1610." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040263/document.
Повний текст джерелаАнотація:
Cette étude interroge la place de l’écrit et des actes d’écriture lors de la première mission jésuite en Angleterre, de 1580 à 1610. Lettres, autobiographies et pamphlets s’inscrivent dans un programme mis en place par les supérieurs de l’ordre, visant à l’édification des catholiques anglais et au dénigrement du gouvernement d’Élisabeth auprès des peuples européens. À la fois outils de propagande et seuls moyens d’information possibles entre l’île et le continent, les écrits missionnaires permettent à leurs auteurs de donner corps à la communauté récusante clandestine, ainsi qu’à la mission elle-même. La circulation de ces textes, tant en Angleterre que sur le continent, trace ainsi les contours d’une communauté dont l’existence est étroitement liée à la production de l’écrit. Mais, si elle détournée, la trace peut devenir arrêt de mort, révélant l’identité de celui qui l’a produite aux yeux de l’intrus qui la déchiffre. Pourtant, les jésuites ne cessent d’écrire malgré le danger que cela représente. L’acte d’écriture semble alors dépasser la seule visée programmatique pour revêtir une dimension ontologique, permettant à l’auteur de dépasser le traumatisme de l’expérience immédiate et de renouer avec sa propre identité, mise en mal par l’exil, la prison ou la perspective de l’exécutionThe purpose of this study is to analyse the role of writing during the first English Jesuit mission, from 1580 to 1610. It shows that letters, pamphlets and autobiographies were part of a larger programme devised by the Superiors of the Company of Jesus. As both a means of propaganda and information between England and the continent, missionary writings helped to shape the Jesuit mission and the underground recusant community within which the Jesuits lived. The aim was to edify the English Catholics and to weaken Elizabeth’s government in the eyes of European Catholics. By circulating texts throughout the country and in the rest of Europe, the Jesuits shaped a community highly reliant on written material. But writing was also incredibly dangerous as it marked the author and those responsible for its circulation as irredeemably catholic. Yet, the Jesuits kept on writing regardless of the consequences. Indeed, writing was vital to those missionaries whose identity was daily denied and who had to face the gloomy prospect of death from their arrival onwards. The very act of writing allowed them to fight against the feeling of dispossession which was gradually taking hold of them
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Šilkus, Edgaras. "Lapo perdavimo mechanizmo dinaminio tikslumo tyrimas." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120801_121512-82693.
Повний текст джерелаАнотація:
Lakštinėse spausdinimo mašinose spausdinant spalvotus atvaizdus svarbu mašinos atskirose sekcijose atspaudų sutapimą išlaikyti šimtųjų milimetro dalių tikslumu. Be to, spausdinamų atvaizdų geometrinis nesutapimas abiejose lapo pusėse neturi viršyti 0,1 mm. Viena iš pagrindinių nesutapimo priežaščių yra mechaninio krumpliaratinio perdavimo mechanizmo iš vienos sekcijos į kitą sukamieji virpesiai, kuriuos sukelia krumpliaračių paklaidos ir pasipriešinimo momentų pokyčiai tarp ofsetinių ir forminių cilindrų. Darbe analiziniu – kompiuteriniu būdu nagrinėjama šių virpesių įtaka lapo perdavimo tikslumui. Konkrečiam tyrimui pasirinkta „Heidelberg“ spausdinimo mašina GTO 52, tačiau darbe taikoma tyrimo metodika tinka ir kitoms mašinoms. Sudarytas elektros pavara valdomo lapų perdavimo mechanizmo dinaminis modelis su 16 laisvės laipsnių. Sistemos matematinis modelis (virpesių lygtys ir struktūrinė schema) sudarytas kompiuterizuotu būdu MATLAB/SIMULINK programų terpėje, kurioje atliktas sistemoje vykstančių dinaminių procesų modeliavimas. Pavaroje kylančios paklaidos apibūdinamos sukamųjų virpesių amplitudinėmis – dažninėmis charakteristikomis. Nagrinėjama šių charakteristikų pobūdžio, rezonansinių virpesių ir jų dažnių įtaka lapo perdavimo paklaidos dydžiui.It is important in printing machines to maintain very high print quality (hundredths of a millimeter) in printing colorful prints. Also mismatches of prints in both sides of sheet must not exceed 0,1 millimeter. One of the reasons of mismatching is mechanical gear transfers mechanisms, from one printing unit to another, rotational oscillations, which are generated by gear errors and resistance moment changes between offset and print cylinder. These oscillations influence to sheet transfer accuracy are examined in analytical – computer way. For particular examination there was selected “Heidelberg” printing press GTO 52, but the examination method can be used for other presses. There was formed dynamic model with 16 degrees of freedom. Mathematical model of the system (oscillation equations and flowchart) was formed with MATLAB/SIMULINK program, in which dynamical process modeling was done. Errors in drive described as an amplitude frequency response. There was examined these response nature, resonant oscillations and its frequency influence to sheets transfer errors size.
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Černych, Konstantin. "Fleksografinės spausdinimo mašinos „OMET VARYFLEX 420 FP“ sekcijos pavaros dinaminio tikslumo tyrimas." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060616_103722-39657.
Повний текст джерелаАнотація:
Master‘s graduation dissertation research object is the drive of one unit of multisection web-fed flexographic printing press „Omet Varyflex 420 FP“. The main purpose of the work is drive’s dynamical precision research, basing on the torsion vibration. But the main attention is concentrated on the research object mathematical model creation. It will be able to investigate torsion vibration. In the beginning there is description of the research object, its dynamical model and assumptions, made while modeling the object. As the main research object is mechanical drive, unit’s electric drive is not detailed. Unit‘s structural model is created using the „MATLAB Simulink“ software. While modeling, it was proved the model is adequate. It was investigated how generalized coordinates and dynamical datums change while the press is switched on and starts to work with constant angular acceleration and when the angular speed reaches particular value, it does not change any more. Amplitude-frequency and phase-frequency responses of some generalized coordinates were got. Changing some parameters flexographic printing plate aging is modeled. It is watched how aging influences torsion vibration. While modeling it was determined how gearwheels cyclic harmonic error’s amplitude and beds resistance coefficients influence dynamical datums. It was also determined unit’s electric drive influence on generalized coordinates frequency responses. Basing on the analysis of the results, the conclusions... [to full text]
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Allen, Gretchen. "William Morris and the Kelmscott Chaucer: Design, Production, and Conservation Analysis." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/503.
Повний текст джерелаАнотація:
William Morris’s Kelmscott Press was founded specifically for the purpose of producing handmade printed works in a rapidly industrializing age. The techniques he and his confederates employed to make the Kelmscott books resulted in beautiful publications with remarkable material fortitude, as exemplified in the Press’s masterwork, “The Works of Geoffrey Chaucer Now Newly Imprinted”. This thesis examines the condition of the copy of the Kelmscott Chaucer in the Scripps rare book collection from a book conservator’s perspective to analyze the connection between William Morris’s personal philosophies, his resulting artistic decisions, and the longevity of the book as an art object.
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Fraga, Gerson Wasen. "Brancos e vermelhos : a guerra civil espanhola através das páginas do jornal Correio do Povo (1936-1939)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2004. http://hdl.handle.net/10183/13072.
Повний текст джерелаАнотація:
Entre 1936 e 1939, a Espanha foi abalada por uma violenta Guerra Civil. Tendo sido deflagrada no período entre guerras, quando o capitalismo experimentava os efeitos da crise de 1929; quando o fascismo atravessava seu momento de afirmação na Europa, e quando a Revolução Russa apresentava uma alternativa política para os povos, este acontecimento acabou por se tornar rico em símbolos e significados, atraindo não apenas a atenção, mas também a solidariedade de boa parte do mundo para ambos os lados em contenda. No Brasil, marcado pela repressão ao comunismo, especialmente após 1935, a Guerra Civil Espanhola veio a servir, na visão das elites, como exemplo do que poderia aqui ocorrer caso o comunismo viesse a encontrar solo fértil no continente americano, sendo uma das formas de difundir esta idéia as páginas da grande imprensa escrita. Nosso objetivo é demonstrar como a Guerra Civil Espanhola foi apresentada à sociedade pelo jornal Correio do Povo, à época o periódico de maior importância no Rio Grande do Sul. Através de sua leitura sobre os fatos na Espanha naqueles anos conturbados, temos um exemplo da forma como as idéias de mudança social eram vistas por uma parcela da elite brasileira, bem como de seu alinhamento com as diretrizes políticas oficiais daquele momento.In 1936-39, the Spain was loose by a violent Civil War. Happened in the between wars age, when the capitalism experiment the effects of the 29’s crisis, when the fascism crossed your moment of affirmation in Europe, and when the Russian Revolution presented a political alternative for the peoples, this happening rendered rich in symbols and meanings, attracting the attention and the solidarity of share of the world for both the sides in quarrel. In Brazil, marked for the repression at communism afterwards 1935, the Spanish Civil War served, for the elites, how example of the how can happen here in the event of the communism meeted firm land in the american continent, to be a from the forms of diffuse this idea the pages of the big press. Our objective is demonstrate how the Spanish Civil War gone presented for the society by Correio do Povo journal, in the time of the happening the newspaper of higher importance in the Rio Grande do Sul State. Through of this reading about the happenings in the Spain at that disturbed years, we have a example of the shape how the social changes ideas was includeds by a parcel of the brazilian elites, as well as of the your arrangement with the official politics from that moment.
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Towers, Suellen Mutchow. "Control of religious printing in early Stuart England." Thesis, University College London (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313050.
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Archer, Caroline. "The Kynoch Press 1876-1981." Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302328.
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Conidaris, Amanda Jane. "Contemporary South African printmaking : a study of the artform in relation to socio-economic conditions, with special reference to the Caversham Press." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/49720.
Повний текст джерелаАнотація:
Date in university's graduation list: April 2003.Thesis (MA (VA))--Stellenbosch University, 2002.
ENGLISH ABSTRACT: The body of the thesis explores contemporary South African printmaking by focusing on The Caversham Press, established in 1985. Caversham's success encouraged the opening of four other studios, which formed the core of professional printmaking in South Africa up to 2000. Positioning Caversham in a broader arena, the politicised nature of printmaking in South Africa prior to 1985 is discussed and six projects produced at the Press between 1985 and 2000 are examined to situate the Press within the South African socio-economic and cultural context. Finally, the interaction between prints from Caversham Press projects and the art market in Johannesburg is described and analysed to ascertain the extent to which these six projects were products of their time and place in South African art history. In Appendices IV and V, the candidate's own printmaking work, which examines male midlife depression and its impact on the marital relationship, is discussed.
AFRIKAANSE OPSOMMING: Die hoofdeel van die tesis ondersoek die hedendaagse Suid-Afrikaanse drukkuns op die werk van The Caversham Press wat in 1985 gestig is, te fokus. Caversham se sukses het aanleiding gegee tot die ontstaan van vier ander drukkunsateljees wat die kern van professionele drukkuns gevorm het tot in die jaar 2000. Deur Caversham in 'n breër konteks te plaas, word die gepolitiseerde aard van drukkuns in Suid-Afrika voor 1985 bespreek. Verder word die ses ondernemings wat deur Caversham tussen 1985 en 2000 opgelewer is in die konteks van sosio-ekonomiese en kulturele omstandighede ondersoek. Ten slotte word die interaksie tussen Caversham Press projekte en die kunsmark van Johannesburg ontleed en bespreek met die doelom vas te stel tot hoe 'n mate hierdie ses projekte die tyd en plek van die Suid- Afrikaanse kunsgeskiedenis reflekteer. In Bylae IV en V, word die kandidaat se eie drukkunswerke, wat depressie in mideljarige mans ondersoek en die gevolg daarvan op die huweliksverhouding uitbeeld, bespreek.
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Loh, Gerald. "Passermessung an Druckmaschinen mit konventioneller Videotechnik." Doctoral thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2007. http://nbn-resolving.de/urn:nbn:de:swb:14-1168627826586-24728.
Повний текст джерелаАнотація:
Zur genauen Justage und objektiven Qualitätsprüfung von Druckmaschinen ist ein hochgenaues Messgerät zur Passermessung sinnvoll. Ein solches Messsystem wurde unter Verwendung konventioneller Videotechnik basierend auf Bildanalysetechnologien entwickelt. Speziell für das Messsystem entworfene Messelemente werden zur Passermessung gedruckt, mit Videotechnik digitalisiert und mit Hilfe von Bildanalysetechnologien erkannt, bewertet und vermessen. Auf dem Entwicklungsweg zu diesem Messsystem wurden verschiedene Problemkreise analysiert und gelöst. Dazu zählen beispielsweise Methoden zur Signalerfassung und zur Korrektur von Fehlern in optischen Abbildungssystemen. Ausgehend von einer Bewertung bekannter Lösungen zur Passermessung werden Technologien und Strategien für ein Messverfahren zur Passermessung mit konventioneller Videotechnik am Beispiel der Übergabepassermessung aufgezeigt. Nachweismöglichkeiten zur Prüfung der Technologie und Schlussfolgerungen wie wünschenswerte Forderungen für die Zukunft, beispielsweise für Folge- und Weiterentwicklungen, werden formuliertA high-precision instrument for register measurement is useful for the exact adjustment and quality control of printing presses. Such a measuring system has been developed on the basis of image analysis methods and the application of conventional video technology. Measuring elements specially designed for the measuring system are printed for register measurement, digitalized with video technology and recognized, evaluated and measured with the help of image analysis methods. On the way to the development of this measuring system various complexes of problems were analysed and solved, among them, for instance, methods of signal recognition and correction of errors in optical imaging systems. Proceeding from the evaluation of known solutions for register measurement, methods and strategies are demonstrated for a method of register measurement with conventional video technology using transfer register measurement as an example. Possibilities to proof the verification of the method, conclusions and desirable demands for the future, such as follow-up and further developments have been formulated
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Arendt, Isabel Cristina. "Representações de germanidade, escola e professor no Allgemeine Lehrerzeitung für Rio Grande do Sul [Jornal Geral para o professor no Rio Grande do Sul]." Universidade do Vale do Rio do Sinos, 2005. http://www.repositorio.jesuita.org.br/handle/UNISINOS/2166.
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Previous issue date: 13Nenhuma
A presente tese tem como tema central o estudo das representações e discussões acerca de germanidade, de escola e de professor veiculadas no jornal Allgemeine Lehrerzeitung für Rio Grande do Sul, Vereinsblatt des Deutschen Evangelischen Lehrervereins in Rio Grande do Sul [Jornal Geral do Professor no Rio Grande do Sul; Órgão da Associação de Professores Evangélicos Alemães] editado e publicado pela Deutscher Evangelischer Lehrerverein von Rio Grande do Sul [Associação de Professores Alemães Evangélicos no Rio Grande do Sul], entre 1902 e 1938. Abordamos este tema com um referencial apoiado na história cultural. Os redatores e articulistas, na sua maioria professores alemães alocados em escolas do meio urbano, constroem representações em torno da germanidade, da escola e do professor, gerenciando a identidade, instituindo modelos de conduta e indicando leituras para o professor atuante em escolas “alemãs-brasileiras” evangélicas, principal público leitor do jornal. Apresentamos, também, as representações de es
This thesis studies the views and discussions about Germanism (Deutschtum), school and teacher conveyed in the journal Allgemeine Lehrerzeitung für Rio Grande do Sul, Vereinsblatt des Deutschen Evangelischen Lehrervereins in Rio Grande do Sul [General Teacher’s Journal for Rio Grande do Sul, a publication of the Association of German Evangelical Teachers in Rio Grande do Sul], edited and published by the Deutscher Evangelischer Lehrerverein von Rio Grande do Sul [Association of German Evangelical Teachers from Rio Grande do Sul] between the years 1902 and 1938. We approached this topic with a frame of reference based on cultural history. The journal’s editors and contributors, most of whom were German teachers allocated to urban schools, address topics such as Deutschtum, school and teacher, deal with issues like identity, set models of conduct and recommend reading material for teachers working in “German-Brazilian” evangelical schools, the jounal’s primary readership. We also present the views exposed on
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Chung, Shiuh-Dong. "An investigation of inking adjustments versus their response time in a web offset press /." Online version of thesis, 1992. http://hdl.handle.net/1850/11156.
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Osborne, Geoffrey. "The history of design of the Jobbing Platen Press." Thesis, Liverpool John Moores University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262288.
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Breakstone, William F. "A comparison between the GCA/GATF off-press proof comparator and the GATF standard offset color control bar for identifying when a cromalin off-press proof is prepared to specifications for web offset publication /." Online version of thesis, 1990. http://hdl.handle.net/1850/11475.
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Fiander, Robert Owen. "Marshall McLuhan, the printed word, and nineteenth-century outcasts of literacy." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq62171.pdf.
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Loh, Gerald. "Passermessung an Druckmaschinen mit konventioneller Videotechnik." Doctoral thesis, Technische Universität Dresden, 2005. https://tud.qucosa.de/id/qucosa%3A25032.
Повний текст джерелаАнотація:
Zur genauen Justage und objektiven Qualitätsprüfung von Druckmaschinen ist ein hochgenaues Messgerät zur Passermessung sinnvoll. Ein solches Messsystem wurde unter Verwendung konventioneller Videotechnik basierend auf Bildanalysetechnologien entwickelt. Speziell für das Messsystem entworfene Messelemente werden zur Passermessung gedruckt, mit Videotechnik digitalisiert und mit Hilfe von Bildanalysetechnologien erkannt, bewertet und vermessen. Auf dem Entwicklungsweg zu diesem Messsystem wurden verschiedene Problemkreise analysiert und gelöst. Dazu zählen beispielsweise Methoden zur Signalerfassung und zur Korrektur von Fehlern in optischen Abbildungssystemen. Ausgehend von einer Bewertung bekannter Lösungen zur Passermessung werden Technologien und Strategien für ein Messverfahren zur Passermessung mit konventioneller Videotechnik am Beispiel der Übergabepassermessung aufgezeigt. Nachweismöglichkeiten zur Prüfung der Technologie und Schlussfolgerungen wie wünschenswerte Forderungen für die Zukunft, beispielsweise für Folge- und Weiterentwicklungen, werden formuliert.A high-precision instrument for register measurement is useful for the exact adjustment and quality control of printing presses. Such a measuring system has been developed on the basis of image analysis methods and the application of conventional video technology. Measuring elements specially designed for the measuring system are printed for register measurement, digitalized with video technology and recognized, evaluated and measured with the help of image analysis methods. On the way to the development of this measuring system various complexes of problems were analysed and solved, among them, for instance, methods of signal recognition and correction of errors in optical imaging systems. Proceeding from the evaluation of known solutions for register measurement, methods and strategies are demonstrated for a method of register measurement with conventional video technology using transfer register measurement as an example. Possibilities to proof the verification of the method, conclusions and desirable demands for the future, such as follow-up and further developments have been formulated.
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Meyer, John C. "The variability of a web offset newspaper press run as measured by the Eastman Kodak Company's customized color analysis target /." Online version of thesis, 1987. http://hdl.handle.net/1850/8823.
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Ferreira, Maria Alice Vaz. "Uma análise dos olhares dos moradores e da imprensa escrita sobre a degradação do rio Pardo no município de São José do Rio Pardo, SP." Universidade de São Paulo, 2002. http://www.teses.usp.br/teses/disponiveis/18/18139/tde-01122016-123829/.
Повний текст джерелаАнотація:
O presente trabalho foi realizado na cidade de São José do Rio Pardo (SP), tendo como objetivo a análise da percepção dos moradores das áreas urbanas e rural sobre os processos de degradação do Rio Pardo, bem como a análise da abordagem da imprensa escrita sobre os problemas ambientais da cidade, particularmente, sobre o rio Pardo. Para isto foram realizadas entrevistas para o levantamento das percepções dos moradores, bem como a análise documental para o levantamento da abordagem de temas ambientais pela imprensa escrita. Os resultados das entrevistas mostraram que os moradores estabeleceram uma relação entre a degradação do rio Pardo e as atividades humanas, sendo citadas as modificações nas características da água, na qualidade da água, na fauna de peixes e nos usos múltiplos da água. A análise do principal jornal da cidade mostrou que tal veículo dedicou um espaço considerável para a discussão da temática ambiental, nos últimos cinqüenta anos, sendo que, em alguns casos, essa discussão não estava isenta de interesses, geralmente políticos. As discussões dos resultados obtidos possibilitaram uma melhor compreensão das relações estabelecidas pela população da cidade de São José do Rio Pardo com o rio Pardo, sendo apresentadas sugestões que possam contribuir para a resolução dos problemas levantados.The present work was done in the city of São José do Rio Pardo (SP), and its goal was the analysis of the city and countryside inhabitants\' perception of the processes of degradation of the Rio Pardo River, as well as the analysis of the printed press approach on the environmental problems of the city, particularly on the Rio Pardo River. Because of this, interviews were done to collect the inhabitants\' understanding, as well as the analysis of the documents to understand the approach given by the printed press on the environrnental themes. What we collected showed that the inhabitants can clearly establish a relationship between the degradation of the Rio Pardo River and the human activities, being mentioned the changes in the water characteristics, on the amount of water, on the fauna of fish and in the multiple use of the bodies of water. On the other hand, the analysis of the main newspaper in the city showed that this newspaper dedicated a remarkable space to the discussion of the environmental theme, in the last fifty years, and this discussion, in same cases, was not free of interests, generally political ones. The discussion of the results made possible a better understanding of the relationships established by the population of the city of São José do Rio Pardo with its river, and suggestions were presented to contribute with the solving of the found problems.
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Mudge, Jill Houghton. "An analysis of how altering exposure effects color differences in critical color areas on electrophotographic off-press proofs /." Online version of thesis, 1992. http://hdl.handle.net/1850/11255.
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Mudge, James B. "A study of the effect of lithographic press speed on dot gain /." Online version of thesis, 1991. http://hdl.handle.net/1850/11149.
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Leal, Federico. "Potential air contaminants and noise levels generated by the Kodak NexPress 2500 Digital Production Color Press : a study of its emissions of respirable dust, ultrafine particulates, volatile organic compounds, ozone, and occupational noise exposure /." Online version of thesis, 2007. http://hdl.handle.net/1850/4487.
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Smith, Curtis L. "Analysis of color variation during four-color offset lithographic press runs by monitoring changes in three-filter density values of overprint tints /." Online version of thesis, 1990. http://hdl.handle.net/1850/11531.
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Thomas, Drew B. "The industry of evangelism : printing for the Reformation in Martin Luther's Wittenberg." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/14589.
Повний текст джерелаАнотація:
When Martin Luther supposedly nailed his Ninety-Five Theses in 1517 to the Castle Church door in Wittenberg, the small town had only a single printing press. By the end of the century, Wittenberg had published more books than any other city in the Holy Roman Empire. Of the leading print centres in early modern Europe, Wittenberg was the only one that was not a major centre of trade, politics, or culture. This thesis examines the rise of the Wittenberg printing industry and analyses how it overtook the Empire's leading print centres. Luther's controversy—and the publications it produced—attracted printers to Wittenberg who would publish tract after tract. In only a few years, Luther became the most published author since the invention of the printing press. This thesis investigates the workshops of the four leading printers in Wittenberg during Luther's lifetime: Nickel Schirlentz, Josef Klug, Hans Lufft, and Georg Rhau. Together, these printers conquered the German print world. They were helped with the assistance of the famous Renaissance artist, Lucas Cranach the Elder, who lived in Wittenberg as court painter to the Elector of Saxony. His woodcut title page borders decorated the covers of Luther's books and were copied throughout the Empire. Capitalising off the demand for Wittenberg books, many printers falsely printed that their books were from Wittenberg. Such fraud played a major role in the Reformation book trade, as printers in every major print centre made counterfeits of Wittenberg books. However, Reformation pamphlets were not the sole reason for Wittenberg's success. Such items played only a marginal role in the local industry. It was the great Luther Bibles, spurred by Luther's emphasis on Bible reading, that allowed Wittenberg's printers to overcome the odds and become the largest print centre in early modern Germany.
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Brito, Júnior Elias Bernardo de. "O papel político da imprensa batista: o Batista Paulistano e os governos de Jânio a Médici." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/2110.
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Elias Bernardo de Brito Junior.pdf: 3799626 bytes, checksum: 22228005e02f419464abbaab14527542 (MD5)
Previous issue date: 2009-06-05The Brazilians Baptists settled down in the national territory at the end of 19th century, proceeding from The United States of America. Here, in Brazil, they have experienced a period of great growth. Today they are located in all the units of the federation. Its expansionism has awakened the need to create means of communication that kept the immense group cohesive. The Brazilians Baptists of the State of Sao Paulo founded the Batista Paulistano periodical in 1909. The periodical had an informative mark, it divulged the activities developed and it was the mean of communication between the leadership and the members in the State. This project investigates the political role of the Batista Paulistano periodical from Jânio government to Medici government. Period that marks the transition from a democratic regime of duty for a dictatorial regime implanted by Brazilian arm. This project seeks analyze whether the official adopted a posture of impartiality or a political engagement in the fight against military dictatorship. In addition to recognize the importance of the periodical as an historic document revealing of the quotidian , Cosmovision and Baptist Thought
Os Batistas Brasileiros instalam-se no território nacional no final do século XIX, provenientes dos Estados Unidos da América. Aqui experimentam um período de grande crescimento. Hoje estão localizados em todas as unidades da federação. Seu expansionismo despertou a necessidade de criar meios de comunicação que mantivessem coeso o imenso grupo. Os Batistas Brasileiros do Estado de São Paulo fundaram o jornal Batista Paulistano no ano de 1909. O jornal tinha caráter informativo, divulgava as atividades desenvolvidas e era o canal de comunicação entre a liderança e a membresia no Estado. Este trabalho investiga o papel político do jornal Batista Paulistano do governo Jânio ao governo Médici. Período que marca a transição de um regime democrático de direito para um regime ditatorial implantado pelo Exército Brasileiro. Procura analisar se o jornal adotou uma postura de imparcialidade ou de engajamento político na luta contra a ditadura militar, além de reconhecer a importância do periódico como Documento Histórico revelador do cotidiano, da cosmovisão e do pensamento batista
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Skillin, Larry Alexander. "From Proclamation to Dialogue: The Colonial Press and the Emergence of an American Public Sphere, 1640-1725." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1249590121.
Повний текст джерела
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Boscato, Morishita Sylvie. "L'art des missions catholiques au Japon : XVIe-XVIIe siècles." Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAK016.
Повний текст джерелаАнотація:
Les missions catholiques au Japon au XVIe siècle se sont développées dans le contexte de l'expansion ibérique en Extrême-Orient. Les convertis ont fait bon accueil à l'art religieux introduit par les missionnaires. La présente étude dresse l'inventaire des principales œuvres d'art qui ont échappé aux destructions depuis l'interdiction du christianisme en 1614, retrace les différentes modalités de leur conservation depuis cette date et leur découverte progressive depuis 1865. Tout en présentant les traces iconographiques de l'action des ordres mendiants, une large place est réservée à l'activité des jésuites dans l'introduction de l'art occidental, en particulier par la fondation d'une école d'art à Nagasaki. L'étude des principales œuvres et de leur contexte historique permet de reconstituer les différentes facettes de la mission du Japon et de la situer au sein des réseaux de la mondialisation ibérique qui ont permis une circulation artistique entre l'Europe, le Japon et le Nouveau MondeCatholic missions in 16th century Japan developed within the context of lberian expansion in the Far East. The Japanese converts welcomed Western religious art. The present study draws up the list of the main works of art that have escaped destruction since 1614, describes their conservation and progressive discovery since the XIXth century, focuses on the role of the Jesuits in the introduction of Western art in Japan while presenting the artistic traces of the mendicants orders. The main works of art are set in their historical context. The Japanese mission is thus placed in the global networks of lberian expansion, which allowed artistic circulation between Europe, Japan and the New World
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Cavaillon, Giomi Joan. "Le monde de l'édition sous le règne de Charles IV (1789-1808) à travers les annonces de librairie des journaux madrilènes." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3054.
Повний текст джерелаАнотація:
Longtemps délaissée comme source primaire des études historiques en Espagne, la presse est devenue, depuis les travaux pionniers d'Alberto Gil Novales, une source incontournable pour nombre de chercheurs. A côté des rubriques consacrées aux seules informations et des articles de fond, qui intéressent essentiellement l'histoire événementielle et celle des mentalités, les diverses annonces qu'accueillent généralement les périodiques permettent des études socio-économiques particulièrement utiles en ce qui concerne le XVIII° siècle. María José Seoane a déjà exploité ce genre de sources pour la période 1808-1819 à partir de la Gaceta de Madrid et du Diario de Madrid. Pour notre part, nous attachant à la période qui couvre le règne de Charles IV (1788-1808) et utilisant les annonces de librairie publiées dans l'ensemble des périodiques madrilènes de cette période, nous entendons ne pas nous contenter dans notre thèse de produire les listes des ouvrages annoncés mais, à partir de celles-ci, faire le bilan de la production imprimée pendant la seconde moitié du XVIII° siècle, étudier les réseaux de diffusion de ces ouvrages ainsi que les stratégies mises en place par les auteurs et les éditeurs avant de constater les succès et échecs de leurs entreprises. Nous pensons apporter ainsi une contribution utile à l'étude du livre et de la lecture et permettre ainsi de mieux appréhender ce qui fut le premier vecteur de diffusion des Lumières en EspagneLong neglected as a primary source of historical studies in Spain, the Press has become a valuable source for a lot of researchers since the pioneering work of A.G.N. Alongside sections solely devoted to information and feature stories, which are of particular interest to the history of events and mentalities, the numerous notices which make up the contents of periodicals allow for particularly useful socio-economic studies as regards the eighteenth century.Maria José Seoane already relied on this kind of sources from La Gaceta de Madrid and Diario de Madrid for the period spanning between 1808 and 1819. As far as we are concerned, focusing on the period covering Charles IV's reign (1788-1808) and using bookshop publications from all of Madrid 's periodicals of the time, we intend not to confine our thesis to the simple enumeration of the reading lists but, on the contrary, to evaluate the print production of the second half of the eighteenth century, at the light of those reading lists. We also intend to study the diffusion networks as well as the strategies that were developed by writers and editors alike before the successes or failures of their undertaking. We thus hope to make a valuable contribution to the study of books and book reading and therefore allow for a better understanding of what was the first vehicle for the dissemination of the ideas of The Enlightenment in Spain
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LEONETTI, ARIANNA. "Comunicare la fede: il fondamentale contributo della tipografia francescana di Gerusalemme (1847-1947). Un secolo di storia." Doctoral thesis, Università Cattolica del Sacro Cuore, 2021. http://hdl.handle.net/10280/102930.
Повний текст джерелаАнотація:
Il primo secolo di storia della Franciscan Printing Press, tipografia francescana nata a Gerusalemme nel Convento di San Salvatore nel 1847, è stato suddiviso in quattro fasi, corrispondenti alle quattro parti della tesi di dottorato "Comunicare la fede: il fondamentale contributo della tipografia francescana di Gerusalemme (1847-1947). Un secolo di storia".
La parte iniziale (che copre il triennio 1847-1850) è dedicata alle intricate vicende che hanno portato alla fondazione della stamperia, dal ristabilimento del Commissariato Generale di Vienna fino alla pubblicazione del primo vero volume, un Catechismo in arabo ed in italiano ad uso dei fedeli di Terra Santa del 1847. La seconda sezione si concentra su un periodo enormemente innovativo (1850-1879) e, al tempo stesso, gravemente critico. Dopo una ricognizione circa i nuovi strumenti in uso nell’officina (dal torchio d’accidente a quello litografico, passando per la creazione di un laboratorio per la fusione di caratteri tipografici), sono stati analizzati i nove anni (1865- 1874) più incerti della stamperia, in cui i francescani rischiarono a più riprese di perdere il possesso dell’officina. La terza sezione racconta una fase, quella tra 1879 e 1898, più tranquilla e stabile della precedente, ma non meno ricca di avvenimenti: tanti sono stati gli sforzi, in questo tempo, per disciplinare la FPP, uniformandola alle officine europee. I dati raccolti su questo periodo consentono anche una indagine della struttura sociale-culturale della Palestina di fine Ottocento. La quarta e ultima parte documenta, in fine, un periodo decisamente più lungo dei precedenti, che ha avuto inizio nel 1899 e si è concluso dopo la Seconda Guerra Mondiale, con la nascita dello Stato d’Israele. Cinquanta anni (o quasi), segnati da grandi e gravi sconvolgimenti politici, in cui la tipografia francescana è riuscita sempre a configurarsi come istituzione pacifica e costruttiva, mai polemica. Nel ricostruire i primi cento anni di attività di una tipografia che è casa editrice e insieme opera missionaria, e che ha anche il merito di essere stata la prima a stampare in arabo in tutta la Palestina, si può facilmente scadere nel racconto agiografico, nell’estremizzazione del lato sociologico. Contro il rischio di una lettura ideologica delle fonti si è quindi operata una scelta storiografica particolare, dettata dalla volontà di far parlare in prima persona gli attori che hanno vissuto concretamente tutte le fasi della stamperia francescano-gerosolimitana nel suo primo secolo di attività. Per questo motivo, all’interno della tesi, viene dato ampio spazio a due tipi di documenti, librari e archivistici (che occupano pure un’appendice dedicata in fine di ogni sezione). Per rendere più agevole la fruizione degli argomenti trattati, che coniugano la ricerca storica secondo il proprium della storia del libro, si poi è scelto di accompagnare il testo con fotografie inedite di libri, documenti d’archivio e attrezzi di stampa originali della Franciscan Press, ritrovati (tanto fortunatamente quanto fortuitamente) in un deposito sotterraneo del Convento di San Salvatore.The first century of history of the Franciscan Printing Press, a Franciscan printing house established in Jerusalem at St. Saviour's Convent in 1847, has been divided into four phases, corresponding to the four parts of the doctoral dissertation “Communicating the Faith: the fundamental contribution of the Franciscan Printing Press in Jerusalem (1847-1947). A Century of History”. The initial part (that covers the three-year period 1847-1850) is dedicated to the intricate events that led to the founding of the printing house, from the re-establishment of the General Commissariat in Vienna to the publication of the first volume, a Catechism in Arabic and Italian for the use of the worshippers of the Holy Land in 1847. The second section focuses on an enormously innovative and critical period (1850-1879). After a survey of new and old tools used in the typography, the section focuses on nine years (1865-1874), in which the Franciscans risked several times to lose the possession of their Franciscan Printing Press. The third section covers a less complicated period, between 1879 and 1898: many efforts were made during this time to discipline the FPP, bringing it into line with European workshops. The data collected also allow an investigation of the social-cultural structure of Palestine at the end of the Nineteenth Century. The fourth and last part is focused on a longer period, started in 1899 and ended after the Second World War, with the birth of the State of Israel. Fifty years marked by great political upheavals, in which the Franciscan printing house always managed to configure itself as a peaceful and constructive institution.
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LEONETTI, ARIANNA. "Comunicare la fede: il fondamentale contributo della tipografia francescana di Gerusalemme (1847-1947). Un secolo di storia." Doctoral thesis, Università Cattolica del Sacro Cuore, 2021. http://hdl.handle.net/10280/102930.
Повний текст джерелаАнотація:
Il primo secolo di storia della Franciscan Printing Press, tipografia francescana nata a Gerusalemme nel Convento di San Salvatore nel 1847, è stato suddiviso in quattro fasi, corrispondenti alle quattro parti della tesi di dottorato "Comunicare la fede: il fondamentale contributo della tipografia francescana di Gerusalemme (1847-1947). Un secolo di storia".
La parte iniziale (che copre il triennio 1847-1850) è dedicata alle intricate vicende che hanno portato alla fondazione della stamperia, dal ristabilimento del Commissariato Generale di Vienna fino alla pubblicazione del primo vero volume, un Catechismo in arabo ed in italiano ad uso dei fedeli di Terra Santa del 1847. La seconda sezione si concentra su un periodo enormemente innovativo (1850-1879) e, al tempo stesso, gravemente critico. Dopo una ricognizione circa i nuovi strumenti in uso nell’officina (dal torchio d’accidente a quello litografico, passando per la creazione di un laboratorio per la fusione di caratteri tipografici), sono stati analizzati i nove anni (1865- 1874) più incerti della stamperia, in cui i francescani rischiarono a più riprese di perdere il possesso dell’officina. La terza sezione racconta una fase, quella tra 1879 e 1898, più tranquilla e stabile della precedente, ma non meno ricca di avvenimenti: tanti sono stati gli sforzi, in questo tempo, per disciplinare la FPP, uniformandola alle officine europee. I dati raccolti su questo periodo consentono anche una indagine della struttura sociale-culturale della Palestina di fine Ottocento. La quarta e ultima parte documenta, in fine, un periodo decisamente più lungo dei precedenti, che ha avuto inizio nel 1899 e si è concluso dopo la Seconda Guerra Mondiale, con la nascita dello Stato d’Israele. Cinquanta anni (o quasi), segnati da grandi e gravi sconvolgimenti politici, in cui la tipografia francescana è riuscita sempre a configurarsi come istituzione pacifica e costruttiva, mai polemica. Nel ricostruire i primi cento anni di attività di una tipografia che è casa editrice e insieme opera missionaria, e che ha anche il merito di essere stata la prima a stampare in arabo in tutta la Palestina, si può facilmente scadere nel racconto agiografico, nell’estremizzazione del lato sociologico. Contro il rischio di una lettura ideologica delle fonti si è quindi operata una scelta storiografica particolare, dettata dalla volontà di far parlare in prima persona gli attori che hanno vissuto concretamente tutte le fasi della stamperia francescano-gerosolimitana nel suo primo secolo di attività. Per questo motivo, all’interno della tesi, viene dato ampio spazio a due tipi di documenti, librari e archivistici (che occupano pure un’appendice dedicata in fine di ogni sezione). Per rendere più agevole la fruizione degli argomenti trattati, che coniugano la ricerca storica secondo il proprium della storia del libro, si poi è scelto di accompagnare il testo con fotografie inedite di libri, documenti d’archivio e attrezzi di stampa originali della Franciscan Press, ritrovati (tanto fortunatamente quanto fortuitamente) in un deposito sotterraneo del Convento di San Salvatore.The first century of history of the Franciscan Printing Press, a Franciscan printing house established in Jerusalem at St. Saviour's Convent in 1847, has been divided into four phases, corresponding to the four parts of the doctoral dissertation “Communicating the Faith: the fundamental contribution of the Franciscan Printing Press in Jerusalem (1847-1947). A Century of History”. The initial part (that covers the three-year period 1847-1850) is dedicated to the intricate events that led to the founding of the printing house, from the re-establishment of the General Commissariat in Vienna to the publication of the first volume, a Catechism in Arabic and Italian for the use of the worshippers of the Holy Land in 1847. The second section focuses on an enormously innovative and critical period (1850-1879). After a survey of new and old tools used in the typography, the section focuses on nine years (1865-1874), in which the Franciscans risked several times to lose the possession of their Franciscan Printing Press. The third section covers a less complicated period, between 1879 and 1898: many efforts were made during this time to discipline the FPP, bringing it into line with European workshops. The data collected also allow an investigation of the social-cultural structure of Palestine at the end of the Nineteenth Century. The fourth and last part is focused on a longer period, started in 1899 and ended after the Second World War, with the birth of the State of Israel. Fifty years marked by great political upheavals, in which the Franciscan printing house always managed to configure itself as a peaceful and constructive institution.
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Camprubí, i. Pla Xevi. "L’impressor Rafael Figueró (1642-1726) i la premsa a la Catalunya del seu temps." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/129516.
Повний текст джерелаАнотація:
L’origen de la premsa periòdica a Europa es remunta a principi del segle XVII amb l’aparició de les primeres gasetes. A Catalunya aquesta periodicitat es va consolidar al llarg de la segona meitat d’aquell segle, gràcies a l’acció d’uns quants impressors, encapçalats per Rafael Figueró, que van dedicar una part de la seva activitat a la publicació de fulls de notícies, com a forma de diversificar el seu negoci. Aquest treball de recerca, per tant, analitza i explora el funcionament de la indústria editorial catalana, des de les seves vessants econòmica, social i política, a la vegada que intenta explicar com s’organitzava l’estructura comunicativa que existia a Catalunya en el període comprès entre les guerres dels Segadors i de Successió. Paral•lelament, la tesi doctoral aporta informació biogràfica complementària sobre els personatges que van intervenir en el negoci del llibre, cosa que contribueix al coneixement de la vida quotidiana del període.The consolidation of the periodical press in Catalunya dates from the second half of the Seventeenth century. At that time, some printers of Barcelona, headed by Rafael Figueró, focused part of their activity on the edition of news sheets as a complementary form of business. This research explores both, the organisation of print industry, from economic, social and political perspectives, and the production and circulation of news in the period between the wars of els Segadors and Succession.
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Brabant, Stéphane. "L'imprimeur Abraham Verhoeven (1575-1652) et les débuts de la presse à Anvers." Doctoral thesis, Universite Libre de Bruxelles, 2004. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211145.
Повний текст джерелаАнотація:
La thèse vise à démontrer que l'imprimeur Abraham Verhoeven n'a pas publié de gazette à partir de 1605, et qu'il n'a donc pas publié le premier journal au monde, ni le premier journal illustré. Par contre, il a publié :à partir de 1605, des planches d'actualité; à partir de 1609, des occasionnels; à partir de1617, des nouvelles imprimées; à partir de 1620, des occasionnels en série, datés avec plus ou moins de précision (signés en continu en 1620, puis numérotés); à partir du 27 juin 1629, un journal irrégulier mais très fréquent, la VVekelijcke Tijdinghe; à par-
tir du début 1632 et jusqu'en 1634, un autre journal irrégulier moins fréquent, le Courante uyt.
Doctorat en philosophie et lettres, Orientation information
info:eu-repo/semantics/nonPublished
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López, Avilés Agustín. "Palladine of England (1588) Translated by Anthony Munday." Doctoral thesis, Universidad de Alicante, 2017. http://hdl.handle.net/10045/73030.
Повний текст джерелаАнотація:
Edición crítica en inglés de Palladine of England, libro de caballerías traducido al inglés por Anthony Munday en 1588 a través de su versión francesa L'Histoire Palladienne, de 1555. El libro original, ibérico y de autor anónimo, que Claude Colet tradujo al francés, es Don Florando de Inglaterra (1545). Esta edición crítica proporciona una introducción a la época, género y prácticas traductológicas de Munday; un seguimiento histórico de la obra, descripción bibliográfica, transcripción y edición del texto original con notas eruditas; y glosario, emendaciones y un apéndice de notas traductológicas.
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Richter, Tina Julia. "Stéréotypes, représentations et identités en R.D.A. et en R.F.A. : une comparaison transnationale des discours journalistiques de Der Spiegel et de la Neue Berliner Illustrierte entre 1949 et 1989." Thesis, Strasbourg, 2014. http://www.theses.fr/2014STRAC028/document.
Повний текст джерелаАнотація:
D’où vient « le mur dans les têtes » des Allemands en 1989 ? Que signifient les stéréotypes Besserwessi / Jammerossi ? Quelles sont les représentations et les identités en R.D.A. et en R.F.A. ? Existe-t-il deux identités allemandes différentes ? Avec un corpus de 312 exemplaires de Der Spiegel et de la Neue Berliner Illustrierte, cette thèse étudie la dimension sémantique des stéréotypes, elle analyse les représentations en R.F.A. et en R.D.A. et définit une double identité allemande. L’année 1989 provoque une crise identitaire et langagière que nous étudions à l’aide de sondages, d’ouvrages, de caricatures et de journaux. La guerre froide, la manipulation du discours et un contexte économique déstabilisant font naître dès 1949 des stéréotypes qui s’intensifient en 1961 et s’accumulent en 1989. Ils se transforment du stéréotype de la revendication de représenter l’Allemagne dans son ensemble (1949) en celui de la grande famille socialiste (R.D.A.) et de la grande famille américaine (R.F.A.) en 1961 et en celui de la pérennité étatique (R.D.A.) et de la terra incognita (R.F.A.) en 1989. Les stéréotypes se diffusent avec des images et un vocabulaire de la consommation et de l’individualisme en R.F.A. et de la solidarité en R.D.A. L’identité est-allemande est une identité collective, solidaire et uniforme et l’identité ouest-allemande est une identité de plaisir, de liberté, d’esprit de compétitivité et d’individualisme. Avec une perspective de recherche pluridisciplinaire, comparative et transnationale, ce travail s’insère dans les champs des recherches historiques et linguistiques et s’appuie sur l’histoire comparée, l’analyse du discours et de l’image. L’enjeu identitaire est relié aux stéréotypes et aux représentations qui sont les faces visibles des stéréotypes. Cette thèse étudie aussi les lieux de mémoire textuels, culinaires, culturels, politiques et économiques est-allemands et ouest-allemands en se basant sur les travaux de Walter Lippmann, Ruth Amossy, Pierre Nora, Etienne François, Hagen Schulze, Pierre Moscovici, Christian Delporte, Dominique Maingueneau, Laurent Gervereau, Heinz Gerhard Haupt, Henri Ménudier, Sandrine Kott, Alain Lattard. C’est ce qui nous permet d’analyser les discours d’hommes politiques et de journalistes comme Helmut Kohl, Ludwig Erhard, Konrad Adenauer, Walter Ulbricht, Rudolf Augstein, Rudolf Hernnstadt et Lilly BecherWhat is the origin of the « wall in the minds » between East-germans and West-germans in 1989 ? What is the significance of the stereotypes Besserwessi / Jammerossi ? Do we have two german identities ? Based on a corpus of 312 exemplars of Der Spiegel and Neue Berliner Illustrierte, this thesis analyses the relationship between GDR and West Germany during the cold war. It presents the social representations and defines a double german identity. In 1989, we have a crisis in german language and identity illustrated by soundings, literature, caricatures and stereotypes. Cold war, political speech and destabilizing aspects of 1989 push up stereotypes since 1949. In 1961 they grow up and in 1989 they are on the top. They transform themselves from the stereotype of sole and exclusive representation (1949) to the stereotype of the big socialiste family (GDR) and the big west family (West Germany) in 1961 and to the stereotype of endurance (GDR) and terra incognita (West Germany) in 1989. Stereotypes circulate by language, various leitmotiv and a vocabulary of consumption and egoism in West Germany and solidarity in GDR. They are the sign of a temporarily double german identity. Absence of the same identity and language markers bring up gap between Ossis and Wessis. With a interdisciplinary and comparative approach, this thesis takes place in historic and language studies. The innovation is to connect the question of german identity with stereotypes and representations by defining representations as visible faces of stereotypes. This work studies german history, est-german and west-german memory in the second half of the 20th century with the autors and journalistes Walter Lippmann, Ruth Amossy, Pierre Nora, Etienne François, Hagen Schulze, Pierre Moscovici, Christian Delporte, Dominique Maingueneau, Laurent Gervereau, Heinz-Gerhard Haupt, Henri Ménudier, Sandrine Kott, Alain Lattard and Helmut Kohl, Ludwig Erhard, Konrad Adenauer, Walter Ulbricht, Rudolf Augstein, Rudolf Hernnstadt and Lilly Becher
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Gillis, William. "The Scanlan's Monthly Story (1970-1971): How One Magazine Infuriated a Bank, an Airline, Unions, Printing Companies, Customs Officials, Canadian Police, Vice President Agnew, and President Nixon in Ten Months." Ohio University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1593786429523054.
Повний текст джерела
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Tapscott, Elizabeth L. "Propaganda and persuasion in the early Scottish Reformation, c.1527-1557." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4115.
Повний текст джерелаАнотація:
The decades before the Scottish Reformation Parliament of 1560 witnessed the unprecedented use of a range of different media to disseminate the Protestant message and to shape beliefs and attitudes. By placing these works within their historical context, this thesis explores the ways in which various media – academic discourse, courtly entertainments, printed poetry, public performances, preaching and pedagogical tools – were employed by evangelical and Protestant reformers to persuade and/or educate different audiences within sixteenth-century Scottish society. The thematic approach examines not only how the reformist message was packaged, but how the movement itself and its persuasive agenda developed, revealing the ways in which it appealed to ever broader circles of Scottish society. In their efforts to bring about religious change, the reformers capitalised on a number of traditional media, while using different media to address different audiences. Hoping to initiate reform from within Church institutions, the reformers first addressed their appeals to the kingdom's educated elite. When their attempts at reasoned academic discourse met with resistance, they turned their attention to the monarch, James V, and the royal court. Reformers within the court utilised courtly entertainments intended to amuse the royal circle and to influence the young king to oversee the reformation of religion within his realm. When, following James's untimely death in 1542, the throne passed to his infant daughter, the reformers took advantage of the period of uncertainty that accompanied the minority. Through the relatively new technology of print, David Lindsay's poetry and English propaganda presented the reformist message to audiences beyond the kingdom's elite. Lindsay and other reformers also exploited the oral media of religious theatre in public spaces, while preaching was one of the most theologically significant, though under-researched, means of disseminating the reformist message. In addition to works intended to convert, the reformers also recognised the need for literature to edify the already converted. To this end, they produced pedagogical tools for use in individual and group devotions. Through the examination of these various media of persuasion, this study contributes to our understanding of the means by which reformed ideas were disseminated in Scotland, as well as the development of the reformist movement before 1560.
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Kempf, Charlotte. "Die deutschen Erstdrucker im französischsprachigen Raum bis 1500. Untersuchungen zu Materialität und Präsenz von Inkunabeln." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH181.
Повний текст джерелаАнотація:
Avec l’introduction d'ateliers à l’université de Paris en 1470 commence l'histoire de l'imprimerie dans l'espace francophone. Un des fondateurs fut l'érudit allemand Johannes Heynlin von Stein. Il marque le début d'un développement durant lequel les imprimeurs allemands furent d'une importance décisive : Jusqu'en 1500, sur 40 villes francophones dans lesquelles nous pouvons attester la présence d’au moins une imprimerie, onze ont été introduites par des Allemands. Ils les ont installées surtout dans le sud-est du royaume de France ainsi que dans le Duché de Bourgogne, le Comté de Bourgogne et dans les régions de la Suisse francophone actuelle. Ce bouleversement important de l'histoire des médias était le sujet de la thèse. À la base d'une méthode sur l'histoire de la matérialité, l'étude montre que les imprimeries devaient être à la croisée de différents développements. L'étude examine les biographies des imprimeurs, présente leurs programmes d’imprimerie, décrit le milieu universitaire, urbain et monastique et épluche les éditions qu’ils ont imprimé. Elle a permis de comprendre la complexité transitionnelle entre l’époque des manuscrits et celle des livres imprimés, des sociétés non-typographiques aux sociétés typographiques. Finalement, l’analyse met en évidence que les premiers imprimeurs allemands furent un groupe communicatif en mouvement ayant un réseau au-delà des frontières qui peut être considéré comme exemplaire pour l’histoire de l'imprimerie en France et et même en Europe. En analysant en détail un groupe important des imprimeurs cette approche présente des nouveaux résultats quant à l'histoire précoce de l'imprimerie française et incite à un dialogue scientifique internationalWith the establishment of a press at University of Paris in 1470, the history of printing presses in the French speaking world began. One of the founders was the German scholar Johannes Heynlin von Stein. He marks the start of a historically significant development in which printers from the Holy Roman Empire are of central importance. In the 15th century, it were in fact German printers who took the initiative to establish printing presses in eleven out of forty French cities. Geographically, those presses were predominantly located in the southeast of the French Kingdom and in the Duchy of Burgundy, in the Palatinate County of Burgundy, as well as in the region of what is today the French-speaking part of Switzerland. This media-historically important transition is the focus of this dissertation. On the basis of a profound methodology rooted in the history of materiality, the thesis shows that printing presses must be understood as an intersection of different developments. A comprehensive examination of the biographies of the respective printers and their printing portfolios are presented. Additionally, this thesis records the university, urban and monastic environment of the presses and critically evaluates the printed editions. By doing so, it is possible to work out in detail – while always referring to the sources – the complexity of the transition from a period of manuscripts to a period of printed books. Hence, a transition from non-typographic to typographic societies. Finally, this thesis proves that the German printers were a communicative and trans-border networked group which exemplarily stands for the French and partly for the European history of the printing press in the 15th century. By precisely and extensively analysing one of the most important groups of printers in the 15th century, this thesis allows for new insights to the history of early French printing presses and therefore seeks to fill a gap in academic literature. Furthermore, it encourages an international and scientific dialogue
Mit der Einrichtung einer Buchdruckerei in der Universität Paris im Jahre 1470 beginnt die Geschichte des Buchdrucks im französischsprachigen Raum. Einer der Gründer war der deutsche Gelehrte Johannes Heynlin von Stein. Er steht am Anfang einer Entwicklung, in der den Druckern aus dem Heiligen Römischen Reich entscheidende Bedeutung zukam - in elf von rund 40 französischen Städten, in denen in der Inkunabelzeit eine Druckerpresse eingerichtet wurde, ging die Initiative von deutschen Druckern aus. Sie waren vor allem im Südosten des Königreichs Frankreich sowie im Herzogtum Burgund, in der Freigrafschaft Burgund und in Gebieten der heutigen französischsprachigen Schweiz präsent. Dieser mediengeschichtlich bedeutsamen Umbruchphase widmet sich die vorliegende Untersuchung. Auf der Basis einer materialitätsgeschichtlich fundierten Methode kann gezeigt werden, dass die Druckereien als Kreuzungspunkte unterschiedlicher Entwicklungslinien verstanden werden müssen. Die Studie untersucht die Biographien der Drucker, stellt ihr Druckprogramm vor, erfasst das universitäre, städtische oder monastische Umfeld der Pressen und wertet die von ihnen produzierten Ausgaben aus. Auf diese Weise kann detailliert, und stets mit Bezug auf die Quellen, die Komplexität des Übergangs vom Handschriften- zum Druckzeitalter, von non-typographischen zu typographischen Gesellschaften herausgearbeitet werden. Darüber hinaus wird nachgewiesen, dass es sich bei den deutschen Erstdruckern um eine kommunikative und über Ländergrenzen hinweg breit vernetzte Gruppe handelt, die als exemplarisch für das französische sowie in Teilen auch für das europäische Druckwesen des 15. Jahrhunderts gelten kann. Dieser Ansatz einer präzisen und umfassenden Auseinandersetzung mit einer bedeutenden Gruppe von Buchdruckern präsentiert neue Erkenntnisse zur Geschichte des frühen französischen Buchdrucks und regt zur Intensivierung des internationalen Forschungsdialogs an