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Добірка наукової літератури з теми "Publishers"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 29 липня 2024

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Статті в журналах з теми "Publishers"

Kim, Sang-Jun, and Kay Sook Park. "Changes in article share and growth by publisher and access type in Journal Citation Reports 2016, 2018, and 2020." Science Editing 9, no. 1 (February 20, 2022): 30–36. http://dx.doi.org/10.6087/kcse.260.

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Purpose: This study explored changes in the journal publishing market by publisher and access type using the major journals that publish about 95% of Journal Citation Reports (JCR) articles.Methods: From JCR 2016, 2018, and 2020, a unique journal list by publisher was created in Excel and used to analyze the compound annual growth rate by pivot tables. In total, 10,953 major JCR journals were analyzed, focusing on publisher type, open access (OA) status, and mega journals (publishing over 1,000 articles per year).Results: Among the 19 publishers that published over 10,000 articles per year, in JCR 2020, six large publishers published 59.6% of the articles and 13 publishers 22.5%. The other publishers published 17.9%. Large and OA publishers increased their article share through leading mega journals, but the remaining publishers showed the opposite tendency. In JCR 2020, mega journals had a 26.5% article share and an excellent distribution in terms of the Journal Impact Factor quartile. Despite the high growth (22.6%) and share (26.0%) of OA articles, the natural growth of non-OA articles (7.3%) and total articles (10.7%) caused a rise in journal subscription fees. Articles, citations, the impact factor, and the immediacy index all increased gradually, and the compound annual growth rate of the average immediacy index was almost double than that of the average impact factor in JCR 2020.Conclusion: The influence of OA publishers has grown under the dominance of large publishers, and mega journals may substantially change the journal market. Journal stakeholders should pay attention to these changes.

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Toma, Catalin, Liliana Padureanu, and Bogdan Toma. "Correction of the Scientific Production: Publisher Performance Evaluation Using a Dataset of 4844 PubMed Retractions." Publications 10, no. 2 (April 21, 2022): 18. http://dx.doi.org/10.3390/publications10020018.

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Background. Retraction of problematic scientific articles after publication is one of the mechanisms for correcting the literature available to publishers. The market volume and the busi-ness model justify publishers’ ethical involvement in the post-publication quality control (PPQC) of human-health-related articles. The limited information about this subject led us to analyze Pub-Med-retracted articles and the main retraction reasons grouped by publisher. We propose a score to appraise publisher’s PPQC results. The dataset used for this article consists of 4844 Pub-Med-retracted papers published between 1.01.2009 and 31.12.2020. Methods. An SDTP score was constructed from the dataset. The calculation formula includes several parameters: speed (article exposure time (ET)), detection rate (percentage of articles whose retraction is initiated by the edi-tor/publisher/institution without the authors’ participation), transparency (percentage of retracted articles available online and the clarity of the retraction notes), and precision (mention of authors’ responsibility and percentage of retractions for reasons other than editorial errors). Results. The 4844 retracted articles were published in 1767 journals by 366 publishers, the average number of retracted articles/journal being 2.74. Forty-five publishers have more than 10 retracted articles, holding 88% of all papers and 79% of journals. Combining our data with data from another study shows that less than 7% of PubMed dataset journals retracted at least one article. Only 10.5% of the retraction notes included the individual responsibility of the authors. Nine of the top 11 publishers had the largest number of retracted articles in 2020. Retraction-reason analysis shows considerable differences between publishers concerning the articles’ ET: median values between 9 and 43 months (mistakes), 9 and 73 months (images), and 10 and 42 months (plagiarism and overlap). The SDTP score shows, from 2018 to 2020, an improvement in PPQC of four publishers in the top 11 and a decrease in the gap between 1st and 11th place. The group of the other 355 publishers also has a positive evolution of the SDTP score. Conclusions. Publishers have to get involved actively and measurably in the post-publication evaluation of scientific products. The introduction of reporting standards for retraction notes and replicable indicators for quantifying publishing QC can help increase the overall quality of scientific literature.

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Publishers, The. "Note from the Publishers." Meteorologische Zeitschrift 32, no. 1 (June 26, 2023): 3. http://dx.doi.org/10.1127/metz/2023/1190.

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Chua, Sherwin, and Oscar Westlund. "Platform Configuration: A Longitudinal Study and Conceptualization of a Legacy News Publisher’s Platform-Related Innovation Practices." Online Media and Global Communication 1, no. 1 (February 22, 2022): 60–89. http://dx.doi.org/10.1515/omgc-2022-0003.

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Abstract Purpose Publishers are innovating their practices in the face of global platform companies’ growing dominance on journalism. This study examines how publishers innovate their editorially oriented activities vis-à-vis third-party platforms with respect to six stages of news production. In doing so, this article introduces and advances platform configuration as a conceptual framework. Design/methodology/approach This five-year longitudinal case study of a Singaporean legacy news publisher uses a mix-method qualitative approach. It includes in-depth interviews with 35 staff, newsroom observations and close monitoring of the publisher’s website and apps. Findings This study offers three key findings about the publisher’s platform configuration. First, multidirectionality: the publisher simultaneously leveraged on platforms’ capacities (building platform presence), while also reducing dependence on them (platform counterbalancing). Second, specificity: the publisher added, removed and/or modified editorially oriented activities with respect to the six stages of news production. Third, commitment: the publisher calibrated its commitment to specific activities oriented towards either building platform presence and/or platform counterbalancing. Practical implications This article introduces a 2 × 2 platform configuration matrix that classifies and explains how and why publishers engage in platform configuration. Theoretical and social implications Scholars can draw on platform configuration to study and advance theorizing on the evolving publisher-platform interrelationship. Platform configuration is useful for understanding how publishers reconcile their innovation practices and strategize their commitment to news activities in relation to platforms with broader journalistic and financial objectives. Originality/value This is the first study that introduces and advances the concept of platform configuration with regard to publishers’ innovation practices. Both the platform configuration concept and matrix allow researchers to classify and operationalize future longitudinal and short-term studies into the publisher-platform dynamic.

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Oktavia, Riska. "POLITIK PENERBITAN DAN PERBEDAAN KONTEN WEBSITE RESMI PENERBIT MAYOR DAN DI RANAH CYBER." Vol 12 No 1 (2022): Literasi: Jurnal Ilmiah Pendidikan Bahasa, Sastra Indonesia dan Daerah 12, no. 1 (January 31, 2022): 83–90. http://dx.doi.org/10.23969/literasi.v12i1.4763.

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The phenomenon of cyber literature, especially in Indonesia, is currently booming, causing many popular literary works to be born in the cyber realm. Since the rise of the phenomenon of cyber literature in Indonesia, the politics of major and indie publishers is a phenomenon that is quite interesting and widely discussed, especially by writers who want their writings to be published. Using qualitative methods, this article aims, firstly, to find out what the politics of major and indie publishing is like in the cyber realm, and secondly, to find out the difference in content like what is displayed on the official website of several major publishers and indie publishers. The form of the political phenomenon of major and indie publishers in the cyber realm in Indonesia is the competition between major and indie publishers in finding new writers, especially cyber literature writers, so that there are many popular literary works with high interest. The difference between the content of the official websites of major publishers and indie publishers is that the websites of major publishers contain their published books and the promos of the books they sell because the major publishers already have a name, while indie publishers highlight the advantages of the publisher, such as how many works they have produced. publish, then what services they provide, advantages, publishing promotions, opinions of writers who have used their services.

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Caldwell, Rachel. "A Provisional System to Evaluate Journal Publishers Based on Partnership Practices and Values Shared with Academic Institutions and Libraries." Publications 8, no. 3 (July 23, 2020): 39. http://dx.doi.org/10.3390/publications8030039.

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Background: Journals with high impact factors (IFs) are the “coin of the realm” in many review, tenure, and promotion decisions, ipso facto, IFs influence academic authors’ views of journals and publishers. However, IFs do not evaluate how publishers interact with libraries or academic institutions. Goal: This provisional system introduces an evaluation of publishers exclusive of IF, measuring how well a publisher’s practices align with the values of libraries and public institutions of higher education (HE). Identifying publishers with similar values may help libraries and institutions make strategic decisions about resource allocation. Methods: Democratization of knowledge, information exchange, and the sustainability of scholarship were values identified to define partnership practices and develop a scoring system evaluating publishers. Then, four publishers were evaluated. A high score indicates alignment with the values of libraries and academic institutions and a strong partnership with HE. Results: Highest scores were earned by a learned society publishing two journals and a library publisher supporting over 80 open-access journals. Conclusions: Publishers, especially nonprofit publishers, could use the criteria to guide practices that align with mission-driven institutions. Institutions and libraries could use the system to identify publishers acting in good faith towards public institutions of HE.

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Mas-Bleda, Amalia, and Mike Thelwall. "Do prestigious Spanish scholarly book publishers have more teaching impact?" Aslib Journal of Information Management 70, no. 6 (November 19, 2018): 673–90. http://dx.doi.org/10.1108/ajim-04-2018-0094.

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PurposeThe purpose of this paper is to assess the educational value of prestigious and productive Spanish scholarly publishers based on mentions of their books in online scholarly syllabi.Design/methodology/approachSyllabus mentions of 15,117 books from 27 publishers were searched for, manually checked and compared with Microsoft Academic (MA) citations.FindingsMost books published by Ariel, Síntesis, Tecnos and Cátedra have been mentioned in at least one online syllabus, indicating that their books have consistently high educational value. In contrast, few books published by the most productive publishers were mentioned in online syllabi. Prestigious publishers have both the highest educational impact based on syllabus mentions and the highest research impact based on MA citations.Research limitations/implicationsThe results might be different for other publishers. The online syllabus mentions found may be a small fraction of the syllabus mentions of the sampled books.Practical implicationsAuthors of Spanish-language social sciences and humanities books should consider general prestige when selecting a publisher if they want educational uptake for their work.Originality/valueThis is the first study assessing book publishers based on syllabus mentions.

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Fuller, Richard. "Publishers Note." Journal of Health and Pollution 1, no. 1 (February 2011): 1. http://dx.doi.org/10.5696/jhp.v1i1.18.

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Hall, Chris. "Publishers Note." Journal of Vibration and Control 10, no. 11 (November 2004): 1561. http://dx.doi.org/10.1177/1077546304050058.

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Boulanger, Philippe. "Publishers needed." Nature 327, no. 6118 (May 1987): 96. http://dx.doi.org/10.1038/327096b0.

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Дисертації з теми "Publishers"

Conrad, Kathryn M. "Public Libraries as Publishers: Critical Opportunity." Michigan Publishing, 2017. http://hdl.handle.net/10150/623638.

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Libraries have a long and distinguished history of publishing, since their earliest days. Traditionally libraries published to expose their collections through bibliographies, facsimiles, and catalogs. While the Internet has made discovery and dissemination of library holdings easier than ever before, digital publishing technologies have also unlocked compelling new purposes for library publishing, including through Open Access publishing initiatives. The self-publishing explosion and availability of self-publishing tools and services geared to libraries have heralded new opportunities for libraries, especially public libraries, to engage their communities in new ways. By supporting self-publishing initiative in their communities, public libraries can promote standards of quality in self-publishing, provide unique opportunities to engage underserved populations, and become true archives of their communities.

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Subramanian, Alexandra. "Katherine Anne Porter and her publishers." W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539623389.

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This biographical dissertation focuses upon Katherine Anne Porter's relationship with her literary agent, Cyrilly Abels, and her editors and publishers, Donald Brace and Seymour Lawrence, who were associated with Harcourt, Brace and Atlantic-Little, Brown respectively. The study is based upon the thousands of pages of correspondence between Porter and her professional associates housed in the Papers of Katherine Anne Porter at the University of Maryland. Porter's professional alliances are placed within the context of nineteenth and twentieth century publishing history and within a long tradition of idiosyncratic author editor/agent dependencies that can be traced throughout American literary history.;The heart of the dissertation includes in depth analysis of the writer's intimate and complex professional friendships with Donald Brace, Seymour Lawrence, and Cyrilly Abels. Porter became dependent upon her publishers for financial and emotional support. The writer's publishers strengthened her artistic identity and offered loyalty and continuous support. at the same time, they demanded the loyalty of their valued client, and they exerted powerful control over her creative agenda. Porter sought to please her publishers for personal as well as practical reasons. For three decades, she struggled to meet their demand that she unnaturally transform herself from a brilliant short story writer into a novelist. In trying fruitlessly to fulfill their expectation, her financial indebtedness to them grew steadily; she experienced years of frustration, anxiety, and despair, contributing to an arduous creative journey marked by prolonged silences. Gradually, Porter developed an extreme resentment, even hostility, toward her publishers, especially after she discovered that she had unknowingly relinquished all of her literary rights and controls to them. She discovered the hard way that the complete trust she had put in her publishers had been misguided. She would have been wise to employ the services of an agent early on in her career, but she mistakenly believed that agents were superfluous and would only interfere with the author-publisher bonds she wished to cultivate. By the time Porter finally chose to work with an agent she trusted implicitly, Cyrilly Abels, it was too late in her career to make a practical difference.;Katherine Anne Porter experienced the publishing world as intimate, familial, and nurturing and also as competitive, results-oriented, and mercenary. The contradictions within this world made it difficult for the writer to navigate, as her inner world of imagination and creativity were profoundly at odds with the practical aspects of profits, losses, contracts, and deadlines. Ironically, the writer's inability to distance herself from her editors and publishers encouraged her complete cooperation with them, so that she participated actively in her own artistic incarceration.

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Symonds, B. "De Quincey and his publishers : the letters of Thomas De Quincey to his publishers, and other letters." Thesis, University of Edinburgh, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531840.

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Hawley, Elizabeth Haven. "American Publishers of Indecent Books, 1840-1890." Diss., Georgia Institute of Technology, 2005. http://hdl.handle.net/1853/7579.

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American publishers of indecent books from 1840 to 1890 were not outsiders to the printing trades. They should be seen instead as entrepreneurs whose technological practices and business strategies were largely representative of the diversity within American publishing. Books prohibited or later destroyed because of their content survived in a relatively wide variety of forms in the hands of rare book collectors, making such artifacts perhaps even more important for the study of industrial practices than literary works collected in greater numbers by research institutions. Those rare artifacts make available long-lost details about the men and women who manufactured print at the boundaries of social propriety, the production technologies they employed, and the place of difficult-to-research publishers in the American book trades. Conservation, papermaking, illustrations, printing, and typefounding are as important to the history of American erotica as the more famous prosecutions led by Anthony Comstock. Focusing on works considered indecent by the nineteenth-century bibliographer Henry Spencer Ashbee, this dissertation integrates the political economy of print with an analysis of the material forms of semi-erotic and obscene books. Surviving artifacts offer evidence about regional production styles and the ways that fiber selection, and particularly the use of straw in low-quality papers, influenced the prevalence of yellow wrappers for ephemeral works. Printer skill levels and capitalization can sometimes be determined through the presence of gripper marks on printed sheets. Reconstructing and contextualizing the technological practices of these publishers can create new tools for bibliographical analysis, an accessible source of information about technical processes for general historians, and a wealth of data about publishers such as William Berry, whose role in networks of erotica in nineteenth-century America has only recently begun to be appreciated.

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Turpeinen, Marko Sakari 1968. "Enabling, modeling and interconnecting active community publishers." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/62631.

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Thesis (S.M.)--Massachusetts Institute of Technology, Program in Media Arts & Sciences, 2000.
Includes bibliographical references (leaves 63-66).
Over the past four years the research described in this thesis has enabled community groups to become collaborative content producers on the Internet. These groups use computer-mediated networking to publish their stories and to enhance the interaction among the community members and their peers in other groups. This research has resulted in a community publishing tool called Pluto and its revision called Goofy that is nearing its completion. Further, the growth of these communities has led to the need for another system, called SilverWire, to facilitate interaction among communities. SilverWire is a tool for increasing socialization and augmenting communication among communities that actively publish content on the Internet. SilverWire collects and builds models of communities, which form the basis for customized interconnections among communities. Community models are built implicitly by analyzing the contents of the sites that take part in SilverWire and are collected explicitly from questions asked about community purpose, identity and communication. As a result, SilverWire recommends pointers to related community publications and provides comparisons between communities. The goal of the SilverWire system is to be an intermediary that makes communities more aware of other communities doing similar (or interestingly different) work. To evaluate the project I report in detail the progress of one of the groups called the Silver Stringers, which is a local community consisting of approximately 30 senior citizens. The main impacts of the project for the Silver Stringers have been (1) acquiring a new mindset in becoming media content producers, (2) continuous mental stimulation through learning and creating in a group setting, and (3) increased social interaction.
by Marko Sakari Turpeinen.
S.M.

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Huang, Xiaoyan. "From survival to profit : a Canadian book publishers' guide to China, the world's largest market /." Burnaby, B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/643.

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Simmonds, Clive. "Publishing Swinburne : the poet, his publishers and critics." Thesis, University of Cambridge, 2013. http://www.repository.cam.ac.uk/handle/1810/245120.

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This thesis examines the publishing history of Algernon Charles Swinburne during his lifetime (1837-1909). The first chapter presents a detailed narrative from his first book in 1860 to the mid 1870s: it includes the scandal of 'Poems and Ballads' in 1866; his subsequent relations with the somewhat dubious John Camden Hotten; and then his search to find another publisher who was to be Andrew Chatto, with whom Swinburne published for the rest of his life. It is followed by a chapter which looks at the tidal wave of criticism generated by Poems and Ballads but which continued long after, and shows how Swinburne responded. The third and central chapter turns to consider the periodical press, important throughout his career not just for reviewing but also as a very significant medium for publishing poetry. Chapter 4 on marketing looks closely at the business of producing and of selling Swinburne’s output. Finally Chapter 5 deals with some aspects of his career after the move to Putney, and shows that while Theodore Watts, his friend and in effect his agent, was making conscious efforts to reshape the poet, some of Swinburne’s interests were moving with the tide of public taste; how this was demonstrated in particular by his volume of Selections and how his poetic oeuvre was finally consolidated in the Collected Edition at the end of his life. The thesis shows that popular interest was mainly on his earlier poetry, and suggests his high contemporary reputation (which was not fully reflected in sales) was maintained by the periodical press.

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Green, Charles B. "Passing into print: Walt Whitman and his publishers." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539623452.

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Few scholars have attempted to conduct a close examination of Whitman's relationship to his publishers in the context of Leaves of Grass. In their "Typographic Yawp: Leaves of Grass , 1855--1992," Megan and Paul Benton present a minimal, but interesting examination of the typographic story of Leaves, but they ignore three of the editions and deal with author-publisher relations only superficially. Other articles examine individual editions of Leaves of Grass, but none really explore what Whitman's complicated relationships with the publishers of his time tell us about the conditions for his work and for authorship in mid-nineteenth-century America. Most studies tend to focus on Whitman's poetry, rather than on issues associated with his publication history. In his Disseminating Whitman: Revision and Corporeality in Leaves of Grass, for example, Michael Moon carefully examines various editions, but chooses to concentrate on Whitman's poetic revisions and program, rather than discussing aspects related to the publication story behind Leaves of Grass. This study will try to address this gap in Whitman scholarship and, in so doing, try to answer the following questions: Were Whitman's ambitions for his Leaves of Grass fulfilled? Did he ever reach his intended audience?

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Mogg, Thomas. "Die Kodifikation von Verlagsrecht und Verlagsvertrag in Deutschland : die Geschichte des Gesetzes über das Verlagsrecht vom 19. Juni 1901 und seine Vorgeschichte /." Aachen : Shaker, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014919489&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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White, Trena Rae. "Excavating the slush pile at McClelland & Stewart /." Burnaby, B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/648.

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Книги з теми "Publishers"

Labut̓ová, Jindřiška. Kruh, 1967-1992: Bibliografie nakladatelství Kruh v Hradci Králové se vzpomínkovou koláží Jana Dvořáka Letokruhy. Hradec Králové: Státní vědecká knihovna v Hradcí Králové, 1996.

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Gagne, Louise. Publishers directory. 3rd ed. Detroit: Gale Cengage Learning, 2010.

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Ratios, ICC Business, ed. Book publishers. Hampton: ICC Business Ratios, 1989.

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Ratios, ICC Business, ed. Book publishers. 8th ed. London: ICC Business Ratios, 1985.

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Ltd, ICC Business Publications, ed. Periodical publishers. Hampton: ICC Business Publications, 1993.

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Ratios, ICC Business, ed. Periodical publishers. Hampton: ICC Business Ratios, 1989.

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Group, ICC Information, ed. Periodical publishers. Hampton: ICC Information Group, 1994.

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Surveys, ICC Financial, ed. Book publishers. London: ICC Financial Surveys, 1988.

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Group, ICC Information, ed. Periodical publishers. Hampton: ICC Information Group, 1995.

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Ratios, ICC Business, ed. Book publishers. London: ICC Business Ratios, 1987.

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Частини книг з теми "Publishers"

Mathews, Nick. "Publishers." In Reviving Rural News, 24–40. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003414582-3.

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Xia, Jingfeng. "Publishers." In Predatory Publishing, 39–58. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003029335-4.

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Sharren, Kandice. "Publishers." In The Palgrave Encyclopedia of Romantic-Era Women's Writing, 1–9. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-11945-4_130-1.

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Sharren, Kandice. "Publishers." In The Palgrave Encyclopedia of Romantic-Era Women's Writing, 1–9. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-030-11945-4_130-3.

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Connock, Alex. "Digital publishers." In Media Management and Artificial Intelligence, 146–66. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003213611-11.

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Bourus, Terri. "Piratical Publishers?" In Young Shakespeare’s Young Hamlet, 11–33. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137465641_2.

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Hiller, Marc. "Digital Publishers." In KI als Zukunftsmotor für Verlage, 55–65. Wiesbaden: Springer Fachmedien Wiesbaden, 2024. http://dx.doi.org/10.1007/978-3-658-43037-5_5.

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Celis Carbajal, Paloma. "Cartonera Publishers." In The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms, 418–27. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429058912-46.

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Wiescher, Michael. "German Publishers." In Arthur E. Haas - The Hidden Pioneer of Quantum Mechanics, 467–71. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80606-4_22.

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Тези доповідей конференцій з теми "Publishers"

"[Publishers information]." In 2011 IEEE 4th International Conference on Utility and Cloud Computing (UCC 2011). IEEE, 2011. http://dx.doi.org/10.1109/ucc.2011.80.

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"[Publishers information]." In 2011 6th International Conference on IT Security Incident Management and IT Forensics (IMF 2011). IEEE, 2011. http://dx.doi.org/10.1109/imf.2011.22.

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"[Publishers information]." In 2015 IEEE Symposium on Security and Privacy (SP). IEEE, 2015. http://dx.doi.org/10.1109/sp.2015.64.

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"[Publishers information]." In 2015 IEEE Region 10 Symposium (TENSYMP). IEEE, 2015. http://dx.doi.org/10.1109/tensymp.2015.30.

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"[Publishers information]." In 2011 Sixth IEEE International Conference on Global Software Engineering Workshop. IEEE, 2011. http://dx.doi.org/10.1109/icgse-w.2011.34.

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"[Publishers information]." In 2011 IEEE International Conference on Network/Cloud Computing and Applications (NCCA 2011). IEEE, 2011. http://dx.doi.org/10.1109/ncca.2011.32.

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"Publishers' Information." In 2016 International Conference on Cloud and Autonomic Computing (ICCAC). IEEE, 2016. http://dx.doi.org/10.1109/iccac.2016.18.

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"Publishers Information." In 2018 11th International Symposium on Computational Intelligence and Design (ISCID). IEEE, 2018. http://dx.doi.org/10.1109/iscid.2018.00095.

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"Publishers Information." In 2018 11th International Symposium on Computational Intelligence and Design (ISCID). IEEE, 2018. http://dx.doi.org/10.1109/iscid.2018.10189.

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"[Publishers information]." In 2015 IEEE/ACM 10th International Workshop on Automation of Software Test (AST). IEEE, 2015. http://dx.doi.org/10.1109/ast.2015.25.

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Звіти організацій з теми "Publishers"

Stone, Graham, Paul Stainthorpe, Chris Awre, and Jill Emery. UK Open Access Life Cycle: for Publishers. University of Huddersfield Press, April 2016. http://dx.doi.org/10.5920/ukoapub.2016.

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Beall, Jeffrey. Medical publishing triage: chronicling predatory open access publishers. Elsevier, 2013. http://dx.doi.org/10.25261/ir0000000638.

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Larrieu, Maxence. Pour quelles revues et publishers les chercheurs d'une université pluridisciplinaire travaillent-ils ? Université Paris Cité, September 2023. http://dx.doi.org/10.53480/luoj2939.

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Анотація:

Le rapport contextualise et présente une cartographie réalisée en 2022 à Université Paris Cité, dans le cadre de la plateforme éditoriale OPUS. Les activités éditoriales visées sont celles nécessaires au fonctionnement d'une revue scientifique, comme rédacteur en chef, relecteur ou plus largement membre des comités éditoriaux. La cartographie décrit les revues dans lesquelles les chercheurs de l'université exercent ces activités. Elle se démarque par l'utilisation du récent outil OpenEditors , qui partage les données structurées des comités éditoriaux des principaux publishers 1. Cette méthode, enrichie manuellement, autorise une vue omnidisciplinaire appropriée pour l'université : environ 320 revues sont identifiées, 130 pour la santé, idem pour les SHS et moitié moins pour les sciences et techniques. Les revues sont ensuite analysées manuellement selon différents critères : gouvernance, plateforme, publisher commercial et modèle économique. Les résultats, composés de 7 graphiques, sont précédés d'une explication de la méthode et du jeu de données réalisé. Enfin, des exemples d'utilisation de la cartographie sont proposés.

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Council, COPE. Guidelines for Managing the Relationships Between Society-owned Journals, their Society, and Publishers. Committee on Publication Ethics, October 2018. http://dx.doi.org/10.24318/cope.2018.1.2.

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Zhang, Diana. Creating Covers and Consensus: Authors, Designers, and Publishers in the Book Design Process. Ames (Iowa): Iowa State University, January 2019. http://dx.doi.org/10.31274/cc-20240624-445.

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Byers, Robert, David Waltermire, and Christopher Turner. Collaborative Vulnerability Metadata Acceptance Process (CVMAP) for CVE Numbering Authorities (CNAs) and Authorized Data Publishers. National Institute of Standards and Technology, December 2020. http://dx.doi.org/10.6028/nist.ir.8246.

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Sharova, Iryna. WAYS OF PROMOTING UKRANIAN PUBLISHING HOUSES ON FACEBOOK DURING QUARANTINE. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11076.

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The article reviews and analyzes the promotion of Ukrainian publishing houses on Facebook during quarantine in 2020. The study’s main objective is content and its types, which were used for representing on Facebook. We found out that going live and posting a text with a picture was most popular. The phenomenon of live video is tightly connected to the quarantine phenomenon. Though, not every publishing house was able to go live permanently or at least regular. However, simple text with a picture is the most uncomplicated content to post and the most popular. Ukrainian publishers also use UGC (User Generated Content), situational content, and different contexts. The biggest problem for Ukrainian publishers is continual strategic work with social media for promotion. During quarantine, social media became the first channel for communication with customers and subscribers. Therefore promotion on the Internet and in social media indeed should become equivalent to offline promotion.

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Tymoshyk, Mykola. LONDON MAGAZINE «LIBERATION WAY» AND ITS PLACE IN THE HISTORY OF UKRAINIAN JOURNALISM ABROAD. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11057.

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One of the leading Western Ukrainian diaspora journals – London «Liberation Way», founded in January 1949, has become the subject of the study for the first time in journalism. Archival documents and materials of the Ukrainian Publishing Union in London and the British National Library (British Library) were also observed. The peculiarities of the magazine’s formation and the specifics of the editorial policy, founders and publishers are clarified. A group of OUN members who survived Hitler’s concentration camps and ended up in Great Britain after the end of World War II initiated the foundation of the magazine. Until April 1951, including issue 42, the Board of Foreign Parts of the Organization of Ukrainian Nationalists were the publishers of the magazine. From 1951 to the beginning of 2000 it was a socio-political monthly of the Ukrainian Publishing Union. From the mid-60’s of the twentieth century – a socio-political and scientific-literary monthly. In analyzing the programmatic principles of the magazine, the most acute issues of the Ukrainian national liberation movement, which have long separated the forces of Ukrainian emigration and from which the founders and publishers of the magazine from the beginning had clearly defined positions, namely: ideology of Ukrainian nationalism, the idea of unity of Ukraine and Ukrainians, internal inter-party struggle among Ukrainian emigrants have been singled out. The review and systematization of the thematic palette of the magazine’s publications makes it possible to distinguish the following main semantic accents: the formation of the nationalist movement in exile; historical Ukrainian themes; the situation in sub-Soviet Ukraine; the problem of the unity of Ukrainians in the Western diaspora; mission and tasks of Ukrainian emigration in the context of its responsibilities to the Motherland. It also particularizes the peculiarities of the formation of the author’s assets of the magazine and its place in the history of Ukrainian national journalism.

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Hendricks, Ginny, and Rachael Lammey. Crossref acquires Retraction Watch data and opens it for the scientific community. Crossref, September 2023. http://dx.doi.org/10.13003/c23rw1d9.

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Agreement to combine and publicly distribute data about tens of thousands of retracted research papers, and grow the service together. The Center for Scientific Integrity, the organisation behind the Retraction Watch blog and database, and Crossref, the global infrastructure underpinning research communications, both not-for-profits, announced today that the Retraction Watch database has been acquired by Crossref and made a public resource. An agreement between the two organisations will allow Retraction Watch to keep the data populated on an ongoing basis and always open, alongside publishers registering their retraction notices directly with Crossref.

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Soenen, Karen, Dana Gerlach, Christina Haskins, Taylor Heyl, Danie Kinkade, Sawyer Newman, Shannon Rauch, et al. How can BCO-DMO help with your oceanographic data? How can BCO-DMO help with your oceanographic data?, December 2021. http://dx.doi.org/10.1575/1912/27803.

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BCO-DMO curates a database of research-ready data spanning the full range of marine ecosystem related measurements including in-situ and remotely sensed observations, experimental and model results, and synthesis products. We work closely with investigators to publish data and information from research projects supported by the National Science Foundation (NSF), as well as those supported by state, private, and other funding sources. BCO-DMO supports all phases of the data life cycle and ensures open access of well-curated project data and information. We employ F.A.I.R. Principles that comprise a set of values intended to guide data producers and publishers in establishing good data management practices that will enable effective reuse.

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