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Дисертації з теми "Publishers"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 29 липня 2024

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1

Conrad, Kathryn M. "Public Libraries as Publishers: Critical Opportunity." Michigan Publishing, 2017. http://hdl.handle.net/10150/623638.

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Анотація:

Libraries have a long and distinguished history of publishing, since their earliest days. Traditionally libraries published to expose their collections through bibliographies, facsimiles, and catalogs. While the Internet has made discovery and dissemination of library holdings easier than ever before, digital publishing technologies have also unlocked compelling new purposes for library publishing, including through Open Access publishing initiatives. The self-publishing explosion and availability of self-publishing tools and services geared to libraries have heralded new opportunities for libraries, especially public libraries, to engage their communities in new ways. By supporting self-publishing initiative in their communities, public libraries can promote standards of quality in self-publishing, provide unique opportunities to engage underserved populations, and become true archives of their communities.

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2

Subramanian, Alexandra. "Katherine Anne Porter and her publishers." W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539623389.

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Анотація:

This biographical dissertation focuses upon Katherine Anne Porter's relationship with her literary agent, Cyrilly Abels, and her editors and publishers, Donald Brace and Seymour Lawrence, who were associated with Harcourt, Brace and Atlantic-Little, Brown respectively. The study is based upon the thousands of pages of correspondence between Porter and her professional associates housed in the Papers of Katherine Anne Porter at the University of Maryland. Porter's professional alliances are placed within the context of nineteenth and twentieth century publishing history and within a long tradition of idiosyncratic author editor/agent dependencies that can be traced throughout American literary history.;The heart of the dissertation includes in depth analysis of the writer's intimate and complex professional friendships with Donald Brace, Seymour Lawrence, and Cyrilly Abels. Porter became dependent upon her publishers for financial and emotional support. The writer's publishers strengthened her artistic identity and offered loyalty and continuous support. at the same time, they demanded the loyalty of their valued client, and they exerted powerful control over her creative agenda. Porter sought to please her publishers for personal as well as practical reasons. For three decades, she struggled to meet their demand that she unnaturally transform herself from a brilliant short story writer into a novelist. In trying fruitlessly to fulfill their expectation, her financial indebtedness to them grew steadily; she experienced years of frustration, anxiety, and despair, contributing to an arduous creative journey marked by prolonged silences. Gradually, Porter developed an extreme resentment, even hostility, toward her publishers, especially after she discovered that she had unknowingly relinquished all of her literary rights and controls to them. She discovered the hard way that the complete trust she had put in her publishers had been misguided. She would have been wise to employ the services of an agent early on in her career, but she mistakenly believed that agents were superfluous and would only interfere with the author-publisher bonds she wished to cultivate. By the time Porter finally chose to work with an agent she trusted implicitly, Cyrilly Abels, it was too late in her career to make a practical difference.;Katherine Anne Porter experienced the publishing world as intimate, familial, and nurturing and also as competitive, results-oriented, and mercenary. The contradictions within this world made it difficult for the writer to navigate, as her inner world of imagination and creativity were profoundly at odds with the practical aspects of profits, losses, contracts, and deadlines. Ironically, the writer's inability to distance herself from her editors and publishers encouraged her complete cooperation with them, so that she participated actively in her own artistic incarceration.

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3

Symonds, B. "De Quincey and his publishers : the letters of Thomas De Quincey to his publishers, and other letters." Thesis, University of Edinburgh, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531840.

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4

Hawley, Elizabeth Haven. "American Publishers of Indecent Books, 1840-1890." Diss., Georgia Institute of Technology, 2005. http://hdl.handle.net/1853/7579.

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Анотація:

American publishers of indecent books from 1840 to 1890 were not outsiders to the printing trades. They should be seen instead as entrepreneurs whose technological practices and business strategies were largely representative of the diversity within American publishing. Books prohibited or later destroyed because of their content survived in a relatively wide variety of forms in the hands of rare book collectors, making such artifacts perhaps even more important for the study of industrial practices than literary works collected in greater numbers by research institutions. Those rare artifacts make available long-lost details about the men and women who manufactured print at the boundaries of social propriety, the production technologies they employed, and the place of difficult-to-research publishers in the American book trades. Conservation, papermaking, illustrations, printing, and typefounding are as important to the history of American erotica as the more famous prosecutions led by Anthony Comstock. Focusing on works considered indecent by the nineteenth-century bibliographer Henry Spencer Ashbee, this dissertation integrates the political economy of print with an analysis of the material forms of semi-erotic and obscene books. Surviving artifacts offer evidence about regional production styles and the ways that fiber selection, and particularly the use of straw in low-quality papers, influenced the prevalence of yellow wrappers for ephemeral works. Printer skill levels and capitalization can sometimes be determined through the presence of gripper marks on printed sheets. Reconstructing and contextualizing the technological practices of these publishers can create new tools for bibliographical analysis, an accessible source of information about technical processes for general historians, and a wealth of data about publishers such as William Berry, whose role in networks of erotica in nineteenth-century America has only recently begun to be appreciated.

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5

Turpeinen, Marko Sakari 1968. "Enabling, modeling and interconnecting active community publishers." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/62631.

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Анотація:

Thesis (S.M.)--Massachusetts Institute of Technology, Program in Media Arts & Sciences, 2000.
Includes bibliographical references (leaves 63-66).
Over the past four years the research described in this thesis has enabled community groups to become collaborative content producers on the Internet. These groups use computer-mediated networking to publish their stories and to enhance the interaction among the community members and their peers in other groups. This research has resulted in a community publishing tool called Pluto and its revision called Goofy that is nearing its completion. Further, the growth of these communities has led to the need for another system, called SilverWire, to facilitate interaction among communities. SilverWire is a tool for increasing socialization and augmenting communication among communities that actively publish content on the Internet. SilverWire collects and builds models of communities, which form the basis for customized interconnections among communities. Community models are built implicitly by analyzing the contents of the sites that take part in SilverWire and are collected explicitly from questions asked about community purpose, identity and communication. As a result, SilverWire recommends pointers to related community publications and provides comparisons between communities. The goal of the SilverWire system is to be an intermediary that makes communities more aware of other communities doing similar (or interestingly different) work. To evaluate the project I report in detail the progress of one of the groups called the Silver Stringers, which is a local community consisting of approximately 30 senior citizens. The main impacts of the project for the Silver Stringers have been (1) acquiring a new mindset in becoming media content producers, (2) continuous mental stimulation through learning and creating in a group setting, and (3) increased social interaction.
by Marko Sakari Turpeinen.
S.M.

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6

Huang, Xiaoyan. "From survival to profit : a Canadian book publishers' guide to China, the world's largest market /." Burnaby, B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/643.

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7

Simmonds, Clive. "Publishing Swinburne : the poet, his publishers and critics." Thesis, University of Cambridge, 2013. http://www.repository.cam.ac.uk/handle/1810/245120.

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Анотація:

This thesis examines the publishing history of Algernon Charles Swinburne during his lifetime (1837-1909). The first chapter presents a detailed narrative from his first book in 1860 to the mid 1870s: it includes the scandal of 'Poems and Ballads' in 1866; his subsequent relations with the somewhat dubious John Camden Hotten; and then his search to find another publisher who was to be Andrew Chatto, with whom Swinburne published for the rest of his life. It is followed by a chapter which looks at the tidal wave of criticism generated by Poems and Ballads but which continued long after, and shows how Swinburne responded. The third and central chapter turns to consider the periodical press, important throughout his career not just for reviewing but also as a very significant medium for publishing poetry. Chapter 4 on marketing looks closely at the business of producing and of selling Swinburne’s output. Finally Chapter 5 deals with some aspects of his career after the move to Putney, and shows that while Theodore Watts, his friend and in effect his agent, was making conscious efforts to reshape the poet, some of Swinburne’s interests were moving with the tide of public taste; how this was demonstrated in particular by his volume of Selections and how his poetic oeuvre was finally consolidated in the Collected Edition at the end of his life. The thesis shows that popular interest was mainly on his earlier poetry, and suggests his high contemporary reputation (which was not fully reflected in sales) was maintained by the periodical press.

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8

Green, Charles B. "Passing into print: Walt Whitman and his publishers." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539623452.

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Анотація:

Few scholars have attempted to conduct a close examination of Whitman's relationship to his publishers in the context of Leaves of Grass. In their "Typographic Yawp: Leaves of Grass , 1855--1992," Megan and Paul Benton present a minimal, but interesting examination of the typographic story of Leaves, but they ignore three of the editions and deal with author-publisher relations only superficially. Other articles examine individual editions of Leaves of Grass, but none really explore what Whitman's complicated relationships with the publishers of his time tell us about the conditions for his work and for authorship in mid-nineteenth-century America. Most studies tend to focus on Whitman's poetry, rather than on issues associated with his publication history. In his Disseminating Whitman: Revision and Corporeality in Leaves of Grass, for example, Michael Moon carefully examines various editions, but chooses to concentrate on Whitman's poetic revisions and program, rather than discussing aspects related to the publication story behind Leaves of Grass. This study will try to address this gap in Whitman scholarship and, in so doing, try to answer the following questions: Were Whitman's ambitions for his Leaves of Grass fulfilled? Did he ever reach his intended audience?

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9

Mogg, Thomas. "Die Kodifikation von Verlagsrecht und Verlagsvertrag in Deutschland : die Geschichte des Gesetzes über das Verlagsrecht vom 19. Juni 1901 und seine Vorgeschichte /." Aachen : Shaker, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014919489&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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10

White, Trena Rae. "Excavating the slush pile at McClelland & Stewart /." Burnaby, B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/648.

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11

Choi, Kim-ying. "Biodiversity publishing in Hong Kong." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B41549399.

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12

Press, UBC. "UBC Press catalogue. Fall winter 2002." UBC Press, 2002. http://hdl.handle.net/2429/488.

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13

Press, UBC. "UBC Press catalogue. Fall winter 2003." UBC Press, 2003. http://hdl.handle.net/2429/489.

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14

Press, UBC. "UBC Press catalogue. Fall winter 2004." UBC Press, 2004. http://hdl.handle.net/2429/490.

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15

Press, UBC. "UBC Press catalogue. Fall winter 2005." UBC Press, 2005. http://hdl.handle.net/2429/491.

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16

Press, UBC. "UBC Press catalogue. Fall winter 2006." UBC Press, 2006. http://hdl.handle.net/2429/492.

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17

Press, UBC. "UBC Press catalogue. Fall 2007." UBC Press, 2007. http://hdl.handle.net/2429/493.

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18

Press, UBC. "UBC Press catalogue. Spring summer 2003." UBC Press, 2003. http://hdl.handle.net/2429/507.

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19

Press, UBC. "UBC Press catalogue. Spring summer 2004." UBC Press, 2004. http://hdl.handle.net/2429/508.

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20

Press, UBC. "UBC Press catalogue. Spring summer 2005." UBC Press, 2005. http://hdl.handle.net/2429/509.

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21

Press, UBC. "UBC Press catalogue. Spring summer 2006." UBC Press, 2006. http://hdl.handle.net/2429/510.

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22

Press, UBC. "UBC Press catalogue. Spring 2007." UBC Press, 2007. http://hdl.handle.net/2429/511.

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23

MONNERAT, RENATA SILVINO. "THE GAPS IN THE MARKET: DESIGNERS AS BOOK PUBLISHERS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30705@1.

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Анотація:

PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
A dissertação apresenta o trabalho de designers-editores de livros, profissionais que possuem conhecimentos da área do Design e atuam no mercado editorial na função de editor. Evidencia o diferencial que a personagem do designer-editor traz ao contexto atual do mercado editorial e ao campo do Design. Diante das transformações ocorridas no entorno do universo editorial, profissionais da cadeia produtiva do livro e editores têm suas funções desafiadas e novos conhecimento são exigidos. Habilidades voltadas para a busca por inovação, criatividade e gestão da complexidade com que se estrutura o mercado são necessárias. O trabalho teve como objetivo identificar quais os conhecimento adquiridos a partir do DESIGN diferenciam o EDITOR na sua atuação no MERCADO como editor de livros. Para isso, foram estabelecidos os contextos da editoração do Brasil, aspectos históricos e culturais, delimitada a função do editor de livros no mercado contemporâneo e caracterizadas as competências e habilidades que capacitam o designer. A dissertação documenta três experiências editoriais: André Villas-Boas e a 2AB editora; Vitor Barreto e as editoras Novas ideias e 2AB; e Christiano Menezes e a DarkSide books. São analisadas as biografia dos três editores, o histórico de formação das editoras, as linhas editoriais propostas, os catálogos constituídos e as obras representativas editadas. E ao final, delimitadas as influências da experiência em Design sobre o exercício da função editorial.
The dissertation presents the work of designers-book publishers, professionals who have knowledge of Design and act in the book publishing market as a publisher. It seeks to highlight the differential that the designer-book publisher brings to the current context of the book publishing market and the field of Design. Faced with the transformations that have occurred in the surroundings of the publishing world, professionals in the production chain of the book and publishers have their functions challenged and new knowledge is required. Skills aimed at the search for innovation, creativity and management of the complexity with which the market is structured are necessary. The work aims to identify which knowledge acquired from DESIGN differentiates the EDITOR in its work in the MARKET as a book publisher. For this, the research establishes the contexts of Brazilian publishing, historical and cultural aspects, delimits the function of the book publisher in the contemporary market and characterizes skills and abilities that enable the designer. The dissertation documents three editorial experiences: André Villas-Boas and 2AB editora; Vitor Barreto and the Novas Ideias and 2AB editora; and Christiano Menezes and DarkSide books. Then, it analyzes the biographies of the three editors, the history of publishing houses, the editorial lines, the catalogs and representative works. Finally, it delimits the influences of the experience in Design on the exercise of the editorial function.

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24

Shimkova, Anna. "The EU press publishers' right: past, present, and future." Thesis, Stockholms universitet, Institutet för immaterialrätt och marknadsrätt (IFIM), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-196750.

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Анотація:

This master thesis is dedicated to the press publishers’ right introduced by Article 15 of the Directive (EU) 2019/790 on copyright and related rights in the Digital Single Market. The article became one of the most debated provisions in the whole directive. On the one hand, the discussion was driven by EU press publishers because of thecommercial crisis in the traditional press publishing and news mediasectors. Press representatives began to express concerns about the free riding of press publications by content aggregators and search engines who usually reuse such contents for profit. On the other hand, service providers argued that press publishers would lose traffic to their websites, affecting the quality of the press and constrainingfundamental rights. This conflict pushed the press publishers to bringing these issues before courts, legislators and competition authorities. Since these complaints were not resolved completely, the only way to resolve the conflict seemed to be the introduction of the EU-wide related right.

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25

Duncan, Jennifer Sweatman. "The éditrice in France since the MLF : Editions Des femmes and the opening of the publishing industry to women /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1192181551&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Анотація:

Thesis (Ph. D.)--University of Oregon, 2006.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 300-310). Also available for download via the World Wide Web; free to University of Oregon users.

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26

Chan, Wing-kin. "Why are there list prices?" Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31954595.

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27

Punkt, Anita. "Der Friedrich Hofmeister Musikverlag : sein Profil in Geschichte und Gegenwart /." Berlin dissertation.de, 2006. http://d-nb.info/986613649/04.

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28

Dingle, Sarah. "Canadian books to readers everywhere: an examination of book policy development at the Department of Canadian Heritage /." Burnaby B.C. : Simon Fraser University, 2006. http://ir.lib.sfu.ca/handle/1892/2763.

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29

Maes, Pauline. "Engaging Content Experience- Utilizing the Strossle recommendation capabilities, across publishers’ websites." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21487.

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Анотація:

The project aims at exploring the process of designing recommender systems from a users’ perspective. Recommendations are the systems that can help users navigate in the overload of information, that is currently available online. This project focuses on the recommender network of Strossle, which provides article recommendations across various publishers’ websites. User-centered research has been performed to understand the current system and how that influences the users’ perceived experience. The goal was to develop a more engaging content experience for the Strossle recommendation system. This is done by means of participatory design methods. As people tend to use recommendations very sporadic and they often do not really know what they are looking for. The emphasis was on finding the balance between exploratory browsing and navigating towards the users’ preferences. In order to achieve this, a more dynamic widget has been developed that offers navigation in various related topics.

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30

Cassidy, Angela. "Of academics, publishers and journalists : popular evolutionary psychology in the UK." Thesis, University of Edinburgh, 2003. http://hdl.handle.net/1842/23293.

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Анотація:

Evolutionary psychology (EP) is an emerging area of research, mostly located in the social sciences, which stresses the importance of, and seeks to investigate further, the evolutionary origins of modern human psychology and behaviour. Over the 1990s, claims made by evolutionary psychologists were extensively debated on a popular level in the UK, particularly through the publication of ‘popular science’ books on the subject, and by the appearance of many academics in the mass media discussing the issues raised. In such discussions, evolutionary psychology claims were often closely related to discussions of sexual politics, differences between men and women, and changes in workplace and family roles. Other subjects interlinked with evolutionary psychology in the media included concerns over biological determinism, developments in genetics, biotechnology and neurobiology, and changes in the political landscape during the 1990s. This research is a case study of these popular debates, looking at the UK press and other media coverage of evolutionary psychology from 1990 until 2001. I have carried out quantitative (content analysis) of the press and qualitative analyses of wider media coverage, alongside in-depth interviews with academic and media actors involved in popular evolutionary psychology. I found that the UK media covered evolutionary psychology in a strikingly different pattern to that seen in more generalised media coverage of the sciences. There are two major aspects to this, whereby evolutionary psychology was less often coded specifically as science (or covered by science journalists) when it was covered. In addition, a much higher proportion of scientists, authors and academics wrote about evolutionary psychology than did about a comparative ‘science’ subject. I then drew upon the interview material and qualitative media analysis to explore the reasons behind these differences, looking at the different interests and understandings of academics and media professionals with regard to evolutionary psychology.

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31

Chatterjee, Rimi B. "A history of the trade to South Asia of Macmillan & Co. and Oxford University Press, 1875-1900." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339797.

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32

McCarron, Marina. "Marketing in educational publishing: a case study of textbook sales between competing publishers /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2031.

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33

Cecil, Cynthia Jane. "The production and promotion of The Conquests of Mexico Trilogy by George Szanto /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2128.

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34

Flanders, Amy E. "Walking on the ceiling : British book publishers and the Second World War." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424884.

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35

Wilson, John Lambert. "Publishers and purchasers of the photographically-illustrated book in the nineteenth century." Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283277.

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36

Perry, Earnest L. "Voice of consciousness : the Negro Newspaper Publishers Association during World War II /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9924951.

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37

Chia, Lucille. "Printing for profit : the commercial publishers of Jianyang, Fujian : 11th-17th centuries /." Cambridge (Mass.) : Harvard University Asia Center : Harvard-Yenching Institute, 2002. http://catalogue.bnf.fr/ark:/12148/cb38897247m.

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38

Young, John Kevin. "Black writers, white publishers : marketplace politics in twentieth-century African American literature /." Jackson : University press of Mississippi, 2006. http://catalogue.bnf.fr/ark:/12148/cb40199470z.

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39

Collins, Timothy George. "The discourse gap among ESL teachers, researchers, and publishers : an exploratory study /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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40

Leupold, Barbara. "Die Freidankausgabe Sebastian Brants Untersuchungen zum Medienwechsel einer spätmittelalterlichen Spruchsammlung an der Schwelle zur frühen Neuzeit /." Marburg : Philipps-Universität Marburg, 2007. http://archiv.ub.uni-marburg.de/diss/z2007/0131/pdf/dbl.pdf.

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41

Niedzwiecki, Thaba. "Print politics, conflict and community-building at Toronto's Women's Press." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ27530.pdf.

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42

Chan, Wing-kin, and 陳永健. "Why are there list prices?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31954595.

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43

蔡劍鷹 and Kim-ying Choi. "Biodiversity publishing in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B41549399.

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44

Alshehri, Fayez A. "Electronic newspapers on the Internet : a study of the production and consumption of Arab dailies on the World Wide Web." Thesis, University of Sheffield, 2001. http://etheses.whiterose.ac.uk/3503/.

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With the spread of the Internet in the Arab world, many Arab publishers and governments' media bodies have begun to utilise websites in their outreach programmes. This thesis examines the subject of Arab e-newspapers on the Internet. Specifically, it focuses on readers of these publications and explores their use of this new news medium and their overall satisfaction with it. To supplement this analysis, data were also collected from e-newspaper publishers about their practices and about the content of their Internet news services. The methodology included online surveys of readers and publishers, content and format analysis of newspapers' websites, and face-to-face interviews with some Arab journalists. The research was restricted to Internet daily publications published by Arab publishers in Arabic and English, though its results may have wider implications. It was also restricted temporally to a specific time period, meaning that events in this rapidly changing new technology environment may quickly overtake the situation as elucidated in this work. In this respect, the findings do not reflect the impact of the new browsers that were introduced in late 1999, such as Microsoft's multi-language browser (Internet Explorer version 5), which will revolutionise the way people, read Internet content. The most important trend that has been identified is the major move of existing Arab printed newspapers towards online publishing in most Arab countries. Some of them just present part of their printed product (a selection of the daily content), others offer all of their content but, in most cases they appear in the same optical format as in the printed version. Yet, despite the urgency to get on the Internet, the findings reveal that most publishers did not have clear online publishing strategies and most of them were unaware of the seriousness of the Internet to their traditional business. This study revealed that the demographic profile of Arab e-newspapers' readers was similar, in many ways, to readership profiles found for Internet users in the non-Arab World, in terms of age, occupation and level of education. The keys to reader loyalty and satisfaction are found in the ease with which online news can be accessed and explored, and the extent to which it is updated.

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45

Dinning, William John. "Textual and editorial conflict in Pascal's Pensées." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:c0a956c5-716d-4884-bf37-34b836f65418.

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The history of publication of Pascal's Pensées is one of conflict and contention at many levels. This is studied in relation to four editions which have emerged from engagement with the fragmented text, each marking a milestone in the evolution of editorial practice and mastery over the work of the dead author. The text is presented as target, bystander, and agent of conflict. The first two chapters deal with motivation to publish, target readership, and the sources of conflict themselves. Chapter three examines these issues with respect to the original edition (L'Édition de Port-Royal), and the subsequent three chapters examine respectively the editions of Prosper Faugère, Léon Brunschvicg, and Louis Lafuma. The narrative charts the gradual approach to the currently accepted presentation of the fragments, and the long persistence of efforts to imagine Pascal's plan for an apology for Christianity, against a reluctance to take account of the authority of existing documents. The reception of these editions provides clues to why the Pensées have an eternal youthfulness and a constant appeal to editors. I argue that the apology lies in the fragments, however they are arranged, that all editors have accepted their apologetic intent, and that their universal significance springs from the deep sensibility they express about the human condition.

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46

Read, Peter Frederick. "Birds of the Raincoast: some reflections on production and process management /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2190.

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47

Bell, Maureen. "Women publishers of puritan literature in the mid-seventeenth century : three case studies." Thesis, Loughborough University, 1987. https://dspace.lboro.ac.uk/2134/7495.

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This thesis looks beyond the stereotypes of women as transmitters and caretakers of businesses by focussing on the careers of three women, one a widow who remarried, one a woman with no apparent family connection with the trade, and the third another widow who carried on the business for almost ten years after the death of her husband. Their careers are reconstructed from biographical data and the details of their publishing output. Emphasis is placed on the relationship of individuals to the sectarian communities for which they published, and on the ways in which sectarian material came to be published and distributed. The studies suggest ways in which women's inferior legal status could protect them in their 'seditious' activities, and reveal the inadequacies of attempts to control the press during the period 1645-75. Hannah Allen's output demonstrates her development over a brief period of a specialized trade in books representing the strand of Independent thought which grew into Fifth Monarchism, and her emergence from economic dependency on partnerships to become a publisher in her own right. Mary Westwood's career reveals a level of publishing outside the London book trade and concerned exclusively with a Quaker market largely in-the provinces. The career of Elizabeth Calvert is examined both before and after the death of her husband in order to investigate her role in a leading radical bookseiling business. -' Her later activities provide evidence of the shortcomings of the 1662 'Licensing, Act, and confrontations between a group of 'Confederate' women and the authorities suggest how women could avoid punishment despite their persistent publishing of nonconformist and opposition literature.

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48

Rigby, Sarah. "The role of publishers in curriculum change : a case study in Hong Kong." Thesis, Durham University, 2003. http://etheses.dur.ac.uk/3715/.

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This study sought to explore the role of publishers in curriculum change by asking teachers about the perceptions and beliefs they held about a new task-orientated English curriculum introduced into secondary schools in September 2001.The subjects of the study were 78 Form 1 and/or Form 2 Secondary English teachers from 14 schools. These teachers were asked to fill in a questionnaire. Later 11 teachers from 11 of these schools were interviewed .The study shows that although most teachers report that they feel quite confident about the aims of the new syllabus, there is some doubt as to the depth of their understanding. The study also pinpoints some areas of concern for teachers: in particular the teaching of grammar and the suitability of the new syllabus for weaker students. The study confirms previous findings of a high reliance on textbooks in classrooms in Hong Kong. Further, it shows that teachers felt that their textbook had helped them to implement the new syllabus. Perhaps the most important finding of the study is the discovery that groups using different textbooks perceived the syllabus in different ways. This has important implications for the way in which textbooks are produced, in particular suggesting that a closer relationship between the Education and Manpower Bureau (the government body responsible for implementing new syllabi in Hong Kong) and the publishers could help to bring about more effective curriculum reform.

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49

Higgins, Benjamin David Robert. "We have a constant will to publish : the publishers of Shakespeare's First Folio." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:ab876515-5984-46a5-8bf0-8346165fb583.

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This thesis is a cultural history of the publishing businesses that financed Shakespeare's First Folio. The thesis argues that by 1623 each of the four businesses that formed the Folio syndicate had developed an influential reputation in the book trade, and that these reputations were crucial to the cultural positioning of the Folio on publication. Taking its lead from a dynamic new field of study that has been called 'cultural bibliography', the thesis investigates the histories and publishing strategies of the business owned by the stationers William and Isaac Jaggard, who are usually thought of as the leading members of the Folio project, as well as those owned by William Aspley, John Smethwick, and Edward Blount. Through detailed analysis of the publishing strategies of each stationer, the thesis puts forward new theories about how these men influenced the reception of the Folio by transferring onto it their brands, and the expectations of their readerships. The business of each Folio stationer was like a stage with an audience assembled around it, waiting for the next production to emerge. This thesis identifies the publishing activities that attracted the audiences of the Jaggards, Blount, Smethwick, and Aspley, and ultimately suggests the Folio was granted significant legitimacy through the collaboration of these men. After an introductory chapter that locates the thesis in its scholarly field, the first chapter tells the history of syndicated book publishing in England, and reviews what we know of the pre-production process of the First Folio, taking a particular interest in how the publishing syndicate formed. The following chapters then form a series of case studies of the four publishing businesses, reviewing the apprenticeships and careers of each stationer before suggesting how those careers created a context of meaning for the Folio. These case studies focus on the authoritative reference publishing of the Jaggards, the religious publishing of William Aspley, the geographical location of John Smethwick's publishing business beside the Inns of Court, and the cultural achievements of Edward Blount. In conclusion the thesis explores the idea that it was the unique partnership of these businesses that consecrated the Folio as an emblem of literary taste.

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50

McCarroll, Julie. "The New Press: a not-for-profit in American publishing /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2038.

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