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1
e̕man, Yuval Ne. The particle hunters. 2nd ed. Cambridge [England]: Cambridge University Press, 1996.
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2
Arnold, J. Douglas. Nintendo 64: Survival Guide Volume Two. Lahaina, Maui, HI: Sandwich Islands Publishing Company, 1998.
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3
Vigdor, Steven E. Trinity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814825.003.0003.
Повний текст джерелаАнотація:
Chapter 3 explains evidence for three generations of quarks and leptons, as needed to provide natural means for standard model CP violation. It describes the cross-generational mixing of quarks and of neutrinos of different flavor, and the matrices that characterize the mixing. CP violation from quark mixing is well measured but insufficient to explain the universe’s matter–antimatter imbalance, while CP violation in neutrino mixing is the subject of ongoing searches. Discoveries revealing and quantifying flavor oscillations among neutrinos from the sun and the atmosphere are reviewed. In describing attempts to understand the lightness and nature of neutrinos—whether they are Majorana neutrinos that are their own antiparticles—the chapter introduces the concept of chirality and searches for neutrinoless double beta decay. It also notes the strong CP problem, wherein nature maintains CP symmetry in interactions among the three quark colors even though quantum chromodynamics allows for sizable violations.
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Vigdor, Steven E. Water, Water, Here and There. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814825.003.0004.
Повний текст джерелаАнотація:
Chapter 4 deals with the stability of the proton, hence of hydrogen, and how to reconcile that stability with the baryon number nonconservation (or baryon conservation) needed to establish a matter–antimatter imbalance in the infant universe. Sakharov’s three conditions for establishing a matter–antimatter imbalance are presented. Grand unified theories and experimental searches for proton decay are described. The concept of spontaneous symmetry breaking is introduced in describing the electroweak phase transition in the infant universe. That transition is treated as the potential site for introducing the imbalance between quarks and antiquarks, via either baryogenesis or leptogenesis models. The up–down quark mass difference is presented as essential for providing the stability of hydrogen and of the deuteron, which serves as a crucial stepping stone in stellar hydrogen-burning reactions that generate the energy and elements needed for life. Constraints on quark masses from lattice QCD calculations and violations of chiral symmetry are discussed.
5
O’Madagain, Cathal. Outsourcing Concepts. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198801764.003.0003.
Повний текст джерелаАнотація:
It appears to be the case that some of our concepts have their content fixed by the minds of others. For example, we might have thoughts involving the concept QUARK, without knowing quite what quarks are. In such a case, we are likely to accept the authority of a physicist to tell us what exactly we are thinking about. This phenomenon, known as ‘social externalism’ about concepts, is puzzling both in terms of how such concepts are supposed to work, but also in terms of why we should have concepts whose content is fixed by the minds of others. In this chapter it is argued that if we think about social externalism in terms of extended mind reasoning we find a better account of how deferential concepts work, and why we have them, than has hitherto been available.
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Vigdor, Steven E. Where’s the Antimatter Gone, Long Time Passing? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814825.003.0002.
Повний текст джерелаАнотація:
Chapter 2 describes experiments searching for CP symmetry violations that might account for the matter–antimatter imbalance in our universe. It describes the historical discovery of mesons and quantum-mechanical oscillations between particle and antiparticle (i.e., particle–antiparticle oscillations) in the neutral K meson and heavier meson systems. It introduces quarks and quark flavor. The chapter relates CP violation to violations of time reversal invariance that might be revealed by a spatial separation of positive and negative electric charge within or around the fundamental constituent particles of matter. It describes a halfcentury of experimental searches, including ongoing projects, for the particle electric dipole moments that would characterize such a charge separation. Technological advances (such as ultra-cold neutron beams) and theoretical concepts (such as vacuum polarization) relevant to these searches are introduced. While some CP violation has been clearly observed, its extent remains insufficient to account for the universe’s matter–antimatter imbalance.
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Campbell, John, Joey Huston, and Frank Krauss. Data at the TEVATRON. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199652747.003.0008.
Повний текст джерелаАнотація:
Before the LHC, there was the Tevatron, which ran at the high-energy frontier for approximately 25 years. Many of the modern analysis tools used at the LHC were first developed at the Tevatron. In this chapter, benchmark data analyses (and related theoretical tools), such as for W/Z bosons, photons, and jets, are described. The apex of the Tevatron was the discovery of the top quark. Measurements of the top quark cross section and of the top quark mass are examined and tt¯ asymmetry measurements and predictions are reviewed. Although attributed to many Beyond-the-Standard Model scenarios, the ultimate explanation for the larger than expected asymmetry turned out to be higher order QCD. There were very active Higgs boson searches at the Tevatron. Although the Tevatron was able to somewhat exclude the allowed Higgs mass range, time ran out before any observation could be made. This was left to the LHC.
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Kalinin, A. A., Ye E. Savchenko, and V. Yu Prokofiev. Mineralogy and genesis of the Oleninskoe gold deposit (Kola Peninsula). FRC KSC RAS, 2021. http://dx.doi.org/10.37614/978.5.91137.446.4.
Повний текст джерелаАнотація:
Data on geology of the Oleninskoe deposit, and results of mineralogical and geochemical investigations of ores and altered rocks are presented. Mineralization is connected with granite porphyry sills, an end member of gabbrodiorite-diorite-granodiorite complex of minor intrusions. The main alteration processes are diopsidization and biotitization, formation of quartz-muscovite-albite, quartz-aresenopyrite-tourmaline, and quartz metasomatic rocks. More than 50 ore minerals (sulfides, sulfosalts, tellurides, and native metals) were identified in the ore, including 20 minerals of silver and gold. Mineral associations in the ore and sequence of mineral formation are defined. Five generations of gold-silver alloys are identified, its composition covers spectrum from native silver to high-grade gold. Mineralized fluids in the deposit are of high salinity (sodium and calcium chlorides), and rich in As, Sb, Pb, Cu, Zn, and Ag. The Oleninskoe deposit is classified as an epithermal metamorphosed gold deposit.The book is of interest for specialists in economic geology, mineralogy and geochemistry of ore deposits.
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Longstaffe, Stephen. The Plebeians Revise the Uprising. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806899.003.0006.
Повний текст джерелаАнотація:
This chapter focuses the plebeian rebellion sequence in 2 Henry VI, noting that although both Quarto and Folio versions seem to derive from a lost, parent source, all modern editions of the scene are based on the Folio, and little scrutiny has been devoted to its revisions. Performing this task, the chapter demonstrates that, politically, the Quarto excises much potentially troubling matter: minimizing the confrontationalism of plebeian class anger, violence, and destruction, and making the rebellion funnier. Reducing the megalomaniac distance of Cade from his followers, it restores to him some solidarity and credibility as an authentic commons leader. In narrative content, and in the liberatingly antinomian quality of its laughter, the Quarto’s rebellion relaunches the endangered radical tradition in a mode of heightened appeal: renewing the vision of ‘Merry England’ as a realm free of gentlemen.
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Bouchez, Jean-Luc, and Adolphe Nicolas. Principles of Rock Deformation and Tectonics. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192843876.001.0001.
Повний текст джерелаАнотація:
This book, based on laboratory, teaching and field experience, has a strong focus towards hard rocks and magmatic rocks, from both the continental crust worldwide, where quartz and granites are dominant, and the mantle dominated by olivine in peridotites. With more than 250 figures, most of them original, the book develops, in addition to classical structural geology objects, the fundamentals of brittle fracturing of materials, plastic deformation of ice, quartz and olivine, and fabric acquisition in rocks and magmas. Measurement and orientation of stress axes, bases of neotectonics and geophysics, and practical tools such as magnetic fabrics not commonly treated in geological books, are also provided. Emblematic tectonic and geodynamic sites are presented, both from the oceanic and continental crust, for instance the Oman ophiolites, and the India-Eurasia collision and its associated shear zones. Since the targeted readers are present-day young students, a few structural geology exercises are also included in order to improve their abilities.
11
Succi, Sauro. Relativistic Lattice Boltzmann (RLB). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199592357.003.0034.
Повний текст джерелаАнотація:
Relativistic hydrodynamics and kinetic theory play an increasing role in many areas of modern physics. Besides their traditional arenas, astrophysics and cosmology, relativistic fluids have recently attracted much attention also within the realm of high-energy and condensed matter physics, mostly in connection with quark-gluon plasmas experiments in heavy-ion colliders and electronic transport in graphene. This chapter describes the extension of the Lattice Boltzmann formalism to the case of relativistic fluids.
12
Solymar, L., D. Walsh, and R. R. A. Syms. The free electron theory of metals. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198829942.003.0006.
Повний текст джерелаАнотація:
The model of the free electron theory is presented. The density of states and the Fermi–Dirac distribution function are discussed, leading to the specific heat of the electrons, the work function, thermionic emission, and the Schottky effects. As examples of applications the field-emission microscope and quartz–halogen lamps are discussed. The photoelectric effect and the energy diagrams relating to the junction between two metals are also discussed.
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DIVERSÃO E CONHECIMENTO - UM RESGATE DE BRINCADEIRAS E JOGOS DA COMUNIDADE QUILOMBOLA DO CEDRO. Editora IF Goiano, 2020. http://dx.doi.org/10.54879/978-65-87469-01-0.2020.01.006.
Повний текст джерелаАнотація:
A proposta deste livro não é ser uma simples coletânea de jogos, brincadeiras e brinquedos. É, antes de mais nada, resgatar a tradição de um povo que faz parte de uma cultura universal que tem sido obliterada, deixada à margem, pela ideologia dominante. Esta, fundamentada num discurso em prol do progresso e da chamada globalização, tem instituído valores, padrões e comportamentos, homogeneizando todos os povos e desconsiderando as identidades nacionais e regionais dos diferentes grupos que compõem a sociedade brasileira. Em tal contexto, percebe-se uma tentativa de desconstruir a ideia de utilizar jogos e brincadeiras como processos educativos, minimizando sua importância com respaldo na falácia de não haver fins pedagógicos para tais práticas. Esta obra tenta refutar essa ideia, possibilitando ao professor refletir sobre os sentidos e significados dos jogos, brincadeiras e brinquedos, valendo-se deles como elementos motivadores para a releitura da cultura quilombola e dando um novo sentido às aulas na Educação Básica. As manifestações corporais e os brinquedos descritos neste livro resultaram de uma pesquisa de caráter etnogrático e etnobotânico financiada pelo Conselho Nacional de Desempenho Científico e Tecnológico – CNPq, realizada por servidores do IF Goiano de 2016 a 2018 no quilombo do Cedro, localizado em Mineiros, no estado de Goiás. Dela também resultaram outras quatro publicações para uso escolar: Um Girassol para Tiana, escrito por Tatianne Silva Santos e Mara Núbia Dionísio; Lembranças Cedrinas: uma experiência de contação de histórias bilíngue, organizado por Priscila Rodrigues do Nascimento, Joana Dark Leite, Maurício Fernando Schneider Kirst e Tânia Regina Vieira; How way leads on to way: narrative in an interactive process, de autoria de Maria Luiza Batista Bretas e Vera Maria Tietzmann; e Plantas Medicinais – manipulação e uso na Comunidade Quilombola do Cedro, organizado por Kennedy Araújo Barbosa. Este livro está dividido em quatro capítulos, o primeiro, “A Comunidade Quilombola do Cedro – uma trajetória de luta e resistência”, apresenta algumas informações sobre a origem e as características dos habitantes remanescentes do quilombo original; o segundo, “ Jogos e brincadeiras na escola: fim ou meio?”, aborda a manifestação cultural dos jogos e brincadeiras enquanto processo didático no ambiente escolar; o terceiro, “Explorando a cultura africana pelo brincar”, tem como objetivo principal relatar a origem africana de alguns jogos possibilitando a reflexão sobre a luta do negro diante da escravidão e, por fim, o quarto capítulo traz a descrição de jogos, brinquedos e brincadeiras praticadas na Comunidade Quilombola do Cedro nas últimas sete décadas.
14
Davidson, Sacha, Paolo Gambino, Mikko Laine, Matthias Neubert, and Christophe Salomon, eds. Effective Field Theory in Particle Physics and Cosmology. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198855743.001.0001.
Повний текст джерелаАнотація:
Effective field theory (EFT) is a general method for describing quantum systems with multiple-length scales in a tractable fashion. It allows us to perform precise calculations in established models (such as the standard models of particle physics and cosmology), as well as to concisely parametrize possible effects from physics beyond the standard models. EFTs have become key tools in the theoretical analysis of particle physics experiments and cosmological observations, despite being absent from many textbooks. This volume aims to provide a comprehensive introduction to many of the EFTs in use today, and covers topics that include large-scale structure, WIMPs, dark matter, heavy quark effective theory, flavour physics, soft-collinear effective theory, and more.
15
Marcus, Leah. King Lear and the Death of the World. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.26.
Повний текст джерелаАнотація:
One of the most variable features of the contrast between Quarto and Folio King Lear has to do with speeches to and about elements of the natural world. ‘King Lear and the Death of the World’ interrogates the play’s vitalism: its treatment of natural elements as independent agents with wills and sentiments of their own. In this play, uniquely for Shakespeare, four characters address elements of the natural world directly. Investigation of the play’s intermittent vitalism brings into greater focus its bleakness at the end, which features not merely the deaths of most of the central characters but also, arguably, the death of the world.
16
Caygill, Howard. Judges, Heathscapes, and Hazardous Quarries. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190461454.003.0008.
Повний текст джерелаАнотація:
The composition of The Trial coincided with Kafka’s writing his most original and challenging contribution to the theory of insurance, “Accident Prevention in Quarries.” The relationship between the pioneering intervention in the field of industrial insurance photo surveillance, written during Kafka’s working day, and his fiction, written at night and during short vacations, is much closer than has been appreciated. This chapter, which goes beyond the setting of the execution of Josef K. in a quarry and the recurrent allusions to photography throughout The Trial, argues that Kafka conceived of a horizontal transcendence, which was different from the traditional, Platonic understanding of vertical transcendence.
17
Bourus, Terri, ed. Shakespeare and the First Hamlet. Berghahn Books, 2022. http://dx.doi.org/10.3167/9781800735538.
Повний текст джерелаАнотація:
The first edition of Hamlet – often called ‘Q1’, shorthand for ‘first quarto’ – was published in 1603, in what we might regard as the early modern equivalent of a cheap paperback. Yet this early version of Shakespeare’s classic tragedy is becoming increasingly canonical, not because there is universal agreement about what it is or what it means, but because more and more Shakespearians agree that it is worth arguing about. The essays in this collected volume explore the ways in which we might approach Q1’s Hamlet, from performance to book history, from Shakespeare’s relationships with his contemporaries to the shape of his whole career.
18
Vaughan, David. 1. The mineral world. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199682843.003.0001.
Повний текст джерелаАнотація:
Minerals are the fundamental components of the Earth. ‘The mineral world’ describes the fields of mineralogy and crystallography that study them. There are approximately 4,400 known minerals, but the ‘big ten’ minerals that are most abundant in the rocks of the Earth’s crust and Upper Mantle are calcite, quartz, olivines, pyroxenes, amphiboles, muscovite, biotite, orthoclase, albite, and anorthite. The two essential characteristics of any mineral are its chemical composition and its crystal structure. Minerals can be assigned to one of seven crystal classes depending on their elements of symmetry. There is further subdivision into 32 crystal classes. Minerals are classified by chemical composition into mineral groups such as silicates, and carbonates.
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Peskin, Michael E. Concepts of Elementary Particle Physics. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198812180.001.0001.
Повний текст джерелаАнотація:
This is a textbook of elementary particle physics whose goal is to explain the Standard Model of particle interactions. Part I introduces the basic concepts governing high-energy particle physics: elements of relativity and quantum field theory, the quark model of hadrons, methods for detection and measurement of elementary particles, methods for calculating predictions for observable quantitites. Part II builds up our understanding of the strong interaction from the key experiments to the formulation of Quantum Chromodynamics and its application to the description of evetns at the CERN Large Hadron Collider. Part III build up our understanding of the weak interaction from the key experiments to the formulation of spontaneously broken gauge theories. It then describes the tests and extensions of this theory, including the precision study of the W and Z bosons, CP violation, neutrino mass, and the Higgs boson.
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Pilkington, Lionel. The Little Theatres of the 1950s. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.19.
Повний текст джерелаАнотація:
Irish theatre in the 1950s, when the Abbey was in exile at the Queen’s, is often thought of a period in the doldrums, but in fact there were quite a number of exciting and adventurous little theatres working at this time. The best-known is the Pike, with its landmark productions ofThe Quare FellowandWaiting for Godot, but there was also the Lyric in Belfast with its commitment to Yeats’s plays, the Gas Company Theatre Company, and the Lantern bringing new and different forms of drama to Ireland. This chapter explores the impact of such ventures and the extent to which they helped renovate the Irish theatrical culture, serving as sites of critique of the dominant culture of the time. Of particular importance here is the 1957 production of Tennessee Williams’sThe Rose Tattooat the Pike Theatre, which was the subject of court prosecution .
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Rasic, Jeffrey T. Archaeological Evidence for Transport, Trade, and Exchange in the North American Arctic. Edited by Max Friesen and Owen Mason. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199766956.013.50.
Повний текст джерелаАнотація:
A wide variety of materials, including lithics, manufactured goods, and food circulated within and between communities in the North American Arctic, including fish and sea-mammal oil, dried meat and fish, skins and furs, walrus ivory, and wood, as well as nephrite jade, soapstone, chert, obsidian, slate, graphite, pyrite, galena, jet, lignite coal, amber, quartz crystal, and hematite. This review considers only the inorganic materials. To establish provenance, Arctic researchers employ standard methods including trace-element characterization, geochemistry, petrography, stable isotope values, visual appearance, and geochronology. The geographic coverage extends across the North American Arctic from western Alaska to Labrador, considering each material’s precontact uses, geological source locations, and distribution patterns in time and space, concluding with the prospects and status of provenance studies.
22
N64 Magazine Double Game Guide +, No. 7: Top Gear Rally & Shadows of the Empire. Bath, England: Future Publishing, 1998.
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23
Vigdor, Steven E. The Edge of the Abyss. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814825.003.0008.
Повний текст джерелаАнотація:
Chapter 8 deals with the apparent perching of the physical vacuum state in the universe on the edge between stability and meta-stability, at least within the standard model, in light of the mass of the recently discovered Higgs boson. Standard model calculations mapping vacuum stability as a function of Higgs boson and top quark masses are presented. The dramatic unveiling of the Higgs boson signal by the enormous detectors at the Large Hadron Collider is reviewed. Possible interpretations and implications of meta-stability, including unlikely doomsday scenarios, are discussed. The hierarchy problem is presented as a theoretical conundrum arising from the vast gap between the Higgs boson mass and the Planck mass scale at which an as-yet undeveloped theory of quantum gravity becomes essential. Various speculative theoretical approaches, including supersymmetry, to physics beyond the standard model that might address the hierarchy problem and other outstanding particle physics mysteries are mentioned.
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Biswas, S. K. Nanotribology. Edited by A. V. Narlikar and Y. Y. Fu. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199533046.013.13.
Повний текст джерелаАнотація:
This article provides an overview of nanotribology, with particular emphasis on the scalable regime where contact dimensions, topographical perturbations, confinement scale and molecular dimensions are of the same order. It first defines nanotribology and describes some of the instruments used to assess the physics and chemistry of materials in the contact region, including the atomic force microscope, surface force apparatus, and quartz crystal microbalance. It then considers the interfacial phenomena and interaction forces as well as the microscopic origins of friction, focusing on Amonton's Law at the single asperity, atomistic modelling of adhesion and friction, and analysis of coherence in molecular lubrication by means of the Eyring equation. The article also examines the problem of boundary lubrication in two cases: oil in confinement and self-assembled additives in confinement.
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Shrank, Cathy. Community. Edited by James Simpson and Brian Cummings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.013.0024.
Повний текст джерелаАнотація:
In 1590, Edward Allde printed a slim quarto of thirty-six leaves containing John Lydgate’sThe Serpent of Devision(1422) and Thomas Norton and Thomas Sackville’sTragedye of Gorboduc(first performed in 1561). This article examines the extent and nature of the “cultural reformations” that occurred in late medieval and Tudor England, using the joint publication of the two works as a useful starting point. It considers three types of community: the national communities – Gorboduc’s Britain and Caesar’s Rome – that these texts depict; the imagined communities of readers/spectators that they address; and the Elizabethan political community that they envisage. It also discusses the often interrelated processes of religious, social, political, technological, and cultural change witnessed in the period and analyses the ways in which these processes can be traced through the revisions made to the fifteenth-centurySerpentfor its publication in 1590.
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Patterson, Annabel. Afterword. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806899.003.0012.
Повний текст джерелаАнотація:
This chapter reviews the volume, noting that literary critics elsewhere who have conceived the protesting commoners of Shakespeare’s drama as a ‘rabble’ have selectively reproduced the negative perspective of the plays’ patricians, whose hostility chimes with their own. It notes that early modern plebeian protest could actually prove both organized and successful, as recounted in Thomas Deloney’s Jack of Newberry, but suggests the need to investigate the possibility that a certain prudential anti-populism may have informed Folio revisions of some Quartos. Underlining Coriolanus’ introduction of the ideal of widespread manhood suffrage into early Jacobean culture, the chapter reaffirms, over a quarter of a century later, the assessment reached in Shakespeare and the Popular Voice of a dramatist substantially sympathetic to plebeian views and needs; yet it adds that final developments in his personal life may require us to recognize a somewhat hypocritical nouveau riche.
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Kerrigan, John. King Lear and its Origins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198793755.003.0004.
Повний текст джерелаАнотація:
The agreed, major sources of King Lear are the anonymous history play King Leir and Sidney’s Arcadia. To these and other early modern ‘originals’ this chapter adds classical tragedies by Seneca, Euripides, and Sophocles—most conspicuously his Oedipus at Colonus, which was readily available in Latin translation. The ancient tragedies resonate with King Lear thanks to conventions of literary imitation that were well understood in the Jacobean period, but their presence is also symptomatic of a drive within the play to get back to the origins of nature, injustice, and causation. The influences of Plutarch and Montaigne are also highlighted. The portrayal of death (or the illusion of it) and the desire for death, in the play and its sources, are analysed. Focusing on the scenes at Dover Cliff and the division of the kingdom/s, this chapter moves to a new account of the complications of the play’s conclusion in both quarto and Folio texts.
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Nicholson, Catherine. Commonplace Shakespeare. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0002.
Повний текст джерелаАнотація:
Appearing in 1609, the quarto editions of Troilus and Cressida and Shake-speares Sonnets offer contradictory lessons in the twin economies of literature and sex. Both are prefaced by boasts of their unsullied novelty: Troilus is ‘a new play, neuer stal’d with the Stage, neuer clapper-clawd with the palmes of the vulgar’; the Sonnets are poems ‘neuer before imprinted’. At the same time, each invites its readers to recognize—and value—the familiarity of what they contain: words whose richness inheres in their resemblance to what has already been said and written by others. These competing models of literary value parallel a debate within each text about the objects of erotic desire, which either thrive on ‘increase’ or wither as they grow common. Critical responses to Troilus and the Sonnets tend to recapitulate that debate, revealing a continuous thread of anxiety about the incommensurable values on which poetic (and sexual) reputations are founded.
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Schmalenberger, Sarah. Hearing the Other in The Masque of Blackness. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036781.003.0003.
Повний текст джерелаАнотація:
This chapter explores the role that the music for The Masque of Blackness, a court entertainment commissioned by Queen Anne and written by Ben Jonson, may have played in constructing a “black Other.” In particular, it questions existing interpretations about the meaning of “black Other” and frames historical perspectives of musical affect with regard to Otherness. Jonson printed a quarto containing The Masque of Blackness and its sequel, Masque of Beauty, ostensibly to preserve the spirit of an entertainment intended for a single performance. Both masques are filled with musical indications, from descriptions of sounds and dance types to song lyrics composed by Jonson himself. The chapter first considers the relationship between dance and music in The Masque of Blackness before discussing its cultural meaning, along with the issue of racial difference and Queen Anne's apparent dalliance with blackface in the masque. Finally, it describes the signification of blackness in The Masque of Blackness.
30
Clark, Jerome. Unnatural Phenomena. ABC-CLIO, 2005. http://dx.doi.org/10.5040/9798216030874.
Повний текст джерелаАнотація:
Organized geographically,Unnatural Phenomena: A Guide to the Bizarre Wonders of North Americaexplores the history of natural phenomena in virtually every U.S. state. Can the sky quake? Can sand play music? Have UFOs been sighted in your town?Unnatural Phenomenacrosses the centuries and travels America to chronicle the strangest natural phenomena, the most bizarre scientific findings, and events from history that defy rational explanation. Conveniently organized by region, state, and locality, this one-volume, illustrated encyclopedia maps a landscape straight out ofThe Twilight Zone. From apparitions in the sky to inhuman skeletons rising from the earth—and everything in between—Jerome Clark, expert on strange phenomena and author of ABC-CLIO'sExtraordinary Encounters: An Encyclopedia of Extraterrestrials and Otherworldly Beings, sifts through the legends, the hoaxes, and the science. Authoritatively researched, the entries inUnnatural Phenomenawill expand the most skeptical reader's sense of the possible. The truth is out there … the evidence is in here.
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Buclin, Hadrien. Les intellectuels de gauche. Critique et consensus dans la Suisse d’après-guerre (1945-1968). Editions Antipodes, 2019. http://dx.doi.org/10.33056/antipodes.11490.
Повний текст джерелаАнотація:
Les intellectuels de gauche s’intéresse à l’engagement des intellectuels progressistes dans la vie politique suisse, de la fin de la Seconde Guerre mondiale au fameux cycle de contestation de 1968, une période souvent délaissée par la recherche historique. Revenant sur l’action politique de personnalités, parfois oubliées, qui ont préparé le terrain à la contestation des années 1970, ce livre permet aussi de mieux comprendre le conservatisme helvétique de l’époque de la guerre froide et la manière dont l’establishment a marginalisé, voire réprimé, des personnalités jugées trop critiques. Alors que la recherche historique en Suisse est souvent fragmentée, en raison du plurilinguisme et du fédéralisme, ce livre propose une véritable histoire nationale, impliquant aussi bien la partie alémanique que francophone du pays, sur une période couvrant un quart de siècle, tout en replaçant la vie politique et intellectuelle helvétique en perspective européenne et internationale. Il restitue enfin dans toute leur complexité la diversité des courants et sensibilités au sein de la gauche et leur évolution.
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Halio, Jay L. King Lear. Greenwood, 2001. http://dx.doi.org/10.5040/9798400675843.
Повний текст джерелаАнотація:
In its timeless exploration of familial and political dissolution, and in its relentless questioning of the apparent moral indifference of the universe,King Learis Shakespeare's darkest tragedy. It is also one of his most timely, for many of the issues it raises resonate loudly within our own era. Perhaps because of its contemporary relevance, it is one of Shakespeare's most frequently produced, taught, and studied works. And the amount of scholarship onKing Learis exceeded only be the complexity which that scholarship reveals. This book is a lucid and thorough guide to the play's roots and legacy. The volume begins with a discussion of the play's textual history, which is complicated by the different quarto and folio versions. It also addresses the merits of several recent editions. The book then looks at the literary, historical, and cultural contexts that inform the play. This is followed by an examination of Shakespeare's dramatic art, an analysis of the play's themes, and a summary of the different approaches critics have used to elucidate its meaning. A final chapter explores the play's rich production history, and a selected bibliography concludes the volume. As a guide, this reference successfully navigates the tremendous body of available scholarship and is a ready aid for a wide range of readers.
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Hammer, Espen. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190461454.003.0001.
Повний текст джерелаАнотація:
Franz Kafka’s The Trial stands as one of the most influential and emblematic novels of the twentieth century. Yet, as the overused adjective “Kafkaesque” suggests, rather than as a work of art in its full complexity, it has all too often been received as an expression of some vaguely felt cultural or psychological malaise—a symbol, perhaps, of all that we do not seem to comprehend, but that nevertheless is felt to haunt and influence us in inexplicable ways. Its plot, however, is both complex and completely unforgettable. A man stands accused of a crime he appears not to have any recollection of having committed and whose nature is never revealed to him. In what may ultimately be described as a tragic quest-narrative, the protagonist’s search for truth and clarity (about himself, his alleged guilt, and the system he is facing) progressively leads to increasing confusion before ending with his execution in an abandoned quarry. Josef K., its famous anti-hero, is an everyman faced with an anonymous, inscrutable yet seemingly omnipotent power. For all its fundamental strangeness, the novel seems to address defining concerns of the modern era: a sense of radical estrangement, the belittling of the individual in a bureaucratically controlled mass society, the rise perhaps of totalitarianism, as well as the fearful nihilism of a world apparently abandoned by God....
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Freitas, Rogério Edivaldo. Texto para Discussão 2893. Instituto de Pesquisa Econômica Aplicada (Ipea), 2023. http://dx.doi.org/10.38116/td2893-port.
Повний текст джерелаАнотація:
A produção de alimentos permanece como um dos maiores desafios para a humanidade neste século, e o Brasil é um dos principais produtores de alimentos que ainda tem área para expansão agrícola técnica e economicamente viáveis. Assim, saber quais regiões constituem a fronteira agrícola brasileira é crucial para aprimorar políticas públicas e embasar decisões de infraestrutura logística privadas. Dados do Instituto Brasileiro de Geografia e Estatística (IBGE) de 1995 a 2020 foram utilizados neste estudo, cujo objetivo foi medir e mapear as áreas de expansão agrícola no Brasil naquele período, tomando-se em conta as safras permanentes no nível de mesorregiões. A metodologia é composta de quatro etapas e compreende a comparação dos resultados de dois métodos de clusters, permitindo-se identificar mesorregiões similares em termos de suas tendências participativas na área brasileira destinada à colheita (safras permanentes). Algumas mesorregiões devem ser destacadas com base nos valores tendenciais de suas parcelas na área de safras permanentes do Brasil, a saber: sul/sudoeste de Minas Gerais, Triângulo Mineiro/Alto Paranaíba, sudoeste paraense, Bauru, zona da mata, nordeste rio-grandense, são Francisco pernambucano e norte de Minas. Outras áreas – como litoral norte espírito-santense, vale são franciscano da Bahia, norte cearense, noroeste cearense, leste alagoano e sudeste paranaense – constituem um segundo grupamento líder, e oeste de Minas, nordeste paraense e vale do rio Doce devem ser realçadas como clusters por si mesmas. Ilações são discutidas e extensões de pesquisa são sugeridas, em especial a implementação de análises do tipo top-down no nível de microrregiões ou municípios, a partir das mesorregiões identificadas.
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Succi, Sauro. The Lattice Boltzmann Equation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199592357.001.0001.
Повний текст джерелаАнотація:
Over the past near three decades, the Lattice Boltzmann method has gained a prominent role as an efficient computational method for the numerical simulation of a wide variety of complex states of flowing matter across a broad range of scales, from fully developed turbulence, to multiphase micro-flows, all the way down to nano-biofluidics and lately, even quantum-relativistic subnuclear fluids. After providing a self-contained introduction to the kinetic theory of fluids and a thorough account of its transcription to the lattice framework, this book presents a survey of the major developments which have led to the impressive growth of the Lattice Boltzmann across most walks of fluid dynamics and its interfaces with allied disciplines, such as statistical physics, material science, soft matter and biology. This includes recent developments of Lattice Boltzmann methods for non-ideal fluids, micro- and nanofluidic flows with suspended bodies of assorted nature and extensions to strong non-equilibrium flows beyond the realm of continuum fluid mechanics. In the final part, the book also presents the extension of the Lattice Boltzmann method to quantum and relativistic fluids, in an attempt to match the major surge of interest spurred by recent developments in the area of strongly interacting holographic fluids, such as quark-gluon plasmas and electron flows in graphene. It is hoped that this book may provide a source information and possibly inspiration to a broad audience of scientists dealing with the physics of classical and quantum flowing matter across many scales of motion.
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Gagliano, Marco da. Madrigals, Part 4. Edited by Edmond Strainchamps. A-R Editions, 2021. http://dx.doi.org/10.31022/b221.
Повний текст джерелаАнотація:
Il quarto libro de madrigali a cinque voci, the fourth of six books of madrigals by the Florentine composer Marco da Gagliano, was published in 1606. The book is distinguished by the excellence of its music as well as by its varied settings of texts by some of the most celebrated poets of the day. Five of the madrigals use texts by Giovanni Battista Guarini, three by Giambattista Marino, one each by Gabriello Chiabrera, Cosimo Galletti, and Alsaldo Cebà, and a final two-part madrigal for six voices sets a sonnet by the great fourteenth-century poet Francesco Petrarca. In addition to fourteen madrigals by Gagliano, the book contains three by guest composers Luca Bati and Giovanni and Lorenzo Del Turco. Gagliano's madrigals in book 4, in contrast with those of his earlier books, are lighter and show the clear influence of the contemporary canzonetta, which is manifested in their brevity; the discrete sectioning of the music, frequently with concurrent rests in all the voices that separate the presentation of individual poetic lines; the omnipresent syllabic setting of words; and the simpler and shorter motives that are most often presented in a homophonic texture. In some of these madrigals, motives shaped by the melody and rhythm of spoken language might serve well in monodies. Indeed, in his magisterial study of the madrigal, Alfred Einstein went so far as to suggest that some of these madrigals have the effect of polyphonic, imitative arrangements of Florentine monodies.
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Gagliano, Marco da. Madrigals, Part 5. Edited by Edmond Strainchamps. A-R Editions, 2021. http://dx.doi.org/10.31022/b222.
Повний текст джерелаАнотація:
Marco da Gagliano's Quinto libro de madrigali a cinque voci was published in October 1608, a little less than two years after his previous book. It contains fourteen madrigals for five voices and one for seven, all composed by Gagliano. The poets represented include Giambattista Marino, Giovanbattista Strozzi, both the older and the younger, Cosimo Galletti, and Ottavio Rinuccini. The madrigals of book 5 are quite varied in their style and their treatment of text. Many are light and remarkably concise, like the canzonetta-influenced madrigals of the Quarto libro, and most often set text syllabically to shorter rhythmic values in motives that alternate between homophony (or near homophony) and polyphony, imitative or nonimitative. Some, however, set poetry very differently. A three-part setting of a Marino sonnet, for instance, is filled with virtuoso melisma, probably intended for the professional singers of the Medici court. Book 5 also includes a concertato madrigal for seven singers and basso continuo that bears the prescriptive direction “per cantare e sonare” (for voices and instruments) in the basso partbook. Although there is no notational indication of instruments, the basso part lacks text for several measures, and it is likely that it was performed with improvised chords on an instrument. The book also contains two threnodies for Count Cammillo della Gheradesca that are in a somber and more traditional polyphony and contrast with the rest of the book's contents.
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Kajava, Mika, Tua Korhonen, and Jamie Vesterinen. Meilicha Dôra. Poems and Prose in Greek from Renaissance and Early Modern Europe. Suomen Tiedeseura, 2020. http://dx.doi.org/10.54572/ssc.137.
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Contains articles among others: Grigory Vorobyev, Theodore Gaza’s Translation between Diplomacy and Humanism. A List of European Countries in Pope Nicholas V's Letter to the Last Byzantine Emperor; Angelo de Patto, Uberto Decembrio’s Epitaph. A Fifteenth-century Greek-Latin Epigraph; Luigi-Alberto Sanchi, Guillaume Budé’s Greek manifesto. The Introductory Epistles of the Commentarii linguae Graecae (1529): Martin Steinrück, Rabelais' Quart livre and Greek language; Johanna Akujärvi, Neo-Latin Texts and Humanist Greek Paratexts. On Two Wittenberg Prints Dedicated to Crown Prince Erik of Sweden; Stefan Rhein, Die Griechischstudien in Deutschland und ihre universitäre Institutionalisierung im 16. Jahrhundert. Ein Überblick; Jochen Schultheiss, Profilbildung eines Dichterphilologen -Joachim Camerarius d.Ä als Verfasser, Übersetzer und Herausgeber griechischer Epigramme; Stefan Weise, Griechische Mythologie im Dienste reformatorischer Pädagogik: Zur Epensammlung Argonautica. Thebaica. Troica. Ilias parva von Lorenz Rhodoman (1588); Thomas Gärtner, Jonische Hexameter als Träger der norddeutschen Reformation; Marcela Slavíková, Γενεήν Βοίημος. Humanist Greek Poetry in the Bohemian Lands; Pieta van Beek, Ούλτραϊεκτείνων μέγα κύδος πότνια κούρη. Greek Eulogies in Honour of Anna Maria van Schurman (1607-1678); Janika Päll, German Neo-Humanism versus Rising Professionalism. Carmina Hellenica Teutonum by the Braunschweig Physician and PhiIheIIene Karl Friedrich Arend Scheller (1773-1842); Elena Ermolaeva, Three Greek Poems by the Neohumanist Vyacheslav Ivanov (1866-1949).
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Hess, Jillian M. How Romantics and Victorians Organized Information. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192895318.001.0001.
Повний текст джерелаАнотація:
Abstract Every literary household in nineteenth-century Britain had a commonplace book, scrapbook, or album. Coleridge called his collection “Fly-Catchers”, while George Eliot referred to one of her commonplace books as a “Quarry,” and Michael Faraday kept quotations in his “Philosophical Miscellany.” Nevertheless, the nineteenth-century commonplace book, along with associated traditions like the scrapbook and album, remain under-studied. This book tells the story of how technological and social changes altered methods for gathering, storing, and organizing information in nineteenth-century Britain. As the commonplace book moved out of the school and into the home, it took on elements of the album. At the same time, the explosion of print allowed readers to cheaply cut-and-paste extractions rather than copying out quotations by hand. Built on the evidence of over 300 manuscripts, this study unearths the composition practices of well-known writers such as Samuel Taylor Coleridge, Sir Walter Scott, George Eliot, and Alfred Lord Tennyson, and their less well-known contemporaries. Divided into two parts, the first half of the book contends that methods for organizing knowledge developed in line with the period’s dominant epistemic frameworks, while the second half argues that commonplace books helped Romantics and Victorians organize people. Chapters focus on prominent organizational methods in nineteenth-century commonplacing, often attached to an associated epistemic virtue: diaristic forms and the imagination (Chapter Two); “real time” entries signaling objectivity (Chapter Three); antiquarian remnants, serving as empirical evidence for historical arguments (Chapter Four); communally produced commonplace books that attest to socially constructed knowledge (Chapter Five); and blank spaces in commonplace books of mourning (Chapter Six).
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Mirchandani, Sharon. Culmination. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037313.003.0006.
Повний текст джерелаАнотація:
This chapter focuses on Marga Richter's compositions during the 1990s. In the 1990s, the compositional world was still fragmented as composers focused on serial and electronic music, performance art, and numerous other styles. Richter continued to created choral music as well as music for opera, which she combined with vocal and orchestral works. Her compositions were fewer in number during this decade, but large in scale for the most part. This chapter first considers Richter's works after the death of her husband Alan Skelly, beginning with the seven-poem cycle, Into My Heart, which she dedicated to him. It then examines Richter's Quantum Quirks of a Quick Quaint Quar, along with two large-scale works from the 1990s that mark the apex of her output to date: the triple concerto, Variations and Interludes on Themes from Monteverdi and Bach for violin, cello, piano, and orchestra (1992); and the chamber opera, Riders to the Sea. It also discusses Sarah do not mourn me dead, which has hints of transcendentalism and love.
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Kirk, Connie Ann. Mark Twain. Greenwood Publishing Group, Inc., 2004. http://dx.doi.org/10.5040/9798400682933.
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Samuel Clemens lived 75 years, 50 under the pseudonym Mark Twain. His youth could be characterized as sometimes mischievous, his older years as generally eccentric and his writing as always provocative. Twain left a literary canon of nearly 50 books, hundreds of short stories and essays, and a veritable treasury of quotable epigrams. While his words and his works have stood up to the test of time, knowing the man behind the persona, and understanding what inspired and influenced the writer, is crucial to fully appreciating the contributions Twain made to American literature. By skillfully weaving together strands of history with his personal story, this authoritative biography helps readers come to more fully understand the man and his enduring legacy. Starting with a chapter on Clemens' boyhood, readers are treated to a very personal view of Twain's early life. Twain's adult life is chronicled with five expertly developed chapters that explore his early professional years from printer to pilot, his travels westward and abroad, his gilded years with his beloved wife Livy, and his final years of widowhood and decline. This engaging biography also delves into the enduring impact of Twain's creative voice and his unique blend of humor with social commentary that not only entertained but also challenged thinking and changed the literary landscape forever. This biography draws from the best of established Twain resources and scholarship, and adds fresh new perspectives from personal letters, original manuscripts, and extended study visits to important places including Twain's study and Quarry Farm. This work is written in a lively style that Twain himself would appreciate and students will enjoy. Researchers hoping to dig deeper into the Twain legacy will benefit from the expertly compiled information and documentation of resources offered here. A chronology, a bibliography and five additional fact-filled appendices, including quotes from Twain, books by Twain, and a rendering of his family tree will help readers get a solid handle on the details as well as the big picture of Mark Twain's life and legacy.
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Garrod, Raphaële. François Rabelais and the Renaissance Physiology of Invention. Oxford University PressOxford, 2025. https://doi.org/10.1093/oso/9780192866691.001.0001.
Повний текст джерелаАнотація:
Abstract François Rabelais and the Renaissance Physiology of Invention explores the medical poetics of inventive, embodied thinking or ingenuity instantiated in episodes from Rabelais’s Gargantua and, mostly, his Quart livre. It unsettles established dichotomies in Rabelaisian scholarship between Rabelais’s ‘lowly’ laugher and ‘high’ erudite message and reassesses the Rabelaisian grotesque by highlighting its debts to grotesque ornament, this marginal yet omnipresent Renaissance visual art. Bodily functions are a trademark of Rabelais’s poetics. Scholarship has read them as signs of carnivalesque inversion and satirical degradation pitting the ‘lowly’ against the ‘high’, the ‘belly’ against the ‘head’. Yet for a physician like Rabelais, the ‘head’ or brain, the chest, belly and nether regions as sites of cognition, breathing, nutrition, and generation are all integrated physiological systems of animation. From this medical perspective, Rabelais’s fictions testify to his reflexive investigation into how culture results from natural, physiological processes. These underpin the animation of human ingenia—wits conditioned by biological natures—made manifest in pedagogical, artistic, mechanical, and spiritual ‘inventions’. While ingenia might be idiosyncratic, their animation is environmentally fuelled and shaped by the food we eat, the air we breathe, the places we inhabit, the company we keep. In this respect Rabelaisian fiction is grotesque in a period sense. With its emphasis on hybrid forms capturing the metamorphoses of animation, grotesque ornament reflexively commented on the embodied, inventive processes grounding Renaissance mimesis. Similarly, Rabelais’s fictions forefront the inventive powers of ingenious animation and articulate reflexive, often ironic alternatives to the (often transcendent) humanist views they alter: a thoroughly embodied anthropology, a naturalist genealogy of cultural production and transmission.
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Visackienė, Rima, ed. Juozo Kartenio užrašyta tautosaka. The Institute of Lithuanian Literature and Folklore, 2024. https://doi.org/10.51554/kartenis.2024.
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Juozas Kartenis (1909-1989) was a folklore collector, teacher, researcher in the field of agriculture, self-taught photographer, and musician (violinist). While still being a student at the Simonas Daukantas Teachers' Seminary (1928-1932), the twenty-year-old began collecting songs in his native Ukmergė and Širvintai areas. In 1935, Kartenis also visited the last singers of the Ukmergė region's sutartinės - Agota Našlėnaitė-Gricienė, Barbora Bugenavičaitė-Stimburienė, and Marijona Stimburaitė-Gricienė, and wrote down 16 sutartinės (Lithuanian multipart songs), accompanied by some significant comments about their performance. He recorded 14 more from other sutartinės singers in Deltuva parish: O. Petrauskienė-Krasauskaitė (89), Baltrus Tamošiūnas (77), B. Vasiliauskas (67), J. Atkočiūnas, Petras Burokas (80) from Vepriai parish, Adamas Tamošiūnas (62), and Veronika Tamošiūnienė (59) from Deltuva parish, Jurgis Unčiūris (68) from Gelvonai parish. In 1935, when associate professor Jonas Balys became the head of the Lithuanian Folklore Archive and started actively promoting collection of folklore material, J. Kartenis was in the top 20 of the most famous folklore collectors. The songs he recorded are of great scientific and artistic value. In a relatively small area Kartenis captured the image and peculiarities of the already disappearing so-called “people's songs” and highlighted the reasons for their disappearance. Of particular interest and worthy of attention is a type of songs from a short-lived tradition, that were sung with a “bossing” (accompanied by two sounds - prima and sub-quart). Among the recorded melodies, there are ritual laments that have retained their full poetic texts, the context of which is defined by the collector's notes. This collection consists of the digitised collections compiled by J. Kartenis in 1935-1936: “Aukštaitiškos dainos” (“Highland Songs”) (LTR 649, LTR 650, LTR 651), “Aukštaičių tautosaka” (“Highland Folklore”) (LTR 836), and another collection of songs and sutartinės from the Deltuva region (LTR 963), which is particularly significant for researchers of sung folklore. The collection also includes a set LTR 6741, which consists of two notebooks: memories and biographical data about the folklore collector written down by Rima Visackienė, a researcher of Kartenis’ life and work, and Kartenis’ notes on agronomy written in the post-war period, towards the end of his life. Juozas Kartenis (1909–1989) – tautosakos rinkėjas, mokytojas, žemės ūkio srities tyrėjas, savamokslis fotografas ir muzikantas (grojo smuiku). Dar bestudijuodamas Simono Daukanto mokytojų seminarijoje (1928–1932), dvidešimtmetis jaunuolis pradėjo rinkti dainas savo gimtosiose Ukmergės bei Širvintų apylinkėse. 1935 metais J. Kartenis aplankė ir paskutiniąsias Ukmergės krašto sutartinių giedotojas – Agotą Našlėnaitę-Gricienę, Barborą Bugenavičaitę-Stimburienę ir Marijoną Stimburaitę-Gricienę, ranka užrašė 16 jų sugiedotų sutartinių, pateikė reikšmingų pastabų apie jų atlikimą. Dar 14 sutartinių jis užfiksavo iš kitų giesmininkų Deltuvos valsčiuje: O. Petrauskienės-Krasauskaitės (89 m), Baltraus Tamošiūno (77 m.), B. Vasiliausko (67 m.), J. Atkočiūno, Petro Buroko (80 m.) iš Veprių valsčiaus, Adomo Tamošiūno (62 m.) ir Veronikos Tamošiūnienės (59 m.) iš Deltuvos valsčiaus, Jurgio Unčiūrio (68 m.) iš Gelvonų valsčiaus. 1935 metais doc. dr. Jonui Baliui pradėjus vadovauti Lietuvių tautosakos archyvui ir aktyviai skatinant tautosakos rinkimo darbus, J. Kartenis buvo žymiausių tautosakos rinkėjų dvidešimtuke. Jo užfiksuotos dainos yra labai vertingos tiek moksliniu, tiek meniniu požiūriu. Nedidelėje teritorijoje J. Kartenis užfiksavo jau nykstančių vadinamųjų „žmonių dainų“ vaizdą, savitumus, išryškino nykimo priežastis. Ypatingai įdomus ir dėmesio vertas jau mažai išlikęs dainų atlikimas „bosuojant“ (t. y. antrą balsą pritariant dviem garsais – prima ir subkvarta). Tarp užfiksuotų melodijų randamos apeiginės raudos, išlaikiusios pilnus poetinius tekstus, kurių kontekstą nusako rinkėjo pastabos. Šią kolekciją sudaro suskaitmeninti, 1935– 1936 metais J. Kartenio sudaryti rinkiniai: „Aukštaitiškos dainos“ (LTR 649, LTR 650, LTR 651), „Aukštaičių tautosaka“ (LTR 836) ir dar vienas, ypač reikšmingas dainuojamojo folkloro tyrėjams, sutartinių ir dainų rinkinys iš paskutiniųjų Deltuvos krašto sutartuvininkių (LTR 963). Į šią kolekciją įtrauktas ir rinkinys LTR 6741, kurį sudaro du sąsiuviniai: J. Kartenio gyvenimo ir darbų tyrėjos Rimos Visackienės individualių ekspedicijų metu užrašyti prisiminimai bei biografiniai duomenys apie šį tautosakos rinkėją ir J. Kartenio agronomijos užrašai (rašyti pokaryje, jo gyvenimo pabaigoje).
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Return of the Great N64 Magazine Games Challenge Book. Bath, England: Future Publishing, 2000.
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Nintendo 64: A-Z of Cheats Volume 2. Bournemouth, England: Paragon Publishing Limited, 1998.
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Blagger's Guide: N64 A-Z Cheats. Bournemouth, England: Paragon Publishing Limited, 1999.
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