Дисертації з теми "Rhetorical theology"

Rhetorical agency is an ideologically contentious facet within communication and rhetorical research. While its importance in scholarship can be traced back to early works by Kenneth Burke and Pierre Bourdieu, debate continues regarding the source of agency, how it is enacted in rhetorical application and communication, and who/what can claim responsibility for the communication practices one may utilize in enacting their respective levels of agency. Thus, the ways in which the rhetoric of popular, influential individuals/antecedents affects the rhetorical agency and invention practices of those without significant levels of influence must be examined. American Christianity, in particular the culture created through heavy use of televised and web-media (televangelism), provides an excellent context to examine this subject. The present thesis discusses relevant literature to the topics of rhetorical agency, invention, and antecedents, as well as American Christianity, televangelism, and the changes that have occurred in religious rhetoric within the culture. Additionally, results indicate a high propensity towards rhetorical agency influenced through the themes of identity, adaptation, and audience sensitivity, and encourage pastors to focus on the identity and context through which their agency is manifested.

Thesis (DTh)--Stellenbosch University, 2002
ENGLISH ABSTRACT: This dissertation is an attempt to address the problem of the relationship between the Jeremianic judgement and salvation oracles, to prove our hypothesis that Jeremiah 1 functions as a theological introduction to the whole book of Jeremiah, and that references to judgement and salvation form a theological whole. Vernon Robbins's socio-rhetorical approach has been utilized. In Chapter 1, we present a general survey of Jeremianic study, and show the scholarly tendency towards a diachronic or synchronic approach. By doing so, we justify our application of the holistic socio-scientific method to study the book more comprehensively. Our hypothesis about the relationship between judgment and salvation in the book of Jeremiah is then presented and the methodology described. In Chapter 2, we offer a rhetorical analysis. According to our analysis, the centre of the prophetic call in the book of Jeremiah is the commission (Jer. 1:10) where the thematic phrase of judgement and salvation is highlighted. We identified passages containing this thematic catchphrase (Jer. 12:14-17; 18:7-10; 24:6; 31:28; 31:38-40; 42:10; 45:4; etc.) and Chapter 3 discusses each one. The reoccurrence of that catchphrase in different circumstances was the reconfirmation and recontextualisation of the Leitmotif of Jer. 1:10. In Chapters 4-6, a social scientific approach has been utilised to explore a considerably rich text which contains many diverse aspects of the social, cultural, political and theological environment. We identify diverse interest groups to whom Jeremiah addressed his message of judgement and salvation. They are "reformist", "conversionist", "revolutionist" and "thaumaturgical" from the social perspective, and "pro-Babylon", "pro-Egypt" and "autonomistic" from the political perspective. We next examine the intense controversy between Jeremiah and these groups, from social, cultural, ideological and theological perspectives. In the conclusion (Chapter 7), we summarise what we have studied and present the prospect for a wider use of the socio-rhetorical method.
AFRIKAANSE OPSOMMING: Hierdie verhandeling ondersoek die vraagstuk rondom die verhouding tussen Jeremiaanse oordeel en verlossingsorakels, Daar word gepoog om die hipotese te bewys dat Jeremia 1 dien as teologiese inleiding tot die res van die boek en dat die verwysings na oordeel en verlossing 'n teologiese geheel vorm. Vernon Robbins'se sosio-retoriese benadering word gebruik. In Hoofstuk 1 gee ons 'n oorsig van Jeremiaanse navorsing en wys hoe vakkundiges neig tot of 'n diakroniese of 'n sinkroniese benadering. Deur ons gebruik van die sosio-retoriese metode poog ons om die boek meer volledig te bestudeer. Ons hipotese oor die verhouding tussen oordeel en verlossing in Jeremia word dan aangebied en die metodologie beskryf. In Hoofstuk 2, bied ons 'n retoriese analise, waarvolgens die kern van die profetiese roeping in die boek geidentifiseer word as die opdrag (Jer. 1:10) wat die temas van oordeel en verlossing beklemtoon. Dan identifiseer ons die verse wat hierdie temas bevat (Jer. 12:14-17; 18:7-10; 24:6; 31:28; 31:38-40; 42:10; 45:4; etc.) en bespreek elkeen in Hoofstuk 3. Die herhaaldelike voorkoms van die temas in verskillende kontekste is die herbevestiging en herkontekstualisering van die Leitmotifvan Jer. 1:10. In Hoofstuk 4-6, word 'n sosiaal-retoriese benadering gebruik om 'n komplekse teks - wat diverse aspekte van die sosiale, kulturele, politiese en teologiese omgewing insluit - te ondersoek. Ons identifiseer verskeie belangegroepe tot wie Jeremia sy boodskap van oordeel en verlossing rig. Uit die sosiale perspektief, IS die groepe "hervormers", "bekeerders", "rewolusionere'', en "thaumaturge", en vanuit 'n politiese perspektief, "pro-Babilon", "pro-Egipte" en "autonome" groepe. Dan ondersoek ons die intense struweling tussen Jeremia en hierdie groepe, vanuit sosiale-, kulturele-, ideologiese- en teologiese perspektiewe. In die slotsom (Hoofstuk 7) lewer ons 'n opsomrning van die studie, en bied die verwagting vir 'n breer gebruik van die sosio-retoriese metode.

Thesis (DTh)--Stellenbosch University, 2001
ENGLISH ABSTRACT: This study aims to interpret Romans 7 with special reference to the law. Both Romans 7 and the law in Paul are very difficult to understand. However, both are important for an understanding of Pauline theology and the gospel. In the past historical critical analyses were usually done in order to solve problematic passages like Romans 7 in Paul's letters. In this study a socio-rhetorical analysis is utilized. To start with, previous research is briefly dealt with in order obtain an overall picture of the understanding of the law in the past. From this overview more than ten problem areas are identified. Then, socio-rhetorical analysis is briefly explained. This is a multi-dimensional and multi-disciplinary method developed by Vernon Robbins, which sees the text as having various textures. In this research the method is utilized with some modifications. In chapter 4 the macrostructure of Romans is established by means of epistolary analysis and rhetorical analysis. Next, Rom. 7 is established as a rhetorical unit within Rom. 5-8 as the broader co-text of Rom. 7. After that the rhetorical situation of Romans is discussed, as well as some of Paul's rhetorical devices and styles. Finally, the rhetorical species of Romans is determined as deliberative rhetoric. From chapters 5 to 7, Rom. 7 is analyzed, using different textual analyses. In an analysis of inner texture repetitive-progressive texture, opening-middle-closing texture, and argumentative texture are discussed. Here an enthymemic analysis is used in order to chart Paul's argumentative flow of thought. From this it is concluded that Rom. 7: 1-6 is an analogy, which is an important tool for argumentation, and that the present tense in Rom. 7:14-25 functions as part of a combination of autobiographical-typical-rhetorical features for the purpose of argumentation. In the analysis of intertexture the scriptural intertexture is investigated: recitation with omission and thematic elaboration. In the cultural intertextual analysis some Jewish cultural intertextures are noted, namely, Rom. 7:8-10 as an allusion to both Gen. 3 and Exod. 3, Paul's usage of the "1," the law, slavery image, and the evil inclination. It is also interesting that Rom. 7: 15 & 19 and the "I" are allusions to Greek tragedy, sin as power, and slavery as Greco-Roman cultural intertexture. In analyzing the social intertexture it can be concluded that the marriage analogy is closer to Jewish marriage than to Greco-Roman marriage. The final analysis is an investigation of the theological texture. Here salvation history and the covenant of God are first dealt with in order to get to grips with Paul's theological world. Then, Pauline hamartiology, anthropology, and finally, nomism are investigated. The conclusion is that VOl-lOS' in Rom. 7 mostly denotes the universal moral law of God, both written and unwritten, not just the Mosaic law; though in some cases it denotes "principle" or "rule" as in vv. 21-25. Rom. 7 as a whole is a refutation of the objection or misunderstanding that might be raised regarding Paul's statements of the law in previous chapters. In Rom. 7 Paul elaborates the relationship between believers and the law, and the function of the law in relation to sin in an unregenerate person. In so doing, he vehemently denies that the law is sin, and vividly indicates the function of the law using his own experience.
AFRIKAANSE OPSOMMING: Hierdie navorsing fokus op Rom. 7 met spesifieke verwysing na die wet. Hoewel sowel die wet by Paulus en Rom. 7 moeilike onderwerpe is om te verstaan, is beide van besondere belang vir In verstaan van die teologie van Paulus en die evangelie. In die verlede is gewoonlik van histories-kritiese studies gebruik gemaak in die bestudering van sulke probleme. Hier word van In sosio-retoriese benadering gebruik gemaak. Daar word eers aandag gegee aan vorige navorsing om In beeld te kry van die wyse waarop die wet in die verlede verstaan is. Na aanleiding van hierdie oorsig word meer as tien probleemareas geidentifiseer. Vervolgens word In kort uiteensetting van sosio-retoriese analise gegee. Dit is In multidimensionele en multidissiplinere benadering wat deur Vernon Robbins ontwikkel is en wat In teks as In hegte eenheid van verskillende teksture sien. In hierdie studie word hierdie metode gebruik, ofskoon met In paar aanpassings. Die makrostruktuur van Romeine word in hoofstuk 4 met behulp van In epistolere en retoriese analise nagegaan. Daarna word Rom. 7 as In retoriese eenheid binne Rom. 5-8 as die breer ko-teks van Rom.7 aangedui. Vervolgens word die retoriese situasie van Romeine asook bepaalde retoriese tegnieke en strategiee van Paulus bespreek. Die standpunt word ingeneem dat Romeine as deliberatiewe retoriek beskou moet word. In hoofstukke 5 tot 7 word die verskillende teksture van Rom. 7 aan die orde gestel. Die herhalend-progressiewe tekstuur, begin-middel-slot tekstuur en die argumentatiewe tekstuur word ondersoek om die interne tekstuur vas te stel. In Analise van die ethumeme in die teks lewer ook In bydrae om die vloei van die argument te kan volg. Hieruit volg dat Rom. 7:1-6 as In analogie beskou moet word, wat In belangrike rniddel in argumentasie was. Verder kan afgelei word dat die teenswoordige tydsvorm in Rom. 7: 14-25 In onderdeel is van die kombinasie van outobiografies-tipies-retoriese kenmerke wat in argumentasie gebruik word. In die bestudering van die intertekstuur word aandag aan die volgende voorbeelde van skriftelike intertekstuur gegee: resitasie (met weglatings) en die uitbou van In tema. By die bestudering van die kulturele intertekstuele analise kom voorbeelde van Joodse intertekstuur aan die orde: Rom. 7:8-10 as toespeling op Gen. 3 en Eks. 3, Paulus se gebruik van die "ek", die wet, die beeld van slawe en die bose begeerte. Verder kan Rom.7:15, 19 en die "ek" as toespelings op Griekse tragedies, die sonde as mag, en slawemy as Grieks-Romeinse kulturele intertekstuur gesien kan word. Wat die sosiale intertekstuur betref word bevind dat die analogie van die huwelik meer verwantskap met die Joodse huwelik as met die Grieks- Romeinse huwelik vertoon. Ten slotte word die teologiese tekstuur ondersoek. Eers word aandag gegee aan die heilsgeskiedenis en die verbond van God om In begrip van die teologiese wereld van Paulus te verkry. Daama word die hamartologie, antropologie en ten slotte die wet by Paulus ondersoek. Daar word bevind dat VOl-lOS" in Rom. 7 meestal die universele morele wet van God, geskrewe en ongeskrewe, en nie net die wet van Moses nie, aandui. In bepaalde gevalle, soos in Rom.7:21-25, beteken dit "beginsel" of reel." Rom.7 is in sy geheel'n verwerping van die beswaar of misverstand wat na aanleiding van Paulus se uitsprake oor die wet in die vorige hoofstukke kon ontstaan het. Paulus stel in Rom.7 die verhouding tussen gelowiges en die wet aan die orde asook die funksie van die wet met betrekking tot sonde by die onbekeerde. Op hierdie wyse ontken hy ten sterkste dat die wet sonde is terwyl hy ook die funksie van die wet met behulp van sy eie ervaring uitbeeld.

Thesis (DTh)--Stellenbosch University, 2002
ENGLISH ABSTRACT: Traditionally, Gen 1-3 has been interpreted as a text that supports male superiority and female inferiority as the will of God. This dissertation aims to establish a more constructive interpretation one that is more responsible and accountable to the readers of the Korean Presbyterian Church in particular. Consequently, I have dealt with various interpretations ofGen 1-3 from male and female perspectives. Because the mam Korean religions of pre-Christianity (Shamanism, Buddhism and Confucianism) have been identified as possible major influential elements that would have had an impact on Korean male centred interpretations of Gen 1-3, this study begins by analysing Korean worldviews and their influence on the formation of the theological tradition in the KPc. These elements are then investigated in terms of the significant impact they had upon the interpretation of Gen 1-3 in the KPC and this demonstrates how an individual view of the Scriptures could bring about different results within the KPC itself. An alternative interpretation of Gen 1-3 from a feminist perspective is discussed as part of the solution to promote justice for female readers. Although feminist readings would reduce the oppression of female readers, we analyse how another possibility of oppression, directly opposed to female oppression, could arise. To avoid another biased interpretation of Gen 1-3 ant to establish an interpretation of Gen 1-3 that is more ethically accountable to both genders, an attempt is made to read the text by means of a method that has an interdisciplinary nature in terms of dealing with the text. The socio-rhetorical criticism of Vernon Robbins is chosen and inner, and inter-, ideological and theological textures of Gen 1 are identified. Although the Creation texts exhibit their cultural connection, a socio-rhetorical reading of Gen 1 is not concerned with a specific order for man and woman in God's creation. Therefore, a sexual distinction based on some ethical status or role is not found. Instead, Gen 1 describes not only the relationship between God and human beings, but also the relationship of human beings to the other orders of creation. The concept of the divine image applied in the biological terms, male and female offers no theological indication for the present social consequences. Rather it invites us to open ourselves to possible new meanings beyond any cultural boundaries. Gen 1 within the present context challenges the interpreter as well as the reader to selfcritical activity in reading or interpreting the text in his/her own context. This is so because Scripture has allowed diversity, and the text of Gen 1 created a new meaning for the readers of the exilic society as Gen 2-3 did for the readers of the original cultures reflected in the Scriptures. Therefore, the KPC also needs to be challenged to look at the relationship of male and female anew and to be invited to be a partner in restoring the lost half of the dignity of the image of God for humanity. If exile for the Jewish people signified a calling into question of their secure centres of meaning as the people of God, our traditional Christian way of viewing the nature of God and of humankind should equally be called into question in our present context.
AFRIKAANSE OPSOMMING: Genesis 1 is tradisioneel geinterpreteer as 'n teks wat die meerderwaardigheid van mans en die rninderwaardigheid van vroue ondersteun as die wil van God. Hierdie proefskrif het ten doel om 'n meer konstruktiewe interpretasie daar te stel. 'n Interpretasie wat meer verantwoordelik en verantwoordbaar teenoor die lesers is, veral binne die Koreaanse Presbiteriaanse Kerk (KPK). Gevolglik het ek aandag gegee aan verkeie interpretasies van Genesis 1-3. Interpretasies vanuit manlike sowel as vroulike perspektiewe. Aangesien die belangrikste Koreaanse religiee van die pre-Christen tydperk (Sjamanisme, Boeddhisme, Confucianisme) geidentifiseer is as moontlik belangrike, invloederyke elemente wat 'n invloed gehad het op die manlik gesentreerde interpretasie van Genesis 1-3, begin hierdie studie met die analisering van Koreaanse wereldbeelde en die invloed daarvan op die formasie van die teologiese tradisie binne die KPK. Hierdie elemente word dan ondersoek in terme van die belangrike impak wat dit gehad het op die interpretasie van Genesis 1-3 binne de KPK en dit demonstreer hoe 'n individuele beskouing van die Skrif verskillende resultate binne die KPK self teweeg kan bring. 'n Alternatiewe interpretasie van Genesis 1-3, vanuit 'n ferninistiese perspektief, word bespreek as deel van die oplossing om geregtigheid vir vroue lesers te bevorder. Hoewel 'n feministiese lees die onderdrukking van vroue lesers sal verrninder, word ook· geanaliseer hoe 'n ander moontlikheid van onderdrukking, direk gekant teen die vroulike onderdrukking, kan ontstaan. Ten einde nog 'n bevooroordeelde interpretasie van Genesis 1-3 te vermy en om 'n interpretasie daar te stel wat meer eties verantwoordbaar is vir beide geslagte, word 'n poging aangewend om die teks te lees by wyse van 'n metode wat inter-dissipliner van aard is in die interpretasie van die teks. Die sosio-retoriese kritiek van Vernon Robbins word gekies en 'n intra-, inter-, ideologiese en teologiese tekstuur van Genesis 1 word gerdentifiseer. Hoewel die skeppingstekste hulle kulturele verbintenis ten toon stel, setel die belang van 'n sosio-retoriese lees van Gen 1 nie by 'n bepaalde orde vir man en vrou in God se skepping. Om hierdie rede word 'n geslagtelike onderskeid, gebasseer op etiese status of rol, nie in die teks gevind nie. Eerder, Genesis 1 beskryf nie net die verhouding tussen God en mense nie, maar ook die verhouding van menslike wesens tot die ander ordes van die skepping. Die konsep van die goddelike beeld, toegepas in biologiese terme, bied manlik en vroulik geen teologiese aanduiding vir die huidige sosiale gevolge nie. Eerder, dit nooi ons uit om onsself te open vir moontlike, nuwe betekenisse, wat verby enige kulturele betekenisse strek. Binne die eietydse konteks daag Genesis 1 die interpreteerder sowel as die leser uit tot selfkritiese aktiwiteit in die lees of interpretasie van die teks binne sy / haar eie konteks. Dit is so weens die feit dat die Skrif ruimte laat vir diversiteit en weens die feit dat Genesis 1 nuwe betekenis geskep het vir die lesers binne die eksiliese gemeenskap, soos wat Genesis 2-3 gedoen het vir lesers van die oorspronklike kulture soos gereflekteer in die geskrifte. Om hierdie rede behoort die KPK ook uitgedaag te word om opnuut ondersoek in te stel na die verhouding tussen man en vrou en om uitgenooi te word as vennoot in die proses om die verlore helfte van die waardigheid van die beeld van God vir die mensdom te herstel. Indien die ballingskap vir die Joodse volk dui op 'n bevraagtekening van hulle veilige sentrums van betekenis as die yolk van God, behoort ons tradisionele Christelike beskouing van die aard van God en van die mensdom op soortgelyke wyse bevraagteken te word binne ons eietydse konteks.

The philosophical contributions of Marsilio Ficino (1433-1499) to the intellectual legacy of the Italian Renaissance cannot be overstated; Ficino’s name has become synonymous with Florentine Neoplatonism, and his philosophy of love and systematic defence of the immortality of individual souls has made Ficino one of the most recognised and influential thinkers of the fifteenth century. As the translator of the Platonic corpus, and many Neoplatonic authors besides, the Florentine philosopher-priest was well acquainted with, and indeed, had arguably become attracted to antique notions of the origins of the soul. Situating the doctrine of the soul’s pre-mortal existence within Ficino’s thought, particularly in relation to his understanding of spiritual renewal, this thesis aims to provide a re-evaluation of Ficino as a religious thinker and how he understood the relationship between religion and philosophy. The thesis will thereby offer a more nuanced understanding of his contributions to the religious and spiritual life of Quattrocento Florence. Drawing on Ficino’s Platonic Theology, his commentaries of Plato and Plotinus, and his epistolary correspondence, this thesis adopts a framework which combines social, cultural and intellectual historical methods, setting out to not only establish Ficino’s doctrinal interventions, but to place them within the broader context of Renaissance theological reform. In so doing, the thesis aims to contribute to a scholarly reappraisal of how humanistic, vernacular and rhetorical theologies functioned in Florence, and how we as historians understand these theologies. Focussing in particular on the use of rhetoric, language, literary convention, and socio-intellectual networks in the dissemination of Ficinian theology, this thesis intends to provide new perspectives on intellectual exchange in the later decades of the fifteenth century, particularly in relation to the movement of ideas which advocate for religious and theological reform. With a view to examining the broader implications of the dissemination of these ideas, the thesis also reconsiders Ficino’s relationship to the Tuscan vernacular, and its role in his programme of spiritual renewal. This thesis moreover seeks to re-contextualise thinkers in Ficino’s circle, by highlighting their critical role in the religious transformations taking place in the second half of the fifteenth century, and significantly, in the formation of a new religious subculture. Analysing a number of Latin and Tuscan works, this thesis reveals the reproduction of Ficinian ideas on the origins of the soul in connection to contemplation, conversion and mystical union, as well as nuanced modes of communication, and thereby links intellectual exchange to Florentine spiritual renewal. The thesis therefore aims to contribute to a more comprehensive understanding of the impact of the intellectual world on the religious, by demonstrating how the re-emergence and incorporation of new streams of thought, as well as the methods used in that effort, came to bear upon the religious and spiritual life. Contending that Ficinian theology fundamentally informed an intellectually driven programme of spiritual renewal and theological reform in Florence during the second half of the fifteenth century and early sixteenth century, this thesis therefore re-contextualises Ficino’s place in our understanding of the intellectual and religious history of Renaissance Florence, and brings an entirely new set of methods, ideas, and characters into this understanding.

Thesis (DTh)--Stellenbosch University, 1996.
ENGLISH ABSTRACT: This thesis deals with a reinvention of rhetorical criticism and its application to the parable discourse. The first part of this study examines the theoretical background of rhetoric, and shows that rhetoric emerged as a disciplinary discourse after mythos and logos, and was used as the first systematic hermeneutical method. Rhetoric has developed in two directions: influence and system. Influence study keeps to the tradition of classical rhetoric, while system study covers the system of rhetoric by integrating classical rhetoric with modern human and social sciences. Through this process, rhetorical criticism has been established as a theory and a method for biblical study. Its focus has shifted from rhetoric restrained to rhetoric revalued/reinvented, a shift toward social/practical criticism from hermeneutics. Moreover, rhetorical criticism has begun to treat text as a dialogic, collaborate art or social activity rather than as a mere instrument of persuasion in the monologic scheme of speaker-message-audience, and occupies a prime position in biblical studies in the mode of either one-dimensional or a comprehensive multi-dimensional approach. It is clear that there has been a shift in the application of rhetorical criticism from the performance of rhetorical discourse to its archaeology (inventio). The second part investigates the parable discourse. I suggest that Jesus' parables are net rhetorical discourses of either the dominant Jewish or the dominant Hellenistic-Roman culture. Rather, it is a rhetorical discourse of the Christian subculture. In addition, Jesus' parables in Matthew 13 are not merely grouped but woven into a textus which has a rhetorical structure centred on a basic unit (chreia) to be elaborated. The parable discourse thus takes the pattern of chreia elaboration, and occupies the representative position in Matthew. Against this background, this thesis formulates dialogic rhetoric, as a mode of reinvented rhetoric which deals with invention, for studying the rhetorical function of the parable discourse in Matt 13. Dialogic rhetoric combines Burkean pentadic criticism, Bakthinean dialogic and the social scientific approach. This method differs from the recent historico-critical reading, the semiotic reading, the pragmatic reading in the study of the parable discourse, and also from the structural study carried out by discourse (colon), chiastic and triadic analysis. Dialogic rhetorical criticism has two dimensions. Centripetal rhetoric investigates various rhetorical strategies such as chreia elaboration, figures of dialogism, honour and shame, spatial arrangement, and dyadic personality. Multiple scenes, agents, acts, agencies and purposes in the parable discourse provide a special opportunity for Burkean critique. Centrifugal rhetoric examines the relationship between the parable discourse and two groups of discourses. The first group includes Man 12:46-50 and Matt 13:54-58 which frame the parable discourse, and the second comprises Jesus' other great discourses which, together with the parable discourse, provide key elements within the chiasm of Matthew's Gospel. In final assessment, I define the nature of Christian culture as represented in the parable discourse in terms of response to the world. The parable discourse configures conversionist, revolutionist and gnostic- manipulationist responses, particularly to the Hellenistic-Roman world of the first century. Therefore, I propose that the parable discourse has the function of separating the disciples from the crowds, and then promoting the building of community.
AFRIKAANSE OPSOMMING: Hierdie proefskrif handel oor die herontdekking van retoriese kritiek en die toepassing daarvan op die gelykenis-materiaal, en val uiteen in twee afdelings: die teoretiese agtergrond van retoriek en die navorsing van gelykenis-materiaal. Die eerste afdeling van hierdie proefskrif behandel die teoretiese agtergrond van retoriek. Retoriek het ontwikkel as 'n dissiplinêre diskoers na mythos en logos, en het gefunksioneer as die eerste sistematiese hermeneutiese metode. Dit word tans op twee maniere nuut omskryf: die sogenaamde invloed-studie staan in die tradisie van klassieke retoriek, terwyl die sogenaamde sisteem-studie klassieke retoriek integreer met moderne menslike en sosiale wetenskappe. Die retoriese aard van Bybelse materiaal is vroeg reeds raakgesien, maar is nou algemeen bevestig. Retoriese kritiek as teorie en metode het ontwikkel vanaf beperkte retoriek na 'n herontdekte retoriek en word daarom nou beskou as sosiale aktivisme of praktiese kritiek op meta-hermeneutiese vlak. 'n Teks word deesdae beskou as dialogise, kollaboratiewe kuns of sosiale aktiwiteit eerder as oorredingsinstrument in die monologiese skema: spreker-boodskap-gehoor. Retoriese kritiek, hetsy as 'n enkelvoudige of 'n omvattende benadering, beklee dus 'n eersterangse posisie in die Bybelwetenskap. Dit is duidelik dat daar 'n ontwikkeling plaasgevind het in die toepassing van retoriek vanaf die performatiewe aard van die retoriese diskoers na die argeologie daarvan (inventio). Die tweede afdeling van hierdie proefskrif ondersoek die gelykenis-materiaal. Ek meen dat die gelykenisse van Jesus nie die retoriese diskoers van die dominante Joodse of Hellenisties-Romeinse kulture is nie, maar eerder die retoriese diskoers van die Christelike subkultuur. Verder is die gelykenisse in Matt 13 nie bloot saamgevoeg nie, maar ingeweef deur middel van 'n textus met 'n retoriese struktuur wat bestaan uit 'n basiese eenheid (chreia) met uitbreidings. Die gelykenis-materiaal neem dus die vorm aan van chreia uitbreiding, en neem die representatiewe posisie in Matteus in. Hierdie proefskrif postuleer dialogiese retoriek as 'n vorm van herontdekte retoriek, met klem op invention, vir die studie van die retoriese funksie van die gelykenisrede in Matt 13. So gesien, kombineer dialogiese retoriek Burke se vyfledige kritiek. Bakthin se dialogiese benadering en die sosiaal-wetenskaplike benadering. Hierdie metode word gekontrasteer met die onlangse histories-kritiese, semiotiese en pragmatiese benaderings in die gelykenis-navorsing, asook die strukturele benadering soos dit manifesteer in diskoers, chiastiese en triadiese analise. Dialogiese retoriese kritiek vertoon twee dimensies: sentripetaal en sentrifugaal. Sentripetale retoriek ondersoek verskeie retoriese strategieë soos chreia uitbreiding, dialogiese styl, eer en skande, ruimtelike inkleding en diadiese persoonlikheidstipes. 'n Veelvoud van plekke, agente, handelinge en bedoelinge in die gelykenis-materiaal maak die gelykenisrede besonder ontvanklik vir Burkeaanse kritiek. Sentrifugale retoriek ondersoek die verhouding tussen die gelykenisrede en twee ander diskoerse; Matt 12:46.50 en Matt 13:54-58 wat die gelykenisrede omraam, asook die ander toesprake van Jesus wat sleutelposisies binne die chiastiese struktuur van Matteus se Evangelie beklee. As finale bevinding, word die aard van die Christelike kultuur soos aangebied in die gelykenisrede in terme van 'n antwoord aan die wêreld gedefinieer. Die gelykenisrede artikuleer bekerings-, revolusie- en gnosties-manipulasie-reaksies in terme van die eerste- eeuse HeIlenisties-Romeinse wêreld. Gevolglik, stel ek voor dat die gelykenisrede die funksie vervul om die dissipels van die skare af te sonder, en om gemeenskapsbou te bevorder.

Thesis (DTh)--Stellenbosch University, 2003
ENGLISH ABSTRACT: The issue of the identification of the audience/s of the final chapter (chapter 9) in the book of Amos is currently moot. That is, there currently are as many opinions as there are scholars who have in some form or the other made some inference as to the identification of the audience. The same is true for the preceding chapters in the book. The reasons for the divergence in opinions as to the identification of the audience varies from the methods chosen for engaging the text to reasons that are not always easy to identify. Yet the opinions are often freel y shared in the monographs, commentaries, dissertations and scholarly journal articles. This dissertation aims to follow an approach that is more interpretatively accountable and responsible in dealing with the identification of the audience/s of Amos and in particular chapter 9. This goal is best achieved by interacting with the scholars as they have recorded their findings in the various scholarly publications while engaging the text with a suitable method. The method chosen by this study for achieving the intended purpose is the multidimensional approach of Vernon Robbins, termed socio-rhetorical criticism. This approach aids in the study of the text by uncovering the various "textures" of the text. These textures are identified by Robbins as innertexture, intertexture, social and cultural texture, ideological texture and sacred texture. As socio-rhetorical criticism does not overtly take into account the influence of the reader in the production of the meaning of the text and how this influences interpretative results, it would be necessary to investigate how to incorporate the influence of reader-response methodology to make the results more responsible and accountable. The majority of scholarly opinion sees at least three possible audiences identifiable within the book of Amos. These audiences are identified as eighth, seventh and sixth century in setting. Yet the reasons for such identification is often not clear and greatly debated. Differences in opinion have often resulted in religious questions being raised regarding the authority and intention of the text should these various audience identifications be accurate. This study seeks to understand and identify the main influences that determines the conclusions on various audience identification and present an approach that would be more suitable to answer the question more clearly. The particular influence that this study demonstrates is the reinvention of texts by identifying the layers of reinterpretation contained in the text by identifying its implied audience/so It is this identification that allows the text to be applied to current readers as they identify with the process of reinvention and ethically accountable interpretation.
AFRIKAANSE OPSOMMING: Daar bestaan op die oomblik geen finale beslissing aangaande die identiteit van die toehoorders van die finale hoofstuk van die boek van Amos nie Met ander woorde, daar is op die oomblik so veel opinies as wat daar kenners is wie op een of ander manier gevolgtrekkings aangaande die identiteit van die toehoorders van die boek gemaak het. Redes aangaande die verskillende opinies om die identiteit van toehoorders vas te stel wissel van die metodes gekies om die teks te bestudeer tot redes wat rue al te maklik is om te identifiseer nie. Maar gevolgtrekkings word openbaarlik in monografiee, kommentare, proefskrifte en akademiese artikels aangaande die boek gepubliseer. Hierdie proefskrif stel as doel om 'n metode van studie te volg wat meer verantwoordelik en verantwoordbaar is ten opsigte van die identifikasie van die lesers van die boek Amos en in besonder aangaande hoofstuk 9. Hierdie doel sal ten beste bereik word deur saam met die kenners te debateer soos hulle opinies vasgele is in publikasies en terwyl die teks bestudeer word. Die metode wat hierdie studie gaan gebruik, is die multidimensionele benadering van Vernon Robbins, sosio-retoriese kritiek. Hierdie metode benader die teks deur die verskillende teksture van die teks te ontbloot. Hierdie teksture is deur Robbins verduidelik as intertekstuur, intratekstuur, sosiale en kulturele tekstuur, ideologiese tekstuur en teologiese tekstuur. Omdat sosiale-retoriese kritiek nie duidelik die invloed van die leser in ag neem wanneer dit die produksie van die bedoeling van die teks betrek, sal dit vir hierdie studie nodig wees om hierdie invloed deur leser-respons kritiek te benader. Die doel hiermee sal wees om die resultate van die studie meer eties verantwoordbaar en verantwoordelik te maak. Die meeste kenners bevestig ten minste drie toehoorders in die boek van Amos. Hierdie toehoorders word geidentifiseer in agtergrond as agste, sewende en sesde eeu. Maar soos alreeds gestel, die redes vir hierdie identifikasie is altyd nie duidelik nie. Verskille in opinies het soms daartoe gely dat teologiese vrae aangaande die outoriteit en doel van die teks gevra is sou die identifikasie van verskillende toehoorders waar wees. Hierdie studie stel ten doel om die verskillende aspekte wat die gevolgtrekkinge beinvloed aangaande die identifikasie van toehoorders te identifiseer en 'n benadering te volg wat meer geskik is om die vraag beter te kan beantwoord. Hierdie studie demonstreer dus dat die interpretasie van die teks deur die verskillende lesers bepaal kan word deur die teks te bestudeer vanuit die oogpunt van die verskillende interpretasie binne die teks. Dit is hierdie identifikasie wat die toepassing van die teks moontlik maak vir huidige lesers soos hulle identifiseer met die proses van die herinterpretasie en etiese verantwoordelike interpretasie van die teks.

The purpose of this essay is to see if the Swedish nationalist party”Sverigedemokraterna” use religion rhetorically in their paper SD-Kuriren, and if so,then how? The method used to examine this is called rhetorical analysis. Furthermore, thetheory to explore how religion is used rhetorical is Said's Orientalism. The results show that religion is used rhetorically in the articles. Islam is explainedfrom our point of view in the west, and not their own. Islam becomes a religion that is faraway from what the Swedish culture is like, and also a religion that is violent andirrational compared to the Swedish culture, but also other religions, such as Judaism.Also, religion is used rhetorically to show that Islam is the opposite in relation toChristianity and Judaism.

Thesis (PhD)--Stellenbosch University, 2013.
ENGLISH ABSTRACT: This dissertation is an attempt to address the problem of the relationship between Yahweh and Hope in Isaiah 5:1-7 in the light of parallelism in the book Isaiah. It is an attempt to prove that our hypothesis, that hope in the book Isaiah can be explained theologically in a special manner by means of parallelism (synonymous, antithetical and synthetical); that hope can also not only theologically be understood in concordance (synonymous and synthetical), but also in contradiction (antithetical); that Isaiah 5:1-7 can be used as a good example of antithetical parallelism and that the social, cultural and ideological texture give cause to the different accents of the theological understanding of hope in Isaiah. For this study we used the socio-rhetorical approach of Vernon Robbins. In Chapter 1 we look more closely at the socio-rhetorical approach, we look for possible flaws and make some suggestions. For the clarification of the concepts "hope" and "parallelism" we focus on the meaning of these concepts as included in the hypothesis of this dissertation. An overview of the research of Isaiah 5:1-7 is given and how the history of interpretation has been characterised by three approaches, namely the historical-critical, literary and theological approaches. By the use of the socio-rhetorical approach we attempt to study more fully "God and Hope in Isaiah 5:1-7 in the light of parallelism in the book Isaiah". In Chapter 2 we are focusing on the inner texture of Isaiah 5:1-7. We are looking to the following: - The repetitive texture and pattern; we are looking for the occurrence of words and phrases more than once in a unit. - The progressive texture and pattern; there is a progressive building up from verse 1 to verse 7 in words and phrases. - The narrational texture and pattern; Isaiah 5:1-7 has been characterised by two structural forms, namely a love song and a juridical case. - The opening-middle-closing texture and pattern; the exposition looks as follows: - opening: vv. 1-2d; - middle: vv. 2e-4; - closing: vv. 5-7. - The argumentative texture and pattern; Yahweh is building up an argument. He is using the example of a vineyard and court terms to explain and build up His case. - The sensory-aesthetic texture and pattern; the relationship between Yahweh and his people become sour and we are talking of contradicting emotions and acts, namely excitement and disappointment, pressing (of the grapes) and judgement. In Chapter 3 we are focussing on the intertexture of Isaiah 5:1-7 and its connection with hope. We are looking to the dating of Isaiah 5:1-7. The possible intertextual connections between Isaiah 5:1-7 and the other texts in Isaiah are "recitation", "recontextualization" and "thematic elaboration". Considering that "parallelism" is part of the theme of this dissertation, we are taking antithetical parallelism as point of departure to concentrate on four focus texts, namely Isaiah 5:1-7 (main focus texts), Isaiah 27:2-6, Isaiah 40:27-31 and Isaiah 59:1-21. In terms of parallelism and dating we typify the four texts as follows: - Isaiah 5:1-7: antithetical parallelism; late post-exilic. - Isaiah 27:2-6: late pre-exilic. - Isaiah 40:27-31: antithetical parallelism; exilic. - Isaiah 59:1-21: antithetical parallelism; post-exilic. that play a role in how hope is understood are: "viticulture", "dwellers in Jerusalem", "men of Judah", "house of Israel", "Jacob/Israel" and "Zion". In Chapter 5 we are focussing on the ideological and sacred texture of Isaiah 5:1-7 and its connection with hope. The following issues cast light on how hope must be understood in terms of the ideological texture, namely "the conflict between communities", "the ideological conflict concerning Zion theology", "the people circumstances in the exile" and "class conflict". In terms of the theme, "God and Hope in Isaiah 5:1-7 in the light of parallelism in the book Isaiah", the role of Yahweh is crucial in in the way hope must be understood. In the sacred texture of Isaiah 5:1-7 Yahweh plays the following roles: "Gardener-Viticulturist", "Creator", "King", "Judge", "Warrior" and "Husband". In Chapter 6 we summarise our study and also give a conclusion to the study, the contribution of the dissertation to the field of study in comparison with existing research and suggestions with reference to further research. Therefore, the answer on the question, "How can hope been theologically understood in the book Isaiah in consideration of the literary and historical textures of Isaiah 5:1-7?" is as follows: Hope with parallelisms as point of departure in the book of Isaiah can be theologically understand on how Isaiah 5:1-7 is socio-rhetorically been investigated.
AFRIKAANSE OPSOMMING: Hierdie proefskrif ondersoek die vraagstuk rondom die verhouding tussen God en Hoop in Jesaja 5:1-7 aan die hand van parallelismes in die boek Jesaja. Daar word gepoog om die hipotese te bewys, dat "hoop" in die boek Jesaja op 'n besondere manier by wyse van parallelismes (sinonimiese, antitetiese en sintetiese) teologies verduidelik word; dat hoop teologies nie net in ooreenstemming (sinonimiese en sintetiese parallelisme) nie, maar ook in teenstelling (antitetiese parallelisme) verstaan kan word; dat Jesaja 5:1-7 as 'n goeie voorbeeld van antitetiese parallelismes gebruik kan word; dat die sosiale, kulturele en ideologiese verband aanleiding tot die verskillende aksente binne die teologiese verstaan van hoop in Jesaja gee. Vir hierdie ondersoek word Vernon Robbins se sosio-retoriese benadering gebruik. In hoofstuk 1 word die sosio-retoriese benadering van nader bekyk en word moontlike leemtes aangespreek en sekere voorstelle word gemaak. Ter verheldering van die begrippe "hoop" en "parallelisme" word daar gefokus op die betekenis van die begrippe soos in die hipotese van die proefskrif vervat. Daar word 'n oorsig van die navorsing van Jesaja 5:1-7 gegee en hoe die geskiedenis van interpretasie deur drie benaderings, te wete die histories-kritiese, die literêre en die teologiese benaderings, gekenmerk was. Deur die gebruik van die sosio-retoriese benadering word gepoog om, "God en Hoop in Jesaja 5:1-7 aan die hand van parallelismes in die boek Jesaja", meer volledig te bestudeer. In Hoofstuk 2 word daar na die intratekstuele verband van Jesaja 5:1-7 gekyk. Daar word op die volgende gelet: - Die herhalende verband en patroon; hoe woorde en frases herhaal word. - Die progressiewe verband en patroon; daar is 'n progressiewe opbou vanaf vers 1 tot vers 7 deur woorde en frases. - Die verhalende verband en patroon; Jesaja 5:1-7 het twee strukturele kenmerke wat met 'n liefdeslied en 'n regsaak te make het. - Die oop-middel-sluit verband en patroon; dit kan soos volg uiteengesit word: - oop: vv. 1-2d; - middel: vv. 2e-4; - sluit: vv. 5-7. - Die redenerende verband en patroon; Jahwe is besig om 'n argument op te bou en Hy gebruik die voorbeeld van die wingerd en hofterme om sy saak te verduidelik en op te bou. - Die sensoriese verband en patroon; hier het die verhouding tussen Jahwe en die volk versuur en word van kontrasterende emosies en handeling gepraat, naamlik: opgewondenheid en teleurstelling, oes en oordeel. In Hoofstuk 3 word op die intertekstuele verband van Jesaja 5:1-7 gefokus en die samehang met hoop. Daar word na die datering van Jesaja 5:1-7 gekyk. Die moontlike intertekstuele verbande tussen Jesaja 5:1-7 en sy intertekste in die boek Jesaja is dié van: "herhaling", "tematiese uitbreiding" en "rekontekstualisering". Aangesien daar op parallelisme gefokus word met antitetiese parallelisme as die uitgangspunt, word daar 4 fokustekste behandel, naamlik: Jesaja 5:1-7 (hooffokusteks), Jesaja 27:2-6, Jesaja 40:27-31 en Jesaja 59:1-21. In terme van parallelismes en datering word dit soos volg getipeer: - Jesaja 5:1-7: antitetiese parallelisme, laat post-eksilies. - Jesaja 27:2-6: laat pre-eksilies. - Jesaja 40:27-31: antitetiese parallelisme, eksilies. - Jesaja 59:1-21: antitetiese parallelisme, post-eksilies. Die rede waarom 27:2-6 ook behandel word, is dat dit kanonies as die tweede wingerdlied bekend staan. In Hoofstuk 4 word daar op die sosiale en kulturele verband van Jesaja 5:1-7 en sy intertekste en die verband met hoop gefokus. Ten opsigte van die sosiale en kulturele omstandighede is die godsdienstige reaksies oorwegend "revolusionist" en die retoriek oorwegend "dominant" en "alternative". Die sosiale en kulturele begrippe wat 'n rol speel in hoe hoop verstaan word, is: "wingerdbou", "inwoners van Jerusalem", "manne van Juda", "huis van Israel", "Jakob/Israel" en "Sion". In Hoofstuk 5 word daar op die ideologiese en teologiese verband van Jesaja 5:1-7 en die verband met hoop gefokus. Die volgende kwessies werp lig op hoe hoop in terme van die ideologiese verband verstaan word, naamlik: "die konflik tussen gemeenskappe", "ideologiese konflik betreffende die Sionsteologie", "die volk se omstandighede in ballingskap" en "klassekonflik". In terme van die tema, "God en Hoop in Jesaja 5:1-7 aan die hand van parallelismes in die boek Jesaja", is die rol van Jahwe van deurslaggewende belang in hoe hoop verstaan word. In die teologiese verband van Jesaja 5:1-7 vertolk Jahwe die volgende rolle: "Tuinier-Wingerdboer", "Skepper", "Koning", "Regter", "Kryger" en "Man". In Hoofstuk 6 word 'n opsomming gegee, asook 'n gevolgtrekking van die studie, die bydrae van die proefskif tot navorsing in vergelyking met bestaande navorsing en voorstelle met betrekking tot verdere navorsing. Dus, die antwoord op die vraag: "Hoe word "hoop" teologies in die boek Jesaja verstaan met inagneming van die literêre en historiese verbande van Jesaja 5:1-7?" is soos volg: The reason for taking 27:2-6 as one of the focus texts is that it is canonically speaking known as the second love song. In Chapter 4 we are focussing on the social and cultural texture of Isaiah 5:1-7 and its intertexts and its connection with hope. With regard to the social and cultural circumstances the predominant religious reaction is "revolutionist" and the rhetoric "dominant" and "counterculture" or "alternative". The social and cultural concepts Hoop, met parallelismes in die boek Jesaja as uitgangspunt, word teologies verstaan deur Jesaja 5:1-7 sosio-retories na te vors.

Este ensaio estuda a invenção retórico-poética do poema épico Vila Rica, lido como uma composição que emula o costume da escrita das epopéias gregas, latinas e modernas, especialmente a Farsália de Lucano e a Henriade de Voltaire, atualizando, pelo intermédio do pensamento das preceptivas de Francisco José Freire, filtradas pela postura crítica de Voltaire, que deprecia a importância de muitas regras convenientes ao decoro do gênero épico. A epopéia de Cláudio Manuel da Costa é entendida como um exercício prático de poesia, orientado para o ensinamento da instrução moral e para a admiração do deleite poético, retratadas na atitude ideal do chefe militar português de uma encenação da história da pacificação das terras mineiras, produzindo uma gênese mítica heróica para a pátria mineira, buscando a perpetuação da memória na posteridade, seguindo o exemplo da poesia épica retratada no mundo hispano-colonial, no chamado Siglo de oro, que encena a descoberta e a pacificação das colônias pelos europeus, aplicando um estilo sublime na reinvenção de uma ação entendida como heróica. Ao realizar este movimento, permanecendo inédito por muito tempo, e pouco divulgado por séculos, o poema Vila Rica agrega uma fortuna crítica que se divide entre a apologia e o vitupério do texto, que representa o topos do utópico, na medida em que a paisagem retratada difere evidentemente daquela encontrada na Arcádia e nas margens do rio Mondego, mais adequadas à figuração do exemplar locus amoenus, da poesia idílica de Teócrito. Ao mesmo tempo, realiza a mitificação da história pela superposição de diversos fatos históricos, apresentados no Fundamento Histórico, encenados como tópicos da morte e do amor, orientando e evidenciando o caráter de valorização da glória dos feitos dos representados do reino português num herói portador da perfecta eloquentia, contra um suposto domínio da lei natural pelos nativos do Estado do Brasil, reinventando a história na agregação de uma glória poética a ser reconhecida ou inventada numa sociedade hierárquica que encena a si mesma num teatro de imagens e discursos. Exclui-se a subjetividade de um sujeito em conflito consigo próprio pela melancolia da paisagem rochosa, buscando-se a glória, além da tradição, demonstrando a honra da moral católica da sociedade colonial luso-brasileira no empenho da elucidação da história.
This essay studies the rhetorical-poetical invention of the epic poem Vila Rica, read as a composition that emulates the written custom of the greek, latim and modern epics, especially the Pharsalia of Lucan and the Henriade of Voltaire, bringing up to date, by the intermediacy of the thought of Francisco José Freire\'s precepts, filtered by the critical position of Voltaire, that depreciates the importance of many convenient rules to the decorum on the epic genus. The epic of Cláudio Manuel da Costa is understood as a practical exercise of poetry, guided by the teaching of a moral instruction and in favor of the admiration of a poetical delight, portrayed in the ideal attitude of the Portuguese military head as a representation of the mining lands pacification\'s history, producing a mythical heroic source for the mining country, searching the upholding of the memory in the posterity, following the example of the epic poetry portrayed in the Hispanic-colonial world, in the so called Siglo de oro, that represents the discovery and the pacification of colonies by Europeans, applying a sublime style in the re-invention of an action understood as heroic. When carrying through this movement, remaining unknown for a long time, and little divulged for centuries, the poem Vila Rica supports a critical history that is divided between praise and vituperation of the text, which represents the topos of utopian, taking into account that the portrayed landscape differs evidently from that one joined in the Arcadia and in the edges of the Mondego river, adjusted to the picture of the pattern locus amoenus, of the idyllic poetry of Theocritus. At the same time, it carries through turning the History into a myth, by the overlapping of various historical events, presented in the Fundamento Histórico, figured as topics of the death and of love, guiding and evidencing the estimation\'s character on the glory of the Portuguese kingdom\'s representatives\' actions in a hero carrying a perfecta eloquentia, against a belief in the natural law\'s domain on the State of Brazil\'s natives, re-inventing History in the aggregation of a recognized poetical glory, or to be invented in a hierarchic society that stages itself in a theater of images and speeches. It is abstained the subjectivity of a being in conflict with himself caused by the melancholy of the rocky landscape, searching the glory, further than tradition, demonstrating the moralistic catholic\'s honor in the Portuguese-Brazilian colonial\'s society, persistencing in the explanation of History.

My thesis is based in the early work of Karl Barth. At its core is a reading of his theology which highlights the role of authoritative rhetoric. What distinguishes his theology from the logic of liberalism is its conception of the Word of God as a speech-event in which the discourse of theology participates. My thesis also traces this dynamic in Protestant tradition: Protestantism locates Christian truth in the rhetorical authority of the Word, and theology entails the re-performance of this authority. Chapter One contextualizes my reading of Barth in recent theological thought, especially that of the Yale school. 'Postliberal' theology is heavily influenced by Barth's opposition to liberal apologetics. Theologians such as Homer, Frei, Lindbeck and Milbank develop categories in which Christian particularity may be preserved and affirmed. Yet I argue that in their theologies there is insufficient reflection as to why this idiom, or narrative, or intratextual system should be spoken from within. There is also insufficient account of theology's participation in its subject matter. Barth himself is more fully postliberal in his insistence that theology must be based in a distinctive, authoritative style. His theology addresses the question of truth in its performance of the Word's authority. Chapter Two is the only chapter exclusively concerned with Barth's theology. I briefly consider Barth's development from a rhetorical perspective, suggesting that his radicalism is based in a theology of the Word as voice of authority. Yet the chapter largely consists in a reading of his Romans commentary (second edition). I show how his theological method is based in the apprehension, and the reperformance, of the divine speech-act, which can already be characterised as God's 'Yes'. I suggest that his rhetoric takes dialogical form. I also consider The Göttingen Dogmatics and other minor works of this period.

Humankind yearns for reconciliation, fulfilment and salvation, and the human heart has always sought deliverance from negative forces. In particular, this yearning for salvation is most apparent when poets envisage such yearning in living situations and in recognisable life circumstances. Reading them shows how the quest for salvation is being achieved in daily steps that incarnate movements of hope and a contesting of despair. This dissertation captures some significant images of salvation expressed in selected Australian poetry. It argues that what is classically called final salvation is imaged in the trope of transcendence in poetry. Because the concept of salvation both indicates the right path and promises a way of liberation and fulfilment, gaining salvation is not an escape from the world, but rather an engagement with it, through just and humane actions. The study’s poetic selections image salvation as redressing wrongs, regenerating the land, seeking new life, and envisaging better states of affairs. This dissertation functions at the interface of theology and poetry. It shows how a reader in the Christian community may identify some key images in public poetry as foreshadowing religious salvation. This is possible because, like the poet engaging in an aesthetic experience, the believer brings a remarkable openness to reality in the exercise of the religious imagination. This analogical imagination identifies images in poetry that do touch the human spirit in deeply spiritual ways. The study employs the competence of methodical hermeneutic interpretation. It proceeds as an aesthetic-theological reading employing critical-analytical scholarship. Rather than attempt a formal explication of authorial intent, the hermeneutic reads in a careful excavation of the poems for those significant “scraps of experience” that coax the imagination towards hope in the mystery of salvation. The dissertation approaches the poetic texts using “Christian literary theory” as its hermeneutical framework. The dissertation presents readings of selected poetry and prose of three celebrated Australian voices, Judith Wright, Les A. Murray and David Malouf. The study’s primary data are their poetic images recognising and affirming the dream of transcendence embodied in human happiness, moments of rescue and relief, events of forgiveness and transformation, and insights for a better life for humans and the planet. The study shows how poetical insights image partial fulfilments in transcendent perceptions, transformed personal destinies and envisaged social reforms. This exercise in contextual theology searches for depth and perennial resonances that sustain Australians in their culture. The discussion is especially concerned with the poetic use of the trope of hope and its effects, and especially with the power of metaphor for accessing the sublime. The study distils ten virtues for salvation from the readings of the selected poems as pathways for implementing salvation in the world. The study presents poetic images of promise, rescue and transformation that refresh discourses regarding salvation.

Humankind yearns for reconciliation, fulfilment and salvation, and the human heart has always sought deliverance from negative forces. In particular, this yearning for salvation is most apparent when poets envisage such yearning in living situations and in recognisable life circumstances. Reading them shows how the quest for salvation is being achieved in daily steps that incarnate movements of hope and a contesting of despair. This dissertation captures some significant images of salvation expressed in selected Australian poetry. It argues that what is classically called final salvation is imaged in the trope of transcendence in poetry. Because the concept of salvation both indicates the right path and promises a way of liberation and fulfilment, gaining salvation is not an escape from the world, but rather an engagement with it, through just and humane actions. The study's poetic selections image salvation as redressing wrongs, regenerating the land, seeking new life, and envisaging better states of affairs. This dissertation functions at the interface of theology and poetry. It shows how a reader in the Christian community may identify some key images in public poetry as foreshadowing religious salvation. This is possible because, like the poet engaging in an aesthetic experience, the believer brings a remarkable openness to reality in the exercise of the religious imagination. This analogical imagination identifies images in poetry that do touch the human spirit in deeply spiritual ways. The study employs the competence of methodical hermeneutic interpretation. It proceeds as an aesthetic-theological reading employing critical-analytical scholarship. Rather than attempt a formal explication of authorial intent, the hermeneutic reads in a careful excavation of the poems for those significant 'scraps of experience' that coax the imagination towards hope in the mystery of salvation.;The dissertation approaches the poetic texts using 'Christian literary theory' as its hermeneutical framework. The dissertation presents readings of selected poetry and prose of three celebrated Australian voices, Judith Wright, Les A. Murray and David Malouf. The study's primary data are their poetic images recognising and affirming the dream of transcendence embodied in human happiness, moments of rescue and relief, events of forgiveness and transformation, and insights for a better life for humans and the planet. The study shows how poetical insights image partial fulfilments in transcendent perceptions, transformed personal destinies and envisaged social reforms. This exercise in contextual theology searches for depth and perennial resonances that sustain Australians in their culture. The discussion is especially concerned with the poetic use of the trope of hope and its effects, and especially with the power of metaphor for accessing the sublime. The study distils ten virtues for salvation from the readings of the selected poems as pathways for implementing salvation in the world. The study presents poetic images of promise, rescue and transformation that refresh discourses regarding salvation.

Thesis (DTh)--Stellenbosch University, 2001
ENGLISH ABSTRACT: The dissertation aims to establish to what extent the Old Testament could be interpreted from an African perspective, using the scapegoat sacrifice in Leviticus 16 and the Nefo'o ritual of the Bafut of Cameroon as relevant examples. Because sacrificial practice was a normal occurrence in the religions of the Israelites (Old Testament) and those of other nations - and African society in particular - questions are raised that require urgent answers, namely: Is it possible to identify any elements of sacrifice from the African background, and specifically the Nefo'o ritual of the Bafut of Cameroon, which may facilitate the theological interpretation and understanding of the Old Testament. The approach employed is a qualitative methodology with the sub-category of participant observation. We also used a socio-rhetorical interpretation approach to the Old Testament text of Leviticus 16. When the above-mentioned two rituals are compared, they portray aspects of both similarities and dissimilarities. The work has been divided into the following seven chapters: Chapter one introduces the topic through the identification and the development of the problem. Some concepts and keywords from the title are discussed in the contexts of the Bafut of Cameroon and ancient Israel. Chapter two provides the background to the Nefo'o ritual of the Bafut of Cameroon, tracing both the origins of the Bafut people and the Nefo'o ritual. The Bukari people, the aborigines of the tribe and the seat of the Nefo'o shrine are highlighted. Chapter three presents a survey of sacrifices in West Africa, the ancient Near East and Israel. Special attention is reserved to the sacrificial systems of the ancient Israelites. Chapter four gives a brief introduction to the Pentateuch with special treatment of the modern trends in the study of the pentateuchal sources and the theologies of the authors. This is to situate the book of Leviticus in the Pentateuch with which we are concerned. Chapter five presents an introduction to the book of Leviticus and examines its significance among the other pentateuchal books. Attention is given to certain recurrent theological themes in the book and its implication for Leviticus chapter 16. Chapter six provides a socio-rhetorical interpretation of the text of Leviticus 16, with special attention to the establishment of the Day of Atonement and the scapegoat sacrifice. Specific attention was paid to the significance of atonement in Lev. 16. Chapter seven compares the scapegoat sacrifice of Leviticus 16 and the Nefo'o ritual of the Bafut of Cameroon. This is followed by a theological interpretation of the Nefo'o ritual and a summary of the results and conclusions. African theologians - whose own cultures possess a great deal of ritual practices - have not given enough attention to a contextual interpretation of the Scriptures of the Old Testament. The biblical faith has to exist among African Traditional Religions and other cultural practices. Some contextual interpretation of the Scriptures of the Old Testament is being suggested. Such aspects as the Nefo'o shrine, which is situated in the midst of the Bafut community, could be seen to explain the Tent of Meeting among the Israelites. Other aspects include the priest, the community, the ancestors and the release of the live goat into the woods, bearing the sins of the people. Thus the Nefo'o ritual can be used as an analogy to explain the biblical understanding of atonement in an African context. Leviticus 16 is not only the centre of the book of Leviticus but also the centre of the Pentateuch (Torah). Atonement can also be seen to be the theological heart of the Old Testament and of the whole Bible. Thus it is crucial to communicate this in an African environment using all the hermenuetical tools available.
AFRIKAANSE OPSOMMING: Hierdie dissertasie is daarop gemik om te bepaal tot watter mate die Ou Testament vanuit In Afrika-perspektief geinterpreteer kan word met gebruikmaking van die sondebokofferande, soos beskryf in Levitikus 16 en die Nefo'o ritueel van die Bafut bevolking van Kameroen as betrokke voorbeelde. Omdat die bring van offerandes normale praktyk in die godsdienste van die Israeliete (soos beskryf in die Ou Testament) en van ander nasies - en spesifiek van Afrika-gemeenskappe - is, ontlok dit vrae wat dringend beantwoord behoort te word. Is dit moontlik om daardie elemente van offerande vanuit In Afrika-perspektief - en spesifiek vanuit die oogpunt van die Nefo'o ritueeI van die Bafut van Kameroen - te identifiseer wat kan bydra tot die teologiese interpretasie en begrip van die Ou Testament? Die benadering wat gevolg word, is 'n kwalitatiewe metodologie, met die sub-kategorie van deelnemende waarneming. Ons het ook In sosio-retoriese interpretasie benadering tot die Ou Testamentiese teks van Levitikus 16 gevolg. Wanneer die bovermelde twee rituele met mekaar vergelyk word, openbaar hulle aspekte van sowel ooreenkomste as van verskille. Die werk is die volgende sewe hoofstukke verdeel: Hoofstuk een lei die onderwerp in deur die identifisering en die ontwikkeling van die probleem. Sekere begrippe vervat in die sleutelwoorde van die titel word bespreek in die kontekste van die Bafut van Kameroen en van anti eke Israel. Hoofstuk twee bied In agtergrond aan tot die Nefo'o ritueel van die Bafut bevolking van Kameroen, waarin die oorsprong van sowel die Bafut bevolking as van die Nefo'o ritueel nagegaan word. Die Bukari bevolking, wat die oorspronklike inwoners was en die setel van die Nefo'o altaar word beskrywe. Hoofstuk drie bevat In oorsig van offerandes in Wes-Afrika, die anti eke Nabye Ooste en Israel. Spesiale aandag word geskenk aan die offerande stelsels van die anti eke Israeliete. Hoofstuk vier is In kort inleiding tot die Pentateug, met spesiale verwysing na die moderne tendense in die studie van Pentateugverwante bronne en die teologiese uitgangspunte van die skrywers. Dit word gedoen om die posisie van die boek van Levitikus, waarmee ons bowenal gemoeid is, in die Pentateug te bepaal. Hoofstuk vyf bied In kort inleiding tot die boek van Levitikus en gaan sy betekenis na teen die agtergrond van die ander boeke Vall die Pentateug. Aandag word geskenk aan sekere herhalende teologiese temas in die boek en die implikasies daarvan vir Levitikus 16. Hoofstuk ses bevat 'n sosio-retoriese interpretasie van die inhoud van Levitikus 16, met spesiale verwysing na die instelling van die Versoendag en die offerande van die sondebok. Spesifieke aandag word geskenk aan die rol van boetedoening in Levitikus 16. Hoofstuk sewe vergelyk die sondebok offerande van Levitikus 16 en die Nefo'o ritueel van die Bafut van Kameroen. Dit word gevolg deur 'n teologiese interpretasie van die Nefo'o ritueel, 'n 'n opsomming van die praktyke en ook gevolgtrekkings. Afrika-teoloe, wie se eie kulture oor 'n ryke mate van rituele praktyke beskik, het tot dusver nie voldoende aandag aan 'n kontekstuele interpretasie van die Ou Testament geskenk nie. Die Bybelse geloof moet steeds in naasbestaan met die tradisionele Afrika-gelowe en ander kulturele praktyke staan. 'n Sekere kontekstuele interpretasie van die Ou Testamentiese geskrifte word aan die hand gedoen. Seker aspekte, soos die Nefo'o altaar, wat midde in die Bafut gemeenskap gelee is, kan met die ontmoetingstent van die Israeliete vergelyk word. Ander punte van ooreenkomste en verskille tussen die Bafut en die anti eke Israeliete, sluit in priesters, die gemeenskap, voorouers, en die vrylating in die woud van die lewendige bok wat die sondes van die bevolking dra. Dus kan die Nefo'o ritueel as 'n analogie vir die verduideliking van die Bybelse begrip van versoening in 'n Afrika-konteks aangewend word. Levitikus 16 is nie slegs die kern van die hele boek van Levitikus nie, maar inderdaad ook van die hele Pentateug (Torah). Versoening kan ook as die teologiese kern van die Ou Testament van die hele Bybel gereken word. Daarom is dit noodsaaklik om hierdie begrip in 'n Afrika-konteks te kan kommunikeer met die aanwending van aile beskikbare hermeneutiese hulpmiddele.

This dissertation argues that the Protestant Reformation did not degrade the importance of ritual, but instead reinvested it with a new form of power. By interpreting a theological controversy over the benefits and dangers of “human ceremonies,” this project demonstrates how liturgical practices and implements made competing theologies materially present in moments of apocalyptic expectation. Following their defeat by emperor Charles V of the Holy Roman Empire in 1547, German Protestants were supposed to assist in repairing the breakdown of the western Latin Church by accepting compromises in church ceremonies as “external things” that were immaterial to their core theological commitments. However, the mere suggestion that traditional Catholic elements could “make no difference” to Protestant worship touched off a firestorm of protest among a group of theologians and pastors passionately devoted to the memory of Luther. Far from being “indifferent things,” or adiaphora, ritual materials and gestures were instead presented by these critics as the means for infecting pious souls with the “prostitution of idolatry” and inscribing the apocalyptic “mark of the Beast” [Malzeichen des Thiers] on their bodies. I argue that the polemical rhetoric of the adiaphora controversy reflects a larger trend in early modern Protestant thought: the fusion of the concepts of pollution and idolatry. Idolatry remained associated with opinions and dispositions, however it was also transmitted through corrupted speech. Corrupted speech, in turn, polluted the material of idolatry. The objects and practices stained in this way materialized idolatry in Protestant liturgical settings. Idolatry, therefore, was not just located in false beliefs or statements, but was also embodied and transmitted through tainted practices and paraphernalia. The materialization of idolatry threatened bodies, souls, doctrines, and communities, and its dangers were brought into view through metaphors of filth, disease, and prostitution. These were employed in polemical rhetoric to mark the practices of allegedly hypocritical Protestants, making their moral and theological corruption legible to a broader Protestant public. By exploring the operations of this rhetoric, I offer an interpretation of Protestant liturgical purification that stands in contrast to dominant scholarly accounts of the Reformation as a moment of “anti-ritualism” and rationalization.

This study examines Augustine’s conception of the role of delight (delectatio) in the divine acts of creation and redemption. In the first part of the dissertation, I argue that Augustine, who was trained as a rhetor and taught rhetoric before his conversion, came to conceive of theology as the fulfilment of Cicero’s conviction that wisdom and eloquence ought to be united. His approach to Cicero’s rhetorical theory as found in De inventione, De oratore, and Orator shares many similarities with that of Late Antique rhetors (especially Marius Victorinus) in whose works the orator functions less as a statesman than as a physician of the soul. Accordingly, an orator’s role is not to sway the senate or deliberate in law courts (as in Cicero’s thought) but to inform and persuade people towards a fruitful return to the divine. In the second part of the dissertation, I demonstrate how this approach influenced Augustine’s understanding of redemption. He conceives of God as Cicero’s ideal orator, in whom wisdom and eloquence are perfectly united. God engages in a rhetorical contest with the devil whom Augustine portrays in terms of the false orators in Cicero’s De inventione. The devil’s rhetoric comprises an illicit delight in actual sin and an inordinate delight in created goods, both of which exert their power over the human will through suggestion, delight and persuasion and result in a bondage to sin and death. By contrast, God ‘utters’ creation as a delightful song and opposes death’s nihilistic rhetoric by pouring his own delight into the hearts of the faithful; this delight persuades the will to move towards a joyful participation in the divine that is the happy life for which all people long. Ultimately, Augustine identifies this spiritual delight most closely with the Holy Spirit who functions as God’s eternal eloquence.

This project explores the importance of historically specific theological discourses in United States presidential rhetoric. To do this I call in question the common assumption that God-language is simply used by presidents out of strategic advantage, or personal belief, rather than as a defining, and necessary, feature of American identity. Contrary to this approach, I describe how theologies have historically been a necessary part of presidential rhetoric as presidents use theologies to endow national action with divine significance. I do this in cases of presidential rhetoric from Woodrow Wilson, John Kennedy, and Barack Obama that define the foreign policy mission of America with specific liberal Christian theological discourses. As presidents take up theological discourses to construct American morality the church/state distinction is threatened as one theological discourse is at risk of becoming the official state theology. Preventing this from happening, however, is the relative theological diversity of the American denominational system. Those who hold other theological orientations react negatively when their theology is not used to define national morality. In the cases I describe, presidents may use God-language strategically to garner support for their political actions, but when they do so the American public tends to read that God-language as having a theological dimension. Secular commentators that look for how presidents strategically use God-language to appeal to voters do not recognize that words-about-God are involved in theological networks of meaning-making that compete to define national morality. And where secular commentators fail to see this theological dimension, the religious American public does. This project attempts to bring the religious public's sensitivity to God-language into the academic study of presidential rhetoric by reading political discourse for its theological dimension.

Edwards Amasa Park (1808-1900) of Andover championed Edwardsean Calvinism in the United States from the Jacksonian era until the very close of the nineteenth century by employing rhetorical strategies that lent his New England theology fresh apologetic usefulness. The thesis demonstrates that Park has been incorrectly identified as a Taylorite but, extending the argument of Joseph Conforti, ought to be viewed as re-casting his inherited Hopkinsian exercise scheme into a fresh historical synthesis influenced by contemporary patterns of thought. Park’s own training at Andover in the irenic divinity of Moses Stuart and Leonard Woods, his application as rhetorician of the work of Hugh Blair and George Campbell and his exposure in Germany to the Vermittlungstheologie of Friedrich Tholuck and Julius Müller gave specific definition to his own theological project. Additionally, the thesis argues that Park ought not to be viewed as a romantic idealist in the line of Horace Bushnell or as a proto-liberal in advance of the Andover liberals who succeeded him. Park retained a life-long commitment to a commingled epistemology and methodology derived from Lockean empiricism, Baconian induction, natural theology and Scottish common sense realism. As a formidable apologist for his revivalist inheritance identified with Jonathan Edwards and Samuel Hopkins, Edwards Amasa Park conserved the substance and prolonged the influence of his beloved New England theology by securing for it modes of expression well fitted to his nineteenth-century audience.

Thesis advisor: John J. Makransky
The purpose of this work is to differentiate the autonomous `self-compassion' of therapeutic modernist Buddhism from pre-therapeutic Mahâyâna Buddhist practices of refuge, so that refuge itself is not obscured as a fundamental Buddhist orientation that empowers the possibility of compassion for self and other in the first place. The work begins by situating issues of shame and self-aversion sociologically, in order to understand how and why self-aversion became a significant topic of concern during the final quarter of the twentieth century. This discussion allows for a further investigation of shame as it has been addressed first by psychologists, for whom shame is often understood as a form of isolating self-aversion, and then by philosophers such as Bernard Williams and Emmanuel Levinas, for whom shame attunes the person to the moral expectations of a community, and therefore to ethical commands that arise from beyond the individual self. Both psychologists and philosophers are ultimately concerned with problems and possibilities of relationship. These discussions prepare the reader to understand the importance of Buddhist refuge as a form of relationship that structures an integrative rather than destructive self-evaluation. The second chapter of the dissertation closely examines Friedrich Nietzsche's work on shame. In a late note, Nietzsche wrote that "man has lost the faith in his own value when no infinitely valuable whole works through him"; the second chapter argues that Nietzsche's vision of a relatively autonomous will to power cannot fully incorporate this important Nietzschean insight, and helps to drive the kind of self-evaluation typical of modernist `personality culture,' which is likely to become harsh. The third chapter first discusses contemporary therapeutic Buddhist responses to self-aversion, particularly practices of `self-compassion' that claim to be rooted in early Pali canonical and commentarial sources, before developing a commentary on the medieval Tibetan lojong teaching Drive all blames into one. Drive all blames into one, though often discussed in contemporary commentaries as a form of self-blame, should be understood more thoroughly as a simultaneous process of refuge and critique--a process that drives further access to compassion not only for self, but for others as well. Chapter Four discusses mourning and self-reproach in the apophthegmata of the Desert Fathers, showing how `self-hatred' in this context is in a form of irony: the self that is denigrated is not an ultimate reality, and the process of mourning depends upon both an access to love and a clear recognition of our many turns away from that love. In conclusion, I draw attention to the irony of modernist rejections of religious self-critique as supposedly harmful forms of mere shaming, even as the modernist emphasis on autonomy is what enables self-critique to become harsh and damaging
Thesis (PhD) — Boston College, 2014
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Theology

This dissertation explores the manner in which theological elements from a biblical literalist perspective undergird and authorize the historical memory texts produced by Christian nationalist advocates in support of conservative Protestant religious establishment. Christian nationalist discourses exploit notions of divine warrant, public remembrance, and "historical evidence" as means to read the nation and contemporary far right ideological commitments as biblically founded, and hence, as binding upon the nation. Focusing on the rhetoric of David Barton, Christian nationalist par excellence and Republican Party operative, I argue that discourses of Christian nationhood mobilize the theologies of providence, inerrancy, inspiration, and literalism as rhetorical strategies to situate God's law as the definitive legal standard through which American law and cultural values are (de)authorized. Drawing upon the presumptions of biblical literalism to present the textual "proof' of a Christian nation, the politics of this memory work (and the many ways these discourses presume to furnish textual proofs of a biblical nation) aims to influence and to shape public memory, opinion, political behavior, and policy formation in favor of far right Protestant hegemonic interests.

Pastor Pete Peters is a minister in La Porte, Colorado. He operates a small church, an Internet website, a newsletter, and a worldwide cassette tape ministry. He teaches Christian Identity, the belief that the white race is Israel of the Bible. His rhetoric contains open derision of Jews, homosexuals, and racial minorities, although he never openly advocates violence toward any group. After tracing the roots of the Christian Identity movement and reviewing the literature on the movement, this thesis examines Peters' rhetoric at the metaphoric level, analyzing the metaphors in four of Peters' key works for their underlying meaning. Metaphoric criticism as a method of rhetorical analysis is introduced and then applied to the metaphors extracted from America the Conquered, Baal Worship, The Greatest Love Story Never Told, and Whores Galore. These books, all by Peters, employ his metaphor of Jews corrupting the United States government and attempting to destroy white Christians through media, courts, and banking, of which Peters asserts they control. Through extracting and analyzing the metaphors in the four books, it was found that Peters does more than warn against corrupt systems: through metaphor and Biblical parallels, he subversively condones and nearly commands violence against Jews, homosexuals, and the government.

Thesis advisor: Jane E. Regan
In theological education in the United States, writing is taught primarily as an individualistic pursuit in which students demonstrate knowledge acquisition and conformity to the standards of academic English. This creates significant problems for students who hail from educational, linguistic, and cultural backgrounds unlike that of the dominant academic context. To address these problems, educators must expand beyond our vision of writing as a utilitarian product created in solitude to see it as a process of student ethical transformation that assists students to construct voices that connect to who whey are and better relate to their audiences and their contexts of ministry. Several resources are explored to support theological educators in enacting this pedagogical shift: 1) composition theory and linguistics describing writing as a socio-rhetorical activity that can aid students in the generative struggle of creating voices; 2) intersectional theory for an analysis of the construction a major theological figure’s prophetic voice; and 3) South African Ubuntu theology to reframe writing as an intentional relational process concerned with the ethical dimensions of communication. The final chapter outlines a practical process of pedagogical change for learners in the classroom and for theological institutions themselves. Given the radical change in the context of ministry and the demographics of our student bodies, theological educators must transform how we teach writing in order to recognize and respond to the educational needs of our diverse students as they prepare for a wide range of vocational callings; to enliven theological writing in the academy; and to increase writing’s relevance and responsiveness to the world and church in which we live and share our lives of faith
Thesis (PhD) — Boston College, 2015
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Religious Education and Pastoral Ministry

Through his use of "foundation" and "house" metaphors in his "First Sermon Preached to King Charles at St. James, 3 April 1625," John Donne discreetly presents his ideologies and principles before the new king, while simultaneously criticizing his contemporaries' misguided bickering over religio-political factions. This essay seeks to unpack the history surrounding, as well as the casuistical logic found within Donne's first sermon preached during the Caroline period, which both explicitly and implicitly addresses the foremost anxieties of the people of the changing age.

The Joint Comprehensive Plan of Action was signed in 2015 by President Obama and began a political and religious battle that ensued for months in the United States Congress. Two of the main actors in the fight against JCPOA were Christians United for Israel (CUFI), a Christian-Zionist lobby[1], and the American Israel Public Affairs Committee (AIPAC), one of the most prominent pro-Israel lobbies founded and largely supported by Zionist-Jewish Americans[2]. Both organizations deployed tactics of religious and apocalyptic-religious rhetoric to encourage their large and influential constituencies to join them in the fight against the Joint Comprehensive Plan of Action, motivating U.S. citizens otherwise unaware and uninvolved of nuclear proliferation policy to become heavily involved in the process of the political debates surrounding the deal. This paper will seek to answer the questions: How is apocalyptic rhetoric typically conveyed through religious outlets? What then, does the deployment of this tactic say about religion in America in the public sphere? [1] Cohn-Sherbok, Dan. The Politics of the Apocalypse. Oneworld Publications Ltd., Oxford. 2006, pp. 165-166. [2] Waxman, Dov. Trouble in the Tribe. Princeton University Press. Princeton. 2016, pp.4.

Ruína de um projeto histórico monumental, a História do Futuro do Padre Antônio Vieira (naquilo que temos dela) constitui-se como elenco de topoi históricos ordenados como narração em que o diverso temporal se revela semelhante em razão da operação teológica que institui sua participação analógica no Uno, premissa do discurso católico contrarreformista. Neste trabalho, analisamos o Livro Anteprimeiro dessa história, buscando os elementos constitutivos de um gênero de discurso que se afirma no lugar em que se entrecruzam ordens temporais e discursivas diversas, como prática de instauração de uma concordantia fundamental e como instrumento de justificação do poder político constituído como espelho e instrumento de uma doutrina em ação.
As remains of a monumental historical project, Antonio Vieiras História do Futuro (History of the Future) presents a series of historical topoi in a narrative order that reveals temporal diversity as a form of semblance. It results from a theological operation that lies at the core of the catholic discourse: the analogical participation of all creatures in God, which connects all beings and times, and its corresponding escathological conception of time. This work consists of an analysis of the principles of the rhetoric that articulates the Livro Anteprimeiro (Prologue Book) of that History, in order to identify the elements which characterize the historicity of its genre, and its relation to the political theology of the seventeenth century.

Cette étude des différents aspects de la théologie et de la religion de Sénèque, basée sur l'ensemble du corpus sénéquien, offre une perspective sur l'évolution et l'adaptation de la doctrine stoïcienne en contexte romain. Elle considère le phénomène religieux à la fois du point de vue de la religion civile du citoyen et de la piété intérieure de la personne. La diversité d'une œuvre mi-philosophique mi-poétique impose un point de vue plus synchronique que diachronique (même si l'évolution de la pensée de l'auteur est prise en compte), qui privilégie l'exégèse en fonction des genres littéraires et de leurs codes. La 1ère partie analyse les dominantes de la conscience religieuse romaine (l'opposition religio/superstitio), éclairées par l'héritage critique. La 2ème partie démontre que Sénèque cherche toujours à trouver une valeur aux discours de la religion traditionnelle et des poètes sur le dieu. Sa situation de philosophe homme d'état le contraint à faire des concessions, notamment au sujet du culte impérial. La 3ème partie fait un bilan doctrinal sur le monisme stoïcien et sur son appropriation par Sénèque, qui laisse la place à une vraie émotion religieuse à l'égard du deus rationnel. La hiérophanie progressive de la divinité par le progressant en sagesse implique un glissement de la physique vers l'éthique. La 4ème partie s'attache à la question de la recherche d'un langage adéquat pour définir la divinité. La 5ème partie traite du rapport de l'individu à la divinité. L'homme, héroïque dans son dépassement de la contingence, se hisse par un exercice de la pensée au rang du deus, jusqu'à leur communion dans la sagesse pure, notamment grâce à la prière philosophique.

From the distribution of religious tracts at Ellis Island and Billy Sunday’s radio messages to televised recordings of the Billy Graham Crusade and Pat Robertson’s 700 Club, American evangelicals have long made a practice of utilizing mass media to spread the Gospel. Most recently, these Christian evangelists have gone online. As a contribution to scholarship in religious rhetoric and media studies, this dissertation offers evangelistic websites as a case study into the ways persuasion is carried out on the Internet. Through an analysis of digital texts—including several evangelical home pages, a chat room, discussion forums, and a virtual church—I investigate how conversion is encouraged via web design and virtual community as well as how the Internet medium impacts the theology and rhetorical strategies of web evangelists. I argue for “persuasive architecture” and “persuasive communities”—web design on the fundamental level of interface layout and tightly-controlled restrictions on discourse and community membership—as key components of this strategy. In addition, I argue that evangelical ideology has been influenced by the web medium and that a “digital reformation” is taking place in the church, one centered on a move away from the Prosperity Gospel of televangelism to a Gospel focused on God as divine problem-solver and salvation as an uncomplicated, individualized, and instantaneously-rewarding experience, mimicking Web 2.0 users’ desire for quick, timely, and effective answers to all queries. This study simultaneously illuminates the structural and fundamental levels of design through which the web persuades as well as how—as rhetoricians from Plato’s King Thamus to Marshall McLuhan have recognized—media inevitably shapes the message and culture of its users.

This dissertation considers the possibility that, flowing from his broader theological framework and historical background, John Calvin’s eucharistic theology ‘re-invents’ a doctrine where the ‘substance’ (meaning) of the elements becomes the body and blood of Christ, and the believer who receives them is drawn, through understanding, into participation in Christ. The study begins with the historical setting and the second chapter sketches Calvin’s life. Chapter 3 considers epistemology and the impact of classical rhetoric on Calvin’s approach to knowledge. The following chapter considers Calvin’s understanding of our relationship with the Father, and of Christ as Mediator and as means of salvation. Chapter 5 considers the work of the Spirit in nurturing faith, a ‘higher knowledge’, through preparing us for knowledge of Christ and mediating our understanding of and participation in him. In this manner the Spirit acts as an instrument of revelation to enable us to participate in Christ. Chapters 6 and 7 move to consider Calvin’s writing on the Sacraments, their nature as sign and seals of the promise made in Christ, their substance and their role in our participation in Christ and, in the light of the duplex gratia, as gateways to participation. In Chapter 8 Calvin’s teaching is examined in terms of his opposition to the doctrine of transubstantiation, and his understanding of substance is considered. The possibility that Calvin ‘re-invents’ the doctrine is proposed. This is not to suggest that there is a conscious copying of the doctrine, but that through the process of forming his doctrine, using an alternate philosophical framework, Calvin’s understanding bears significant similarities to the doctrine he so deeply opposed. His key opposition to transubstantiation can then be seen to be to the materialist interpretations that impede the ability of the believer to lift his attention beyond the physical elements to the divine offer they represent. The study concludes by briefly considering the significance of Calvin’s ‘reinvention’ for contemporary understandings.

This thesis is a contribution to a growing field of studies on the reception of Byzantine culture in Russia. The object of investigation is the history of the Church Slavonic translation of the Cherubika, which constitute one of the most ancient and dogmatically important functional genres of Byzantine liturgical hymns. The chronological frame of this study is the 13th–17th century. Particular attention is focused on the last change in the liturgical texts in Muscovite Russia, in the mid-17th century. This liturgical reform, which led to the famous Schism in the Russian Church, is studied as part of the cultural reforms started by Tsar Alexis Romanov (1645-1676). The most characteristic feature of Orthodoxy is the principal unity of Scripture and Tradition, which in a hermeneutical perspective means the inseparability of text and context. The semiotic and interdisciplinary approach used in this study reflects this principle. The Slavic Cherubika are interpreted in a broad cultural perspective, and Church Slavonic translations are studied in the proper theological, rhetorical and linguistic contexts. Although the 17th-century translations made in Moscow were based on late Greek and South Slavic sources, they reconstruct the original dogmatic message of the Byzantine Cherubika and are hence closer to the Tradition than earlier Slavonic translations. This study offers a new interpretation of the nature of the Schism. It is shown that the main cause of the controversy between Reformists and Old Believers lies in their different understandings of the connection between Text and Ritual. The traditional medieval interpretation of the Cherubika is influenced by certain iconographical themes, other liturgical texts and the priest’s actions during the liturgy. The transition from a liturgocentric interpretation of sacral texts to a descriptive theological interpretation was a break from the characteristic Russian form of liturgocentrism and the beginning of a new cultural era.

This thesis examines the rhetorical significance of visual metaphors as they occur in film. In particular, it provides a rhetorical analysis of Baz Luhrmann's film William Shakespeare's: Romeo + Juliet . The thesis analyzes how religious visual metaphors construct meaning by creating visual narratives that are just as powerful as spoken or written metaphors. The thesis relies on Gozzi's (1999) three levels of metaphors—surface, deep, and meta-metaphors—for the analysis of visual metaphors surrounding Father Lawrence and images of Christ that appear in Luhrmann's film. The analysis indicates that the visual surface metaphors of Father Lawrence depict a central character that is seedy, weak, and inactive. The visual surface metaphors of the images of Christ depict this religious figure as omnipresent yet impotent. The analysis indicates that the visual deep metaphors of Father Lawrence define this character as infirmed and culpable for the tragedy of the film. The visual deep metaphors of the images of Christ define him as infirmed and confined. Taken together, the surface and deep visual metaphors contribute to the development of a meta-metaphor in Luhrmann's film that depicts the Catholic religion as dark. Ultimately, the visual surface, deep, and meta-metaphors contained in Luhrmann's film contribute to the construction of meaning. They provide reasons for the character's inadequacies, establish narratives that are not part of the literal narrative as presented in Luhrmann's film and Shakespeare's original work, and provide a postmodern religious audience with substantial visual narrative with which they can identify.

Esta tese tem o objetivo de fazer um estudo dos recursos retórico-argumentativos, baseados na classificação de Perelman e Olbrechts-Tyteca, e aplicá-los a discursos da Teologia da Prosperidade em oito igrejas evangélicas pentecostais e neopentecostais, gravados preferencialmente in loco e em áudio. Tal objetivo vai ao encontro do desejo de que o uso da leitura retórica possa popularizar-se, para que o auditório, qual seja ele, inteire-se com mais eficácia acerca do discurso, que, por sua vez, quer ser eficaz sobre ele. O estudo foi feito sobre os discursos transcritos, conforme técnicas do projeto NURC - projeto que estuda a Norma Urbana Culta, falada por universitários. Com as análises, foi possível identificar um uso moderado de tal Teologia nas igrejas pentecostais, muito provavelmente influenciadas pelo uso intenso nas neopentecostais.
This thesis aims to study the rhetorical-argumentative resources, based on Perelman and Olbrechts-Tyteca\'s classification, and apply them to the Theology of Prosperity discourses in eight Pentecostal and Neo-Pentecostal evangelical churches, recorded preferably in loco and in audio. Such an objective is linked to the wish of having the rhetorical readings used more popularly by the audience, so that it could be more efficiently prepared to the discourses, which intend to be efficient to it. This study was developed based on the transcribed discourses, according to NURC project techniques - project which studies the Standard Portuguese spoken by collegeeducated speakers. With the analysis we could identify a moderate use of such a Theology in the Pentecostal churches, probably influenced by the intense use in Neo-Pentecostal ones.

Uppsatsen behandlar hur USA: s president George W Bush använder civilreligiösa inslag i sin retorik under sitt första år som president. Han startade ämbetsperioden med att använda religiösa anspelningar i sitt installationstal., för att sedan fortsätta i samma anda hela året.

Bush är inte den första presidenten att använda sådana retoriska knep. Ända sedan USA: s grundande har presidenterna förstärkt sin talarkonst genom att hänvisa till Gud och att landet är utvalt av Gud - ett nytt Israel. Landets presidenter har alltid varit mer eller mindre övertygade om att Gud står på USA: s sida. Detta trots att det första tillägget i USA: s konstitution föreskriver en separation mellan religion ochstat.

Uppsatsen analyseras utifrån en innehållsanalys, som är en vanlig metod för att analysera politiska tal. Vår innehållsanalys består av åtta olika kategorier som speglar Bushs civilreligiösa retorik väl. Resultatet visar att Bush som president anser att det är självklart att en amerikansk president har en gudstro. Han använder ett religiöst språkbruk genom att citera ur Bibeln och Koranen i sina offentliga framträdanden. Han säger sig vara övertygad om att USA är utvalt av Gud att styra över världen. En stor del av Bushs civilreligiösa retorik går att hitta i att han försöker ena nationen genom att hänvisa till landets historia. Han visar ofta hur krigshjältar och presidenter har offrat sina liv för USA.

Vi anser att Bush använder civilreligiös retorik för att ena nationen vid svåra tillfällen. Efter terrorattacken den 11: e september 2001 ökar frekvensen av civilreligion hos Bush. Det är tydligt att den amerikanske presidenten vill ena en nation i chock. Vi menar också att det av tradition förväntas att USA:s president har ett civilreligiöst språkbruk. Vi menar att Bush använder civilreligionen som en ursäkt för att inte genomföra reella politiska förändringar i samhället.

Esta dissertação propõe-se a estudar os exempla de visões proféticas no Orto do Esposo, obra anônima portuguesa do século XIV. Para isso, articulamos a doutrina retórica clássica do exemplum (sobretudo a aristotélica, mas também a da Retórica a Herênio), à teoria teológica da visio (particularmente a de matriz agostiniana). Procuramos mostrar como as muitas características peculiares das visões, tomadas como matéria de elaboração narrativa, servem às finalidades doutrinárias do exemplum, dogmáticas e morais igualmente. Inicialmente, estudamos as visões proféticas em seu aspecto figurativo, entendendo que as imagens contempladas pelos visionários em suas visões, sobretudo nos sonhos e nos êxtases, podem ser encaradas como verdadeiros exempla divinos, na medida em que sua interpretação, objeto de revelação sobrenatural, é comparável à enunciação abstrata do pensamento que um exemplum propriamente dito procura iluminar. Depois, voltando-nos para as demais características tópicas da visão, mostramos como elas contribuem para a produção do sentido nas narrativas em que aparecem, e relacionamo-las, sempre que possível, ao contexto doutrinário pertinente.
This dissertation seeks to study the exempla containing prophetic visions in the Orto do Esposo, a portuguese anonymous literary work from the 14th centrury. To this end, we use in combination the classical rhetorical doctrine of the exemplum (mostly that of Aristotle, but also the Rhetorica ad Herennium) and the theological theory of the visio (particularly the Augustinian tradition). We intend to demonstrate how the many peculiar features of the visions, considered as material of literary elaboration, become useful to the doctrinary purpose of the exempla, concerning dogmatics and morals as well. Firstly we study the figurative character of prophetic visions, admitting that images seen by the visionaries in their visions, mostly in dreams and extasies, can be truly considered divine exempla, since their interpretation, the object of supernatural revelation, is analogous to the abstract formulation of a thought wich the exemplum proper seeks to illustrate. Secondly, we turn to the other topical features of the vision, and show how they contribute to the construction of meaning in the stories in wich they appear, relating them, whenever possible, to the relevant doctrinary context.

This thesis applies Kenneth Burke's method of logology as exemplified in The Rhetoric of Religion to analyze the Mormon text Doctrine and Covenants Section 88. This method of logology is based on the assumption that what is said about God in theology reveals a religion's use of language to influence human motives. The logological method uses six analogies to discover the motives implicit in religious terminologies. These six analogies are as follows: words-Word, Matter-Spirit, the Negative, the Titular, Time-Eternity, and the Formal.This study revealed that the terminology contained in Doctrine and Covenants uses motives far diferent from the motives of traditional Christianity as described by Burke. Primary differences include the existence of a cluster of god-terms that describes a universal hierarchy, and emphasis on and affirmation of the physical, and an emphasis on the positive. An examination of these terms and motives can help Mormons better appreicate the advantages inherent in their terminology as exemplified in Section 88.

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Boanerges Ribeiro was, without doubt, one of the main thinkers of the Igreja Presbiteriana do Brasil (IPB). The religious discourse he produced is a canvas in which the character and body painted become strong shades of the constitution of his ethos which, by its turn, limits the interaction of his discourse to a set of social fabric which are valued according to the image construed by the pathos. In face of such interaction, our research problem consists in knowing to which extent the boanergist religious discourse, pierced by a political-eclesiastic view, opens itself to a linguistic-ideologic-discursive relation with Calvinistic Reformed theology, derived from the hermeneutic of the Protestant Reformation of the XVI century and reflected in the confessional documents of the IPB. The choice of the shape of the discourses speeches, sermons and lectures is justified by the fact that they reveal a very large range of terms that produce effects of religious meaning, what lets us conclude that the interdiscursivity is a constructive argumentation maneuver of the discourse, that causes the biblical discourse to be one of the arguing basis to establish a relation of truth between the one that enunciates and the enunciatary. The discourse analysis, the rhetoric and semiotic serve as theoretical foundation in this research and aims to open for one studying the Portuguese idiom and for the analyst of the discourse, fields of several discursive theories, but without letting him miss, obviously, the foundational and particular previous conditions of each of these theories, represented by his or her object of research and by methodological techniques
Boanerges Ribeiro foi, sem dúvida, um dos maiores pensadores da Igreja Presbiteriana do Brasil (IPB). O discurso religioso produzido por ele é um quadro no qual o caráter e a corporalidade pintados se tornam fortes matizes de constituição do seu ethos que, por sua vez, limita a interação discursiva a um conjunto de tecidos sociais que são valorados conforme a imagem construída pelo pathos. Diante dessa interação, nosso problema de pesquisa consiste em saber até que ponto o discurso religioso boanergista, atravessado por uma visão políticoeclesiástica, se abre a uma relação lingüístico-ideológico-discursiva com a teologia calvinista reformada, oriunda do movimento hermenêutico da Reforma Protestante do século XVI, e refletida nos documentos confessionais da IPB. A escolha das formas de discursos palestras, sermões e preleções se justifica pelo fato de que eles revelam um espectro bastante grande de termos que produzem efeitos de sentido religioso, o que nos permite concluir que a interdiscursividade é uma manobra de argumentação construtiva de discurso, que faz com que o discurso bíblico seja um dos suportes argumentativos para estabelecer uma relação de verdade entre o enunciador e o enunciatário. A Análise do Discurso, a Retórica e a Semiótica servem como fundamentação teórica nesta pesquisa e têm como objetivo abrir para o estudioso de língua portuguesa e para o analista de discurso campos de teorias discursivas diversas, sem deixá-lo perder, obviamente, os pré-requisitos fundamentais e particulares de cada uma das teorias, representados por seus objetos de pesquisa e por suas técnicas metodológicas

La parole poétique de La Sepmaine(1578) de Du Bartas est une poétique spécifique développée à partir de l'argument biblique de Genèse 1-2. Elle est le fruit d'une ingénieuse synthèse de l'éloquence réformée, sur laquelle elle s'appuie et de la libre imitation de ressources poétiques antiques bibliques, patristiques, gréco-latines et modernes. Ce discours bartasien qui renouvelle les enjeux de la poésie en contexte réformé s'ouvre, en effet, aux ornements et aux raffinements modernes.La singularité poétique de Du Bartas rend également possible l'émergence d'une théologie elle- même particulière: Une théologie réformée modérée, éclectique et de conciliation dont la logique invite à une foi chrétienne moins austère,une foi qui prône une tolérance religieuse avec les Catholiques
The poetic word of The Sepmaine(1578)of Du Bartas is a specific developed from the biblical argument of Genesis 1-2. It is the result of ingenious synthesis of reformed eloquence on which it relies and the free imitation of ancient biblical, patristic,greco-latin and modern poetic resources. The bartasian speech renews issues of poetry in context reformed opening ornaments and modern refinements. Poetic singularity of Du Bartas also makes posible the emergence of a particular theology itself : A moderate reformed theology, eclectic and conciliation whose logic calls for a less austere chrristian faith, a faith that advocate religious tolerance with Catholics

Many critics have seen Confessio Amantis as a work of reformist rhetoric that, drawing deeply on medieval Aristotelian conflations of ethics and politics, urges readers toward personal moral reform as the crucial means by which to heal the body politic. In such a view, the moral and public interests on full display in Mirour de l’Omme, Vox Clamantis, and elsewhere remain central to Gower’s purpose in Confessio. However, while Mirour and Vox also foreground religious concerns, Confessio is often seen as “secular” in a modern sense. I argue in this dissertation that Confessio indeed bears strong affinities to Gower’s other religious-ethical-political works, and that the main differences that set it apart from them must be understood in connection with Gower’s decision to write this work “in oure Englissh.” Notwithstanding its debt to aristocratic culture, Confessio imagines a broader and more popular audience than do Vox and Mirour. Gower’s novel language choice has major implications especially for Confessio’s uncharacteristically delicate handling of religion. Chapter 1 examines Confessio’s Ovidian debt and suggests that Confessio’s many invocations of Metamorphoses, given that poem’s fourteenth-century reception, align Confessio with Ovidian universal satire in a way that suggests totalizing religious-ethical-political synthesis. However, Confessio departs from the mainstream of fourteenth-century commentated Ovids by stripping Metamorphoses of its clergial patina and, crucially, adopting a markedly lay stance. Investigating Gower’s attitude to English vernacularity, chapter 2 notes Confessio’s association of translation with decay and demonstrates that scientific and theological passages in Gower’s English works adopt a lower register than analogous passages in his Latin works. Chapter 3 investigates the probable causes of these downward modulations, comparing Gower’s sense of linguistic decorum to those discernible in contemporary English vernacular theology. Chapters 4 and 5—on metamorphosis and art, respectively—argue that Gower finds in Ovidian writing rich resources particularly adaptable to the most delicate of Gower’s rhetorical tasks in Confessio: to address, as layman, a lay audience on matters that are unavoidably, and indeed largely, religious. The dissertation concludes by suggesting that Gower’s voice of lay religious critique plays an important role in the histories of laicization and secularization.