Добірка наукової літератури з теми "Romanian Historians"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Romanian Historians".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Статті в журналах з теми "Romanian Historians"
1
Nowak, Krzysztof. "Polsko-rumuńskie konferencje w Suczawie." Balcanica Posnaniensia. Acta et studia 24 (February 20, 2018): 171–96. http://dx.doi.org/10.14746/bp.2017.24.11.
Повний текст джерелаАнотація:
From 1999 Polish and Romanian humanists face each other on conferences in Suceava (Romanian Bucovina) which are part of “Polish Days” in Romania organized by the Association of Poles in Romania. Polish and Romanian historians, ethnographers, sociologists, politologists and linguists deliver lectures and discuss Polish-Romanian contacts and relations in the past and present. from the Polish part many historical lectures concern the interwar period and the problem of Polish refugees in Romania during the World War II. In the period between1918–1945 the relations between Poles and Romanians were rather friendly and now these topics are discussed most frequently. Among the Romanian historians there are more specialists on the relations between Moldova and the Polish Kingdom till the end of 18th century. Many historians focus on the Polish-Romanian relations in the years 1945–1989. Most of the lectures concerning the political present were delivered by the Poles. Cultural sections of the conference concentrate on mutual language influences, Polish–Romanian literature contacts, translations of Polish literature into Romania and Romanian literature into Poland, the analyses of literary works, Polish studies in Romania and Romanian studies in Poland, the perception of Romanian culture among the Poles and vice versa, the problems of religions, education, libraries, music and tourism. Polish etnographers concentrate on the problems of Polish Bucovinians but the most discussed subject is not the history of Polish Bucovinians but their local dialect. Most of the conference lectures were printed. “Polish Days” in Suceava are the most important event organized by the very active Association of Poles in Romania and they help breaking the stereotypes and enhance the integration between the Poles and Romanians.. In general the conferences in Suceava do not have their equivalent in the contacts between humanists of other countries.
2
Solonari, Vladimir. "From Silence to Justification?: Moldovan Historians on the Holocaust of Bessarabian and Transnistrian Jews." Nationalities Papers 30, no. 3 (September 2002): 435–57. http://dx.doi.org/10.1080/0090599022000011705.
Повний текст джерелаАнотація:
The Holocaust was one of the major experiences of the populations, both Jewish and non-Jewish, of those European countries that were either part of the Axis or occupied by Nazi Germany. This was certainly the case for the inhabitants of Bessarabia, Northern Bukovina, and Transnistria. These regions remained under Romanian administration from June/July 1941 to spring/summer 1944. The Soviets had seized Bessarabia and Northern Bukovina from Romania in June 1940 under the Molotov–Ribbentrop Pact. These territories were then reoccupied (“liberated”) by the Romanian and German armies after the German attack against the Soviet Union in June 1941. From 1941 to 1944 they were Romanian provinces ruled by separate highly centralized administrations. Transnistria (meaning literally “territory across the Dniester” in Romanian), which lies between the Dniester and Bug rivers, though never formally incorporated into Romania, was ruled by the Romanians during this period under the agreement with Hitler. Romanian authorities deported practically all Jews from Bessarabia and Northern Bukovina to Transnistria, accusing them of both treason and collaboration with the Soviets in 1940–1941 during the Soviet occupation and hostility towards the Romanian state in general. Some Roma, together with other “hostile elements” from other Romanian provinces, were also deported to Transnistria.
3
Baran, Dana. "Some Landmarks in the Romanian history of medicine." Shidnoevropejskij zurnal vnutrisnoi ta simejnoi medicini 2021, no. 1 (March 2021): 4–9. http://dx.doi.org/10.15407/internalmed2021.01.004.
Повний текст джерелаАнотація:
The article provides an overview of the development of the history of medical science in Romania. The achievements of Romanian historians in the study of various areas of the history of medicine are presented.
4
Turnock, David. "Romanian Villages: Rural Planning under Communism." Rural History 2, no. 1 (April 1991): 81–112. http://dx.doi.org/10.1017/s0956793300002636.
Повний текст джерелаАнотація:
The village is an important research theme in Romania in view of its significance for culture and ecology as well as the modernisation process. Interest developed after Romanian Independence but the efforts of the early historians like A.D. Xenopol (1847–1920) were greatly extended after the First World War, when the enlargement of frontiers, adding Transylvania (and temporarily Bessarabia) to the Old Kingdom embracing Moldavia and Wallachia, gave Romanian scholars access to the whole of the central Carpathian belt. Historians like C. Daicoviciu (1898–1973) and C.C. Giurescu (1901–77) were joined by ethnographers and sociologists, such as D. Gusti (1880–1955) and R. Vuia (1887–1963), ecologists like I. Simionescu (1873–1944) and geographers including I. Conea (1902–74) and V. Mihailescu (1890–1978).1 Interdisciplinary research stimulated by royal patronage was particularly fruitful in the case of the project involving a selection of some sixty representative Romanian villages (‘60 sate romanesti’).2 This gave rise to numerous publications, including monographs and shorter pieces, which formed the core of a distinguished sociology journal of the 1930s: Sociologie Romaneasca.
5
CICANCI, OLGA. "ΤΟ ΣΤΑΔΙΟ ΤΗΣ ΕΡΕΥΝΑΣ ΣΧΕΤΙΚΑ ΜΕ ΤΗΝ ΕΛΛΗΝΙΚΗ ΕΜΠΟΡΙΚΗ ΔΙΑΣΠΟΡΑ ΣΤΟΝ ΡΟΥΜΑΝΙΚΟ ΧΩΡΟ (ΤΟΝ 17ο - 18ο ΑΙΩΝΑ)". Eoa kai Esperia 7 (1 січня 2007): 409. http://dx.doi.org/10.12681/eoaesperia.99.
Повний текст джерелаАнотація:
<p>This paper offers an overview of the state of research on the Greek tradediaspora in Romania. The preoccupation of the Romanian historiographywith the Greek trade diaspora in Romania dates back to early 40's. The commercialactivity and the institutional organization of the Greek tradecompanies of Sibiu and Braçov was the topic which initially attracted theattention of Romanian historians. Since the 80's multiplied the number ofpublications and research projects concerning the history of Greek merchanthouses in the Transylvanian towns, while the economic role of Greeks hasbeen accentuated by scholars of the Romanian economic history of the 18thcentury. Recently, the research interest has been expanded to the study of theGreek commercial activity in the Romanian port-cities during the 19thcentury.</p><p>The paper includes information about archival data, unpublisheddocuments and doctoral theses, as well as a list of the more recentpublications concerning the history of the Greek trade diaspora in Romania.</p>
6
Bitkova, Tatiana. "ROMANIA AND THE BALKANS: POLITICAL, HISTORICAL AND CULTURAL ASPECTS." Urgent Problems of Europe, no. 2 (2021): 233–52. http://dx.doi.org/10.31249/ape/2021.02.11.
Повний текст джерелаАнотація:
The article analyzes some aspects of Romania’s foreign policy in the Balkan region. It is noted that the same fact that country belongs to the Balkans causes ambiguous interpretations on the part of Romanian politicians and experts, many of whom believe that Romania cannot be attributed to this region either geographically or politically. At the same time, culturally and historically, according to a certain part of historians and sociologists, Romania nevertheless carries the features of the so-called «Balkanism», due to the common Ottoman past with the Balkan Peninsula. These features are also relevant for the current socio-political situation, which is shown in the article with specific examples. In addition, criticism of the very term «Balkanism» from the side of Romanian analysts is presented. The author also examines Romania’s relations with the countries of the Western Balkans, primarily with Serbia. The points of contact of the positions of these countries are noted, which are largely due to the desire of Serbia to resolve the Kosovo problem in its favor, relying on the support of Romania - one of the five EU countries that did not recognize the independence of Kosovo. Romania, using this situation, is trying to strengthen its position, seeking regional leadership. The author comes to the conclusion that, although the Western Balkan countries directly or indirectly aspire to Euro-Atlantic structures, some of them (primarily Serbia) maintain and develop friendly relations with Russia, which complicates their interaction with Romania, orthodoxly adhering to the NATO and European Union policies and having a very difficult relationship with Russia.
7
Ţoca, Vlad. "Romanian Art Historiography in the Interwar Period. Between the Search for Scholarship and Commitment to a Cause." Artium Quaestiones, no. 30 (December 20, 2019): 93–122. http://dx.doi.org/10.14746/aq.2019.30.5.
Повний текст джерелаАнотація:
At the end of World War I, Romania emerged as a much stronger nation, with a greatly enlarged territory. During the two world wars, the Romanian state was permanently looking for the best way to preserve the newly created national state and defend its frontiers. This was the only matter all Romanian parties seemed to agree on. The threat of territorial revisionism coming from Hungary, the Soviet Union and, to a lesser extent, Bulgaria united all the political actors in defending the peace system of Versailles and supporting the League of Nations as the guarantor of this peace and stability. The interwar period was a remarkable time for Romania’s cultural history. Between the two world wars, the Romanian cultural scene was dominated by what Keith Hitchins calls the ‘Great Debate’ about national identity and development. The opponents were those advocating synchronism with the West, on the one hand, and those pleading for tradition, on the other, with many others looking for a third way. In Romanian interwar culture, the country’s modernity was emphasized in order to place the country within the larger family of European nations. An opposing, and at the same time, complementary line of thought was that of presenting the long and noble Romanian history, tradition and ancestral roots. These two themes have been present in Romanian culture since the mid-19th century. They were used by various authors, sometimes in a complementary fashion, while at others, in a conflicting manner in literature, historical writing or political discourse. This process did not end with the creation of the Greater Romania after the end of World War I. New threats, which are mentioned above, maintained the need to continue this discourse. In this context, historical arguments became political arguments and were used by the Romanians in order to justify the new territorial gains and the Versailles system. Art history, part of the family of historical disciplines, came to play an important part in this. Romanian art historical writing or political discourse. This process did not end with the creation of the Greater Romania after the end of World War I. New threats, which are mentioned above, maintained the need to continue this discourse. In this context, historical arguments became political arguments and were used by the Romanians in order to justify the new territorial gains and the Versailles system. Art history, part of the family of historical disciplines, came to play an important part in this. Romanian art historical writing did not exist as such until the end of the 19th century. It was only in the first years of the next century that the number of scholarly works produced following western standards steadily increased. As part of a general tendency of aligning Romanian academic practices with those in the West, art historiography established itself as a respectable academic discipline, a process which went hand in hand with the establishment of new institutions such as museums, university departments, research institutions and the Commission for historical monuments. All these institutions were founded and financed by the Romanian state, and most scholars were involved with these institutions in one way or another. Although Romanian art historiography of the period is dominated by the desire to produce academic works to the highest standards, the ideas of the Great Debate are present in the works of that time. At the same time, in several texts, the most prominent art historians of the day strongly affirm the necessity of putting their work in the service of the national cause. In this paper, we will be looking at the general histories of Romanian art written between the two world wars. The choice of these texts is motivated by the fact that these works are the result of larger research projects and have a broader scope and as such better summarise the trends of the interwar period.
8
Janowski, Maciej, Constantin Iordachi, and Balázs Trencsényi. "WHY BOTHER ABOUT HISTORICAL REGIONS?: DEBATES OVER CENTRAL EUROPE IN HUNGARY, POLAND AND ROMANIA." East Central Europe 32, no. 1-2 (2005): 5–58. http://dx.doi.org/10.1163/18763308-90001031.
Повний текст джерелаАнотація:
The article analyzes the ways in which the concept of Central Europe and related regional classifications were instrumentalized in historical research in Hungary, Poland and Romania. While Hungarian and Polish historians employed the discourse of Central Europe as a central means to contextualize and often relativize established national historical narratives, their geographical frameworks of comparison were nevertheless fairly divergent. the Hungarian one relating to the former Habsburg and Austro-Hungarian lands while the Polish one revolving around the tradition of the Polish-Lithuanian commonwealth. Romanian historians approached the issue from the perspective of local history, debating two alternative regional frameworks: the Old Kingdom, treated as part ofthe Byzantine and Ottoman legacies, and Transylvania, Bukovina and the Banat that were shaped by the Habsburg project of modemity. In the Romanian context the debate on Central Europe reached its peak at a time when it lost re1evance in the Polish and Hungarian contexts. While conceding to recent critiques on the constructed and often exclusivist nature of symbolic geographical catcgories, the authors maintain the heuristic valuc of regional frameworks of interpretation as models of historical explanation transcending the nation-state at sub-national or trans-national level.
9
JANOWSKI, MACIEJ, CONSTANTIN IORDACHI, and BALÁZS TRENCSÉNYI. "WHY BOTHER ABOUT HISTORICAL REGIONS?: DEBATES OVER CENTRAL EUROPE IN HUNGARY, POLAND AND ROMANIA." East Central Europe 32, no. 1 (2005): 5–58. http://dx.doi.org/10.1163/1876330805x00027.
Повний текст джерелаАнотація:
Abstract: The article analyzes the ways in which the concept of Central Europe and related regional classifications were instrumentalized in historical research in Hungary, Poland and Romania. While Hungarian and Polish historians employed the discourse of Central Europe as a central means to contextualize and often relativize established national historical narratives, their geographical frameworks of comparison were nevertheless fairly divergent, the Hungarian one relating to the former Habsburg and Austro-Hungarian lands while the Polish one revolving around the tradition of the Polish-Lithuanian commonwealth. Romanian historians approached the issue from the perspective of local history, debating two alternative regional frameworks: the Old Kingdom, treated as part of the Byzantine and Ottoman legacies, and Transylvania, Bukovina and the Banat that were shaped by the Habsburg project of modernity. In the Romanian context the debate on Central Europe reached its peak at a time when it lost relevance in the Polish and Hungarian contexts. While conceding to recent critiques on the constructed and often exclusivist nature of symbolic geographical categories, the authors maintain the heuristic value of regional frameworks of interpretation as models of historical explanation transcending the nation-state at sub-national or trans-national level.
10
Vasiliu, Laura-Otilia. "Noi istorii ale muzicilor românești [New histories of Romanian types of music] – The most important editorial publication in the Romanian musicology of recent years." Artes. Journal of Musicology 24, no. 1 (April 1, 2021): 329–43. http://dx.doi.org/10.2478/ajm-2021-0020.
Повний текст джерелаАнотація:
Abstract The vast work Noi istorii ale muzicilor românești [New histories of Romanian types of music]1 (816 pages), published by Editura Muzicală in 2020 was a project of the Romanian Composers and Musicologists’ Union, represented by composer and university professor Adrian Iorgulescu, a project meant to mark the celebration of a century of activity of the organisation. The two volumes of the New histories, coordinated by Valentina Sandu-Dediu and Nicolae Gheorghiță, reflect the fulfilment of a long research project, begun in the 1990s, with a view to reassessing the musical past of Romania, expressing ideas verified in time through repeated analyses. The coordinators’ vision is edified through the following directions: 1. the joining of all musical genres – Byzantine, folkloric, military, academic, jazz, entertainment – and creating a modern perspective on the types of Romanian music; 2. using the tools of modern musicology – interdisciplinary relating, archival and recent bibliography, an objective, critical, accessible style, efficient and orderly elaboration; 3. removing all influences of the communist ideology reflected by the writings about music in the second half of the 20th century by assimilating the ideas formulated by historians after 1990; 4. capitalising on foreign authors’ writings about Romania and about Romanian music, but also on last-minute research on international music for the synchronisation with the contemporary manner of historical research.
Дисертації з теми "Romanian Historians"
1
Bergkvist, Daniel. "Resande genom historien : Framställningen av romer i grundskolans läroböcker för historia mellan åren 1964–2014." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-171668.
Повний текст джерелаАнотація:
The aim of this essay is to analyze the portrayal of the Romani people in 23 history textbooks marketed towards the Swedish lower secondary school between the years 1964–2014, but also which uses of history emerge from within these descriptions. During this period, the curriculum has passed through five different stages with varying approaches towards ethnic minorities. The method used to compare different textbooks, passages and time-periods was a qualitative and comparative content analysis based on a model by Professor Lennart Hellspong. This was supported by a theoretical framework focused around the typologies of uses of history by Professor Klas-Göran Karlsson. The findings show that Romani people are portrayed in similar themes or contexts over different curriculum-stages and many of the written passages focuses on the victimization and mistreatment of Romani by either Swedish or international actors. A comprehensive account of an objective and cultural history is only found in a few of the most current textbooks. The Romani and their history are often overlooked in favor of the majority society’s historical narrative if not a specific duty is charged towards their inclusion in the schools control documents. In the year 2000 the Framework Convention for the Protection of National Minorities was ratified by the Swedish government and the subsequent revision of the curriculum made this inclusion a permanent fixture. However, some textbooks keep minority history brief and unsatisfying. The uses of history regarding Romani people vary over time and appear to be subject to the overarching sociopolitical landscape. An excluding and existential nationalistic narrative is identified to be common during the 1960’s but transforms towards a more including variety over time. Non-use and political-pedagogical use are both partial in varying degrees during all the curriculum-periods coupled with a perceived scientific presentation of historical facts, but not scientific use of history. The current curriculum introduces a widely moral and conciliatory use of history. This study confirms earlier research to an extent, but at the same time it extends to focus on the Romani people, a wider variety of books and a longer time-period compared with earlier studies on the subject. The findings open the possibility for future research on other Swedish or international minorities – or the Romani from other methodological or theoretical standpoints.
2
Sanfelice, Pérola de Paula. "Amor e sexualidade em ruínas." reponame:Repositório Institucional da UFPR, 2012. http://hdl.handle.net/1884/27365.
Повний текст джерелаАнотація:
Resumo: Desde o final do século XIX até meados do XX, os estudos clássicos foram permeados de conceitos racistas e excludentes, ideias de superioridade e dominação eram muito comuns entre os estudiosos. Buscando uma relação imediata com o passado e formando uma linha de tempo ininterrupta e teleológica, os estudiosos do mundo clássico, durante os períodos imperialistas e totalitários, uniram antigo e moderno, misturando-os de acordo com os interesses políticos nacionalistas e transformando a Antiguidade, principalmente romana, em um espelho de suas aspirações ideológicas. O mesmo ocorreu do âmbito da religiosidade romana, em que as literaturas canônicas, sobretudo as que tratam do Império Romano, preponderavam sempre às lembranças de um passado permeado por feitos políticos e militares, delegando à marginalidade os elementos da vida cotidiana e do ordinário, essenciais para compreender a construção das experiências humanas. Partindo desses princípios, nossa investigação se concentrará nas maneiras como se dão as expressões religiosas e as suas especificidades na cidade de Pompeia, focando, sobretudo, na deusa do amor, Vênus. Desse modo, uma releitura da relação entre amor, erotismo e religiosidade se torna necessária, na medida em que Roma antiga, por muitos anos, foi filtrada pelos olhos dos modernos historiadores, imbuídos de uma visão judaíco-cristã na qual se considera as esferas do sexual e do religioso como separadas. Assim, os exemplos de pinturas destacadas em contextos materiais distintos, em especial no interior de casas espalhadas por Pompeia, nos desafiam a desvincular sexualidade romana pagã da noção cristã de pecado e reinserí-la no universo religioso para uma percepção menos anacrônica da experiência romana em geral e pompeiana em particular.
3
Bondioli, Nelson de Paiva [UNESP]. "Religião Romana nas Fronteiras da Romanidade: um estudo sobre a construção e manutenção de identidades romanas durante o principado Júlio-Claudiano." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/114021.
Повний текст джерелаАнотація:
Made available in DSpace on 2015-01-26T13:21:28Z (GMT). No. of bitstreams: 0
Previous issue date: 2014-07-31Bitstream added on 2015-01-26T13:30:23Z : No. of bitstreams: 1
000796542_20160731.pdf: 132884 bytes, checksum: 4ed5a0898e27a0d8d03c5a62dbb04a08 (MD5) Bitstreams deleted on 2016-08-01T11:29:56Z: 000796542_20160731.pdf,. Added 1 bitstream(s) on 2016-08-01T11:30:54Z : No. of bitstreams: 1
000796542.pdf: 1244679 bytes, checksum: fff71d0ef058366d992c7882da124e51 (MD5)Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
O presente trabalho é um estudo que busca analisar as relações entre religião, política e identidade no mundo romano durante o principado Júlio-Claudiano. Para tanto, propomos, de um lado, uma reflexão acerca dos sacra publica realizados na cidade de Roma e o papel do Princeps na construção e manutenção de comportamentos religiosos ideais. Por outro lado, refletimos sobre o desenvolvimento dos cultos imperiais nas províncias, com especial atenção ao culto ao Princeps vivo. Para alcançar os objetivos propostos em nosso trabalho utilizamo- nos da teoria pós-colonial e a visão que essa crítica traz à compreensão dos processos de identificação, de dominação e manipulação de símbolos do poder, considerando sua viabilidade e importância para o estudo da Antiguidade. Com a análise da documentação, através da análise dos discursos que a constitui, tanto no que tange o textual quanto o advindo da cultura material que são apresentados, e considerado nosso marco teórico, o papel desempenhado pela religião e o Princeps, que defendemos que podemos encontrar visões paralelas da romanidade. Romanidades em Paralelo são essas construções que ocorrem simultaneamente em Roma e nas Provinciais sobre o “ser romano”. Torna-se, portanto, necessário deslocarmos de uma posição tradicionalmente pensada enquanto central, a visão das elites da cidade de Roma sobre o que consiste esse “ser romano” e refletirmos sobre essa(s) construção(ões) para além da urbs
This thesis is a study that aims at analyzing the relations between religion, politics and identity in the Roman world during the Julio-Claudian Principate. To that end we propose an assessment of the sacra publica in the city of Rome and the development of the imperial cults in the provinces, paying special attention to the worship of the living Princeps. To achieve the aims proposed by this study, we turn ourselves to the postcolonial theory and the vision that this critique brings to the comprehension of processes of identification, domination and manipulation of the symbols of power, considering its viability and importance to studies of Antiquity. Through an analysis of both the written and material sources concerning the period, we assert that it is possible to find parallel visions of Romanness, becoming necessary to displace Rome from its the traditional perspective, that the Romanness as seen by the elites of the city takes a central, hierarchical and imposing position to the entire Empire. Hence, we aim at understanding how Romanness was constructed and operated outside the urbs
4
Solovera, San Juan María Esther. "Estudios sobre la historia económica de La Rioja romana /." Logroño : Gobierno de La Rioja, Instituto de estudios riojanos, 1987. http://catalogue.bnf.fr/ark:/12148/cb35418796p.
Повний текст джерела
5
Mendel, Maurice. "Edition avec traduction, notes et commentaires de historia romana de montesquieu. Manuscrit inedit." Montpellier 3, 1995. http://www.theses.fr/1995MON30021.
Повний текст джерелаАнотація:
Histoira roman : la recherche qui a ete effectuee sur ce document porte a la fois sur la question de son authenticite ( est-il bien de la main de montesquieu ?), et de son originalite (est-il ou n'est-il pas une creation de montesquieu?) et constitue une etude de de document - temoin. A l'issue de cette etude, il apparait autant qu'il est possible que ce manuscrit est bien de la main de montesquieu, qu'il a ete pris sous la dictee, et qu'on y trouve un certain nombre de themes recurrents de sa pensee posterieure. Montesquieu, eleve du college oratorien de juilly de 1700 a 1705, y recueillit, en quatrieme, l'histoira romana. Nous donnons l'edition et la traduction de ce texte latin. Nombreuses sont les fautes du cahier. Nous les comparons a celles commises ulterieurement par montesquieu adulte. Ce cours d'histoire porte la marque de juilly, etablissement scolaire repute pour sa modernite. On y retrouve les methodes du temps, et les auteurs anciens apprecies par les oratoriens. Le texte s'inscrit en outre dans une longue continuite pedagogique valorisant les ideaux republicains. Le cahier de juilly est a l'origine de l'ideologie que developpa montesquieu, comme le montrent des reminiscences formelles. La revolution francaise en fut l'heritiereHistoria romana : two questions have been considered here about this document : first, is it genuine, i. E. By the hand of montesquieu himself? il so, is it original, i. E. A creation of montesquieu, or not? after a careful study of this reference document, it appears, as far as can be ascertained, that it is actually by the hand of montesquieu, taken down as a dictation, and that a number of themes recurrent in his later trend of throught are to be found in it. Montesquieu, a pupil of the oratorians of the college de juilly from 1700 to 1075, gathered the historia romana there, when he was in third form. Here we give an edition with a french translation of this latin text. In this copybook of a schoolboy, many mistakes can be found : we compare them with those committed later by the author as an adult. This course in history bears the mark of the college de juilly, a school famous for his modernity. The methods of that time arte to be found in it, as well as the latin authors appreciated by the oratoains. Moreover, this text takes his place in the long pedagogical tradition enhancing republican standards. This paper from juilly is the starting point of the ideology that montesquieu developed later on, as shown by formal reminiscencs. And the french revolution inherited this ideology
6
ALMEIDA, João Paulo Pereira de. "As cunhagens de GALBA (68-69 d.C): propaganda do poder nas moedas romanas." Universidade Federal de Alfenas, 2017. https://bdtd.unifal-mg.edu.br:8443/handle/tede/1090.
Повний текст джерелаАнотація:
A presente dissertação tem como tema a construção e legitimação do poder imperial através
da propaganda utilizada pela numária romana. Baseada em uma análise das moedas cunhadas
no principado de Galba, buscamos analisar aquelas que obtinham mensagens relativas às
virtudes, à Hispania e Roma Renasc e o vínculo destas escritas com a construção da imagem
pública do princeps. Pois acreditamos que Galba introduziu um novo meio de sua legitimação
ao poder, criando uma propaganda que o torna apto a governar. Assim, levando-nos a concluir
que Galba utilizava de uma estratégia distinta de consolidação do seu poder comparada à
dinastia que governava anteriormente. Logo, compreendido o processo de montagem da
representação de Galba, podemos então conhecer as expectativas que ele tinha sobre ser o
imperador romano, pós Nero, em seu imaginário.This dissertation aims to approach the building and legitimisation of imperial authority through the propaganda that was employed by the Roman numismatics. Based upon an analyzis of the coins minted during the principality of Galba, we have sought to examine those that carried messages regarding the virtues of Hispania and Roma Renasc and the link between these prints with the construction of the public image of the princeps. Because we believe that Galba inserted a new way of validating his power creating a propaganda that misled the people into thinking he was able to rule. Thus, leading us to conclude that Galba used a differring strategy of consolidating his power, in contrast to the dinasty that governed previously. Thereby, upon understanding the process of development of Galba’s depiction, we can get to know the expectations he had in mind on what was necessary to be the Roman emperor post-Nero.
7
Blanco, López Ricardo. "La historia del pueblo Peonio: recogida y análisis crítico de las fuentes literarias griegas y romanas." Doctoral thesis, Universitat Rovira i Virgili, 2018. http://hdl.handle.net/10803/665976.
Повний текст джерелаАнотація:
Aquesta tesi doctoral, que es presenta per compendi d'articles, tracta sobre la Història del poble peoni. El poble peoni habitava en la antiguitat (s. XIII/XII a.C.- V d.C) entre les conques dels rius Axio (actual Vardar-Axios) i Estrimó (actual Struma-Strimonas), i a més a més, estava format per diverses tribus peònies, anomenades agrians, derrones, doberos, leeus, peonis originaris, peoples i siriopeonis, documentades en les fonts textuals gregues i romanes i la numismàtica peònia. A l'actualitat, el territori de Peònia, estaría repartit entre els estats de Macedònia, Bulgària i Grècia.
L'objectiu principal d'aquesta tesi ha estat recollir, classificar, traduir i comentar tota la informació històrica y arqueològica que documenta al poble peoni, i així reconstruir la seva història, des de la seva fundació fins l'època romana. La metodologia seguida tant per a l'estudi de les fonts literàries, epigràfiques com numismàtiques, recollides en els capítols segon, tercer i cinquè segueix un mètode de treball cronològic.
La tesi que presentem s'inicia amb el capítol primer que és la introducció, per passar a continuació al capítol segon que recull l'arqueologia del poble peoni que desenvolupa tres temes: ciutats peònies històriques, numismàtica de les tribus peònies i textos epigràfics grecs que recullen informació sobre la seva història. El capítol tercer està format per set articles, que desenvolupen la història del poble peoni i constitueixen la part fonamental d'aquesta tesi. S'inicia amb un article general a la seva història, per passar després a un altre que parla sobre el seu origen, i a continuació desenvolupar la seva història en diferents articles (primeres notícies de la història del poble peoni, tribus peònies i desaparició del poble peoni). El capítol quart recull les conclusions finals, per passar després al capítol cinqué que recull el Corpus de fonts textuals sobre els peonis, (literàries i epigràfiques gregues i romanes i llegendes de les monedes de les tribus peònies). La tesi doctoral acaba amb la Bibliografia i un índex temàtic.Esta tesis doctoral, que se presenta por compendio de artículos, trata sobre la Historia del pueblo peonio. El pueblo peonio habitaba en la antigüedad (s. XIII/XII a.C.- V d.C) entre las cuencas de los ríos Axio (actual Vardar-Axios) y Estrimón (actual Struma-Strimonas), y además estaba formado por diversas tribus peonias, denominadas agrianes, derrones, doberos, leeos, peonios originarios, peoples y siriopeonios, documentadas en las fuentes textuales griegas y romanas y la numismática peonia. En la actualidad, el territorio de Peonia, está repartido entre los estados de Macedonia, Bulgaria y Grecia. El objetivo principal ha sido recoger, clasificar, traducir y comentar toda la información histórica y arqueológica que documenta al pueblo peonio, y así reconstruir su historia desde su fundación hasta la época romana. La metodología seguida tanto para el análisis de las fuentes literarias, epigráficas como numismáticas, recogidas en los capítulos, segundo, tercero y quinto sigue un método de trabajo cronológico. Esta tesis que presentamos se inicia con el capítulo primero que es la introducción; a continuación el capítulo segundo que recoge la arqueología del pueblo peonio que incluye tres temas: ciudades peonias históricas, numismática de las tribus peonias y textos epigráficos griegos que recogen información sobre su historia. El capítulo tercero está formado por siete artículos, que desarrollan la historia del pueblo peonio y constituyen la parte fundamental de esta tesis. Se inicia este capítulo con un artículo general a la historia del pueblo peonio, para pasar después a otro que habla sobre su origen. A continuación se desarrolla su historia en diferentes artículos (primeras noticias de la historia del pueblo peonio, tribus peonias y desaparición del pueblo peonio). En el capítulo cuarto, se encuentran las conclusiones finales, y el capítulo quinto recoge el Corpus de fuentes textuales sobre los peonios, (literarias y epigráficas griegas y romanas y leyendas monetales de las tribus peonias). La tesis doctoral acaba con la Bibliografía y un índice temático.
This octoral thesis deals with the history of the Paionian people. The Paionian people lived in ancient times between the basins of the rivers Axios and Strymon. This people was formed by different tribes, called Agrianes, Derrones, Doberes, Laeaei, Paionians, Paioplae and Siriopaionians, documented in Greek and Roman textual sources and in the Paionian numismatics. In present times, the territory of Paeonia is divided between the states of Macedonia, Bulgaria and Greece. The main objective of this doctoral is to collect, classify, translate and comment on the textual sources (literary and epigraphic) in Latin and Greek on the Paionian people, as well as the numismatic of the Paionian tribes, and thus learn more about the history of this people. The methodology of this thesis has followed a method of chronological work in literary, epigraphic and numismatic sources. The thesis has the format of a compendium of articles, previously published in several scientific journals, to which is added and archaeological overwiew, a corpus of textual sources and an updated bibliography. After an introduction in chapter, the second chapter develops an overwiew of the archaeology of the Paionian people, which includes three themes: historical Paionian towns, the numismatics of Paionian tribes and the Greek epigraphic texts containing information on the history of Paionians. The third chapter is made up of seven articles, which develop the history of the Paionian people and constitute the fundamental part of this thesis. This chapter begins with a general article on the history of the Paionian people, followed by an article about their origin. The rest of the articles deal with various topics concerning the history of the Paionians (first news of their history, Paionian tribes and disappearance of this people). The fourth chapter, contains the final conclusions, and in the fifth, the Corpus of textual sources on the Paionian people is collected (Greek and Roman literary and epigraphic sources and the numismatic inscriptions of the Paionian tribes). This thesis ends with a bibliography and a thematic index.
8
Cornford, B. D. P. "The idea of the Roman past in early medieval Italy : Paul the Deacon's Historia Romana." Thesis, University of Cambridge, 2002. https://www.repository.cam.ac.uk/handle/1810/272094.
Повний текст джерела
9
Kretschme, Marek Thue. "Rewriting Roman history in the Middle Ages : the 'Historia Romana' and the Manuscript Bamberg, Hist. 3 /." Leiden : Brill, 2007. http://catalogue.bnf.fr/ark:/12148/cb411011516.
Повний текст джерела
10
Zavatti, Francesco. "Writing History in a Propaganda Institute : Political Power and Network Dynamics in Communist Romania." Doctoral thesis, Södertörns högskola, Historia, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-29855.
Повний текст джерелаАнотація:
In 1990, the Institute for Historical and Socio-Political Studies of the Central Committee of the Romanian Communist Party was closed, since the Party was dissolved by the Romanian Revolution. Similar institutions had existed in all countries belonging to the Soviet bloc. This Institute was founded in 1951 under the name of the Party History Institute, and modelled on the Marx-Lenin-Engels Institute in Moscow. Since then, it served the Communist Party in producing thousands of books and journals on the history of the Party and of Romania, following Party orders. Previous research has portrayed the Institute as a loyal executioner of the Party’s will, negating the agency of its history-writers in influencing the duties of the Institute. However, the recent opening of the Institute’s archive has shown that a number of internal and previously obscured dynamics impacted on its activities. This book is dedicated to the study of the Party History Institute, of the history-writers employed there, and of the narratives they produced. By studying the history-writers and their host institution, this study re-contextualizes the historiography produced under Communist rule by analysing the actual conditions under which it was written: the interrelation between dynamics of control and the struggle for resources, power and positions play a fundamental role in this history. This is the first scholarly inquiry about a highly controversial institute that struggled in order to follow the constantly shifting Party narrative canon, while competing formaterial resources with rival Party and academic institutions. The main actors in this study are the history-writers: Party veterans, young propagandists and educated historians, in conflicting networks and groups, struggled in order to gain access to the limited resources and positions provided by the Party, and in order to survive the political changes imposed by the leadership. By doing so they succeed, on many occasions, to influence the activities of the Institute.
Книги з теми "Romanian Historians"
1
Mircea Eliade: The Romanian roots, 1907-1945. Boulder: East European Monographs, 1988.
Знайти повний текст джерела
4
Marinescu, C. Gh. Interferențe: Istorie și literatură. Iași: Vasiliana '98, 2001.
Знайти повний текст джерела
5
Ce am auzit de la alții: Amintiri. 3rd ed. București: Humanitas, 2011.
Знайти повний текст джерела
6
București: Puccini 4 și împrejurimi. Pitești [Romania]: Editura Paralela 45, 2000.
Знайти повний текст джерела
7
Turcanu, Florin. Mircea Eliade: Le prisonnier de l'histoire. Paris: Découverte, 2003.
Знайти повний текст джерела
8
Mircea Eliade: Vita e pensiero di un maestro d'iniziazioni. Roma: Castelvecchi, 2007.
Знайти повний текст джерела
9
A, Fischer-Galați Stephen, ed. Stephen Fischer-Galați: 80 de ani în jurul lumii. București: Editura Vremea, 2011.
Знайти повний текст джерела
10
Linscott, Ricketts Mac, Gligor Mihaela, and Pernet Henry 1940-, eds. Corespondență 1961-1986: Dragul meu prieten. Cluj-Napoca: Casa Cărții de Știință, 2011.
Знайти повний текст джерелаЧастини книг з теми "Romanian Historians"
1
Strausz, László. "Introduction." In Hesitant Histories on the Romanian Screen, 1–9. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55272-9_1.
Повний текст джерела
2
Strausz, László. "Hesitation as an Interpretive Strategy." In Hesitant Histories on the Romanian Screen, 11–50. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55272-9_2.
Повний текст джерела
3
Strausz, László. "Modernism Under Construction: Romanian Films on Filmmaking in the Ceaușescu Years." In Hesitant Histories on the Romanian Screen, 51–82. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55272-9_3.
Повний текст джерела
4
Strausz, László. "Television as a Factory of History: The Broadcast of the 1989 Romanian Revolution." In Hesitant Histories on the Romanian Screen, 83–114. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55272-9_4.
Повний текст джерела
5
Strausz, László. "Contesting the Canon of the Past: State Socialism and Regime Change in New Romanian Cinema." In Hesitant Histories on the Romanian Screen, 115–56. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55272-9_5.
Повний текст джерела
6
Strausz, László. "Outcasts, Fugitives, and Migrants: Mobility and the Social Production of Space." In Hesitant Histories on the Romanian Screen, 157–82. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55272-9_6.
Повний текст джерела
7
Strausz, László. "Sanatorium Romania: Regulating the Body in the Hospital, the Prison, and the Convent." In Hesitant Histories on the Romanian Screen, 183–207. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55272-9_7.
Повний текст джерела
8
Strausz, László. "The Crisis of Masculinity in Post-socialist Society." In Hesitant Histories on the Romanian Screen, 209–38. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55272-9_8.
Повний текст джерела
9
Strausz, László. "Epilogue: Authorial Films and Genres, Festivals, and Audiences." In Hesitant Histories on the Romanian Screen, 239–47. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55272-9_9.
Повний текст джерела
10
"The Young Historian." In Alexandru D. Xenopol and the Development of Romanian Historiography, 64–102. Routledge, 2016. http://dx.doi.org/10.4324/9781315629230-4.
Повний текст джерелаТези доповідей конференцій з теми "Romanian Historians"
1
Burak, Nurhilal. "Genoese Traces in the Black Sea Coast of Turkey’s Forts." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11524.
Повний текст джерелаАнотація:
The Black Sea is an interior sea and located between Bulgaria, Romania, Moldova, Ukraine, Russia, Georgia and Turkey. The Black Sea flows through the Bosporus and reaches the Marmara Sea. Strong winds and stream has seen in the Black Sea in most of times in a year. Because of that natural bays were preferred while the ports and settlements were established. Republic of Genoa has started to plan the trade routes that will be carried out on the Black Sea coast since the Treaty of Nymphaeum signed in 1261. The settlements of the Genoese colonies along the Black Sea coast were not simultaneous. From 1266 onwards, there had been a growth of about 200 years. They intervened in some of the defense structures in these ports. They have placed their own coat of arms on the walls of the defensive structures they had built or repaired. The information is obtained about the colonies in these ports from the trade records which kept by Genoese (Massaria di Caffa, Massaria di Pera), the maritime maps (portolans) produced in those centuries and the medieval historians. The scope of this paper is to be examined that between Bulgaria and Georgia borders the Black Sea port of Turkey’s remaining strongholds which Genoese used for trade. Historical documents and maps will be used as well. In the light of these methods, the ports used by the Republic of Genoa on the shores of the Black Sea, established colonies and construction activities in the thirteenth - fifteenth centuries will be examined.
2
Vivar García, Eva, Ana Isabel Calero Castillo, and Ana García Bueno. "Estudio de métodos de limpieza sobre yeserías medievales." In I Simposio anual de Patrimonio Natural y Cultural ICOMOS España. Valencia: Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/icomos2019.2020.11750.
Повний текст джерелаАнотація:
El empleo de yeso en revestimientos arquitectónicos decorativos ha sido frecuente en la historia, debido tanto a la presencia de abundantes yacimientos, como a las características de éste. En la península ibérica se ha empleado en elementos decorativos (cornisas romanas, yeserías medievales, pinturas murales…), destacando los revestimientos elaborados en periodo medieval, denominados yeserías, presentes en importantes monumentos como la Alhambra de Granada o el Real Alcázar de Sevilla. En la actualidad estos revestimientos presentan graves problemas de conservación como los repolicromados o encalados, que son muy perjudiciales porque ocultan la policromía original, e incluso pueden producir su pérdida definitiva. A esto se une la escasez de estudios específicos de tratamientos de limpieza adecuados para estas obras. Por ello, este trabajo aborda una primera investigación sobre métodos de limpieza en revestimientos con esta problemática; partiendo de tratamientos empleados de manera tradicional, tales como métodos físicos (bisturí) y métodos químicos (empacos de algodón con disolventes), pero también adaptando otros tratamientos de reciente incorporación como geles de polisacáridos o éteres de celulosa como vehículo del disolvente. Los resultados obtenidos establecen que geles, como el alga roja o éteres de celulosa, son eficaces para la limpieza de encalados y repolicromados en revestimientos de yeso.
3
Magro de orbe, Iñigo. "Ciudad compacta versus ciudad difusa. Caso de estudio: Valencia, ciudad continua." In ISUF-h 2019 - CIUDAD COMPACTA VERSUS CIUDAD DIFUSA. Valencia: Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/isufh2019.2019.9554.
Повний текст джерелаАнотація:
Valencia es un “palimpsesto”. Desde su fundación romana hasta nuestros días, ha sabido desarrollarse continuando las huellas de su trazado histórico. Desde aquellos versos de Machado: “Valencia de finas torres...” -que evocaban el perfil de la ciudad representada en los grabados del XVIII-, hasta las esbeltas torres que Jean Nouvel propuso en la “desembocadura verde” del antiguo cauce del Turia, Valencia ha sabido mantener la continuidad de las trazas de su ciudad histórica. A su vez, la huella del viejo cauce ha sido el vehículo que ha intentado conectar definitivamente la ciudad intramuros (dibujada por Tosca en 1704), con el mar Mediterráneo. En ese sentido, el antiguo cauce del río, cuyo curso fue desviado tras la riada de 1957, será el pretexto para indagar en la continuidad que se propone. Aceptando la huella del cauce en su condición actual, queremos aprovechar la oportunidad que supuso su desvío, indagando estrategias proyectuales en las que la historia de los distintos lugares por los que discurre irá “contaminando” su trazado. Estos lugares limítrofes serán considerados como material de proyecto y actuarán como nexo entre la memoria y el deseo. Frente a planteamientos “ingenuos” de zonificación sin matices, que favorecerían la discontinuidad, proponemos un relato en el que la arquitectura de la ciudad reconocerá los contactos entre superficies limítrofes y entre espacios contiguos, valorando, por tanto, conceptos tales como: yuxtaposición, intersección y superposición. Porque, como dice el profesor J.L.Trillo*: “… la Ciudad Continua continúa siendo el objeto principal e ineludible de nuestra referencia arquitectónica”.
4
Magro de orbe, Iñigo. "Ciudad compacta versus ciudad difusa. Caso de estudio: Valencia, ciudad continua." In ISUF-h 2019 - CIUDAD COMPACTA VERSUS CIUDAD DIFUSA. Valencia: Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/isufh2019.2020.9554.
Повний текст джерелаАнотація:
Valencia es un “palimpsesto”. Desde su fundación romana hasta nuestros días, ha sabido desarrollarse continuando las huellas de su trazado histórico. Desde aquellos versos de Machado: “Valencia de finas torres...” -que evocaban el perfil de la ciudad representada en los grabados del XVIII-, hasta las esbeltas torres que Jean Nouvel propuso en la “desembocadura verde” del antiguo cauce del Turia, Valencia ha sabido mantener la continuidad de las trazas de su ciudad histórica. A su vez, la huella del viejo cauce ha sido el vehículo que ha intentado conectar definitivamente la ciudad intramuros (dibujada por Tosca en 1704), con el mar Mediterráneo. En ese sentido, el antiguo cauce del río, cuyo curso fue desviado tras la riada de 1957, será el pretexto para indagar en la continuidad que se propone. Aceptando la huella del cauce en su condición actual, queremos aprovechar la oportunidad que supuso su desvío, indagando estrategias proyectuales en las que la historia de los distintos lugares por los que discurre irá “contaminando” su trazado. Estos lugares limítrofes serán considerados como material de proyecto y actuarán como nexo entre la memoria y el deseo. Frente a planteamientos “ingenuos” de zonificación sin matices, que favorecerían la discontinuidad, proponemos un relato en el que la arquitectura de la ciudad reconocerá los contactos entre superficies limítrofes y entre espacios contiguos, valorando, por tanto, conceptos tales como: yuxtaposición, intersección y superposición. Porque, como dice el profesor J.L.Trillo*: “… la Ciudad Continua continúa siendo el objeto principal e ineludible de nuestra referencia arquitectónica”.
5
Russo Trindade, Milene. "Ex-votos fotográficos: la imagen usada como objeto de culto en la región de Alentejo." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6772.
Повний текст джерелаАнотація:
El siglo XIX ha sido escenario de la introducción de la fotografía en las sociedades y delos constantes cambios que esta ha tenido a nivel tecnológico. De manera gradual, la fotografía se incorporó al cotidiano de todos, pasando la idea de tener y ofrecer fotografías a formar parte del imaginario común. Del mismo modo que las imágenes eran usadas como recuerdo dentro de un álbum de familia, se empezaron a usar también como ofrenda en el campo religioso. En la comunicación propuesta, se expone la investigación doctoral sobre los ex-votos fotográficos en la región de Alentejo, en Portugal. Los ex-votos son ofertas que simbolizan el agradecimiento por una dádiva concedida, siendo común que previamente se haya rezado a un santo o santa pidiendo un voto. No se sabe con exactitud cuando empezó este ritual, pero sabemos que civilizaciones como la romana ya lo practicaban. La oferta votiva es sobretodo conocida a través de formatos como la escultura o la pintura, sin embargo, la fotografía pasó a ser un medio usado a gran escala con el viraje del siglo substituyendo progresivamente a la pintura. Los ex-votos fotográficos se presentan como retratos individuales o de grupo y normalmente se encuentran en las salas anexas de las iglesias. A ellos, suele estar asociado un pequeño texto que describe la persona y el acontecimiento que lleva a la oferta, así como la fecha y el lugar de los hechos. Siendo así, hoy podremos referirnos a estos conjuntos de fotografías, por su dimensión y organización, como colecciones. Su riqueza formal y técnica nos propone una lectura de la historia de los procesos fotográficos, así como también, del modo en elcual ha evolucionado la presentación de fotografías. Por otro lado, observar estas colecciones nos ofrece la oportunidad de conocer a los estudios de fotografía y, sobretodo, de constatar cambios sociales como si estuviésemos ante un archivo.Además, cabe destacar que el uso de fotografías en la práctica votiva constituye una realidad sin límites fronterizos, que nos lleva a colocar en diálogo dos casos particularmente interesantes por su proximidad cultural: el sur de Portugal con el sur de España. Esta relación se muestra de una manera más evidente en las zonas de frontera, como por ejemplo, en el caso del Santuário do Senhor Jesus da Piedade en la localidad portuguesa de Elvas, que alberga ofrendas llevadas hasta allí desde el territorio español.Teniendo en cuenta que la fotografía digital ha cambiado el uso y la relación que teníamos con la imagen, estas colecciones, las cuales representan un recorrido por la historia de la fotografía, por sus cambios formales y técnicos a lo largo de mas de un siglo de existencia, se revelan de una importancia patrimonial e histórica que deberá ser valorizada. La fotografía, en todos sus procesos técnicos, es extremamente delicada y como tal exige que se planteen cuidados para su conservación. En este estudio se pretendeasí, dar visibilidad a los ex-votos fotográficos, como patrimonio a valorizar y, consecuentemente, a conservar.