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Добірка наукової літератури з теми "Schubert"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 25 липня 2025

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Статті в журналах з теми "Schubert"

1

Solomon, Maynard. "Schubert: Family Matters." 19th-Century Music 28, no. 1 (2004): 3–14. http://dx.doi.org/10.1525/ncm.2004.28.1.3.

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Certain anomalous events in the history of Franz Schubert's family raise the possibility that he and his family inhabited a more tumultuous and conflict-ridden domestic universe than has been suspected. Among these are a series of painful losses in his mother's early life, the out-of-wedlock conception of Schubert's eldest brother, Ignaz, and Ignaz's subsequent omission from a schedule of heirs to some family property, along with his extended relegation to the lowly post of assistant teacher for more than a quarter century, until the death of his father, Franz Theodor Schubert, in 1830. In the

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2

Wyciślik, Karolina. ">>Cudownie nieartykułowana mowa dźwięków<<. Muzyczno-literacki motyw lipy w pieśni piątej z „Winterreise” Franza Schuberta i „Der Lindenbaum” Wilhelma Müllera w przekładzie Stanisława Barańczaka." Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica 8 (December 23, 2020): 272–85. http://dx.doi.org/10.24917/23534583.8.17.

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W 1827 roku Franz Schubert wydał cykl pieśni Winterreise. Z kolei 167 lat później Stanisław Barańczak opublikował tom Podróż zimowa. Wiersze do muzyki Franza Schuberta. Romantyczna pieśń zapoczątkowana przez austriackiego kompozytora dała nową sposobność do przekazania ekspresji poprzez słowo śpiewane i towarzyszącą muzykę. Artykuł na podstawie Pieśni V, zatytułowanej Der Lindenbaum (Lipa), przedstawia korelacje zachodzące na płaszczyźnie między Schubertem, Wilhelmem Müllerem a Barańczakiem. Jest to jedyny wiersz w cyklu, który Barańczak przełożył z języka niemieckiego. Powstające we wspólnym

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3

Eppstein, Hans. "Schütz - Schubert - Hugo Wolf." Schütz-Jahrbuch 7 (August 18, 2017): 62–68. http://dx.doi.org/10.13141/sjb.v1986689.

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1967 charakterisierte Thrasybulos Georgiades in seinem Aufsatz "Schubert und Schütz" die beiden Komponisten als Eckpfeiler deutscher Musik, in denen die Verbindung von Musik mit gesprochenem Wort kulminiert. Die Entwicklung, die Georgiades an dieser Stelle von Schütz zu Schubert zieht, kann weitergezogen werden bis zu Wolf. Denn die Qualität und Einzigartigkeit der Wolfschen Lieder werden durch ein tiefgreifendes Verständnis des Komponisten für die vertonten Texte begründet, das - trotz einiger Unterschiede - mit Schuberts Textgefühl verglichen werden kann.

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4

Carbó, Ferran. "Franz Schubert en Màrius Torres." Studia Romanica Posnaniensia 48, no. 3 (2021): 19–34. http://dx.doi.org/10.14746/strop.2021.483.002.

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This study reviews the presence of the composer Franz Schubert in five poems by Màrius Torres. These texts were written between 1933 and 1938, while Torres consolidated and evolved as a poet. The writer from Lleida performed musical scores with the piano and the Austrian composer, through his Lieder, became a model, something that is evident in the different ways in which transtextuality is present, not only between the songs’ lyrics and Torres’ poems, but also between the musical compositions and these same poems. This study analyzes how, on the one hand, Schubert’s Lieder “Der Erlkönig” and

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5

Sugden, Robert. "OPPORTUNITY AND PREFERENCE LEARNING: A REPLY TO CHRISTIAN SCHUBERT." Economics and Philosophy 31, no. 2 (2015): 297–303. http://dx.doi.org/10.1017/s0266267115000140.

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Abstract:This paper replies to Christian Schubert's critical review of my work on opportunity as a normative criterion. Schubert argues that the criterion I have proposed would not command general assent because it does not recognize the legitimacy of individuals’ preferences for achieving self-development by constraining their future opportunities. I argue that my account of the ‘responsible agent’ is compatible with self-development, and that preferences for self-constraint are less common than Schubert suggests. For the purposes of normative economics, my opportunity criterion is much more

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6

Leppert, Richard. "On Reading Adorno Hearing Schubert." 19th-Century Music 29, no. 1 (2005): 056–63. http://dx.doi.org/10.1525/ncm.2005.29.1.56.

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Adorno's "Schubert" textually reenacts what he recognizes in Schubert's music, repeating himself but with subtle differences, as though he were holding up a cut gem to light and turning it to see the differences manifested in its facets. Adorno's ideas about this music are less developed than juxtaposed, often paratactically, so as to constitute what Benjamin termed a constellation. What Adorno hears in Schubert is a kind of reciprocity toward otherness. Schubert's "landscape," for Adorno, is grounded in the realm of the cultural imaginary; it represents for him a declaration of love, defined

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7

Perrey, Beate. "Exposed: Adorno and Schubert in 1928." 19th-Century Music 29, no. 1 (2005): 015–24. http://dx.doi.org/10.1525/ncm.2005.29.1.15.

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In this close reading of the first page of Adorno's "Schubert," one aim is to highlight the sheer intensity of Adorno's literary ambition, generating a visual poetics that contributes to the text's striking, and daunting, narrative complexity. With reference to the French poet Louis Aragon, Adorno situates Schubert within a distinctly surrealist landscape--a strategic move that is rhetorically as provocative as it is hermeneutically and methodologically risky. I briefly follow up some of this modernist imagery in Schubert's Winterreise, envisioned here as a nondevelopmental, glacial compositio

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8

Clark, Suzannah. "A Gift to Goethe: The Aesthetics of the Intermediate Dominant in Schubert’s Music and Early Nineteenth-Century Theoretical Thought." Nineteenth-Century Music Review 13, no. 1 (2016): 39–70. http://dx.doi.org/10.1017/s1479409815000518.

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Schubert is famous for his remote modulations, especially his third relations. He therefore has a reputation for harbouring an aversion to the dominant, both in terms of its function as a harmonic preparation for new keys and as a structural pole to the tonic home key. I turn to the history of theory to reveal a more nuanced history of Schubert’s attitude towards the dominant. In a revision of ‘Geistes-Gruß’ (D. 142), a song he sent to Goethe in 1816, Schubert added a brief dominant-seventh chord to soften an abrupt modulation to a remote key. Such an insertion between remote keys was coined a

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9

Dunsby, Jonathan. "Adorno's Image of Schubert's Wanderer Fantasy Multiplied by Ten." 19th-Century Music 29, no. 1 (2005): 042–48. http://dx.doi.org/10.1525/ncm.2005.29.1.42.

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AdornoÕs view of Schubert's Wanderer Fantasy is of flawed music. He regards the finale as yet another compositionally disastrous failure by Schubert to know how to round off a sonata or symphony. But he is clearly intrigued by the slow movement's acts of negation and alienation. This article investigates these two crises. First, what is actually--if one may dare ask such a thing--wrong with the finale? That it is all empty mock-fugue and sequence and passage-work? And thus it lacks truth-content? That Schubert is not really composing this finale; it is somehow composing him? Here I investigate

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Mogoşan, Iulia. "Schubert’s “Tenth”: an Interpretation Between Construction and Restitution." Artes. Journal of Musicology 25, no. 1 (2022): 58–81. http://dx.doi.org/10.2478/ajm-2022-0005.

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Abstract In Franz Schubert’s creation the fragment takes on various forms of manifestation, ranging from the fragmentary reception of an already constituted piece to the fragmentary notation, in the form of a sketch, of a work that has not yet been completed. A special place belongs to the Tenth Symphony in D major, D 936A, by Schubert, left unfinished; we received it as a sketch, in a convolute, together with two other unfinished symphonies in the same key: D 615 and D 708A. The present study aims to expose three artistic interpretations of these sketches, materialized in completed musical wo

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Дисертації з теми "Schubert"

1

Müller-Kelwing, Karin. "Franz Schubert." Böhlau Verlag, 2020. https://slub.qucosa.de/id/qucosa%3A75064.

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Meggison, Natalie Rebecca. "Situating Schubert's Ossian settings, music, literature, and culture (Franz Schubert, Austria)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60383.pdf.

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3

Mizerski, Maciej. "Singularities of Schubert varieties." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33427.

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Let G be a semi-simple linear algebraic group defined over an algebraically closed field and B a Borel subgroup. A Schubert variety is the closure of an orbit of the group B in the flag variety G/B. The present thesis studies the algebraic curves with a torus action in general and in the case of Schubert varieties. It also presents two proofs of Peterson's Theorem and describes the singular locus of Schubert varieties in terms of the Peterson map.

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4

Allio, Guy. "Mozart-Schubert-Beethoven : filiations." Bordeaux 2, 1989. http://www.theses.fr/1989BOR23069.

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Mussard, Timothy S. "Embellishing Schubert's Songs : a performance practice /." Thesis, Connect to this title online; UW restricted, 1987. http://hdl.handle.net/1773/11217.

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6

Hengelbrock, Harald. "Symmetries in quantum Schubert calculus." [S.l.] : [s.n.], 2003. http://deposit.ddb.de/cgi-bin/dokserv?idn=967581125.

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7

Schubert, Christian [Verfasser]. "Vorteilsausgleichung und Steuern / Christian Schubert." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2018. http://d-nb.info/1173656782/34.

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Bressler, Paul. "Schubert calculus in generalized cohomology." Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/67103.

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9

Bjurström, John. "Skriva improvisationsmusik med Franz Schubert." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2814.

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Анотація:

During this project I have studied piano music by Franz Schubert (1797-1828) to thereafter use a couple of his harmonic structures as a foundation for composing music for piano trio. To write music that encourages improvisation and interaction between the band members has been a central focus while the broad goal of the project has been to develop myself as a musician and person. The project started in the fall of 2017, a senior recital was performed in Lilla Salen at KMH the 28th of February and was followed by time for reflection which can be found documented in my paper. Somethi

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Brunson, Jason Cory. "Matrix Schubert varieties for the affine Grassmannian." Diss., Virginia Tech, 2014. http://hdl.handle.net/10919/25286.

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Schubert calculus has become an indispensable tool for enumerative geometry. It concerns the multiplication of Schubert classes in the cohomology of flag varieties, and is typically conducted using algebraic combinatorics by way of a polynomial ring presentation of the cohomology ring. The polynomials that represent the Schubert classes are called Schubert polynomials. An ongoing project in Schubert calculus has been to provide geometric foundations for the combinatorics. An example is the recovery by Knutson and Miller of the Schubert polynomials for finite flag varieties as the equivarian

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Книги з теми "Schubert"

1

Gruber, Gernot. Schubert. Schubert? Bärenreiter-Verlag, 2022. http://dx.doi.org/10.1007/978-3-7618-7269-7.

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2

Reed, John. Schubert. Dent, 1987.

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3

John, Reed. Schubert. 2nd ed. Oxford University Press, 1997.

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4

1939-2008, Krimets Konstantin, Moskovskii? simfonicheskii? orkestr, Cromwell Productions, and Films for the Humanities (Firm), eds. Schubert. Films for the Humanities & Sciences, 2004.

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5

Rachlin, Ann. Schubert. Gollancz, 1994.

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6

Hilmar, Ernst. Schubert. Akademische Druck- u. Verlagsanstalt, 1989.

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7

Schneider, Marcel. Schubert. Seuil, 1994.

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Rachlin, Ann. Schubert. Barron's, 1994.

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9

John, Reed. Schubert. Schirmer Books, 1997.

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10

Susan, Hellard, and De Visscher Myriam trad, eds. Schubert. Éditions Gamma, 1995.

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Частини книг з теми "Schubert"

1

Gruber, Gernot. "Schubert in seiner Lebensgeschichte." In Schubert. Schubert? Bärenreiter-Verlag, 2022. http://dx.doi.org/10.1007/978-3-7618-7269-7_2.

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Gruber, Gernot. "Schubert in seiner Musik." In Schubert. Schubert? Bärenreiter-Verlag, 2022. http://dx.doi.org/10.1007/978-3-7618-7269-7_3.

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3

Gruber, Gernot. "Einleitung." In Schubert. Schubert? Bärenreiter-Verlag, 2022. http://dx.doi.org/10.1007/978-3-7618-7269-7_1.

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4

McKay, Elizabeth Norman. "Friends, Publishers, The Gesellschaft Der Musikfreunde (1825-1826, Part II)." In Franz Schubert. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198165231.003.0009.

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Abstract As soon as Schubert arrived back in Vienna, he took up residence again in the Fruhwirthaus. He now began a series of long and convivial evenings socializing with his friends. Bauernfeld’s entry in his diary for early October sums it all up: Schubert is back. Inn and coffee-house gatherings with friends, often until two or three in the morning. Schober is the worst in all this. True, he has nothing to do, and actually does nothing, for which he is often reproached by Moritz.1 From this time onwards, Bauernfeld was rather frequently in Schubert’s company. The close friendship had begun

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5

McKay, Elizabeth Norman. "Son of Immigrants (1797-1808)." In Franz Schubert. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198165231.003.0001.

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Abstract Franz Peter Schubert was born on Sunday, 31 January 1797 at 1.30 in the afternoon in the Himmelpfortgrund suburb of Vienna. He was the twelfth child born to the then 40-year-old Maria Elisabeth Katharina, known as Elisabeth (1756-1812), and Franz Theodor Florian Schubert (1763-1830), the local elementary schoolteacher. The boy was baptized on the following day by Father Johann Wanzka, parish priest of the nearby Lichtental church dedicated to ‘the fourteen friends in need’ (Zu den vierzehn Nothe/fern); Johann Karl Alois Schubert (1755-1804), his father’s elder brother, was the child’s

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6

"SCHUBERT." In Orchestral Masterpieces under the Microscope. Boydell & Brewer Ltd, 2023. http://dx.doi.org/10.2307/j.ctv2p40rm3.63.

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Adorno, Theodor W. "Schubert." In L’esperienza della musica. Quodlibet, 2020. http://dx.doi.org/10.2307/j.ctv1cdxg0k.25.

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"Schubert." In Piano-Playing Revisited. Boydell & Brewer Ltd, 2021. http://dx.doi.org/10.2307/j.ctv24tr714.10.

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"Schubert." In Goethe-Musik. Wilhelm Fink Verlag, 2009. http://dx.doi.org/10.30965/9783846749128_007.

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Steinberg, Michael, and Larry Rothe. "Franz Schubert, “A Rich Possession”." In For the Love of Music. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195162165.003.0006.

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Abstract Franz Schubert’s first biographer was a Viennese jurist and civil servant by name of Heinrich Kreissle von Hellborn. In 1861, he published what he modestly and accurately called a biographical sketch; at the end of 1864, he came out with his full-length book. It appeared in English in 1869 as The Life of Franz Schubert, translated by Arthur Duke Coleridge. Kreissle, who loved what he had heard of Schubert’s music, was motivated to begin his work by his awareness that those who had known Schubert were growing old, that their fairly imminent departure from this life was something to be

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Тези доповідей конференцій з теми "Schubert"

1

Pak, Igor, and Colleen Robichaux. "Vanishing of Schubert Coefficients." In STOC '25: 57th Annual ACM Symposium on Theory of Computing. ACM, 2025. https://doi.org/10.1145/3717823.3718269.

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Лю, Хаосюань. "Franz Schubert as the founder of the Romantic tradition in World music and training of musicians." In Социально-гуманитарные исследования: векторы развития науки и образования: материалы IX научно-практической конференции с международным участием, г. Москва, МПГУ, 25–26 апреля 2024 г. Crossref, 2024. https://doi.org/10.37492/isgo.2024.058.

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в этой статье анализируется связь уникальности музыкального творчества Шуберта с романтическими музыкальными чертами его произведений, понимаются факторы, влияющие на формирование романтического стиля в творчестве Шуберта. Автор делает вывод, что Франц Шуберт оказал революционное влияние на европейскую и мировую музыкальную культуру, а его творческие инновации способствовали созданию системы воспитания молодых художников и композиторов. this article analyzes the relationship between the uniqueness of Schubert's music creation and the romantic musical characteristics of his works, understands t

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Khetan, Ashish, and Zohar Karnin. "schuBERT: Optimizing Elements of BERT." In Proceedings of the 58th Annual Meeting of the Association for Computational Linguistics. Association for Computational Linguistics, 2020. http://dx.doi.org/10.18653/v1/2020.acl-main.250.

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Gibbs, Niamh. "Schubert: The Strange and the Supernatural." In – The European Conference on Arts & Humanities 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2188-1111.2022.1.

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Sottile, Frank, Ravi Vakil, and Jan Verschelde. "Solving schubert problems with Littlewood-Richardson homotopies." In the 2010 International Symposium. ACM Press, 2010. http://dx.doi.org/10.1145/1837934.1837971.

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van Dongen, Thomas, Gideon Maillette de Buy Wenniger, and Lambert Schomaker. "SChuBERT: Scholarly Document Chunks with BERT-encoding boost Citation Count Prediction." In Proceedings of the First Workshop on Scholarly Document Processing. Association for Computational Linguistics, 2020. http://dx.doi.org/10.18653/v1/2020.sdp-1.17.

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Ustymenko, Vasyl. "On computations with Double Schubert Automaton and stable maps of multivariate cryptography." In 16th Conference on Computer Science and Intelligence Systems. PTI, 2021. http://dx.doi.org/10.15439/2021f67.

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Takamatsu, Yusuke. "Synthese als Modus der Prozessualität bei Schubert: Sein spezifisches Wiederholungsprinzip im langsamen Satz." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.73.

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Анотація:

In contrast to Beethoven’s music, Schubert’s music has been described through the concept of “a-finality” (Fischer 1983), employing the same elements repeatedly. In this sense, Schubert’s music seems incompatible with the kind of “processual” thinking which is typical for Beethoven’s music. This paper addresses such incompatibility through a comparison of the slow movements of Schubert’s piano sonata D 840 with those of Beethoven’s piano sonata No. 8 (op. 13) which is one of the possible precursors for D 840. The second movement of D 840 features an ABABA structure in which the themes of the f

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Alvarez, Elizabeth. "What&#39;s Worthwhile: Engaging the Work of William H. Schubert." In AERA 2023. AERA, 2023. http://dx.doi.org/10.3102/ip.23.2010470.

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Podsiadlik, Edward. "What’s Worth Experiencing? Insights at the Intersection of William H. Schubert and Ocean Vuong." In 2024 AERA Annual Meeting. AERA, 2024. http://dx.doi.org/10.3102/2103492.

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Звіти організацій з теми "Schubert"

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Winch, Nicola M., Amanda Christine Madden, Matthew James Marcath, Eric Waggoner Nelius, and Douglas R. Mayo. PAIN Schubert Review: Experiment. Office of Scientific and Technical Information (OSTI), 2020. http://dx.doi.org/10.2172/1618307.

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Schmidt, A. Schubert Review 2017 2-page summary of AmBe project. Office of Scientific and Technical Information (OSTI), 2017. http://dx.doi.org/10.2172/1357325.

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Dennis, Jr, Li J. E., and Guangye. The Combined Schubert/Secant Finite-Difference Algorithm for Solving Sparse Nonlinear Systems of Equations. Defense Technical Information Center, 1986. http://dx.doi.org/10.21236/ada453834.

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FICHE D’INFORMATION : Une approche des groupes armés communautaires en Afrique subsaharienne : Enseignements tirés et mesures de la réussite. RESOLVE Network, 2020. http://dx.doi.org/10.37805/fs2020.8.cbags.fr.

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Анотація:

Cette fiche d’information présente un aperçu des conclusions de l’effort de cartographie de l’Initiative de recherche sur les groupes armés communautaires du RESOLVE Network qui étudie la dynamique des groupes armés communautaires (GAC) pour identifier des approches potentielles visant à les engager, les gérer et les transformer. Ce rapport de recherche dresse une carte de la façon dont différents intervenants ont abordé le défi des GAC et indique comment mesurer au mieux la réussite de ces interventions. Des discussions avec les parties prenantes et une revue critique de la littérature ont ré

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