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Статті в журналах з теми "Terrorists – Northern Ireland – Fiction"

Автор: Grafiati

Опубліковано: 25 липня 2024

Оновлено: 31 липня 2025

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1

Stevenson, Jonathan. "Northern Ireland: Treating Terrorists as Statesmen." Foreign Policy, no. 105 (1996): 125. http://dx.doi.org/10.2307/1148978.

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2

Pruitt, Dean. "Negotiation with Terrorists." International Negotiation 11, no. 2 (2006): 371–94. http://dx.doi.org/10.1163/157180606778968290.

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AbstractNegotiation with non-ideological ethno-nationalist terrorists is more common and more successful than with other kinds of terrorists. Additional strategies for dealing with terrorists include combating, isolating, and mainstreaming. There are many arguments against negotiation with terrorists, but most of them do not apply to secret backchannel talks, which are usually the method of choice in first approaching these groups. The success of negotiation depends on the development of flexibility by both the terrorists and the authorities. These and other points are illustrated with case ma

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3

Lucey, Una. "Improper Interference: The Perils of Defending Suspected Terrorists in Northern Ireland." Pace International Law Review 15, no. 2 (2003): 411. http://dx.doi.org/10.58948/2331-3536.1182.

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4

Stump, Jacob L. "Dixit, Priya 2015. The State and “Terrorists” in Nepal and Northern Ireland." Critical Studies on Terrorism 11, no. 1 (2017): 195–97. http://dx.doi.org/10.1080/17539153.2017.1311494.

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5

Garden, Alison. "Girlhood, Desire, Memory, and Northern Ireland in Lucy Caldwell’s Short Fiction." Contemporary Women's Writing 12, no. 3 (2018): 306–21. http://dx.doi.org/10.1093/cww/vpy024.

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6

Braniff, Máire, and Sophie Whiting. "Deep impact: The fiction of a smooth Brexit for Northern Ireland." Juncture 23, no. 4 (2017): 249–53. http://dx.doi.org/10.1111/newe.12022.

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7

Kuznar, Lawrence A., and James M. Lutz. "Risk Sensitivity and Terrorism." Political Studies 55, no. 2 (2007): 341–61. http://dx.doi.org/10.1111/j.1467-9248.2007.00666.x.

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One enduring question about terrorism is why individuals choose to join terrorist groups. Past studies have shown that terrorists are not always poor, and they can in fact come from more privileged groups in society. Risk sensitivity and prospect theory are approaches that can help explain some of the anomalies. They suggest that two types of group are likely to supply members for terrorist organizations in disproportionate numbers. One group consists of those who face a loss of status or position due to ongoing changes in society. A second group consists of those who have an opportunity to ga

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8

Sherratt-Bado, Dawn Miranda. "‘Gentility Keeps Breaking Through’: Women and the Middle-Class Northern Protestant House in Janet McNeill’s The Maiden Dinosaur." Review of Irish Studies in Europe 3, no. 1 (2019): 36–53. http://dx.doi.org/10.32803/rise.v3i1.2212.

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Janet McNeill’s fiction has experienced a recent revival, led by London-based publisher Turnpike Books, which reissued three of her novels between 2014 and 2015, with a fourth due in autumn 2019. The Maiden Dinosaur (1964/2015) is her best-known book, and it depicts Northern Ireland at a transitional moment in its history, during the post-war period and preceding the recommencement of the Troubles. McNeill explores vestigial systems of power that endure in Northern Ireland amidst the shifting gender, class, religious, and political contexts of the early 1960s. This essay analyses her rendering

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9

Carregal-Romero, José. "Gay Fiction, Homophobia and Post-Troubles Northern Ireland: An Interview with Jarlath Gregory." Estudios Irlandeses, no. 14 (March 16, 2019): 198–206. http://dx.doi.org/10.24162/ei2019-8894.

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10

Russell, Richard Rankin. "Brian Friel's Short Fiction: Place, Community, and Modernity." Irish University Review 42, no. 2 (2012): 298–326. http://dx.doi.org/10.3366/iur.2012.0035.

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This essay argues for the necessity of a critical reconsideration of Brian Friel's short fiction both because of its own merits and since its depiction of emplaced communities struggling with aspects of modernity anticipates such conflicts in the major plays. Although Friel does not believe that rural culture was ever pristine and unadulterated, he nonetheless hints how modernity's advent into his chosen milieu of northwestern Ireland/Northern Ireland can create problems among its inhabitants such as destruction of community. ‘The Diviner’ and ‘The Saucer of Larks’ valorize the organic epistem

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11

McGrattan, Cillian. "John Bew, Martyn Frampton, and Iñigo Gurruchaga:Talking to Terrorists: Making Peace in Northern Ireland and the Basque Country." Democracy and Security 7, no. 1 (2011): 68–71. http://dx.doi.org/10.1080/17419166.2011.549054.

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12

PATTEN, Eve. "Transmission and Agreement: Reading and the Contemporary Northern Irish Novel." Studia Universitatis Babeș-Bolyai Philologia 69, no. 3 (2024): 47–64. http://dx.doi.org/10.24193/subbphilo.2024.3.03.

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Transmission and Agreement: Reading and the Contemporary Northern Irish Novel. This paper evaluates the capacity of the contemporary Northern Irish novel to act as an agent of transmission for a ‘post-Troubles’ readership, one distanced by a generation from the 1998 Good Friday Agreement that symbolised the partial end of sectarian violence. The critic Liam Harte suggests that “no part of modern Europe (if not the world) has greater claim than Northern Ireland to the mantle of most-narrativized region”, but the transmissive function of fictional works in this context remain under-critiqued. He

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13

Allen, Rory. "The Legacy of The Northern Irish Conflict, Weak Men and Silenced Women in the Novels of Jan Carson." Review of Irish Studies in Europe 7, no. 2 (2025): 20–36. https://doi.org/10.32803/rise.v7i2.3316.

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This article focuses on the Belfast-based novelist and short-story writer Jan Carson. Raised in a rural, strictly evangelical Presbyterian household, Carson and her work offer rare insights into a community that is seldom given academic attention. The article will examine how her two most recent novels, The Fire Starters (2019) and The Raptures (2022), speak to themes regarding the legacy of violence and gender roles in Northern Ireland. Supplemented by Carson’s own oral testimonies, passages from her work, and her wider comments in the media, this article explores how Carson’s work reflects h

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14

Ruiz Resa, Josefa Dolores. "Legal Culture on Justice and Truth: The Tribunals of Inquiry about Bloody Sunday." Age of Human Rights Journal, no. 15 (December 15, 2020): 73–104. http://dx.doi.org/10.17561/tahrj.v15.5777.

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Almost 50 years ago, in the events that happened during the so-called Bloody Sunday (Derry 1972, 30th January), 13 Catholic civilians were killed because of the actions of the British army during a civil rights march against internment without trial in Northern Ireland. Other 13 civilians were injured. While the circumstances were unclear, these civilians were considered to be terrorists, which seemed to justify the gunfire. The findings on Bloody Sunday from two Tribunals of Inquiry (1972 and 1998-2010), and the reactions that their resulting reports raised are an excellent example of cultura

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15

Regan, John M. "The “O'Brien Ethic” as an Interpretative Problem." Journal of British Studies 52, no. 4 (2013): 908–39. http://dx.doi.org/10.1017/jbr.2013.179.

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AbstractThe necessity of adopting or redefining illiberal measures—such as torture, internment, or targeted-killings of terrorists—to protect states places burdens on the meaning of liberalism around the world. After 1969, liberal intellectual responses to the so-called Troubles in Northern Ireland identified two conflicted groups of Irish liberals. Then academic and politician Conor Cruise O'Brien attempted to reduce responses to the crisis to the choice between supporting the state and condoning terrorism. “Consenting liberals” compromised professional practices in the law, journalism, broad

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16

White, Siân. "A “Hair-Trigger Society” and the Woman Who Felt Something in Anna Burns's Milkman." Genre 54, no. 1 (2021): 111–37. http://dx.doi.org/10.1215/00166928-8911537.

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This article responds to debates about the “big, ambitious novel” and “hysterical realism” by challenging several prevailing scholarly orthodoxies about large-scale fiction: that whole world-building precludes the rendering of a single, feeling human; that mimesis and “hysterical” traits, like absurdity, are mutually exclusive; or that a whole-world view requires third-person narrative omniscience. The analysis centers on Anna Burns's Milkman (2018), a novel set in Troubles-era Northern Ireland that connects a young woman's experience with gendered and sexual power to the behavior, prejudices,

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17

Gallagher, Richard. "Unionist Screws: Depictions of Northern Irish Unionists in British and Irish Cinema." Journal of British Cinema and Television 21, no. 1 (2024): 75–90. http://dx.doi.org/10.3366/jbctv.2024.0700.

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This article explores the representation of Northern Irish unionists in British and Irish cinema by investigating a dominant way that the community has been portrayed in fiction films: as prison officers and orderlies. Specifically, Northern Irish unionists have been portrayed as prison officers and orderlies employed in the Maze and Armagh prisons during the period of republican unrest which culminated in hunger strikes in 1981, and a mass prison escape in 1983. The films that depict, to varying degrees, these characters as belonging to the Northern Irish unionist community include Some Mothe

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18

Propst, Lisa, and Christopher C. Robinson. "Pandemic Fiction Meets Political Science: A Simulation for Teaching Restorative Justice." PS: Political Science & Politics 54, no. 2 (2021): 340–45. http://dx.doi.org/10.1017/s1049096520001626.

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ABSTRACTWe team teach an interdisciplinary political science and literature course titled “Violence and Reconciliation,” with case studies on the Truth and Reconciliation Commission (TRC) in South Africa and on debates about whether to develop a TRC in Northern Ireland. The course culminates in a two-week simulation in which students role play the experiences, strategies, and needs of victims, perpetrators, legal teams, government officials, and NGOs in the aftermath of a horrific event that has torn a society apart. We assessed the simulation through pre- and post-simulation writing exercises

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19

Howes, Christina Angela. "“The World is still Beautiful”: An Eco-philosophical Reading of Eugene McCabe’s Victims Trilogy." Estudios Irlandeses, no. 18 (March 17, 2023): 172–83. http://dx.doi.org/10.24162/ei2023-11702.

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This paper focuses on Irish writer, playwright and television screenwriter Eugene McCabe’s fictional representation of the Northern Irish ‘Troubles’ in his trilogy Victims, published in the collection Heaven Lies about Us (2005). Living most of his life on his family farm on the Monaghan/Fermanagh border between Northern Ireland and the Republic, McCabe had a deep understanding of the historically entrenched hatreds, bigotry and fundamentalisms of its inhabitants, and his fiction reflects the human tragedy underlying the violence. This paper draws on an eco-philosophical framework to suggest t

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20

Ferguson, Frank. "Northern Soulscapes: Writing through Brexit in the work of Gerald Dawe, Angela Graham and Dara McAnulty." Porównania 30, no. 3 (2021): 41–54. http://dx.doi.org/10.14746/por.2021.3.3.

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At a time of when the global crises of pandemic and climate change could be said to offer sufficient challenges to life in the British and Irish Isles, the implementation of Brexit provides a further gargantuan difficulty. Borders, bureaucracies and belief systems dissolve like the certainty that subjects once felt to their connection to states or Unions. Or new borders and systems appear, bringing with them unwieldy new protocols and practices. Shelves empty, goods sit locked in containers; caught up in the holding pattern of another new normal of online retail inertia. Dislocation, fear and

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21

O’Flynn, John. "Blurring the line? Music, sound and “sonic gaze” in post-ceasefire Troubles-themed film." Alphaville: journal of film and screen media, no. 27 (July 2, 2024): 223–39. http://dx.doi.org/10.33178/alpha.27.18.

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This article appraises developments in soundtracks of narrative fiction features based on the Northern Ireland Troubles, focusing on selected titles released in the post-ceasefire period that was consolidated by the Anglo-Irish (“Good Friday”) agreement of 1998. It does this with reference to earlier approaches to music and sound for Troubles-themed film, and by drawing on Danijela Kulezic-Wilson’s sound-design-is-the-new-score proposition. The article advances “sonic gaze” as a pertinent critical lens through which to complement artistic appraisals of historical and contemporary soundtracks i

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22

Zaheer, Safa, Muhammad Adnan, Tajalla Qureshi, Iram Khalil, and Mohsin Iqbal. "Identity Crises and the Impact of 9/11: A Post-Colonial Study of the Reluctant Fundamentalist and Khuda Kay Lye." Journal of Education and Social Studies 5, no. 3 (2024): 150–67. http://dx.doi.org/10.52223/jess.2024.5317.

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The current study explores the devastating aftershocks and identity crises caused by 9/11. It furthermore, presents the upheavals through two different forms of literature: The Reluctant Fundamentalist by Mohsin Hamid and the cinematic film Khuda Kay Liye by Shoaib Mansoor. The study employs a post-colonial lens, utilizing the concept of marginality to examine identity crises and the traumatic aftermath of 9/11. In addition, the study highlights the main characters of both the literary forms: novel and film, demonstrating how they face marginalization at various levels—cultural, religious, and

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23

Bartnik, Ryszard. "Northern Ireland’s Interregnum. Anna Burns’s Depiction of a (Post)-Troubles State of (In)security." Text Matters: A Journal of Literature, Theory and Culture, no. 11 (November 22, 2021): 64–83. http://dx.doi.org/10.18778/2083-2931.11.05.

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This paper aims to present the main contours of Burns’s literary output which, interestingly enough, grows into a personal understanding of the collective mindset of (post)-Troubles Northern Ireland. It is legitimate, I argue, to construe her fiction (No Bones, 2001; Little Constructions, 2007; Milkman, 2018) as a body of work shedding light on certain underlying mechanisms of (post-)sectarian violence. Notwithstanding the lapse of time between 1998 and 2020, the Troubles’ toxic legacy has indeed woven an unbroken thread in the social fabric of the region. My reading of the novelist’s selected

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24

Monnickendam, Andrew. "Getting it All in the Right Order: the Love Plot, Trauma and Ethical Uncertainty in Rachel Seiffert’s Afterwards." Revista Alicantina de Estudios Ingleses, no. 29 (November 15, 2016): 183. http://dx.doi.org/10.14198/raei.2016.29.10.

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This article analyzes Seiffert’s Afterwards (2007), which, in marked contrast to her debut publication, The Dark Room (2001), has received scarce critical attention. Set in anodyne suburbia, Afterwards narrates the fate of two unglamorous ex-combatants and their trauma. Seiffert’s complex narrative binds together romance and PTSD in a double plot that intertwines the fate of a “squaddy” involved in a shooting incident in the Northern Ireland Troubles with that of a former RAF officer stationed in colonial Kenya. This article argues that beyond subjective issues of judgment, Seiffert shows an a

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25

Drong, Leszek. "Post-Traumatic Realism: Representations of History in Recent Irish Novels." Colloquia Humanistica, no. 2 (June 13, 2015): 19–31. http://dx.doi.org/10.11649/ch.2013.011.

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Post-Traumatic Realism: Representations of History in Recent Irish NovelsThe aim of my essay is to describe major tendencies in contemporary Irish prose writing concerned with historical and political issues. The diversity of the themes and attitudes to the past necessitates a classification of the writings into several various groups of novels whereas my analysis of the modes of representing the intratextual universe paves the way for identifying a single literary convention (post-traumatic realism) which is typical of the works under discussion. Many of the quoted authors subscribe to histor

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26

Zinnatullina, Zulfiya R. "The ‘Internal’ Other in John Fowles’s Works." Вестник Пермского университета. Российская и зарубежная филология 14, no. 4 (2022): 85–93. http://dx.doi.org/10.17072/2073-6681-2022-4-85-93.

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The problem of the national is among the main ones in works by English writer John Fowles. This can be seen both in his fiction works and essays. This article discusses the role of the image of the ‘internal’ Other in the process of building his concept of ‘Englishness’. In his essay On Being English but Not British, the writer analyzes the relations between Englishmen and the inhabitants of Wales, Scotland, and Northern Ireland, and puts the latter on a par with Australians and Americans, however, pointing out their interdependence with the English. The Welshmen Henry Breasley and David Jones

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27

Lutz, David W., Oz Hassan, Stuart Lee, Andreas Hess, and Moritz von Stetten. "The transparent cabal: the neoconservative agenda, war in the Middle East, and the national interest of Israel, Times of terror: discourse, temporality and the war on terror Talking to terrorists: making peace in Northern Ireland and the Basque Country Terrorism: The Self-fulfilling Prophecy Utopia or Auschwitz. Germany's 1968 generation and the Holocaust." Critical Studies on Terrorism 3, no. 3 (2010): 467–81. http://dx.doi.org/10.1080/17539153.2010.521646.

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28

Bell, Colin, David E. Cooper, Zygmunt Bauman, et al. "Book Reviews: Sociology in America, Animals and Society: The Humanity of Animal Rights, Social Forms/Human Capacities: Essays in Authority and Differences, Labour Process Theory, Max Weber's Construction of Social Theory, Bureaucratisation in Northwestern Europe, 1880–1985: Domination and Governance, Organisational Rules: A Framework for Understanding Organisational Action, Organisations in Society, The Mastery of Reason: Cognitive Development and the Production of Rationality, Postmodern Education: Politics, Culture and Social Criticism, ‘Race’, Ethnicity and Education: Teaching and Learning in Multi-Ethnic Schools, Japan's ‘International Youth’: The Emergence of a New Class of Schoolchildren, The Sociology of the Health Service, Living in a Man-Made World: Gender Assumptions in Modern Housing Design, Women and Industrialization: Gender at Work in Nineteenth-Century England, The Decline and Fall of the British Aristocracy, The Making of Modern France: Ideology, Politics and Culture, Culture and Politics in Northern Ireland 1960–1990, Highland Games: The Making of the Myth, before Novels: The Cultural Context of Eighteenth Century English Fiction, Writing Sites, The Ethnographic Imagination: Textual Constructions of Reality, Life and Work History Analyses: Qualitative and Quantitative Developments, A Sort of Clowning: Life and Times 1940–1959." Sociological Review 40, no. 1 (1992): 163–220. http://dx.doi.org/10.1111/j.1467-954x.1992.tb02950.x.

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29

McGuire, Matt. "#MeToo and the Northern Ireland Troubles: Anna Burns' Milkman." C21 Literature: Journal of 21st-Century Writings, April 14, 2022. http://dx.doi.org/10.16995/c21.3397.

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This article examines the relationship between Anna Burns’ Milkman (2018) and the gender politics of the #MeToo movement. It argues that reading Milkman in light of #MeToo helps us understand the book’s depiction of sexual violence and illuminates an important, hidden history of the Northern Irish conflict. Drawing on a range of feminist scholars, it situates Milkman within a series of broader debates about the ‘cultural scaffolding’ of sexual violence and the historically masculinist logic of Irish nationalism. The article concludes by situating Milkman within a predominant thematic strain in

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30

"Fiction and the Northern Ireland Troubles since 1969: (de-)constructing the north." Choice Reviews Online 41, no. 04 (2003): 41–2031. http://dx.doi.org/10.5860/choice.41-2031.

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31

Alonso, Rogelio. "Why Did so Few Become Terrorists: A Comparative Study of Northern Ireland and the Basque Country." Terrorism and Political Violence, April 6, 2021, 1–20. http://dx.doi.org/10.1080/09546553.2021.1905631.

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32

Albert, Allely. "“Social workers by day and terrorists by night?” Wounded healers, restorative justice, and ex-prisoner reentry." Punishment & Society, October 17, 2023. http://dx.doi.org/10.1177/14624745231208183.

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Common to many post-conflict societies, former political prisoners and combatants in Northern Ireland are often portrayed as security threats rather than as potential contributors to societal peacebuilding processes. This distrust limits their ability to contribute to the transitional landscape and additionally hinders desistance processes during their reentry from prison. Drawing from the work of Maruna, LeBel, and others on “wounded healers,” this article critically examines the restorative justice work of ex-prisoners who have become involved in leadership roles within community based resto

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33

McCann, Fiona. "Bearing(s) in Life Writing by Caro Giles and Kerri ní Dochartaigh." Études britanniques contemporaines 67 (2024). http://dx.doi.org/10.4000/12nah.

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Twelve Moons: A Year Under a Shared Sky (2023) by Caro Giles and Cacophony of Bone (2023) by Kerri ní Dochartaigh are both memoirs written by “northern women” during the Covid-19 global pandemic. Caro Giles is based in Northumberland while Kerri ní Dochartaigh is from the North of Ireland and their memoirs both deal with motherhood, loss, and isolation while foregrounding uplifting connections between human animals and the natural environment which surrounds them. Their “northernness” is central to the orientations of Twelve Moons and Cacophony of Bone, which toy with the tensions between losi

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34

Gelashvili, Tamar. "Political Discourse in Modernist and Meta-Postmodernist Irish Drama." Text and Interpretation, 2023. http://dx.doi.org/10.55804/jtsu-2960-9461-2023-6.

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The role and place of political discourse in fiction is a complex and intricate problem. The attitude of scholars and the authors towards the extent to which political discourse is permissible in the literature is heterogeneous. Various writers, like the famous Irish modernist writer James Joyce, believe that literature should be distant from politics, or as Gabriel Conroy, one of the characters in his short stories (The Dead) puts it, "Literature is above politics". However, Joyce contradicts this statement within the story by showing how literature is the medium of politics, for it has the p

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35

Furey, Sinead, Heather McIlveen, and Christopher Strugnell. "Food Deserts." M/C Journal 2, no. 7 (1999). http://dx.doi.org/10.5204/mcj.1799.

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In today's society there is evidence of a culture of the 'empowered consumer' -- an image of the consumer as a citizen rather than a subordinate. In fact, human rights language is increasingly coming to the fore in the consumption debate. The consumer has been allocated rights by the United Nations whereby all human beings are born free and equal and have civil, political, economic and social rights (McGregor 44). However, as citizens we also have responsibilities of an environmental and social concern. Food retailing and equality of shopping provision is one such concern. Food is a basic righ

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36

"Language learning." Language Teaching 38, no. 4 (2005): 194–209. http://dx.doi.org/10.1017/s0261444805223145.

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05–396Altenberg, Evelyn P. (Hofstra U, USA; sphepa@hofstra.edu), The perception of word boundaries in a second language. Second Language Research (London, UK) 21.4 (2005), 325–358.05–397Baker, Wendy (Brigham Young U, USA) & Pavel Trofimovich, Interaction of native- and second-language vowel system(s) in early and late bilinguals. Language and Speech (Twickenham, UK) 48.1 (2005), 1–27.05–398Bardovi-Harlig, Kathleen (Indiana U, USA; bardovi@indiana.edu) & Robert Griffin, L2 pragmatic awareness: evidence from the ESL classroom. System (Amsterdam, the Netherlands) 33.3 (2005), 401–415.05–3

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Deffenbacher, Kristina. "Mapping Trans-Domesticity in Jordan’s Breakfast on Pluto." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1518.

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Neil Jordan’s Breakfast on Pluto (2005) reconceives transience and domesticity together. This queer Irish road film collapses opposition between mobility and home by uncoupling them from heteronormative structures of gender, desire, and space—male/female, public/private. The film’s protagonist, Patrick “Kitten” Braden (Cillian Murphy), wanders in search of a loved one without whom she does not feel at home. Along the way, the film exposes and exploits the doubleness of both “mobility” and “home” in the traditional road narrative, queering the conventions of the road film to convey the desire a

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"Reading & Writing." Language Teaching 38, no. 4 (2005): 216–29. http://dx.doi.org/10.1017/s0261444805253144.

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05–486Balnaves, Edmund (U of Sydney, Australia; ejb@it.usyd.edu.au), Systematic approaches to long term digital collection management. Literary and Linguistic Computing (Oxford, UK) 20.4 (2005), 399–413.05–487Barwell, Graham (U of Wollongong, Australia; gbarwell@uow.edu.au), Original, authentic, copy: conceptual issues in digital texts. Literary and Linguistic Computing (Oxford, UK) 20.4 (2005), 415–424.05–488Beech, John R. & Kate A. Mayall (U of Leicester, UK; JRB@Leicester.ac.uk), The word shape hypothesis re-examined: evidence for an external feature advantage in visual word recognition

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Aly, Anne, and Lelia Green. "‘Moderate Islam’: Defining the Good Citizen." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.28.

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On 23 August 2005, John Howard, then Prime Minister, called together Muslim ‘representatives’ from around the nation for a Muslim Summit in response to the London bombings in July of that year. One of the outcomes of the two hour summit was a Statement of Principles committing Muslim communities in Australia to resist radicalisation and pursue a ‘moderate’ Islam. Since then the ill-defined term ‘moderate Muslim’ has been used in both the political and media discourse to refer to a preferred form of Islamic practice that does not challenge the hegemony of the nation state and that is coherent w

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Aly, Anne, and Lelia Green. "‘Moderate Islam’." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2721.

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   On 23 August 2005, John Howard, then Prime Minister, called together Muslim ‘representatives’ from around the nation for a Muslim Summit in response to the London bombings in July of that year. One of the outcomes of the two hour summit was a Statement of Principles committing Muslim communities in Australia to resist radicalisation and pursue a ‘moderate’ Islam. Since then the ill-defined term ‘moderate Muslim’ has been used in both the political and media discourse to refer to a preferred form of Islamic practice that does not challenge the hegemony of the nation state a

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