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1
Dionne, Anne-Marie. "Pour une traduction des émotions dans les albums de littérature de jeunesse / Translating emotions in children’s picture books." Lublin Studies in Modern Languages and Literature 44, no. 1 (May 1, 2020): 83. http://dx.doi.org/10.17951/lsmll.2020.44.1.83-91.
Повний текст джерелаАнотація:
The translation of the emotions of the characters in picture books is done not only by the text, but also by the illustrations, as well as by the relationship between those two components. Hence, in order to analyze the iconotextual relationships that are translating emotions, we looked at three picture books produced by the author and illustrator Anthony Browne. We were able to find examples for the translation of joy, sadness, anger, and fear. Such picture books provide good support to young children for developing their understanding of the emotional world.
2
Mulvey, Jeremy. "Pictures with words." Information Design Journal 5, no. 2 (January 1, 1987): 141–58. http://dx.doi.org/10.1075/idj.5.2.04mul.
Повний текст джерелаАнотація:
This paper addresses the relationship of pictures and words in illustrated books and newspapers. The author introduces and discusses Roland Barthes' distinction between anchor and relay relationships, and a further development of this distinction by Alain-Marie Bassy. In an anchor relationship, the interpretation of an illustration is anchored to one of its possible meanings by a caption or other linguistic explanation. In a relay relationship, words and pictures are mutually reliant, as in a comic strip. The author suggests that 'defining the relationships between picture and text in this way, has implications for layout.'
3
Min, Lanbin, and Jing Zhou. "A comparative study of visual fixation of Uygur and Han 5- to 6-year-olds in reading picture books within a Chinese reading context: Evidence from eye movement." Journal of Chinese Writing Systems 2, no. 1 (March 2018): 25–33. http://dx.doi.org/10.1177/2513850217752490.
Повний текст джерелаАнотація:
In this study, 80 Uygur children and Han children aged 5 to 6 years within a Chinese reading context were tested by using an SMI portable eye tracker to record their eye movements in picture and text fixation during picture book reading. The findings are as follows. First, Uygur children aged 5 to 6 years primarily focus on pictures in the process of reading picture books. Their level of fixation of key picture information (main characters) is constantly increasing. An important reading characteristic for Uygur children at this age is to understand picture books through capturing key picture information, whereas Han children at this age show signs of shifting from reading the key picture information to overall information processing, such as obtaining information from the picture details, background information, and text information about their relationship with the key pictures. Second, 5- to 6-year-old Uygur children’s fixation on text begins to have elementary development with age, but their text fixation level significantly lags behind Han children, and their fixation of Chinese characters is still in the elementary stage. Third, 5- to 6-year-old Uygur children’s reading direction is potentially affected by their habit of reading their native language, but this age period is also an important stage for the early development of Uygur children’s second language (Chinese).
4
Montag, Jessica L. "Differences in sentence complexity in the text of children’s picture books and child-directed speech." First Language 39, no. 5 (May 22, 2019): 527–46. http://dx.doi.org/10.1177/0142723719849996.
Повний текст джерелаАнотація:
Reading picture books to pre-literate children is associated with improved language outcomes, but the causal pathways of this relationship are not well understood. The present analyses focus on several syntactic differences between the text of children’s picture books and typical child-directed speech, with the aim of understanding ways in which picture book text may systematically differ from typical child-directed speech. The analyses show that picture books contain more rare and complex sentence types, including passive sentences and sentences containing relative clauses, than does child-directed speech. These differences in the patterns of language contained in picture books and typical child-directed speech suggest that one important means by which picture book reading may come to be associated with improved language outcomes is by providing children with types of complex language that might be otherwise rare in their input.
5
Golmier, Isabelle, Jean-Charles Chebat, and Claire Gélinas-Chebat. "Can Cigarette Warnings Counterbalance Effects of Smoking Scenes in Movies?" Psychological Reports 100, no. 1 (February 2007): 3–18. http://dx.doi.org/10.2466/pr0.100.1.3-18.
Повний текст джерелаАнотація:
Scenes in movies where smoking occurs have been empirically shown to influence teenagers to smoke cigarettes. The capacity of a Canadian warning label on cigarette packages to decrease the effects of smoking scenes in popular movies has been investigated. A 2 × 3 factorial design was used to test the effects of the same movie scene with or without electronic manipulation of all elements related to smoking, and cigarette pack warnings, i.e., no warning, text-only warning, and text + picture warning. Smoking-related stereotypes and intent to smoke of teenagers were measured. It was found that, in the absence of warning, and in the presence of smoking scenes, teenagers showed positive smoking-related stereotypes. However, these effects were not observed if the teenagers were first exposed to a picture and text warning. Also, smoking-related stereotypes mediated the relationship of the combined presentation of a text and picture warning and a smoking scene on teenagers' intent to smoke. Effectiveness of Canadian warning labels to prevent or to decrease cigarette smoking among teenagers is discussed, and areas of research are proposed.
6
Šarčanin, Marta, and Renata Geld. "Textual and pictorial representations in strategic thinking about linguistic meaning." Jezikoslovlje 20, no. 3 (December 30, 2019): 423–45. http://dx.doi.org/10.29162/jez.2019.15.
Повний текст джерелаАнотація:
The aim of this study was to investigate L2 speakers’ ability to think strategically about linguistic meaning by asking them to make sense of particle verb (PV) constructions, a particularly demanding aspect of the English language for L2 speakers. Our focus was on meaning construal strategies in textual and pictorial representations of 22 figurative PVs with the particle down. The participants were asked to express themselves verbally and visually, and we were interested in the nature of their answers as well as their relationship. More specifically, we wished to determine the salience of particular elements in the participants’ strategic meaning construal, the type of relationship between textual and pictorial representations and, finally, potential dominance of one mode over another, which was examined in terms of the well-established concepts of “relay” and “anchorage”. The results showed that participants generally related the meaning of the PV construction to its components in their textual answers, whereas in pictorial answers their main tendency was to attend to the figurative meaning of the PV. Furthermore, their textual and pictorial answers most frequently depended on each other, which allowed us to determine that the text-picture relationship was predominantly that of relay, i.e. that text was perceived as more significant in the text-picture relationship.
7
Torop, Peeter. "Интерсемиотическое пространство: Адриянополь в Петербурге "Преступления и наказания Ф. М. Достоевского " [The intersemiotic space: Adrianopol in F. Dostoevsky's "Crime and punishment" St. Petersburg]". Sign Systems Studies 28 (31 грудня 2000): 116–33. http://dx.doi.org/10.12697/sss.2000.28.07.
Повний текст джерелаАнотація:
The intersemiotic space: Adrianopol in F. Dostoevsky's "Crime and punishment" St. Petersburg. The article focuses on the peculiarities of the intertextual space of culture and the means of its analysis. Level analysis, compositional analysis and chronotopical analysis are juxtaposed in the paper. Textual and intertextual chronotopical analyses are considered separately. Two aspects of textual processuality are juxtaposed: the history of text production and the role of the manuscript page structure as a reflection of the writer's style and mode of thinking (especially in the interserniotic relationship between picture, drawing andword); the history of text reception, its intersemiotic translation into different sign systems and its existence in culture in a scattered state. In this connection the notions of the individual and mental text are juxtaposed. As an example a page of F.Dostoevsky's notebook is taken, where an intricate combination of picture, calligraphy and text offers an interesting infonnation on the methods of formation of text conception.
8
Lewis, Michael, Kimberly A. Whitler, and JoAndrea Hoegg. "Customer Relationship Stage and the Use of Picture-Dominant versus Text-Dominant Advertising: A Field Study." Journal of Retailing 89, no. 3 (September 2013): 263–80. http://dx.doi.org/10.1016/j.jretai.2013.01.003.
Повний текст джерела
9
Szyłak, Jerzy. "Postmodernizm naprawdę dla dzieci. O metafikcji w książkach obrazkowych." Literatura i Kultura Popularna 25 (July 28, 2020): 277–391. http://dx.doi.org/10.19195/0867-7441.25.21.
Повний текст джерелаАнотація:
The text is an attempt to present what a postmodern picture book for children is. The main thesis indicates the tendency to break the traditional discourse, inscribed in children’s books. Ear-lier it was used mainly in parodies of this type of literature. Authors such as Edward Gorey, Ruth Krauss, and Maurice Sendak, may be considered precursors of post-modern picture books. Contem-porary artists using similar poetics are Raymond Briggs, Chris Van Allsburg, David Wiesner, and Jon Scieszka. Their characteristic features of narration are references to other works, the strategy of unmasking the fictionality of the message and the idea of revealing the materiality of the book. The issue of metafiction came to the fore in theoretical considerations about post-modern picture books from 2018. This kind of academic research can be considered as a manifestation of a broader tendency to constitute a new relationship between the recipient and the text of culture, excluding the naive reception of the reader.
10
VIPPERMAN, KRISTY. "Climacus the (multi-dimensional) humorist: interpreting ‘An understanding with the reader’." Religious Studies 35, no. 3 (September 1999): 347–62. http://dx.doi.org/10.1017/s003441259900493x.
Повний текст джерелаАнотація:
‘An understanding with the reader’ which appears as an appendix to Kierkegaard's Concluding Unscientific Postscript has puzzled readers by apparently ‘taking back’ everything that the pseudonymous author Climacus has said in the text that precedes it. I agree with John Lippitt that this ‘revocation’ should be read as a humorous statement; however, I disagree with Lippitt's assessment that the tone of the revocation is essentially ‘non-urgent’ and ‘modest’. I propose that a fuller picture of Climacus's character is needed to understand the spirit of the revocation and its relationship to the rest of the text.
11
Hajduk, Jan. "The “Human-animal” Relationship in Psychological Definition Chains." Respectus Philologicus 35, no. 40 (April 23, 2019): 92–101. http://dx.doi.org/10.15388/respectus.2019.35.40.06.
Повний текст джерелаАнотація:
[full article and abstract in English]
The article presents the results of research on definition chains carried out among Polish and German students. Definition chains are systematized hierarchical collections, in which the next lexeme is the superordinate of the previous one, e.g.: Alsatian wolfdog – dog – animal – living creature. The research on definition chains was initiated by R. Martin, French linguist, in the 1970s. Similar analyses were conducted in Poland and Germany 10 years later. The text draws attention to both the inclusive chains, as well as those in which the relation of inclusions does not occur. Non-inclusive definition chains, referred to as psychological chains, indicate the occurrence of the features related to the lexeme of the lowest level, which belong to the linguistic picture of the described word. The relation between “human-animal” and the common top-level domains in both language groups deserve special emphasis.
12
Kummerling-Meibauer, Bettina. "Metalinguistic Awareness and the Child's Developing Concept of Irony: The Relationship between Pictures and Text in Ironic Picture Books." Lion and the Unicorn 23, no. 2 (1999): 157–83. http://dx.doi.org/10.1353/uni.1999.0024.
Повний текст джерела
13
Smelik, Willem. "Trouble in the Trees! Variant Selection and Tree Construction Illustrated by the Texts of Targum Judges." Aramaic Studies 1, no. 2 (2003): 247–87. http://dx.doi.org/10.1163/000000003780492656.
Повний текст джерелаАнотація:
Abstract The genealogy of textual witnesses of the Jewish Aramaic Bible translations is fraught with difficulties because our copies reveal traces of non-linear influences. This article explores some criteria for the selection of variant readings in order to achieve a meaningful picture of the relationships between the witnesses, while focusing on the results of two editions and two manuscripts whose relationship to one another is known. The second part of this article provides an evaluation of the results in the form of shock waves and initial trees. A case is made for the preservation of all variant readings, while using our images of text relations as a heuristic device to help understand the course of variant readings.
14
Nożyński, Szymon. "Akuzmatyczność filmowych efektów dźwiękowych. Medialna mistyfikacja foley w kontekście sound designu." Przegląd Kulturoznawczy, no. 4 (50) (December 30, 2021): 715–28. http://dx.doi.org/10.4467/20843860pk.21.049.14966.
Повний текст джерелаАнотація:
Acousmaticity of Film Sound Effects: Media Mystification of Foley in the Context of Sound Design The text is about the foley profession, an important specialty performed as part of film sound design, at the post-production stage. What’s important here is both, the foley artist’s body, which becomes an instrument, and the ontology of created sounds, which are inserted into the finished film and synchronized with the picture. The author wonders if there is still a place for foley artists in the digital reality and common computerization of work. But the most important issue concerns the nature of sounds themselves, in the context of their production, acousmatics and the ubiquitous sound design. What is the sound implemented into the picture, does the picture give credence to the sound, even though the sound is “substituted” because it is produced in the studio? The situation is debatable, in the context of acousmatic listening (i.e. without the context of the source), because the picture provides a substitute context for the sound, and the viewer (listener) accepts this audio-visual relationship without reservation (as long as the sound is prepared well). Especially since by going to the cinema, the viewer agrees to a form of manipulation in the name of entertainment. Usually he or she is not aware of the mystification in the field of sound, which - within the oculocentric perception ‒ for him or her is only a complement to the picture, although, in fact, it plays a fundamental role in understanding what is happening on the screen. Other topics discussed in the text concern the communicativeness of sound and the historical background of the foley profession. Also important are the interrelations between foley and sound design and other areas of sound activity, as part of the preparation of all the audio layers of a film.
15
Levine, Adina, and Thea Reves. "Does the Method of Vocabulary Presentation Make a Difference?" TESL Canada Journal 8, no. 1 (October 26, 1990): 37. http://dx.doi.org/10.18806/tesl.v8i1.577.
Повний текст джерелаАнотація:
Extensive vocabulary appears to be of utmost importance for the comprehension of academic reading material. Classroom materials as well as learners' self-reports indicate that whereas specialized terminology may not constitute difficulties to the student, it is the unfamiliarity with general vocabulary which seems to be the biggest problem in text comprehension. The purpose of the study was to investigate a. the effect of the method of vocabulary presentation on vocabulary acquisition and b. the inter-relationship of learner-factors and methods of vocabulary presentation in the retention of vocabulary. The study was carried out in the framework of a reading programme in English as a Foreign Language (EFL). The overall picture that emerged from the study confirmed the hypothesized inter-relationship between vocabulary acquisition on the one hand and method of presentation and learner-factors on the other. The data indicate different relationships in the case of long-term retention than in the short-term retention of vocabulary.
16
SCHILDKNECHT, DIETER, BERND SURROW та MIKHAIL TENTYUKOV. "SCALING IN γ*p TOTAL CROSS-SECTIONS, SATURATION AND THE GLUON DENSITY". Modern Physics Letters A 16, № 28 (14 вересня 2001): 1829–39. http://dx.doi.org/10.1142/s021773230100514x.
Повний текст джерелаАнотація:
Including the new HERA data, the γ*p total cross-section is analyzed in the generalized vector dominance/color-dipole picture (GVD/CDP) that contains scaling in [Formula: see text], where Λ2(W2) is an increasing function of W2. At any Q2, for W2→∞, the cross-sections for virtual and real photons become identical, σγ*p (W2,Q2)/σγp (W2)→ 1. The gluon density deduced from the color-dipole cross-section fulfills the leading order DGLAP relationship. Evolution à la DGLAP breaks down for η≲0.1.
17
Botting, Nicola. "The relationship between reading skill and descriptive picture narratives in late-primary age children with a history of language impairment." Educational and Child Psychology 24, no. 4 (2007): 31–43. http://dx.doi.org/10.53841/bpsecp.2007.24.4.31.
Повний текст джерелаАнотація:
Assessing the language skills of older children is an increasing concern for educational psychologists and speech and language therapists. It is now known that groups with language difficulties also often experience severe literacy difficulties but the relationship between oral language and literacy is not well understood in older children. In this study, the picture description narratives from 121 children with a history of SLI were analysed in relation to standardised language tests, reading accuracy and comprehension at 11 years of age. Four narrative subscales were examined: the use of complex syntax, the use of evaluative devices, morphological errors and semantic errors.In general narratives were short and limited in scope. Partial correlations with NVIQ controlled showed that both error scores were related to reading skill. Even in this clinical language sample a small group of ‘poor text comprehenders’ could be identified who showed normal reading accuracy but poor text comprehension (n = 11, 10 per cent) as well as a majority of generally poor readers (n = 79) who showed reading accuracy and comprehension scores outside the normal range, and a significant minority of normal readers with SLI (n = 21) with both reading scores within 1SDof the normative mean. There was no support for an increased proportion of children with a ‘dyslexic’ profile: that is poor decoding in the context of good text comprehension. A significant interaction of narrative profile was found across the reading groups (group x narrative subscale). These literacy and narrative profiles have implications for educational progress and the assessment of written and oral language in difficult-to-test populations.
18
Hidayati, Hidayati, Zuindra Zuindra, Mayasari Mayasari, Misla Geubrina, and Arifuddin Arifuddin. "The Poor in Thomas Gray’s Elegy Written in a Country Churchyard: Critical Discourse Analysis Approach." LANGUAGE LITERACY: Journal of Linguistics, Literature, and Language Teaching 2, no. 2 (December 17, 2018): 85. http://dx.doi.org/10.30743/ll.v2i2.717.
Повний текст джерелаАнотація:
The research deals with the problems of poverty with the aim of revealing the situation of rural people experiencing various shortages throughout their daily needs. This poem is also a personal picture of the poet seeing by firsthand the situation of the marginalized people. Through critical discourse analysis by means of Van Dijk model consisting of three dimensions, namely text, social cognition and social context, the picture of the poor in the poem can be seen clearly. The data used are lines of Stanza No. 13 as a representation of the whole poem. The method used is descriptive qualitative. The results of the research indicate that knowledge or education is not limited to one group, but for all; but in practice the poor do not always get the opportunity to obtain proper education. The voice of the poor is not heard; therefore, they are bound by circumstances and cannot do much. In connection with critical discourse analysis, at the level of text, the general theme is the death and fate of the people on the periphery of the society. In the data related, the theme is the absence of opportunities for the poor to get education; the storyline starts from the causes and consequences of poverty and in the microstructure level there are syntactic and lexicon elements. The level of social cognition describes the close relationship between the poet and the elegy and of social conditions pictures the historical background of the text production.
19
王, 悦. "The Image-Text Relationship Construction and Death Concepts Demonstration Illustrated in Children’s Picture-Books—Taking Time to Say Goodbye as an Example." Advances in Social Sciences 10, no. 09 (2021): 2541–50. http://dx.doi.org/10.12677/ass.2021.109352.
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20
Ekholm, Karin. "Anatomy, Bloodletting and Emblems." Early Science and Medicine 18, no. 1-2 (2013): 87–123. http://dx.doi.org/10.1163/15733823-0004a0004.
Повний текст джерелаАнотація:
The title-page of Nathaniel Highmore’s Disquisition on the Anatomy of the Human Body (1651) depicts mythological and historical characters, anatomical and medical symbols and embodiments of anatomy, contemplation and different forms of bloodletting. Seventy-five lines of free verse face the engraving and together with inscriptions help identify characters and themes in each scene. The verses begin with the charge to examine the title-page before proceeding, and this article explores what the picture teaches the reader. The emblem entices not only by what it heralds, but also by the complex enigmas it comprises, and interpreting it requires the reader to circulate between the picture, verses and the main text. This process instructs us in Highmore’s methods of investigation, his views on the relationship between anatomy and medicine, and his anatomical findings. In particular, it calls attention to his argument that the effectiveness of bloodletting can only be explained on the premise that blood circulates.
21
Natalia Paprocka and Justyna Wesoła. "La traduction de l’onomatopée dans les livres pour les tout-petits : la relation texte-image-son." Między Oryginałem a Przekładem 25, no. 46 (December 5, 2019): 41–60. http://dx.doi.org/10.12797/moap.25.2019.46.03.
Повний текст джерелаАнотація:
The Translation of Onomatopoeia in Early-concept Books: The Text-Image-Sound Relationship
The purpose of the study is to observe the functioning of onomatopoeia in the translation of picture books for young children (under three years old). The textual, visual and sound layers remain strongly interdependent in these books, and their conception is often based on onomatopoeia, which is connected to the development of language in children.Taking Soledad Bravi’s Le Livre des bruits and its Spanish and Polish translations as an example, we distinguished several translation problems related to (1) the need to give the onomatopoeia a written form in the target language, (2) the independence of their pronunciation from their written form, and (3) the interdependence of picture and onomatopoeia in terms of meaning. Furthermore, we observed that some onomatopoeia were perceived by adult readers as representations of negative stereotypes in terms of children education, which resulted in a kind of “pedagogical control” on their behalf.
22
Williams, Steve. "philosophical dialogue with children about complex social issues: a debate about texts and practices." childhood & philosophy 16, no. 36 (July 21, 2020): 01–28. http://dx.doi.org/10.12957/childphilo.2020.37827.
Повний текст джерелаАнотація:
In this article, I report on my reading of a debate between two practitioners and scholars of philosophy with children – Karin Murris and Darren Chetty. The parts of their exchanges I have chosen to focus on relate to a children's book called Tusk Tusk by David McKee. Their respective arguments raise questions for me about the relationship between the starting text (or stimulus) and issues of importance in the wider world. Although Chetty sees benefits in using picture books, he appears to believe there is an over-reliance on fables and other magical tales and that alternative starting points could be more suitable for exploring complex social issues with historical dimensions. Murris, on the other hand, seems to appreciate the lack of historical perspective that is evident in many of her preferred picture books. She values their ‘universal’ and ‘magical’ aspects because they stimulate ‘rhizomatic’ dialogues that are spontaneous and non-hierarchical. In this commentary I trace what, to me, are the most significant lines of argument put forward by Chetty and Murris. In response, I suggest some practical ideas for choosing texts and ‘reading against the text’ – a term both writers use. I also ask and answer the question: ‘In sessions of philosophical dialogue, should adults bring to children for consideration issues they regard as important or refrain from doing so?’
23
Pazzini, Claudia. "L’abito immaginato. Abbigliamento e identità nell’albo illustrato moderno." Journal of Literary Education, no. 3 (December 12, 2020): 160. http://dx.doi.org/10.7203/jle.3.17235.
Повний текст джерелаАнотація:
The essay focuses on the examination of a selection of children’s picture books on the theme of clothing as an element of identity and as a means of personal and social transformation. The gender stereotype has always deprived children of the freedom to imagine themselves different from the imposed social model. Modern quality literature aims to free childhood from these constraints through stories that encourage the free expression of one's personality. "Clothing and childhood" is one of the binomial in which these themes appear most evident. While developing different plots, each selected book tells a story enriched by several levels of reading, more or less evident, and this is also due to particularly accurate illustrations, capable of adding further nuances to the text. Furthermore, even if characterized by the symbolic presence of clothes, these picture books do not make them the narrative fulcrum. In each of these case studies, clothing becomes a pretext for a journey of self-discovery and affirmation of one's individuality in the world. These case studies are a concrete example of the potential of the picture book as a vehicle of complex concepts and stratifications of complementary or parallel meanings that emerge from the dynamic relationship of the text with the image. Each double page opens multiple, free interpretative paths that can be taken at each reading, as the eye catches new aspects and the thought opens up to new discoveries. The imaginary dress is therefore one of the many parallel topics that it was possible to address through these books, with which the possible interpretations of clothing in children's literature have been explored, highlighting above all how much garments are objects charged with metasignification or with projections of a identity in formation such as the one of children.
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Thiele, Jan. "The Jewish and Muslim Reception of ʿAbd al-Jabbār’s Kitāb al-Jumal wa-l-ʿuqūd: A Survey of Relevant Sources". Intellectual History of the Islamicate World 2, № 1-2 (2014): 101–21. http://dx.doi.org/10.1163/2212943x-00201008.
Повний текст джерелаАнотація:
The Muʿtazila was not an exclusively Muslim phenomenon, since their teachings were also adopted by medieval Jewish savants. In recent years, a number of Muʿtazilī works were rediscovered or substantially completed by adopting a comparative methodology, which was based on both Muslim and Jewish sources. This article deals with a lost work composed by qāḍī ʿAbd al-Jabbār, entitled al-Jumal wa-l-ʿuqūd. I will give an overview of the sources in Zaydī and Karaite collections that provide us with a more detailed picture of the dissemination of the text. On the basis of quotations by later theologians, I will propose a hypothesis on the content of al-Jumal wa-l-ʿuqūd. I will then discuss a possible relationship between ʿAbd al-Jabbār’s text and a manuscript from the Firkovitch collection in the National Library of Russia, which has recently been identified as a work entitled Taʿlīq al-Jumal wa-l-ʿuqūd.
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Bugaeva, I. V., M. V. Yudin, and A. V. Solyankin. "II International Scientific Conference "Word, Text, Source: Methodology of Modern Humanitarian Research"." Язык и текст 9, no. 3 (2022): 78–83. http://dx.doi.org/10.17759/langt.2022090310.
Повний текст джерелаАнотація:
An overview of the main problems that were discussed during the II International Scientific Conference "Word, Text, Source: Methodology of Modern Humanitarian Research", which was held at the Institute of Slavic Culture of the Kosygin Russian State University (Technology. Design. Art) more than 130 participants from 10 regions of Russia and from 4 countries. The participants focused on topical issues of the methodology of philological research, problems of terminology and tasks of interdisciplinary research. The presented reports reflect the whole range of topical humanitarian research. The range of issues discussed is varied. These are new scientific areas, such as theolinguistics and linguotheology, questions of method, methodology and terminology, questions of lexicographic definition and hermeneutic interpretation, the problem of visualizing linguistic phenomena, analysis of the relationship between the categories "text" and "context", etc. Also, the attention of researchers is directed to the description of discourse and the solution of problems of metaphorical interpretation in different types of discourse; issues of reconstruction of the central concepts of the individual-author's picture of the world.
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Graziosi, Marco. "Edward Lear." European Comic Art 12, no. 2 (September 1, 2019): 17–44. http://dx.doi.org/10.3167/eca.2019.120203.
Повний текст джерелаАнотація:
Edward Lear has secured a prominent position in the history of literature and travel writing thanks to his nonsense books and his journals; he is considered one of the most innovative zoological illustrators of the nineteenth century and is being rediscovered as a landscape painter in watercolour and oil. This article argues that he also deserves to be remembered among the precursors of modern comic art. His picture stories, though never published in his lifetime, represent an early instance of autobiographical graphic narrative, while his limericks, never out of print since 1861, introduced a radically innovative caricatural style and a conception of the relationship between pictures and text that strongly influenced modern comic artists.
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Wu, Ligao. "Investigating Social Presence in Audio and Text Online Interaction for Language Learning." Chinese Journal of Applied Linguistics 43, no. 2 (June 1, 2020): 188–204. http://dx.doi.org/10.1515/cjal-2020-0012.
Повний текст джерелаАнотація:
Abstract This study aimed at comparing the level of social presence generated in a voice-based chat room and a text-based forum when learners tried to build personal relationships and form an online community for learning on an online language course in China. A mixed-method approach was taken for the study, drawing on data from questionnaires to find out about student perception of social presence, and postings of text messages and audio messages in the communication of the student learning process to search for students’ projected social presence in terms of affective, interactive and cohesive features. Interviews were also conducted to supplement additional information with the hope of forming a complete picture of social presence in the reality of an online learning environment. The text-based forum and the voice-based chat room were found to have a different impact on student social presence. In terms of student perception, most of them were more likely to get to know peers in the text-based forum and thus developed a sense of community in their learning process of the online course. Yet they believed that the voice-based chat room had the advantage of helping them with course learning. In the actual interaction, the voice-based chat room was more interactive although the text-based forum was more affective and cohesive. But in terms of the affective category, the problem with the existing framework in literature was that there were no prosodic features included. Therefore, in future more research is needed to probe for the relationship between prosodic sound features and social presence, and the present theoretic framework must be extended. In interviews, students explained that in the voice-based chat room prosodic features led to higher peer awareness, which further reinforced this need.
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Valentinova, Olga I. "Imaginative thinking in science (based on the material of V.O. Klyuchevsky’s essay “The History of Russia”)." Philological Sciences. Scientific Essays of Higher Education, no. 4 (July 2022): 48–57. http://dx.doi.org/10.20339/phs.4-22.048.
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The article investigates the functions of image and figurative thinking in an academic text. The research material was the classic work by V.O. Klyuchevsky “A History of Russia”. The empirical material has shown that the relationship between logical and figurative thinking in an academic text is not definitively hierarchical. In V.O. Klyuchevsky’s discussing of the most significant events in the Russian history, logical and figurative thinking are either in the relationship of complementarity, or figurative thinking compensates for the restrictions of logical thinking. While retaining the essential ability of expressing a complex thought, the image in an academic text performs a cognitive function, including the cases when an image or a series of images is used to explain or reconstruct the historical outlook of an era. In this latter case, the image also remains a way of knowing the abstract through the concrete. In this way the intratextual function is superimposed on the immanent function of the image. The analysis of explanatory analogies has revealed different principles of their presentation, the objective and the subjective ones,, which in turn has made it possible to reveal a varying degree of reflexivity of consciousness in creating an image in an academic text. An organic synthesis of the conscious and the unconscious underlies the historical image constructed in accordance with the principle of chronotopic homonomy. At the same time, the article establishes a criterion for distinguishing between an image as a method of cognition and an image as an element of rhetoric. The study of figurative academic thinking allows, on the one hand, to reach the supercategory of the author’s persona, and, on the other hand, to get a more complete picture of the object of cognition, which means that this research is significant not only for philology, but also for the field of knowledge to which the studied academic text belongs.
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Spera, Mauro. "Moment map and gauge geometric aspects of the Schrödinger and Pauli equations." International Journal of Geometric Methods in Modern Physics 13, no. 04 (March 31, 2016): 1630004. http://dx.doi.org/10.1142/s021988781630004x.
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In this paper we discuss various geometric aspects related to the Schrödinger and the Pauli equations. First we resume the Madelung–Bohm hydrodynamical approach to quantum mechanics and recall the Hamiltonian structure of the Schrödinger equation. The probability current provides an equivariant moment map for the group [Formula: see text] of volume-preserving diffeomorphisms of [Formula: see text] (rapidly approaching the identity at infinity) and leads to a current algebra of Rasetti–Regge type. The moment map picture is then extended, mutatis mutandis, to the Pauli equation and to generalized Schrödinger equations of the Pauli–Thomas type. A gauge theoretical reinterpretation of all equations is obtained via the introduction of suitable Maurer–Cartan gauge fields and it is then related to Weyl geometric and pilot wave ideas. A general framework accommodating Aharonov–Bohm and Aharonov–Casher effects is presented within the gauge approach. Furthermore, a kind of holomorphic geometric quantization can be performed and yields natural “coherent state” representations of [Formula: see text]. The relationship with the covariant phase space and density manifold approaches is then outlined. Comments on possible extensions to nonlinear Schrödinger equations, on Fisher-information theoretic aspects and on stochastic mechanics are finally made.
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Bingenheimer, Marcus. "Collation Strategies for the Buddhist Canon—As Seen in the Frequency and Impact of Character Variance in Canonical Editions of the Song Gaoseng Zhuan 宋高僧傳 (T.2061)". East Asian Publishing and Society 4, № 2 (8 липня 2014): 155–74. http://dx.doi.org/10.1163/22106286-12341260.
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The different readings given in the apparatus of the authoritative Taishō edition of the Buddhist canon are widely used, but we do not know much about their relationship to previous efforts, their accuracy and comprehensiveness, because the witnesses used in the collation are not readily available to researchers. Moreover, we do not know exactly how other canonical editions that were discovered in the 20th century compare to the Taishō edition and to what degree a further collation might be useful. This paper tries to answer some of these questions by expanding the Taishō apparatus of the Song Gaoseng Zhuan (T.2061) through collation with the Qisha canon and a categorization of the variations encountered. The combination of qualitative judgments about the variations together with quantitative data about their occurrence makes it possible to present a clearer picture of the relationship between these two versions of the text.
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Rosenzweig, James W., Frank Lambert, and Mary C. Thill. "It’s What’s on the Inside That Counts: Analyzing Student Use of Sources in Composition Research Papers." Evidence Based Library and Information Practice 16, no. 4 (December 15, 2021): 63–83. http://dx.doi.org/10.18438/eblip30026.
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Objective – This study is designed to discover what kinds of sources are cited by composition students in the text of their papers and to determine what types of sources are used most frequently. It also examines the relationship of bibliographies to in-text citations to determine whether students “pad” their bibliographies with traditional academic sources not used in the text of their papers. Methods – The study employs a novel method grounded in multidisciplinary research, which the authors used to tally 1,652 in-text citations from a sample of 71 student papers gathered from English Composition II courses at three universities in the United States. These data were then compared against the papers’ bibliographic references, which had previously been categorized using the WHY Method. Results – The results indicate that students rely primarily on traditional academic and journalistic sources in their writing, but also incorporate a significant and diverse array of other kinds of source material. The findings identify a strong institutional effect on student source use, as well as the average number and type of in-text citations, which demographic characteristics do not explain. Additionally, the study demonstrates that student bibliographies are highly predictive of in-text source selection, and that students do not exhibit a pattern of “padding” bibliographies with academic sources. Conclusion – The data warrant the conclusions that an understanding of one’s own institution is vitally important for effective work with students regarding their source selection, and that close analysis of student bibliographies gives an unexpectedly reliable picture of the types and proportions of sources cited in student writing.
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Radovic, Mina. "Introduction: What Kind of Faith? On Christian Spiritual Life and the Message of Silence." Film Matters 13, no. 1 (March 1, 2022): 159–63. http://dx.doi.org/10.1386/fm_00212_7.
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The dossier examines the ways in which spiritual life can be communicated through literary and cinematic expression. The dossier emerged from work with three outstanding students—Elijah Young, Alison Parmenter, and Costanza Chirdo—taking the class on the final-year undergraduate course Studies in Literature and Film which I taught at the Department of English and Creative Writing at Goldsmiths, University of London. By looking at one shared source text the aim is to study, compare, and reveal the ways in which literature and film can serve as unique artistic forms for communicating about faith and the significance of confronting silence as a way to building one’s relationship with God and our fellow human beings. The text in question is the Japanese novel Silence by Shūsaku Endō, and its two eponymous film adaptations, by Masahiro Shinoda and Martin Scorsese, respectively. It is through a comparative study of the texts that we can get the “full picture” of the message of Silence and better understand how each author (or auteur!) adds meaningful depth to the source material’s depiction of the Christian spiritual life.
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Samoilova, Iryna. "Description of nouns with parametric semantics in an active explanatory dictionary: The lexicographic experiment." Ukrainska mova, no. 3 (2021): 77–96. http://dx.doi.org/10.15407/ukrmova2021.03.077.
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This article provides an overview of an active type dictionaries in Ukrainian and foreign lexicography. It examines the peculiarities of the structural organization of dictionary articles, presenting of words in a paradigmatic relationship with registry units, displaying the typical syntagmatic properties of units, and case forms. Relying on a wide range of texts in the Ukrainian language corps, the paper describes the words with parametric semantics dalekist’ (farness) and blyz’kist’ (closeness) with respect to the anthropocentric approach. The applied lexicographic experiment is a practical part of studying the topic of compiling an active type explanatory dictionary of the Ukrainian language. This lexicographic experiment was verified on the texts of the corps of semantic paradigms of words presented in the dictionaries of the 20th—21st centuries. It offers checking procedures and vocabulary and text filters. In contrast to the published explanatory dictionaries, the modeled description of language units provides a more complete picture about the functioning of the examined words in texts of different genres, their semantic potential, and stylistics. Keywords: anthropocentric lexicography, active type of dictionary, parametric noun, dictionary entry, text corpus.
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Cârstea, Daniela. "The Picture of Dorian Gray; The Return of the Real." European Journal of Behavioral Sciences 4, no. 3 (December 20, 2021): 1–5. http://dx.doi.org/10.33422/ejbs.v4i3.713.
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I feel that my analysis, which endeavours to articulate the operational Lacanian concepts onto Wilde’s fiction, will achieve a “liberating” of the meaning from the text, an enterprise which can be equated with a transvaluation of the textual psychical values. One of the points I argue in what follows is that the readers of The Picture of Dorian Gray are encouraged by Wilde to transcend the limited perspective of the fictional selves (characters) in the story. To use Lacanian terms, consciousness equals a fictional construct that performs a masquerade of truth because it is attached to signifiers that reside beyond the subject in the Other (and in the unrepresented sphere of the Real). Approaching the text from a Lacanian perspective will make the reader aware of how one constructs an ideal image of one’s ‘self’ and seduces others into recognizing it. The results that such an enterprise yields point to the fact that there is an eccentric relationship between what a person (Dorian Gray, in our case) is and what one desires, a lack-in-being that haunts the human subject. Even if the portrait fills his lack-in-being, by bestowing upon him everlasting beauty, there remains a gap within itself likewise. It lacks life. To conclude, the portrait becomes more Dorian-like in proportion as Dorian himself gets alienated from his self, so that eventually it becomes the real Dorian. When the latter fully realizes that, he tries to reconquer his life, even if the price is his death.
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Jo, Sunggyung. "The Picture of Dorian Gray: A Portrait of the ‘Wild Reader’." Victoriographies 11, no. 1 (March 2021): 58–76. http://dx.doi.org/10.3366/vic.2021.0409.
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Paul Jay claims that we need to pay renewed attention to the aesthetic to address and incorporate everyday experience into our academic discussions. Clearly, at stake here is the opportunity to reconceptualise the symbiotic relationship between literature and ordinary readers. In this essay, I propose a concept that I call ‘wild reading’ through which to understand sensuous, and potentially violent, acts of reading texts, as represented in Oscar Wilde's The Picture of Dorian Gray (1890). The novel repeatedly portrays reading as an act of wild, sensual submission to seductive ‘texts’, as if one were succumbing to the charms of an irresistible lover. I am going to focus on, and analyse, particular scenes in the novel, by means of which I will conceptualise and discuss the notion of ‘wild reading’ as performed by Wilde's characters. Ultimately, I suggest ‘wild reading’ as a useful aesthetic category for our own everyday experience of reading and as a vehicle through which we might understand actual readers’ desire-driven acts of imagination triggered by a seductive text.
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Warami, Hugo. "INTEGRASI ILMU LINGUISTIK DALAM WACANA POLITIK UNDANG-UNDANG OTONOMI KHUSUS PAPUA: PERSPEKTIF STUDI MORFOLOGI." CaLLs (Journal of Culture, Arts, Literature, and Linguistics) 4, no. 1 (June 25, 2018): 65. http://dx.doi.org/10.30872/calls.v4i1.1296.
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This study is part of an effort to understand the true value of basic philosophy that is revealed behind the law is really very meaningful in finding the words and concepts to describe the meaning of a text of the law. The provision of a special autonomy space for Papua is seen as a new sign that becomes a beacon within nationalists from the threat of Papuan nationalist groups (separatists and federalists) who are constantly creating new signs in the social semiotics space in Papua. Language as the home of life, capable of echoing and symbolized as a form of resurrection that is ready to threaten the unitary state system. The purpose of this study is to uncover political discourse in the text of law number 21 on Special Autonomy of Papua laden with linguistic nuances (morphology) which is not only what is understood, but the understanding itself is essentially linguistic as well. The method used in this research refers to qualitative method with descriptive research type which serves to present a detailed picture about a particular situation, social background, relationship, class or certain characteristic in Papua Special Autonomy Law. The main data in this study is the writing data (main) which is derived from the text of the Special Autonomy Law of Papua. The qualitative data derived from the text of the law in the form of words, phrases, clauses and sentences that provide an overview of the integration of morphological studies can then be described and explored in their meaning according to their use in the text.
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Verdier, Pierre-Hugues, and Mila Versteeg. "International Law in National Legal Systems: An Empirical Investigation." American Journal of International Law 109, no. 3 (July 2015): 514–33. http://dx.doi.org/10.5305/amerjintelaw.109.3.0514.
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International legal scholars have long recognized the importance of the rules and processes by which states adhere to international legal obligations and “translate” them into their domestic legal systems. Research by political scientists on specific issue areas likewise increasingly recognizes that domestic implementation is crucial to international law compliance and effectiveness. Yet the lack of systematic data makes it difficult to assemble an overall picture of the relationship between international law and domestic law around the world, let alone to document its evolution over time. Recent qualitative surveys of state practice have begun to fill that gap, but provide only a snapshot in time and are limited to relatively few countries. Some quantitative projects cover more countries, but address only a limited number of questions based solely on the text of national constitutions.
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Yoffee, Norman. "Before Babel A Review Article." Proceedings of the Prehistoric Society 56 (1990): 299–313. http://dx.doi.org/10.1017/s0079497x00005168.
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Editorial summary. This paper began as a review of Renfrew, Archaeology and Language. The Puzzle of Indo-European Origins (1987). It was expanded with a further review, of Mallory, In Search of the Indo-Europeans (1989). It has ended by considering not only the books in question, but also wider issues of the relationship between archaeological and linguistic evidence.The hypothesis of Renfrew for an early dispersal of Indo-European speakers from Anatolia with the spread of farming from the 7th millennium bc is contrasted with the view of Mallory that Indo-European speakers emerged from a diverse background in a broad homeland between the Pontic and Caspian Seas in the period 4500–2500 bc. One major difficulty, among many others, for Renfrew's view is that there is no historical evidence for Indo-Europeans in western Asia until the early 2nd millennium bc; the Indo-European-speaking Hittites appear to have been intrusive into Anatolia only slightly before this time and to have made use of the non-Indo-European language of the indigenous Hatti; and in Iran, Indo-European speakers may not have appeared until the end of the 2nd millennium bc.Both Renfrew and Mallory are seen to seek congruence between the archaeological and linguistic records. The opposite view is argued, that historical, linguistic and archaeological evidence each represent different kinds of human behaviour. The metaphor is employed of an incomplete jigsaw puzzle, three-dimensional and with past, present and future, and possessing both picture and text; picture and text each require separate specialists in their reconstruction. The independence and importance of archaeological evidence is reaffirmed.
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Lis, Kinga. "On the Earliest English Translation of the Laws of Oléron and Its Editions." Studia Anglica Posnaniensia 55, no. 1 (March 1, 2020): 79–118. http://dx.doi.org/10.2478/stap-2020-0004.
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Abstract The Laws of Oléron are a compilation of regulations binding in north-western Europe. They concern relationships on board a ship and in ports, as well as between members of one crew and those of another when it comes to safe journey. Even though the “code” was known in England at the beginning of the 14th century, it was only in the 16th century that it was translated from French into (Early Modern) English. The literature on the topic mentions two independent 16th-century renditions of the originally French text (Lois d’Oléron) but disagrees as to the authorship of the earliest translation, its date and place of creation, the mutual relationship between the two, their content and respective source texts. Strikingly, three names appear in this context: Thomas Petyt, Robert Copland, and W. Copland. The picture emerging from various accounts concerning the translations is very confusing. It is the purpose of this paper to trace the history of the misconceptions surrounding the Early Modern English versions of the Laws of Oléron, and to illustrate how, by approaching them from a broader perspective, two hundred years of confusion can be resolved. The wider context adopted in this study is that of a book as a whole, and not of an individual text within the book, set against the backdrop of the printing milieu. The investigation begins with a brief inquiry into the lives and careers of the three people named with respect to the two renditions, in an attempt to determine whether these provide any grounds for disagreement. The analysis also juxtaposes the relevant renditions as far as their contents, layout, and the actual texts are concerned in order to establish what the relationship between them is and whether it could account for the confusion surrounding the translations.
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Czekalski, Stanisław. "Talbotowski paradygmat wizualności fotografii." Artium Quaestiones, no. 28 (May 22, 2018): 5–32. http://dx.doi.org/10.14746/aq.2017.28.1.
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The concept of visuality proposed by Norman Bryson, which refers to conscious perception determined by a system of concepts and knowledge of the visible, is related in the paper to the relationship between two kinds and ideas of photography, introduced respectively by Louis J. Daguerre and William H. Fox Talbot. The discourse about daguerrotypy stresses the quasi-telescopic properties of the picture whose visually ungraspable surface triggers an effect of reaching with the eye far beyond it toward even the farthest details, invisible without a looking glass but still clearly visible in the picture. In response to this feature, Talbot connected the photographic picture primarily with the effects of transferring the relations of shadow and light to contrast on the surface of photosensitive paper. He referred the “photogenic drawing” to a tradition older than the Albertian paradigm of the illusion of perspective adopted by Daguerre in his famous views of the streets of Paris from the window. His technique, called “skiagraphy,” Talbot associated with an ancient legend about the origin of drawing as the art of fixing shadows on a flat surface. His photographs of Lacock Abbey windows were a paradigmatic example that determined the understanding of each photo on the level of its basic self-reflexive content: in the first place, the photographic picture shows how reality before the camera lens projects its “skiagraphic” drawing – a “stamp,” as it were – on the paper surface, and how the forms of objects are reduced to that surface and grasped on it. In his Pencil of Nature, Talbot connected photographic pictures with text, determining the visual status of print photography as replica – both repetition of the highly appreciated daguerrotypy, and a rival response to it, showing the advantages of Calotypy based on the visible proximity of the picture and the surface. Thanks to the properties of Calotypy, precise “fixing of shadows” allows one to arrest despite the flow of time and fix in a visual structure what is the most volatile and changeable.
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THOMPSON, BILL, MARCUS PERLMAN, GARY LUPYAN, ZED SEVCIKOVA SEHYR, and KAREN EMMOREY. "A data-driven approach to the semantics of iconicity in American Sign Language and English." Language and Cognition 12, no. 1 (March 2020): 182–202. http://dx.doi.org/10.1017/langcog.2019.52.
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abstractA growing body of research shows that both signed and spoken languages display regular patterns of iconicity in their vocabularies. We compared iconicity in the lexicons of American Sign Language (ASL) and English by combining previously collected ratings of ASL signs (Caselli, Sevcikova Sehyr, Cohen-Goldberg, & Emmorey, 2017) and English words (Winter, Perlman, Perry, & Lupyan, 2017) with the use of data-driven semantic vectors derived from English. Our analyses show that models of spoken language lexical semantics drawn from large text corpora can be useful for predicting the iconicity of signs as well as words. Compared to English, ASL has a greater number of regions of semantic space with concentrations of highly iconic vocabulary. There was an overall negative relationship between semantic density and the iconicity of both English words and ASL signs. This negative relationship disappeared for highly iconic signs, suggesting that iconic forms may be more easily discriminable in ASL than in English. Our findings contribute to an increasingly detailed picture of how iconicity is distributed across different languages.
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Macedoni Luksic, Marta, Tanja Urbancic, Ingrid Petric, and Bojan Cestnik. "Autism research dynamic through ontology-based text mining." Advances in Autism 2, no. 3 (July 4, 2016): 131–39. http://dx.doi.org/10.1108/aia-01-2016-0001.
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Purpose – The increase of prevalence of autism spectrum disorders (ASD) has been accompanied by much new research. The amount and the speed of growth of scientific information available online have strongly influenced the way of work in the research community which calls for new methods and tools to support it. The purpose of this paper is to present ontology-based text mining in the field of autism trend analysis that may help to understand the broader picture of the disorder since its discovery. Design/methodology/approach – The data sets consisted of abstracts of more than 18,000 articles on ASD published from 1943 to the end of 2012 found in MEDLINE and of the documents’ titles for all those articles where the abstracts were not available. Findings – In this way, the authors demonstrated a steeper exponential curve of ASD publications compared with all publications in MEDLINE. In addition, the main research topics over time were identified using the “open discovery” approach. Finally, the relationship between a priori setting up research topics including communication, genetics, environmental risk factors, vaccination and adulthood were revealed. Originality/value – Using ontology-based text mining the authors were able to identify the main research topics in the field of autism during the time, as well as to show the dynamics of some research topics as a priori setting up. The computerised methodology that was used allowed the authors to analyse a much larger quantity of information, saving time and manual work.
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Karasek, Jindřich. "Ich, Bild und Ding. Fichte und Kant. Zum Bildbegriff im „Grundriss des Eigentümlichen der Wissenschaftslehre“." Fichte-Studien 47 (2019): 147–62. http://dx.doi.org/10.5840/fichte20194712.
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The aim of the „Grundriss des Eigentümlichen der Wissenschaftslehre“ is to analyse the theoretical faculty. The starting point of this analysis is the proposition that the I posits itself as determinated by the Non-I. My thesis, which can be proven in Fichte´s text, is that it is the notion of the picture which serves as a point of orientation in the analysis of the cognitive faculty, as Kant calls it. The cognition of an object comes about as a dialectical relationship between the picturing i, the picture and the pictured object, which Fichte calls the real thing. I would like to investigate how much Fichte follows the Kantian analysis of the cognitive faculty on the one hand and how much he differs from it on the other hand. This investigation will take into account a question which is very important for every epistemology taking its starting point in subjectivity, namely the question of how the i can recognize that the objects of its cognition are real things and not the products of his phantasy. Fichte explicitly raises this very question. At the end of this paper, I attempt to show what kind of answer Fichte gives to this questionee.
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Wilson, Andrew P. "“Beholding the Man”: Viewing (or is it Marking?) John’s Trial Scene alongside Kitsch Art." Biblical Interpretation 24, no. 2 (April 18, 2016): 245–64. http://dx.doi.org/10.1163/15685152-00242p06.
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One of the grand scenes of the Passion narratives can be found in John’s Gospel where Pilate, presenting Jesus to the people, proclaims “Behold the man”: “Ecce Homo.” But what exactly does Pilate mean when he asks the reader to “Behold”? This paper takes as its point of departure a roughly drawn picture of Jesus in the “Ecce Homo” tradition and explores the relationship of this picture to its referent in John’s Gospel, via its capacity as kitsch devotional art. Contemporary scholarship on kitsch focuses on what kitsch does, or how it functions, rather than assessing what it is. From this perspective, when “beholding” is understood not for what it reveals but for what it does, John’s scene takes on a very different significance. It becomes a scene that breaks down traditional divisions between big and small stories, subject and object as well as text and context. A kitsch perspective opens up possibilities for locating John’s narrative in unexpected places and experiences. Rather than being a two-dimensional departure from the grandeur of John’s trial scene, kitsch “art” actually provides a lens through which the themes and dynamics of the narrative can be re-viewed with an expansiveness somewhat lacking from more traditional commentary.
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Zabrodin, Vladimir V. "On «Pretty Young Lady», Dos Passos and the Textology of «Art»." Journal of Flm Arts and Film Studies 10, no. 1 (March 15, 2018): 20–30. http://dx.doi.org/10.17816/vgik10120-30.
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The presented text is a publication of archival materials from the Eisensteins Fund in the Russian State Archive of Literature and Art (RGALI). The author of the publication reconstructed and commented some episodes from creative and personal biography of S.M. Eisenstein in the beginning of the 1930's. In particular, some fragments from private correspondence of Eisenstein and Esther Shub сut when published in the 1970s have been restored; the reasons for the reaction of the director to the of Shubs suggestion to make a film based on the novel Manhattan by John Dos Passos have been elucidated. The details and features of the artistic life of Russia in the 1930s are reflected in the epistolary genre of Eisenstein's work. The text presented also dwells on some cases of selective approach towards publishing books in the Soviet era. The author, using comparative historical and textual analysis, restores the true picture of Eisenstein's relationship to the work of a number of representatives of Russian and foreign cinema and literature, and also explains the reasons for some important events in the creative life of the director.
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Kołodziej, Piotr. "Brueghel’s Two Monkeys – a Tiny Painting by Bruegel, a Very Short Poem by Szymborska and the Biggest Problems of Mankind." International Journal on Language, Literature and Culture in Education 3, no. 1 (June 1, 2016): 83–99. http://dx.doi.org/10.1515/llce-2016-0005.
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Abstract There is a great power in works of art. Art provides knowledge about human experience, which is not available in another way. Art gives answers to the most important and eternal questions about humanity, even though these answers are never final. Sometimes it happens that works of some artists encourage or provoke a reaction of other artists. Thanks to this in history of culture - across borders of time and space - there lasts a continuous dialogue, a continuous reflection on the essence of human existence.This text shows a fragment of such a dialogue, in which the interlocutors are a sixteenth-century painter Pieter Bruegel the Elder and a twentieth-century poet and Nobel Prize winner Wislawa Szymborska. Szymborska, proposing a masterful interpretation of a tiny painting by Bruegel, poses dramatic questions about human freedom, formulates a poetic response and forces a recipient to reflect on the most important topics.This text also brings up a question of a word - picture relationship, a problem of translation of visual signs to verbal signs, as well as a problem of translation of poetry from one language to another.
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Cornish, Francis. "Anaphora: Text-based or discourse-dependent?" Functions of Language 17, no. 2 (December 2, 2010): 207–41. http://dx.doi.org/10.1075/fol.17.2.03cor.
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The traditional definition of anaphora in purely co-textual terms as a relation between two co-occurring expressions is in wide currency in theoretical and descriptive studies of the phenomenon. Indeed, it is currently adopted in on-line psycholinguistic experiments on the interpretation of anaphors, and is the basis for all computational approaches to automatic anaphor resolution (see Mitkov 2002). Under this conception, the anaphor, a referentially-dependent expression type, requires “saturation” by an appropriate referentially-autonomous, lexically-based expression — the antecedent — in order to achieve full sense and reference. However, this definition needs to be re-examined in the light of the ways in which real texts operate and are understood, where the resulting picture is rather different. The article aims to show that the co-textual conception is misconceived, and that anaphora is essentially an integrative, discourse-creating procedure involving a three-way relationship between an “antecedent trigger”, an anaphoric predication, and a salient discourse representation. It is shown that it is only in terms of a dynamic interaction amongst the interdependent dimensions of text and discourse, as well as context, that the true complexity of anaphoric reference may be satisfactorily described. The article is intended as a contribution to the broader debate within the pages of this journal and elsewhere between the formalist and the functionalist accounts of language structure and use.
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Anthony Keddie, G. "The Vitae Prophetarum and the Archaeology of Jewish Burials: Exploring Class Distinctions in Early Roman Palestine." Journal of Ancient Judaism 10, no. 1 (May 19, 2019): 79–98. http://dx.doi.org/10.30965/21967954-01001005.
Повний текст джерелаАнотація:
Modern commentators on the Vitae Prophetarum have tended to assume that every prophet’s bur-ial in this text was considered monumental in scale. A close examination of the language used to describe each burial yields a different, more nuanced picture. Vitae Prophetarum features prophets being buried in one of three ways: in a more-or-less monumental rock-cut tomb just outside Jerusalem, in a rock-cut tomb on the prophet’s own property, or in an indistinct field grave. This typology agrees with the emerging archaeological record of socioeconomic distinctions in burial practices. Whereas Jewish elites were buried in rock-cut tombs around Jerusalem or, more modestly, on their own estates, non-elites were interred in simple trench graves. This study demonstrates that the Vitae Prophetarum corroborates this relationship between burial types and socioeconomic distinctions, placing priestly elites and landowners in rock-cut tombs but the humbler prophets in trench graves.
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Corbett, Mona R., Christine D. Townsend, and Jayne M. Zajicek. "THE EFFECTIVENESS OF COMPUTER - ASSISTED INSTRUCTION IN A HORTICULTURE PLANT IDENTIFICATION CLASS." HortScience 27, no. 6 (June 1992): 673b—673. http://dx.doi.org/10.21273/hortsci.27.6.673b.
Повний текст джерелаАнотація:
Plant identification is a prerequisite to many, if not all, horticulturally related classes. It typically has been taught through the use of live specimens, slides, and text books. Recently, computers have entered the picture as a possible tool to teach plant identification. Increased availability and sophistication of computer systems in the college setting have led to the increased use of computers in instruction. The objective of this study was to determine if there was a relationship between a student's learning style and academic achievement following computer assisted instruction. Undergraduate students enrolled in a plant identification class were involved in the study. Students learned plant identification either by: 1) viewing live specimens, 2) utilizing a computer instruction database system, or 3) combining live specimens with computer instruction. The students' cognitive knowledge was evaluated with pre and post tests. Learning style and attitude toward computer assisted instruction were also obtained.
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Abdul - Hussain Laibi, Dr Hadi. "Personality manifestations in the Abbasid poetry Dhabl Khuzaie model." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 225, no. 1 (September 1, 2018): 221–46. http://dx.doi.org/10.36473/ujhss.v225i1.119.
Повний текст джерелаАнотація:
Studies that dealt with the personality were diverse in terms of analysis leading to a multiplicity of views and variations based on different references of criticism. It is a psychological and pragmatic approach to the structural and ideological curriculum that has moved the personality from its human orbit to the paper stage object, as Roland Bar mentioned, and from the person to the personality, as expressed by Michelle Zrava, where humans move from the visible reality to the imaginary personality in the mind meaning that its concept is reflected from its reference function not its style pattern and the creator was expressing a special philosophy that is behind the general features of it or when filmed the hero in the product literary text.
Since poetry is one of the most Arabic arts to say and care about photographing the human in his relationship with the society so the characters appear in a double sign the critics stand between the creative picture and the imagination of the creator that reflects the image of the real person and from here he deliberately Dabel Al Khuzaee adopted techniques and narrative mechanisms for displaying personality profiles and drawing its text image so he formed of dialogue, features and attributes is an important factor to show the personality and play its role so the recipient feels it and she speaks and works and exercises her function with specificfeatures within the text.