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Статті в журналах з теми "Urban violence representations"

Автор: Grafiati

Опубліковано: 3 червня 2025

Оновлено: 31 липня 2025

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1

Pelosi, Ana Cristina. "SOCIAL COGNITIVE REPRESENTATIONS OF VIOLENCE IN URBAN BRAZIL: VIOLENCE AS AN UNCONTROLLED FORCE." Revista da Anpoll 1, no. 37 (2014): 293–316. http://dx.doi.org/10.18309/anp.v1i37.786.

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The present paper reports on partial findings of a major research project entitled Interdisciplinary project on social cognitive representations in the conceptualization of violence in urban Brazilian centers. It aims at providing some insight into an embodied and social-culturally situated concept of representation – a social cognitive representation, as I understand it, by presenting both a theoretic-philosophical basis for this kind of concept as well as some preliminary findings of an analysis of focus groups talks about urban violence. The methodology is focused on discursive and cognitiv

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2

González, Daniuska. "SO MANY STARS THAT YELL ABOVE AND NONE IS SEEN." Politeja, no. 24 (October 20, 2013): 233–42. https://doi.org/10.12797/Politeja.10.2013.24.14.

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Urban violence enters into, and creates interstices in both public and private life of Venezuelans and, as revealed by academic studies to the mass media, has made Caracas one of the most chaotic and unsafe cities in the world by the number of murders, robberies, and kidnappings, with latent cultural anxiety (Martin-Barbero), in which the majority of its inhabitants lives. Hence that is drawn around an imaginary, in some cases established by their own players. In this paper, we will seek an approach to urban violence, emphasizing the dynamics of new forms of representation, and the emergence o

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3

Márquez, John D. "The Black Mohicans: Representations of Everyday Violence in Postracial Urban America." American Quarterly 64, no. 3 (2012): 625–51. http://dx.doi.org/10.1353/aq.2012.0040.

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4

Pitas, John-Henry, and Mariya Shcheglovitova. "Discourses, bodies, and the production of space: Challenging the (re)production of more-than-human deathscapes." Human Geography 12, no. 2 (2019): 18–35. http://dx.doi.org/10.1177/194277861901200202.

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This paper explores the production of urban spaces as deathscapes, or spaces that are defined by death. We probe the ways in which these spaces are produced by the material content of the spaces themselves, and the discursive representations of those spaces found in popular media. We take as our empirical starting point personal encounters with dead animal bodies in Baltimore, Maryland, USA. Combining qualitative and quantitative methodologies, we juxtapose personal experiences with death in the city with popular representations of Baltimore, as well as a spatial analysis of the geographies of

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5

Walby, Kevin, and Haley Pauls. "Representations of Surveillance and Perceptual Technologies at Military Museums." Surveillance & Society 19, no. 1 (2021): 37–52. http://dx.doi.org/10.24908/ss.v19i1.14068.

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Drawing from fieldwork at military museums across Manitoba, Canada, we explore the objects and narratives used to curate museum displays featuring what Bousquet (2018) calls “military perception.” Using Bousquet’s categories of military perception to organize our analysis, we examine how these museums position scopes, sonars, camouflage, and other devices meant to create visibility or invisibility as aesthetic objects rather than as instruments enabling state violence. With a focus on curatorial strategies and the arrangement of objects at these museums, we explore how surveillance and camoufl

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6

Mathuria, Sunjay. "Spatial violence and everyday borders in contested cities: Literary representations of walking in Anna Burns’s Milkman." Journal of Urban Cultural Studies 9, no. 2 (2022): 175–97. http://dx.doi.org/10.1386/jucs_00054_1.

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This article examines the representation of walking and the narrativization of borders in Troubles-era Belfast in Anna Burns’s 2018 novel Milkman. I argue that the protagonist, Middle Sister, develops her own narrative form and walking method as ‘tactics’ to challenge the city’s imposed sectarian geographies and as a response to navigating a city of intense surveillance. In her narrativization, Middle Sister replaces place references with her own complex naming system and lexicon and negotiates urban space by ‘reading-while-walking’. As a result, Middle Sister attempts to dislocate the politic

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7

Jara, Daniela. "El Diario de Francisca: Representaciones infantiles sobre la violencia política en la vida cotidiana durante los 70 / Francisca’s private diary: Childhood representations of political violence in everyday life during the 70s." Castalia - Revista de Psicología de la Academia, no. 29 (January 10, 2018): 16–26. http://dx.doi.org/10.25074/07198051.5.683.

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En este artículo se propone una lectura del Diario de Francisca, un registro autobiográfico escrito en plenos días de la Unidad Popular y el golpe de Estado por una niña de 11 años, miembro de una familia urbana de clase media alta. Luego de situar brevemente al diario íntimo o de vida como una práctica cultural propia de la modernidad, se analiza la manera en que el texto ilumina las operaciones a través de las cuales la niña va habitando el mundo, entramadas en dinámicas socio-afectivas mediadas, interrumpidas o potenciadas por la clase. Se sugiere que las representaciones infantiles articul

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8

MATIĆ, UROŠ. "SCORCHED EARTH: VIOLENCE AND LANDSCAPE IN NEW KINGDOM EGYPTIAN REPRESENTATIONS OF WAR." ИСТРАЖИВАЊА, no. 28 (December 27, 2017): 7–28. http://dx.doi.org/10.19090/i.2017.28.7-28.

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Death and destruction of peoples and lands are the reality of war. Since the Old Kingdom the destruction of enemy landscape is attested in Egyptian written sources and the number of attestations increases in the following periods, culminating in the New Kingdom. This is also the period when the first visual attestations of enemy landscape destruction appear. In this paper I will explore the actors, targets and acts concerning violence against enemy landscapes together with the use of landscape elements as metaphors for the violent treatments of enemies during the New Kingdom. The study shows t

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9

Cohen, Anjalee. "Youth Gangs, Violence, and Local Culture in Chiang Mai, Northern Thailand." Journal of Contemporary Ethnography 47, no. 4 (2017): 484–507. http://dx.doi.org/10.1177/0891241617702196.

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Drawing on twenty-four months of ethnographic research, this article examines the role of violence among northern Thai youth gangs at the intersection of global capitalism and local culture. Contrary to dominant representations that depict youth gang violence as a means for psychologically coping as victims of dramatic social change, I argue that youth violence may be viewed as active and creative ways of negotiating change under conditions of rapid urbanization and modernization. For gang youth in northern Thailand, violence offers an opportunity to “fit in and stick out” in an anonymous cosm

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10

Santana de Andrade, Glenda. "Beyond Vulnerability: Syrian Refugees in Urban Spaces in Turkey." International Journal for Crime, Justice and Social Democracy 9, no. 3 (2020): 34–46. http://dx.doi.org/10.5204/ijcjsd.v9i3.1589.

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Since 2011, 5.6 million people have fled Syria due to ongoing conflict. In Turkey alone, 3.6 million Syrians are confronted with a series of constraints once in the host country. This paper analyses, within the context of urban exile in Turkey, the different experiences and survival strategies of Syrians who are modulated by particular relations of race, class and gender. It aims to explain how refugees manage to create their own visibility in this new space full of limitations, and further explores how their newfound participation in these urban areas can deconstruct dominant representations

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11

De Oliveira, Lucas Pereira. "HISTÓRIA, GÊNERO E DIREITO: ENSAIO SOBRE AS REPRESENTAÇÕES DE VIOLÊNCIA PASSIONAL NA CIDADE DE SENADOR POMPEU/CE (1988-2006) * HISTORY, GENDER AND LAW: AN ESSAY ON THE REPRESENTATION OF VIOLENCE IN CITY OF PASSIONATE SENADOR POMPEU / EC (1988-2006)." História e Cultura 4, no. 3 (2015): 67. http://dx.doi.org/10.18223/hiscult.v4i3.1692.

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<p><strong>Resumo:</strong> Na tentativa de compreender as relações homem-mulher-cidade é que se insere esta pesquisa, na busca por analisar o cotidiano violento dos casais de Senador Pompeu/CE. Tendo como área de atuação a linha de pesquisa em Práticas Urbanas no Mestrado da UECE, pegamonos a refletir até que ponto a violência passional era encarada como violência perante os olhos atentos da cidade, isto é, em que condições ela extrapolava níveis toleráveis de aceitação no espaço urbano? Essencialmente utilizamos como fonte as ações criminais encontradas no Fórum. Utilizarem

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12

Turpo-Gebera, Osbaldo, Gerber Pérez-Postigo, and Rocío Díaz-Zavala. "teachers' conflict in the peruvian press." VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual 9, Monográfico (2022): 1–11. http://dx.doi.org/10.37467/revvisual.v9.3679.

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The press builds a set of media representations on the facts of reality. The teachers' strike of 2017 marked a substantial milestone in the construction of the news in the Peruvian press, due to the informative singularity and prevalent discourses. Based on the analysis of the informative treatment of the journalistic notes, the underlying media intentions are revealed to present the teachers' conflict, from the conjuncture or anecdote, avoiding its causes; on the contrary, they highlight the scandal or spectacularism of the news. In fact, the media opted for sensationalism, linking the teache

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13

Zur, Hadas, and Tali Hatuka. "Local–Digital Activism: Place, Social Media, Body, and Violence in Changing Urban Politics." Social Media + Society 9, no. 2 (2023): 205630512311664. http://dx.doi.org/10.1177/20563051231166443.

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Recent studies demonstrate how violence, social media, and protest intertwine. This article complements this body of knowledge and indicates how social media enables new modes of small-scale protest events and how it is being used by right-wing and middle-class groups to influence urban politics. The article conceptualizes local-digital activism as a particular form of protest that is based on a hybrid framework of action that entangles physical actions in public space with virtual acts of dissent, creating embodied digital activism in specific locales. The key arguments are threefold: (1) loc

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14

Botelle, Riley, Vishal Bhavsar, Giouliana Kadra-Scalzo, et al. "Can natural language processing models extract and classify instances of interpersonal violence in mental healthcare electronic records: an applied evaluative study." BMJ Open 12, no. 2 (2022): e052911. http://dx.doi.org/10.1136/bmjopen-2021-052911.

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ObjectiveThis paper evaluates the application of a natural language processing (NLP) model for extracting clinical text referring to interpersonal violence using electronic health records (EHRs) from a large mental healthcare provider.DesignA multidisciplinary team iteratively developed guidelines for annotating clinical text referring to violence. Keywords were used to generate a dataset which was annotated (ie, classified as affirmed, negated or irrelevant) for: presence of violence, patient status (ie, as perpetrator, witness and/or victim of violence) and violence type (domestic, physical

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15

Alzate Alzate, Juan David. "Representaciones del crimen y el homicidio en Medellín - Colombia (1910 – 1930)." Revista Grafía- Cuaderno de trabajo de los profesores de la Facultad de Ciencias Humanas. Universidad Autónoma de Colombia 13, no. 2 (2016): 147. http://dx.doi.org/10.26564/16926250.678.

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Resumen:En este artículo se contrastará, inicialmente, el tono alarmante de las noticias de prensa y comunicados oficiales que hacían alusión al supuesto incremento de la criminalidad en Medellín iniciando el siglo XX, con algunos datos estadísticos que refutaban estas informaciones. Seguidamente, se hará referencia a una de las manifestaciones de la violencia urbana que derivaba comúnmente en heridas graves o en homicidios: la riña. Finalmente, se realizará un reconocimiento de los lugares frecuentemente asociados a los homicidios; espacios que fueron coligados al delito y en los que progresi

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16

Marilungo, Francesco. "The City of Terrorism or a City for Breakfast." Middle East Journal of Culture and Communication 9, no. 3 (2016): 275–93. http://dx.doi.org/10.1163/18739865-00903005.

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This article focuses on the image of the city of Diyarbakir as it is presented in the TV series Sultan (28 May 2012 to 29 October 2012). It considers the sense of place as portrayed on screen and assesses the sociopolitical implications of the spatial representations of the TV series. It questions the concept of a real image of the city, as discussed by commentators and viewers of Sultan, to show how ‘public chatter’ (Öncü 2011) about the show reinforces arbitrary depictions of Diyarbakir. Finally, this article considers how efforts to commodify the city for the tourist market affect Sultan’s

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17

Palfreyman, Alexis. "Helping or Heightening Vulnerability? Midwives as Arbiters of Risk for Women Experiencing Self-Directed Violence in Urban Sri Lanka." Qualitative Health Research 29, no. 10 (2018): 1383–94. http://dx.doi.org/10.1177/1049732318816672.

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The response of midwives to women engaging in self-directed violence (SDV) may affect women’s care and outcomes. The author explored midwives’ understanding of SDV through semi-structured focus groups and in-depth interviews with 11 Public Health Midwives in urban Sri Lanka. Thematic analysis identified four key themes: (a) perceived dimensions of women’s risk and vulnerability to SDV, (b) midwives as arbiters of risk, (c) representations of women engaging in SDV, and (d) midwives’ perceived capacity to respond. Given their proximity to communities, trustworthiness as sites of disclosure, and

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18

Badilla, Manuela, and Alexander Ulrich Thygesen. "Feminist and dissident counter-monumental interventions: Urban memory struggles between Santiago de Chile and Mexico City." Art & the Public Sphere 12, no. 1 (2023): 19–32. http://dx.doi.org/10.1386/aps_00082_1.

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This article presents the results of a study of two recent Latin American cases of counter-monumental interventions initiated by feminist and dissident actors: the intervention Amor y Furia in Santiago de Chile and the creation of La Glorieta de las Mujeres que Luchan in Mexico City. The analysis of the two cases is empirically based on a combination of social media publications and interviews with central actors conducted during fieldwork in both cities. The analysis demonstrates how the interventions made visible and enriched the conflicts of memory that stem from the traditional monumentali

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19

Connolly, Johnny. "Illicit drug markets, systemic violence and victimisation." Northern Ireland Legal Quarterly 68, no. 4 (2017): 415–32. http://dx.doi.org/10.53386/nilq.v68i4.54.

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A common theme that runs throughout much of the literature on drug markets, drug-related crime and also the impact of drug law enforcement is how limited our understanding of them is. In the absence of research and reliable evidence, certain ‘taken for granted’ assumptions or stereotypes have emerged to fill the gaps in knowledge. Journalistic and television exposés, present a Hobbesian spectacle of an inherently violent world populated by ‘evil drug dealers’. These representations have also influenced legislative responses, particularly since 1996. In the Republic of Ireland, following the mu

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20

Zinaić, Rade. "Twilight of the Proletariat: Reading Critical Balkanology as Liberal Ideology." New Perspectives 25, no. 1 (2017): 19–54. http://dx.doi.org/10.1177/2336825x1702500102.

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Critical Balkanology is a sub-discipline of Central and East European Studies that deconstructs and renders arbitrary the claims of ethnic nationalisms and Western “colonial” representations of the Balkans. Yet, this critical and nominally anti-racist project is parasitic on a hegemonic Euro-Atlantic liberal ideology in that it cannot see beyond the singular individual as victim and vanguard, thereby obscuring and/or effacing an awareness of class inequality. Tomislav Longinović's Vampire Nation: Violence as Cultural Imaginary (2011) is emblematic of this project. I place this text under an im

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21

Blatanis, Konstantinos. "The Politics of Violence and the Mediatisation of Urban Spaces on Stage: Anna Deavere Smith’s Twilight: Los Angeles, 1992 and José Rivera’s Marisol." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 9 (May 1, 2016): 94. http://dx.doi.org/10.12681/syn.16227.

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Interest in this paper centres on two exemplary cases of two entirely different modes of dramatisation and theatrical practice which, nonetheless, share a common goal. The two works studied here aim at a critical reconsideration of the political issues which surround intensely violent events that have marked American mega cities over the past three decades. Furthermore, both plays aspire to articulate an original statement on the ways in which these issues routinely fall prey to the hegemony of monolithic and sterile media representations of urban spaces. Anna Deavere Smith’s vigorous explorat

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22

Zander, Laura A. "Judging Jo’burg? Fictional Architecture and the Postcolonial Cityscape as Juridical Space." Pólemos 19, no. 1 (2025): 161–83. https://doi.org/10.1515/pol-2025-2004.

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Abstract Johannesburg, South Africa’s largest and wealthiest city, serves as a significant site for exploring the challenges and complexities of the post-apartheid nation. As a stage for both violence and hope, it embodies the fractured ideals of reconciliation in a nation still trying to come to terms with its apartheid past. This article examines how Johannesburg functions as both a legal and literary metaphor for justice and its limits in the postcolonial context. Law and literature scholars such as Robert Cover have highlighted how narratives bridge the gap between legal codes and lived re

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23

Matheron, Aurelie. "Writing on the wall: Mathieu Tremblin’s ‘Tag Clouds’ and the politics of cultural assimilation." French Cultural Studies 30, no. 4 (2019): 317–34. http://dx.doi.org/10.1177/0957155819861035.

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This article explores how French street artist Mathieu Tremblin’s Tag Clouds satirises mainstream French media’s and right-wing politicians’ representations of the French banlieue. As Tag Clouds erases tags and writes over them in a more legible font, I argue that it performs visual sanitisation to satirise the politics and aesthetics of French visual culture affecting urban settings and banlieues. Politicians’ and media’s amalgamation of banlieue with immigration, violence and poverty extends to banlieue visual culture. Tag Clouds’ erasure of tags, I argue, challenges how French visual cultur

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24

SAADELLAOUI, Wahiba, and Ali ELLOUMI. "Periurban housing: the genesis of a new urban identity: Case of two suburbs of Sfax city in Tunisia." Advances in Social Sciences Research Journal 7, no. 9 (2020): 109–18. http://dx.doi.org/10.14738/assrj.79.8933.

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The spontaneous periurban, peripheral, non-communal or anarchic spontaneous habitat in Tunisia is a recent phenomenon that began as early as independence and has continued to increase to the present day. This type of habitat is a new configuration of urban space in the sense that it expresses a set of signs and symbols that refers to a specific culture and a certain relationship that is established between social actors and their space. In this context, the question could be asked: why is this type of habitat perceived as peripheral, illegal and marginalized? Couldn't it be the focus of

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25

Naef, Patrick. "Resilience as a City Brand: The Cases of the Comuna 13 and Moravia in Medellin, Colombia." Sustainability 12, no. 20 (2020): 8469. http://dx.doi.org/10.3390/su12208469.

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In Medellin, during this last decade, the municipality and the private sector have been very active in the reconstruction of the city’s war-torn image. With the acknowledged objective of attracting foreign investments and tourists, the second city of Colombia has been consecutively branded as “innovative”, “smart”, “sustainable” and lately as a “resilient city”. Since 2016 and the integration of the city as one of the first members of the “100 Resilient Cities” network pioneered by the Rockefeller Foundation, Medellin’s authorities have emphasised “urban resilience” as a core value of the city

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26

Konrad, Felix. "Coping with “the Riff-Raff and Mob”: Representations of Order and Disorder in the Patrona Halil Rebellion (1730)." Die Welt des Islams 54, no. 3-4 (2014): 363–98. http://dx.doi.org/10.1163/15700607-05434p04.

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In 1730, the so-called ‘Patrona Halil rebellion’ resulted in the abdication of Sultan Aḥmed III (r. 1703–1730) and in the execution of his long-serving Grand Vizier Nevşehirli Dāmād İbrāhīm Paşa (r. 1718–1730). This article addresses the question of how contemporary Ottoman chroniclers came to terms with this unusual situation of political and social tension and, in particular, how they coped with lower-strata individuals and groups involved in the rebellion. It is argued that the chroniclers had considerable problems in explaining that lower-strata people whom they perceived as “the riff-raff

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27

Nwonka, Clive James. "Policing Black Film: Racism, Black Resistance and the Applicational Dexterity of Race Relations in Babylon." Sociology 55, no. 4 (2021): 840–62. http://dx.doi.org/10.1177/0038038520985793.

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The racial unrests permeating across Britain in the late 1970s resulted in a set of political agendas responding to racism to be brought into being though legislation, culminating in the passing of the 1976 Race Relations Act. Crucial to such agendas were strategies for the prevention of black urban uprisings against state authority and the politicisation of black youths against racism. The emergence of politicised black British film during the late 1970s offered a crucial counter-hegemonic exploration and re-enactment of an extra-filmic reality of police violence and popular racism within the

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Znaidi, F., S. Ellini, F. Fekih Romdhane, M. Cheour, and R. Damak. "Hetero agressive behavior in bipolar disorder : about 30 cases." European Psychiatry 66, S1 (2023): S697. http://dx.doi.org/10.1192/j.eurpsy.2023.1459.

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IntroductionThe social representations linked to bipolar disorder remain until today marked by unpredictability, danger and aggressiveness.ObjectivesThe objectives of this study were to identify clinical and socio-demographic characteristics of a group of patients with bipolar disorder who had committed a heteroaggressive act and to establish the relationship between these characteristics and the risk of recurrence of violenceMethodsWe conducted a descriptive and analytical study, including the files of 30 patients with bipolar disorder and hospitalized for heteroaggressive behavior.We collect

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29

BLOMLEY, NICHOLAS. "Making Private Property: Enclosure, Common Right and the Work of Hedges." Rural History 18, no. 1 (2007): 1–21. http://dx.doi.org/10.1017/s0956793306001993.

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Analyses of enclosure in late sixteenth and early seventeenth century England have tended to focus on the social work of representations, in particular estate maps. I depart from this emphasis, however, in my attempt to focus on the consequential and often contradictory role of material objects in producing enclosure. In particular, I emphasise the important work that hedges did, physically, symbolically and legally, in the dispossession of the commoner. Acting as an organic barbed wire, the hedge was increasingly put to work to protect the lands of the powerful. Disrupting the propertied spac

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Mendes, Ana Cristina, and Lisa Lau. "Urban redevelopment, the new logics of expulsion, and individual precarity in Kleber Mendonça Filho’s Aquarius and Aravind Adiga’s Last Man in Tower." cultural geographies 27, no. 1 (2019): 117–32. http://dx.doi.org/10.1177/1474474019871653.

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Drawing on Kleber Mendonça Filho’s film Aquarius (2016) and Aravind Adiga’s novel Last Man in Tower (2011), this article is concerned with the impact on individuals and communities of forms of impersonal, systemic violence resulting from neoliberal accumulation and the reproduction of mobile capital, extending existent precarities as well as opening up new precarities. We examine the experiences of the previously less precarious – that is, members of the middle classes in Recife, Brazil, and Mumbai, India – now rendered newly precarious. We frame the temporality of these precarities via themes

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Maksudyan, Nazan. "“Revolution is the Equality of Children and Adults”: Yaşar Kemal Interviews Street Children, 1975." International Journal of Middle East Studies 54, no. 1 (2021): 1–20. http://dx.doi.org/10.1017/s002074382100088x.

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AbstractIn 1975, the world-famous novelist Yaşar Kemal (1923–2015) undertook a series of journalistic interviews with street children in Istanbul. The series, entitled “Children Are Human” (Çocuklar İnsandır), reflects the author's rebellious attitude as well as the revolutionary spirit of hope in the 1970s in Turkey. Kemal's ethnographic fieldwork with street children criticized the demotion of children to a less-than-human status when present among adults. He approached children's rights from a human rights angle, stressing the humanity of children and that children's rights are human rights

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Ms. Sarita Yadav and Dr Vipan Pal Singh. "Urban Landscape and Political Violence in Anurag Kashyap’s Cinematic Narratives: A Foucauldian Perspective." Creative Launcher 9, no. 4 (2024): 33–45. http://dx.doi.org/10.53032/tcl.2024.9.4.04.

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This research examines the representation of political violence in Anurag Kashyap’s movies that are set in urban environments and the extents to which such portrayals are a mirror to society. We will first discuss what makes urban environments a haven for violent crimes and then, analyze the relations between the socio-physical determinants, power, and individual agency. By scrutinizing two of Anurag Kashyap’s films, renowned for their gritty urban realism, the study elucidates the ways in which these works articulate the contentious dynamics of political violence in India’s metropolises. Refe

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Adeoye, Beatrice D., Olutayo A. Adebayo, and Timilehin Peter Owoeye. "Prevalence of Intimate Partner Violence: A Comparative Analysis of a Rural and Urban Area in Ekiti State." Indonesian Journal of Community Services 3, no. 2 (2024): 84–93. https://doi.org/10.47540/ijcs.v3i2.1450.

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Globally ubiquitous, violence against women is a general threat that is often recognized by the victims' loved ones. Men in positions of authority, acquaintances, lovers, and other companions are all possible abusers. However, women are more susceptible to victimization at the hands of an intimate partner. Because of the topic's delicate nature, intimate partner violence is generally underreported; occurrences of such violence are typically not reported to the appropriate authorities. The study examined the prevalence of intimate partner violence in Ado-Ekiti and Ilogbo Ekiti which is a repres

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French, Laurence Armand, and Richard F. Rodriguez. "Identification of Potential Aggressive Behavior in Rural At-Risk Minority Youth: A Community Response." Rural Special Education Quarterly 17, no. 3-4 (1998): 11–17. http://dx.doi.org/10.1177/8756870598017003-403.

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School violence has emerged as a critical issue in the U.S. today. While the focus was traditionally on urban school and gangs, recent shootings in suburban and rural schools has brought attention to non-urban school settings. This is a study of a rural, multicultural state with a high at-risk youth population. New Mexico has the highest Hispanic population (38%) as well as a high American Indian representation (22 different tribes). Ranking high in youth violence, substance abuse, poverty, teen pregnancies, and with a significant school drop-out rate, a multicultural intervention effort was i

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Gonçalves, Monica Villaça, and Ana Paula Serrata Malfitano. "Juventudes no Complexo do Alemão (RJ): O que diz a literatura?/Youths in the Complexo do Alemão (RJ): What do academic literature say?" Revista Interinstitucional Brasileira de Terapia Ocupacional - REVISBRATO 3, no. 3 (2019): 423–39. http://dx.doi.org/10.47222/2526-3544.rbto21187.

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A compreensão do contexto no qual se realizam práticas profissionais é essencial para o trabalho do terapeuta ocupacional. Assim, buscando compreender o território e o público com o qual atua, o projeto de extensão “Juventude(s): intervenções de arte-cultura no território”, do Departamento de Terapia Ocupacional da Universidade Federal do Rio de Janeiro, apresenta-se uma revisão integrativa da literatura com o objetivo de apreender as produções bibliográficas acumuladas voltadas especificamente sobre a juventude moradora do Complexo do Alemão, na cidade do Rio de Janeiro. Foram realizadas busc

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Harrison, Mark. "Art, violence and memory in Taiwan." Thesis Eleven 146, no. 1 (2018): 3–23. http://dx.doi.org/10.1177/0725513618776665.

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Taiwan is a liminal site of modernity in Asia. It is a modern exemplar as a liberal democracy with a developed economy, but is mostly unrecognized as a nation-state in the international system. In its liminality, however, it traces contours of modern power and their epistemological expression. This paper presents an account of Taiwan as an object of knowledge and representation in instances of scholarship and policy, Taiwanese politics, urban development and art, arguing that the narratives through which Taiwan is understood embed a lived experience as Taiwanese under forms of epistemological

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Dürr, Eveline, Rivke Jaffe, and Gareth A. Jones. "Brokers and Tours: Selling Urban Poverty and Violence in Latin America and the Caribbean." Space and Culture 23, no. 1 (2019): 4–14. http://dx.doi.org/10.1177/1206331219865684.

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This article explores how so-called “slum” tourism commodifies poverty and violence, transforming urban deprivation into a tourism product. In particular, we pay ethnographic attention to the role of brokers who mediate encounters between residents and tourists. The article explores how brokers—tour guides, art curators and civil society organizations—work to mediate power structures and enact a specific representational-performative politics. In so doing, brokers play a key role in aestheticizing and performing poverty and violence and converting disadvantaged spaces into a tourist product. W

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Alkhayat, Nour, and Göksenin İnalhan. "Breaking Barriers, Building Bridges: Towards Inclusive and Resilient Cities through Social Diversity and Participation." Proceedings of the International Conference of Contemporary Affairs in Architecture and Urbanism-ICCAUA 7, no. 1 (2024): 516–32. http://dx.doi.org/10.38027/iccaua2024en0137.

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In a world facing displacement, violent conflicts, climate change, and urban sprawl, urban settings are plagued byinequality, poverty, injustice, and racial and class divisions. These divisions exacerbate violence, crime, and racism. Asurban planners, it is crucial to recognize and develop solutions for present and emerging challenges. Evaluating diversesocial activities with stakeholder participation is essential for fulfilling public interests. This study aims to identify bestpractices for socially sustainable urban environments by leveraging urban diversity and social participation. Byenvis

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திருமதி, வெ. அம்பிகா /. Mrs. V. Ambika. "சுகிர்தராணியின் கவிதைகளில் தலித் பெண்ணிய பிரதிநிதித்துவ அரசியல் / Dalit Feminist Representation of Politics in Sukirdharani Poems". செங்காந்தள் / Chenkaantal Volume - 2, Special Issue - 2 (2023): 1–9. https://doi.org/10.5281/zenodo.7549801.

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<em>Poet Sukirdharani has been working against the contemporary violence against Dalit women and for Dalit women to be represented in political power. Different from the common feminist ideology, Dalit has made the ideology of women the subject of his poetry. The word 'Dalit' means 'minors of the soil', 'original inhabitants'. The differences between upper caste women and Dalit women in the context of Indian untouchability gave birth to a 'Dalit feminist politics of representation'. A Dalit woman transcends the generic identity of the woman and is defined within

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Cápona, González Daniela. "Deseo, violencia y capital. Los espacios de representación en la consideración del espacio abstracto de Henri Lefebvre." HYBRIS. Revista de Filosofía 8, no. 1 (2017): 95–126. https://doi.org/10.5281/zenodo.583602.

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En el presente artículo se pretende evidenciar la concepción del espacio abstracto de Henri Lefebvre, que se corresponde a la concepción de su producción en la época del capitalismo. En la lectura que realiza el filósofo francés, el lugar en donde recae la violencia de este tipo de espacio es en los espacios de representación, que es el espacio vivido que se corresponde con la visión poética nietzscheana, el espacio en donde se acoge la vida cotidiana. Esta violencia se ejerce por tanto, contra el deseo pero en favor del capital, contra la potencia común y en favor de la mercancía, cuestión qu

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Williams, James S. "The Time Is Now: Pressure, Guerrilla, and the (Re)invention of Black British Cinema and History." Film Quarterly 72, no. 1 (2018): 26–38. http://dx.doi.org/10.1525/fq.2018.72.1.26.

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James Williams considers how and why John Ridley's acclaimed 2017 television series Guerrilla (Sky Atlantic/Showtime) 'reradicalizes' early black British radical cinema, specifically Horace Ové's 1975 film, Pressure, the first feature-length work by a black British director. For Guerrilla's fictional narrative about a Black Power terrorist cell in London in 1972 pursues an option that Pressure, about the gradual radicalization of a young black British teenager in West London, resolutely avoids, namely militant violence. A close comparative study of both works in terms of characterization, cine

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Walter, John. "Crowds and political violence in early modern Ireland: Galway and the 1641 depositions." Irish Historical Studies 45, no. 168 (2021): 178–202. http://dx.doi.org/10.1017/ihs.2021.51.

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AbstractThis article offers a critical analysis of the representation of early modern popular violence provided by the 1641 depositions. Exploring the problems of how reported ‘speech’ was produced and recorded in the 1641 depositions, the article challenges the tendency within the depositions to represent violence as a spontaneous and immediate act, explicable by a racialised reading of Irish ‘barbarity’ and Catholic treachery. Exploiting a large cache of depositions and examinations in the relatively resource-rich urban context of Galway, it offers a micro-historical narrative of two brutal

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Subrata Saha, Asoke Howlader, Arindam Modak,. "THEATER AND HEALTH EDUCATION: REPRESENTATION IN SELECT PLAYS OF MAHESH DATTANI." Psychology and Education Journal 58, no. 2 (2021): 3982–88. http://dx.doi.org/10.17762/pae.v58i2.2668.

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Theater plays a crucial role to represent the life and manners of a particular society. It acts as an informal tool for developing consciousness and promoting empowerment through education. Contemporary theater in India is no exception to this. It has the efficacy to build critical awareness among common people in general and women in particular. It critiques the social inequality and opens up the scope for bringing consciousness about gendered violence prevalent in contemporary Indian society. From 1970s onwards, the emergence of urbanization and industrialization had offered various opportun

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Curzytek, Barbara. "Medellín como una representación de la decadencia de Colombia en Casablanca la bella de Fernando Vallejo." Studia Romanica Posnaniensia 49, no. 1 (2022): 5–16. http://dx.doi.org/10.14746/strop.2022.491.001.

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The article analyses the representation of Medellín in Fernando Vallejo’s 2013 novel Casablanca la bella in the context of Zygmunt Bauman’s liquid modernity concept and other cultural theories of the urban, which can be applied to Colombia in the context of omnipresence of violence. The analysis proves that the narrator-protagonist, disappointed with the modernity in Colombian context, is incapable of accepting the changes that the city as well as the country have suffered during his life and uses the descriptions of the urban space for social criticism. The conclusion is that the narrator-pro

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Leotta, Alfio. "Naples for urban voy(ag)eurs: Tourism and the representation of space in Gomorrah and My Brilliant Friend." Journal of Italian Cinema & Media Studies 8, no. 2 (2020): 205–19. http://dx.doi.org/10.1386/jicms_00017_1.

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Abstract The production and release of the critically acclaimed TV drama series Gomorrah (2014‐present) and My Brilliant Friend (2018) has been characterized by extensive debates about the impact of the two shows on national and international perceptions of the city of Naples. While some local authorities openly criticized Gomorrah and denied shooting permits to the producers, the TV adaptation of Elena Ferrante's best seller, My Brilliant Friend, has garnered unanimously positive responses from local stakeholders. This article aims to analyse the representation of place and space in both Gomo

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Ademowo, Adeyemi Johnson. "“They are poor and violent”: Stereotypes and the Ibadan urban motor park space." Issues in Ethnology and Anthropology 6, no. 1 (2011): 197–220. http://dx.doi.org/10.21301/eap.v6i1.7.

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In this paper, we are interested in finding out how, and why, the interplay of poverty and violence – the park stereotypes – has problematised the motor park space, and consequently the culture that has evolved from that space. Of great concern to us are the origin and the operation of the park; the existence of these stereotypes, how, if ever, they relate and the implication of the interplay on the organization, operation and representation of the space vis-à-vis its relationship with the general public and government in Oyo State. Using Victor Turner’s concept of social drama, we hope to pro

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Brennan, James R. "Youth, the Tanu Youth League and Managed Vigilantism in Dar Es Salaam, Tanzania, 1925–73." Africa 76, no. 2 (2006): 221–46. http://dx.doi.org/10.3366/afr.2006.76.2.221.

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AbstractThis article examines the role of male youth in the political history of Dar es Salaam. ‘Youth’, as a category of opposition to elders, became important during the inter-war period as it was inhabited by educated African bureaucrats aspiring to representation in urban politics over the traditional claims of authority by local ethnic Zaramo and Shomvi elders. This group of bureaucrats grew in power through the popularization of racial-nationalist politics, and in the 1950s formed the Tanganyika African Nationalist Party (TANU), which instituted its own category of ‘youth’ with the creat

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Kartika, Bambang Aris. "Mengapa Selalu Harus Perempuan: Suatu Konstruksi Urban Pemenjaraan Seksual Hingga Hegemoni Maskulinitas dalam Film Soekarno." Journal of Urban Society's Arts 2, no. 1 (2015): 35–54. http://dx.doi.org/10.24821/jousa.v2i1.1268.

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Film Soekarno karya Hanung Bramantyo menghadirkan suatu deksripsi tentangfakta-fakta historis terkait dengan perempuan Indonesia yang dikomodifikasimenjadi teks-teks naratif dan visual film. Wujud representasi dari komodifikasifakta historis perempuan Indonesia, ditampilkan dalam konstruk urban mengenaivisualisasi ketidakadilan gender dalam praktik-praktik politik seksual, kekerasanseksual, kekerasan psikis, hingga pemenjaraan seksual yang diakibatkan olehhegemoni kolonialisme fasisme Jepang melalui praktik perbudakan seksual (jugunianfu) dan tokoh Soekarno terhadap diri tokoh Inggit Ganarsih.

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Whittall, Abigail. "Superheroes and Nazis: Re-examining the legacy of the Second World War in Eric Kripke’s The Boys." Australasian Journal of Popular Culture 12, no. 1 (2023): 21–35. http://dx.doi.org/10.1386/ajpc_00066_1.

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The television adaptation of The Boys, originally a comic book series written by Garth Ennis, has garnered attention for its graphic violence and satirical treatment of the superhero genre. The Boys engages with a number of critiques of the superhero genre and its tropes, one of which is the recurring presence of a Nazi supervillain. This article links The Boys to previous examples of comic books and screen adaptations which feature Nazis or similar fascist organizations, such as Captain America, Superman and X-Men. In particular, it argues that The Boys’s status as a subversive superhero narr

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LaPrairie, Carol. "Reconstructing Theory: Explaining Aboriginal Over-Representation in the Criminal Justice System in Canada." Australian & New Zealand Journal of Criminology 30, no. 1 (1997): 39–54. http://dx.doi.org/10.1177/000486589703000104.

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This paper 1 attempts to explain the vulnerability of aboriginal people to involvement in the criminal justice system in Canada. It argues that one of the most important factors is a decline in interdependency among people in aboriginal communities. This has come about as the result of historical processes (such as colonisation and the creation of the reserve system) which have reproduced mainstream social structure without accompanying institutional development. This has been exacerbated by cultural dislocation and the decline of informal mechanisms of social control. The end result is social

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