Готові списки джерел за темами / Vieru Grigore

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Добірка наукової літератури з теми "Vieru Grigore"

Автор: Grafiati

Опубліковано: 3 червня 2025

Оновлено: 31 липня 2025

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Статті в журналах з теми "Vieru Grigore"

Strechii, Irina. "Traduceri în engleză din Grigore Vieru." Limbaj şi context = Speech and Context : Rev. internaţională de lingvistică, semiotică şi şt. literară 2011(1) (April 18, 2017): 181–86. https://doi.org/10.5281/zenodo.546786.

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Gagim, Ion. "Muzica şi poezia, într-un corp comun / Music and poetry as a whole." Artă şi educaţie artistică : rev. de cultură, şt. şi practică educaţională 2011 (1) (October 23, 2017): 84–85. https://doi.org/10.5281/zenodo.1035177.

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Abstract: Articolul reprezintă recenzia lucrării Grigore Vieru, Ştefan Andronic. ROUA VEŞNICIEI. Editura Pontos, 2010. Volumul reprezintă, ca gen, o crestomaţie de creaţii ale marilor compozitori ai muzicii universale în transcripţie pentru cor de copii pe versurile inspirate ale poetului Grigore Vieru.

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Şoşu, Luiza. "Traduceri în engleză din Mihai Eminescu şi Grigore Vieru." Limbaj şi context = Speech and Context : Rev. internaţională de lingvistică, semiotică şi şt. literară 2011 (1) (April 18, 2017): 187–89. https://doi.org/10.5281/zenodo.546813.

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GÎSCĂ, Raisa. "Aspecte ale sacrului în poezia lui Grigore Vieru." Revista de studii interdisciplinare "C. Stere" 3-4 (19-20) (December 15, 2018): 161–66. https://doi.org/10.5281/zenodo.3361181.

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The poet Grigore Vieru admirably fulfilled the duty to instruct his readers by sacralising and emphasising the eternal values of humanity which come from God and which are directly and indirectly rendered in his writing from childhood to adulthood. The main themes that are sacralised in the poet’s literary output and that mark the core lines of the human existence are: mother, homeland, childhood, love, woman, parental home, ancestral speech, national liberty etc. Grigore Vieru is a poet of genius who lived with all his being for the Romanian people, for the Romanian language and for the

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Serdeşniuc, Cristian. "The mother archetype in the poetry of Grigore Vieru." Akademos, no. 3(62) (December 2022): 106–10. http://dx.doi.org/10.52673/18570461.22.3-66.12.

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Grigore Vieru created a poem about children and childhood, and in the middle of it arranged a mother’s image. Marked with the irrepressible wish to his mother, even being an adult, he was looking avidly for returning to the lost paradise of childhood. By intermedium of the poems for children about the mother and the entire environment, Vieru helped the little reader to discover the sense of the Universe. The living beings guided the children through harmony and continual rejoice. The poet was looking for discovering some primary needs of an infantile being, identifying them with the child itse

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Serdesniuc, Cristian. "Grigore Vieru’s Poetry: Edification of the Spirit and (Re)Construction of the World." Philologia, no. 3(318) (December 2022): 89–97. http://dx.doi.org/10.52505/1857-4300.2022.3(318).08.

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The poem of Vieru contributed significantly to the reeducation of a psychologically disfigured by proletarian ideology nation. Pioneer’s song and “October’s” acclamations replaced the tune of the sun and the impressive dialogue of non-speaker beings. Vieru’s living beings guided the little reader through the discovery of the vital senses and himself. The poem of Vieru demonstrates the sacredness of an infantile universe: a native village, a parent`s house, a mother’s being, and an inhabitant of nature. The figurative projector of the village in the poems of Vieru is identified as a truly “pant

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Gârlea, Olesea. "Rostul lui Dumnezeu și implicația diavolului în aforismele lui Grigore Vieru." Akademos 2 (August 9, 2019): 118–24. https://doi.org/10.5281/zenodo.3364359.

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The Good and the Evil as factors of evolution and the development of inter-human relations, progress and regression, were concretized by two archetypal images, by two concrete metonymized or personified representations. The God, as the positive energy representative and the devil as opposed to it. The article has as an axis of analysis the aphorisms of Grigore Vieru, in which appears the divine and the worldly experiences. The massive presence of aphorisms in which the name of God appears denotes the profoundly Christian education of the poet, the omnipresence of God b

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Apetri, Dumitru. "The Poetic Work of Grigore Vieru in the Ukrainian Value Circuit." Philologia 323, no. 2 (2024): 43–50. https://doi.org/10.52505/1857-4300.2024.2(323).04.

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In this article is shown the process of reception of Grigore Vieru’s poetic works that is produced in the cultural-literary area of Ukraine. It can be seen that, starting from 1969, the phenomenon unfolds in two ways. The first way – publishing a certain number of creations in the form of lyrics cards for preschoolers and schoolchildren and volumes for adults; the second – the inclusion of certain Vieru’s works, as a rule, in the form of cycles, in collections containing selected writings from Romanian literature, sometimes from other literatures as well. Considering the contents of the lyric

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Cristea-Enache, Daniel. "Perestroika și noua poetică basarabeană: Eugen Cioclea și Grigore Chiper." Philologica Jassyensia 37, no. 1 (2023): 33–43. http://dx.doi.org/10.60133/pj.2023.1.02.

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"The poetic model Păunescu − Vieru hasn’t diminished its value in the Bessarabian literary space and most probably the lyrism with ethnical and ethical elements will be regarded as a source of inspiration for the new generation of poets. The study problematizes a unifying perspective by simplifying, reducing the field of poetical experiences to a patriotic dominant feature. Considering the perspective from a distance, outside the Bessarabian literary space, as well as from the inside, we notice the way that a poet chooses one or several models no matter the space and its matrix, his mother ton

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Bohantov, Alexandru. "Filmmaker Valeriu Vidrașcu – Between Vocation and Destiny (creative profile)." Intertext, no. 1(59) (July 2022): 145–51. http://dx.doi.org/10.54481/intertext.2022.1.16.

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The cinematographic trajectory of the documentary film director Valeriu Vidrașcu falls within the limits of two audiovisual formulas - the portrait film and the problem film. Within the respective aesthetic coordinates, the talented filmmaker has fully exploited his creative potential, although in his directorial track-record there are also a few films with a fairly consistent musical subject. To add that the moldovan filmmaker has established himself in the audiovisual landscape of the Republic of Moldova by capitalizing unique directorial solutions. The 1983 film Suite for four trumpets is e

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Більше джерел

Дисертації з теми "Vieru Grigore"

Hîncu, Maria. "La contribution des écrivains roumains de Moldavie (Grigore Vieru, Nicolae Dabija, Dumitru Matcovschi, Ion Hadârcă, Leonida Lari) à l’affirmation de l’identité nationale : 1989-2000." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0160.

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Mon choix s'est porté sur l’activité de ces écrivains qui, de par leur contribution majeure sur le plan littéraire, mais aussi civique, se sont impliqués dans la vie politique et sociale en Moldavie a la fin du siècle dernier. Ce questionnement qui nous interpelle et qui fera la matière de la préoccupation centrale de notre sujet : être écrivain en Moldavie, implique-t-il un engagement quelconque ? Quant a l'engagement, relève-t-il d'une culture, d'une psychologie, d'une mentalité d'un peuple ?<br>My choice fell upon the movement of these writers who, from their major contribution, on the lite

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Книги з теми "Vieru Grigore"

Cimpoi, Mihai. Grigore Vieru, poetul. Știința, 2010.

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Ilievici, Maria. Grigore Vieru: Biobibliografie. Litera, 1997.

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Pânzari, Ludmila. Grigore Vieru: Bibliografie. Museum, 1995.

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Ilievici, Maria. Grigore Vieru: Biobibliografie. Litera, 1997.

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Ilievici, Maria. Grigore Vieru: Biobibliografie. 2nd ed. "Baștina-Radog" SRL, 2011.

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Cimpoi, Mihai. Grigore Vieru: Poetul arhetipurilor. Prut Internațional, 2005.

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Băileșteanu, Fănuș. Grigore Vieru: Omul și poetul. Editura Iriana, 1995.

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Samoil, Nelly. Structuri metaforice în lirica lui Grigore Vieru. [s.n.], 2002.

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Grigore Vieru. Limbajul poetic (O analiză structurală). Editura Junimea, 2018.

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Un discipol al lui Orfeu: Omagiu poetului Grigore Vieru la 70 de ani. Prut Internațional, 2005.

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Тези доповідей конференцій з теми "Vieru Grigore"

Serdesniuc, Cristian. "Grigore Vieru: the emancipatory speech of «Albinuța»." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.07.

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Анотація:

This article is about Vieru’s abecedary «Albinuța» (1979), a teaching tool dedicated to (pre)schoolers, published in over one million copies, at the nineteenth edition. The instructive impact, the formative-aesthetic value and the actuality of the book are also mentioned opinions about the originality of the abecedary, aspects of the content and the plastic design. We mention opinions of critical voices about the role of the «Albinuța» in the didactic instrumentation and the Literature for Children, as well as the poetic working strategy, the connection of the abecedary to the needs of the (pr

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Cristea-Enache, Daniel. "Grigore Vieru and the Romanian Sixties Literary Generation of Poets." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.32.

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There is an identity function of poetry, of literature, that shapes the symbolic consistency of a collective spirit, a map of emblematic landmarks of a national community. Goga and Cotruș are representative for Transylvania, Vieru and Păunescu are emblematic for Moldavians, whereas Eminescu is emblematic for the Romanians of all the historic provinces. For those living in Basarabia, Vieru represents a prophet of their Nation, an apostle of the Romanian Nation standing against the historic oppression, in the form of the Russian camps. To the elitists and relativists from Romania, Vieru is regar

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Serdesniuc, Cristian. "Grigore Vieru: poezia pentru copii și poezia despre copii." In Conferinta stiintifica nationala cu participare internationala „Lecturi in memoriam acad. Silviu Berejan”. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/lecturi.2021.05.19.

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Анотація:

Grigore Vieru debutează editorial cu o plachetă de versuri consacrate copilului și copilăriei. Prin poezia sa despre (și pentru) copii, poetul îl ajută pe cititorul mic să descopere orizonturile vieții și, totodată, să se descopere pe sine. Poetica viereană nu s-a despărțit de filonul copilăriei nici în abordarea temelor pentru maturi. Creația viereană se încadrează în cele două tipare ale literaturii: pe de o parte poezia pentru copii, prin care înțelegem o literatură pentru toată lumea, pe de altă parte, o poezie despre copii, care este inspirată din universul infantil al ludicului, mirajulu

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Serdesniuc, Cristian. "Poezia viereană pentru copii: de la preceptele dogmatice la libertatea creației." In Filologia modernă: realizări şi perspective în context european. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/filomod.2021.15.40.

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Grigore Vieru este un nume de referință în poezia românească (din Basarabia) despre limbă maternă, vatră străbună și frumusețea universului înconjurător, care a resimțit pe deplin gustul amar al discordiei instigată de regimul sovietic comunist. Cultivând într-o poezie senină și netulburată cele mai majore teme ale universalității, eschivându-se de la dogmatica proletcultistă, Grigore Vieru așază în capul mesei mirajul lumii copilărești și însăși imaginea serafică a copilului. Incompatibilă preferințelor și tiparelor ideologice, poezia viereană pentru copii a căutat să readucă literatura român

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Serdesniuc, Cristian. "Symbols and Artistic Ways of Coming Back into Childhood to Grigore Vieru." In Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.24.

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First of all, Grigore Vieru is a children`s poet because, under the sign of imagination, he returns through intermedia of them to the lost universe of childhood. The metaphysic return to the distant past means the revenue to the traditions and inland isolation. Being reached to the innocent universe, the poet is totally moved to primordial places by the contact with the mother`s image and the returning to the frame of the native borders. The insistent looking for childhood, by Vieru means nothing but ``looking for himself``. Through the sing of reflection and reminding, the poet redesigned in

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Verejanu, Dan. "Victor Prohin at 80 years old." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.26.

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Victor Prohin, the well-known publicist and writer, in his stance of journalist who knows how to handle the word perfectly – has been working at newspapers and magazines all his life, since he graduated college at Moldova State University and even now. Modest and honest like a tree, he carried the „burden of his true goodwill” from which he poured his tender humor in his proses for adults and children. Cherished by the reader for „ripe leaves”, for checked humor and for his well achieved joke, the writer of „benevolent humor” was blessed at the beginning of his journey by Grigore Vieru and Spi

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SERDEȘNIUC, Cristian. "Considerations about the axiological dimension of Vieru's song for children." In "Educaţia lingvistică şi literară în contextul dezvoltării valorilor general-umane", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.10-11-11-2023.p87-91.

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Анотація:

In this article it is analysed the musicality feature of Vieru's verse, meanwhile the axiological dimension of Grigore Vieru's song devoted to infantile public. He is a poet of important themes, besides that Vieru is also a composer of songs for all ages. His songs educate human values, promote the culture of good neighborhood, prove the organic bund with the folkloric saps. The poet sang themes sacralized in time, such as: childhood, parental house, maternal verb, village, friendship, love, language, nature, peace and longing. The lullabies represent an honour place in his creation. Vieru's s

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Plamadeala, Ana-Maria. "Cinematic Elegy: Valorizing the Constellation of Ancestral Paradigms." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.15.

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Th e current fi lmological approach highlights one of the most relevant genuistic confi guratio ns of the native fi lm in the era of the “ethnic renaissance”- the cinematic elegy. Ad ovo, the phenomenon of the validity of this structure is indicated in both aspects: the genuistic one and the aesthetic one. Th e author undertakes a preventive excursion in the context of the adjacent arts of the period, discovering the presence of the elegiac spirit in the creation of Ion Druță, Vasile Vasilache, Grigore Vieru, Mihail Grecu as the ancestral metastate of the nostalgic hero. As regards the contrib

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TABURCEANU, Polina, and Valerii TABURCEANU. "The motivation of longing in Liviu Deleanu's creation." In "Higher education: traditions, values, perspectives", international scientific conference. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.27-28-09-2024.p286-291.

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Анотація:

There are states representative of Romanian spirituality, without equivalence in the culture of other peoples. Among them is the feeling of longing, which is difficult to define. The multitude of meanings of longing are proof of the fine sensitivity of the souls of the people who sang it. In order to fully express this wealth of nuances, the popular poet used the most varied artistic methods. Longing appears in two poses: as a being (fantastic abstract or human) and as passion. The artistic nuance of longing is determined by certain aesthetic concepts resized in temperaments and lyrical struct

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