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1

Ibrohimovna, Yuldasheva Nilufar, and Abdullaeva Xurshida. "METHODOLOGY OF FINE ART WORK IN GENERAL SECONDARY SCHOOLS." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 04, no. 06 (2023): 42–49. http://dx.doi.org/10.37547/pedagogics-crjp-04-06-08.

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2

Aliev, T. T. "Street-Art as a Work of Fine Art." Intellectual property law 2 (July 1, 2021): 28–32. http://dx.doi.org/10.18572/2072-4322-2021-2-28-32.

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Анотація:
Purpose. Street art has exploded: it pervades our back alleys, surrounds us at bus-stops, covers billboards, competes with advertising and generally serves as urban wallpaper in most cities. But what is street art? A far cry from mere graffiti, street art has gained some social acceptance, but it remains neither officially sanctioned like public art, nor institutionally condoned, like its more traditional artistic cousins in museums. Somewhere in between these two extremes, street art has emerged, occupying a metaphysically suspect grey area between illegal activity and bona fide art. This pap
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3

Reznikova, Ksenia, та Maya Smolina. "ВЗАИМОДЕЙСТВИЕ АДРЕСАТА ХУДОЖЕСТВЕННОЙ КРИТИКИ И ПРОИЗВЕДЕНИЯ ИЗОБРАЗИТЕЛЬНОГО ИСКУССТВА". Social Anthropology of Siberia 2, № 2 (2021): 68–83. http://dx.doi.org/10.31804/2687-0606-2021-2-2-68-83.

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Анотація:
The object of this scientific research is art criticism, the subject is the interaction of the addressee of art criticism and a work of fine art. The aim is to study the relationship between the addressee of art criticism and a work of fine art. The conceptual analysis of the concept of "art criticism" is given, the features and structure of the text of art criticism are considered. The conceptual basis for the study was the key provisions of the theory of reflection by G.V.F. Hegel, the basic principles of the synthetic theory of the ideal D.V. Pivovarov and the concept of ideal formation, th
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4

KHUJANIYAZOV, Rashid K. "FINE LINES IN UZBEKISTAN PAINTING ART." Art and Design: Social Science 02, no. 03 (2022): 8–11. http://dx.doi.org/10.37547/ssa-v2-i3-03.

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Анотація:
This article provides a general overview of the elegant lines of artists in the art of painting in Uzbekistan on a scientific basis, detailing the appearance of the art of painting in the early stages of its formation. In addition, the restoration of historical memories by Uzbek artists, the re-observation of our artistic heritage, as well as the latest achievements of world culture in their creative research, the artist clearly demonstrates the results of this process. and observing the work from a certain distance.
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5

Hafizah, Harizona. "EUNOIA DALAM FINE ART PHOTOGRAPHY." Matalensa: Journal of Photography and Media 1, no. 1 (2021): 1. https://doi.org/10.26887/matalensa.v1i1.2189.

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Анотація:
Every human being has emotions that can feel happy, sad, or angry. However, negative emotions are often felt in everyday life by someone due to their busy schedule, departing from personal experience, so they are interested in bringing them up into the creation of a thesis. Eunoia is positive thoughts conveyed to others. The purpose of the creation of this thesis is the creation of Fine Art Photography that can motivate and change one's mood (feelings) to be more positive. The creation of this photo work is carried out in four stages, first in the form of preparation by conducting research and
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6

Osipova, Marina V. "Ainu Art: From Craft to Fine Art." Humanitarian Vector 19, no. 2 (2024): 163–75. http://dx.doi.org/10.21209/1996-7853-2024-19-2-163-175.

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ditional and utilitarian. The modernity gives the boost to the development of the new forms of art. However, there are no studies in domestic or foreign historiography examining this issue. The purpose of this article is to analyze the problem of the formation and development of Ainu modern art as the adaptive mechanisms of traditional crafts. Based on field work and analysis of sources, using descriptive, historical-systemic, comparative-historical and visual methods, an attempt is made to understand the prerequisites for the transition of Ainu craft and decorative art to fine arts, and the c
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7

Naydenova, Monica. "Glass art objects – between fine and applied art." European Scientific e-Journal 4, no. 4 (2020): 84–98. https://doi.org/10.47451/art2020-12-002.

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The article describes the interrelationships that emerged between art, crafts, technology and design, in the period from the second half of the 19th century to the present day. Attention is paid to the classification of a work and the delineation of the category ‘Object’. The object of this research is contemporary art in the context of its classification as fine and applied in the period from the second half of the 19th century to the present day. Our attention will be focused on the glass material as a means of expression. The task of the research is to trace the metamorphoses th
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8

Sharifjon O'gli, Sharipov Javlon. "INTERPRETATION OF THE WORK OF RAKHIM AKHMEDOV IN THE ART OF PAINTING OF UZBEKISTAN." European International Journal of Multidisciplinary Research and Management Studies 02, no. 04 (2022): 38–41. http://dx.doi.org/10.55640/eijmrms-02-04-09.

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Анотація:
Currently, a lot of attention is paid to the wide use of samples of our culture, values, National Art, samples of fine art created by our ancestors and famous all over the world in the education of young people. The reflection of the image of our great compatriots and great scientists living in the past in the works of Fine Art also imposes responsible duties on the people of creativity. Famous artist Rahim Akhmedov is a people's artist who left a bright mark in the fine art of Uzbekistan. His works are distinguished by their own fertility, compositional solution. In this article, opinions and
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9

Karev, Andrey А. "Archival notes on fine art." Rossijskaâ istoriâ, no. 5 (December 29, 2024): 201–5. https://doi.org/10.31857/s2949124x24050145.

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Анотація:
The book was written by M.V. Sidorova, an experienced archival curator, researcher and curator of exhibitions of exhibits from the funds of the State Archive of the Russian Federation. Based on these materials on a thematic basis, the monograph includes chapters on the life and work of emperors and members of the royal family, on gendarmes, as well as on fine art at the imperial court of the 19th century. The review focuses on the assessment of the pictorial materials presented in the third chapter and their role in the activities and lives of representatives of the imperial family.
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10

Masharipov, Erkaboy. "THE UNIQUE SIGNIFICANCE OF RAKHIM AKHMEDOV’S WORK IN THE DEVELOPMENT OF FINE ART OF UZBEKISTAN." American Journal Of Social Sciences And Humanity Research 02, no. 11 (2022): 18–23. http://dx.doi.org/10.37547/ajsshr/volume02issue11-04.

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The article expresses very valuable thoughts about Rakhima Akhmedov, who has a celebrity title of international significance, an artist of Uzbekistan, who has made a huge contribution to the development of the fine arts of Uzbekistan with his creative and pedagogical activities.
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11

Johnson, Diana. "From Field to Frame: The Fine Art of Crop Art." Gastronomica 2, no. 2 (2002): 11–13. http://dx.doi.org/10.1525/gfc.2002.2.2.11.

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The annual seed art competition at the Minnesota State Fair evokes the heritage of an agriculture-based economy. But portraits of middle-American icons rendered in the seeds of Minnesota crops, exemplified by the work of old-timer Lilian Colton, rub shoulders with a more contemporary view of Minnesota's place in society presented by urban crop artists like Cathy Camper.
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12

Asilbekova, Venera. "NATIONALISM AND INTERNATIONALISM IN KYRGYZ FINE ART." Alatoo Academic Studies 24, no. 2 (2024): 265–78. http://dx.doi.org/10.17015/aas.2024.242.21.

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The purpose of the research in the article is to determine the ethnonational and international problems of modern Kyrgyz art. The economic and socio-political reforms of the late 20th and early 21st centuries had a particular impact on the transformation of Kyrgyz fine art. The methodology of art differs from the methodology of science in that the artist does not always pursue the same goal as the scientist. Art is not a search for truth, but the creation of the most effective form that can convey thoughts, feelings and images to the viewer. For this purpose, the article uses a comparative typ
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13

Lee, Jina, and Eun Kyung Kim. "Analyzing Collaborative Talk in a Student Managed Task-based Fine Art Activity." Korean Association For Learner-Centered Curriculum And Instruction 22, no. 18 (2022): 767–82. http://dx.doi.org/10.22251/jlcci.2022.22.18.767.

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Objectives This is a qualitative study of the fine art group activity in the eyes of sociolinguistics. Using conversation analysis, this study aims to scrutinize how the actual collaborative talk dynamics take place in a student managed task-based art activity.
 Methods In order to have a close look at the collaborative talk, we focused directly on face-to-face talk-in-interaction of four students’ during their two hour group activity in a college art class, ‘understanding of contemporary art’. The student managed task-based group activity was a part of liberal arts course especially in t
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14

Rahmonov, Gaffarjon Ruzmatovich. "THE ROLE OF FINE ART IN THE AESTHETIC EDUCATION OF CHILDREN." International Journal of Pedagogics 4, no. 7 (2024): 52–55. http://dx.doi.org/10.37547/ijp/volume04issue07-09.

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In this work, the educational aspects of artistic and speech activities are studied in depth, and how they can be used in the modern education system is explained. Also, important conclusions and suggestions were made in the aesthetic education of children in the artistic and speech activities of this methodology.
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15

Maryam Saif. "Art Education and Students' Perception of Fine Art Teachers." Al-Qamar 6, no. 4 (2023): 147–64. https://doi.org/10.53762/17wxj593.

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Art education plays a crucial role in fostering creativity, critical thinking, and cultural appreciation among students. Central to the effectiveness of art education is the role of fine art teachers who serve as mentors, guides, and facilitators in the learning process. This abstract explores the perceptions of art education and students' perceptions of their fine art teachers, shedding light on the impact of teacher-student dynamics on the overall educational experience. The study employs a mixed-methods approach, combining surveys and interviews to gather data from a diverse sample of stude
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16

Agbenyega, Jonathan. "Sensors appreciate fine works of art." Materials Today 13, no. 1-2 (2010): 12. http://dx.doi.org/10.1016/s1369-7021(10)70010-9.

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17

Saidi, Acep Iwan. "Narrative Patterns in Indonesian Fine Art." Britain International of Linguistics Arts and Education (BIoLAE) Journal 3, no. 1 (2021): 77–87. http://dx.doi.org/10.33258/biolae.v3i1.411.

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This paper aims to describe the structure and pattern of narratives in art, which in this case Indonesian fine art is used as a case study. This topic is important considering that the assumption that works of fine art have narrative characteristics has become common knowledge, but the structure and narrative patterns within the genre of work of fine art that can be used as a reference have not yet been formulated. By using a structural semiotic approach, studies in this paper have found that narrative patterns in fine art are a combination of denotative visual sign units presented as works on
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18

Pahukan, Sujittra. "New Dimension of Lacquered Work." Asian Journal of Arts and Culture 23, no. 1 (2023): 260635. http://dx.doi.org/10.48048/ajac.2023.260635.

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Thai artwork Kammalor patterns (Lacquered Work) are the national art of Thailand that indicate the prosperity of culture that shows Thai identity. Handicrafts in Thai art, therefore, represent a skill that is exquisite, delicate, and tactful. In the midst of the contemporary social trend, social changes in art are diverse in commercial art. There are modifications and developments of works of art. Making the art market, the addiction to commercial art has an alternative channel for people to consume art in a variety of ways and more freely. The result of this creative research, researchers stu
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19

Smyrnova, O. "Decorative and applied art in museum and excursion work with future teachers of fine arts." Educational Dimension 26 (December 14, 2009): 326–32. http://dx.doi.org/10.31812/educdim.7037.

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20

Zhukovsky, V. I. "Dialogue in educational space: viewer and the work of fine art." Alma mater. Vestnik Vysshey Shkoly, no. 12 (December 2016): 77–81. http://dx.doi.org/10.20339/am.12-16.077.

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21

Zulfi, Hendri. "Character Education Design in Practicum Class of Students of Fine-Art Education." Education Quarterly Reviews 5, no. 3 (2022): 87–96. https://doi.org/10.31014/aior.1993.05.03.527.

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Students of fine-art education may have developed in creative circumstances however, it is important to grow character enculturation. The study is aimed at designing character education for students of the fine-art education department. The study uses the descriptive research approach. Research data are obtained from interviews with lecturers and students of the practicum classes to get information on character education models. To identify the character types that are needed, questionnaires are dispersed to students. Data collection is also conducted by observation to find the design of chara
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22

Gallego, Christine, Dora Saldamando, Grace Tapia-Beltràn, Karolyn Williams, and Thomas C. Hoopingarner. "Math by the month:The Fine Art of Mathematics." Teaching Children Mathematics 15, no. 6 (2009): 352–53. http://dx.doi.org/10.5951/tcm.15.6.0352.

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“Math by the Month” activities are designed to engage students to think as mathematicians do. Students may work on the activities individually, in small groups, or as problems of the week for the entire class. Because no solutions are suggested, students look to themselves for mathematical justification, thereby developing the confidence to validate their work. The theme for this collection of problems was inspired by the late Ted S. Mankowski, father of “Math by the Month” department editor Dana Islas. Ted's passion was art, particularly creating sculptures using geometric shapes. We hope to
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23

Migašová, Jana. "Hesse v Arkádii (charakteristika výtvarnej činnosti literáta Hermanna Hesseho)." ESPES. The Slovak Journal of Aesthetics 4, no. 1 (2015): 39–46. https://doi.org/10.5281/zenodo.6387912.

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The paper deals with the auxiliary field of Hermann Hesse work – fine art. Particular parts of the text map, analyse and interpret his fine art expressions. They are interpreted in the context with contemporary, developing German expressionism as well as in comparison with his literary language. Methods chosen for interpretation of his work are iconography analysis and psychology of depiction.
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24

Hikdawati, Herisa Aji, and Muhammad Kristiawan. "Use of Rubber Fruit Seeds in Making Fine Artworks at SMA Negeri 1 Payaraman." PPSDP International Journal of Education 3, no. 1 (2024): 83–93. http://dx.doi.org/10.59175/pijed.v3i1.192.

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Rubber plants are very easy to find around SMAN 1 Payaraman because they are widely cultivated by the community around the school. One of the parts contained in the rubber plant is the rubber fruit seeds. Rubber fruit seeds are covered with a hard-textured seed coat, brown, and have a distinctive pattern. The inside of the rubber fruit seeds is usually processed as a food source by the people in the Payaraman area. Meanwhile, the shells of rubber fruit seeds, which have a hard, brownish texture, are only waste and no one has used them yet. The purpose of this research is to find out the proces
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25

Umar Kizi, Kholmatova Feruza Muhammad. "METHODOLOGY OF TEACHING STUDENTS TO ARTISTIC PERCEPTION OF PAINTING WORKS IN FINE ARTS CLASSES." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 03, no. 02 (2022): 125–35. http://dx.doi.org/10.37547/pedagogics-crjp-03-02-21.

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26

Rakhimov, Khasanboy Umarjon Ugli. "The Ingress Of World Artistic Experience In The Fine Arts Of The 1970s-1980s." American Journal of Social Science and Education Innovations 03, no. 02 (2021): 198–202. http://dx.doi.org/10.37547/tajssei/volume03issue02-32.

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The work of writing discusses the history of Uzbek fine arts. It analyzes the different period works of art by Uzbek and Russian artists who lived in Uzbekistan. Fine art is one of the arts that quickly affects the human mind, arouses good feelings and enriches the spiritual world.At the same time, the visual arts are educators who contribute to the formation and development of the individual.
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27

Widayat, Rahmanu, and Deny Tri Ardianto. "Fine Art and Design Works In the Context of Intellectual Property." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 3, no. 1 (2020): 20–24. http://dx.doi.org/10.31091/lekesan.v3i1.1085.

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Fine Art and design works are classified as Intellectual Property that is protected by law. On the other hand, art creations are prone to be imitated or falsified on the grounds of being taken as inspiration or for commercial advantage. In Higher Education, especially in the field of Art and Design, methods to create original works have been taught to prevent intelectual property violation. However, due to dishonorable interests, the possibility of plagiarism and forgery can still occur. The questions that arise were: 1) what are classified as works of art and design? 2) What are the Intellect
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28

Gajšek, Katja. "USING FINE ART TO TEACH PROGRAMMING." GAMTAMOKSLINIS UGDYMAS / NATURAL SCIENCE EDUCATION 19, no. 1 (2022): 7–14. http://dx.doi.org/10.48127/gu-nse/22.19.07.

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When people enter the gallery of contemporary art, they are met with interactive projections which fill up the room, react to the observer and take them on new adventures. Programmers, animators, architects, musicians, draftsmen, graphic artists, and engineers participate in this kind of works of art as co-creators of the work. The classic notion that an artist is someone who can draw or paint beautiful is misguided in modern art. Today the so-called artists are people who use all their knowledge and skills at their disposal to convey their message or view of the world. Art has always reflecte
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29

Aleksandrova, Elitsa. "INNOVATIVE FORMS OF FINE ARTS IN PRIMARY SCHOOL." Education and Technologies Journal 11, no. 1 (2020): 216–20. http://dx.doi.org/10.26883/2010.201.2280.

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Children’s art activity is related to the creation of a certain art product. The functional purpose of the pictorial work is associated with the bright emotionality and empathy of students from the initial stage to the unusual, fairytale and fantasy. The creative activity of the students is analyzed. The need for innovative forms of pictorial activity has been established.
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30

Umbas, Ronald, and I. Gusti Agung Sri Rwa Jayantini. "Indonesian Fine Art Terms and Their English Equivalence." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 4, no. 1 (2021): 12–20. http://dx.doi.org/10.31091/lekesan.v4i1.1451.

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The objective of this study is to identify the procedures of translation of fine art terms from English into Indonesian found in the catalog of Kun Adnyana's paintings entitled Candra Sangkala and to identify linguistic phenomena that arise from the translation. The catalog promotes the work of art and provides as much information as possible so that the work of the artist can be more widely appreciated. Therefore, the specific terms used in this fine art text should be translated appropriately in order to communicate the messages accurately, readably and naturally. The method used in this res
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31

Tomashevskiy, V. V. "USING MUSIC IN LESSONS FINE ARTS IN PRIMARY SCHOOL." Educational Dimension 1 (May 19, 2022): 65–72. http://dx.doi.org/10.31812/educdim.5011.

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Article is dedicated to the questions of the practical work with the music on the lessons of painting art in the beginning forms of the school. She is about the problem of the development of emotional side in the childish creativity and the role o f music, which is foundation of the formation of emotions and creating of art active the atmosphere.
 This experimental method was approbated in one of schools of the town of Kryvyi Rih and he is introduced our in this article. In the text, there's thematic planning for the first form of the school in the learning of the founds of painting art,
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32

Tymchuk, Nadiia. "Perception of Fine Art: From Traditional Approaches of the 19th Century to the Present." NaUKMA Research Papers. History and Theory of Culture 7 (August 7, 2024): 155–63. http://dx.doi.org/10.18523/2617-8907.2024.7.155-163.

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“Art” is a specific type of human activity, which aims to reflect reality or idea in a concrete-sensual image, which involves aesthetic perception. The history of art is in fact the history of vision, which is not “innocent”, it is interested, selective and empathetic. Art was used as a demonstration of culture, and it was a tool for socially significant ideas and values.For a long time, the strategy of art studies was limited to descriptive formal and stylistic analysis of artworks. The analysis of the phenomena of artistic culture from the standpoint of structural-semiotic analysis involves
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33

Yunus, Pangeran Paita, and Muhammad Muhaemin. "Semiotika dalam Metode Analisis Karya Seni Rupa." Jurnal SASAK : Desain Visual dan Komunikasi 4, no. 1 (2022): 29–36. http://dx.doi.org/10.30812/sasak.v4i1.1905.

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Fine art is one of the artifacts that are present as a result of human behavior and human actions that are driven by motivation in their thoughts and feelings. Therefore, a work of art is not something isolated but is an element of a system so that the meaning contained in it is systemic as well. This means that the meaning of a work of art can be determined by the system, by the work of art itself, and by the humans who make the work of art, or who associate physical elements from the environment with certain meanings. This has become the object of theoretical study and is systematically anal
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34

Paudel, Rudra Prasad. "Mainali’s “A Blaze in the Straw” as a Fine Work of Art." Tribhuvan University Journal 27, no. 1-2 (2010): 143–48. http://dx.doi.org/10.3126/tuj.v27i1-2.26397.

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Art refers to the product of creative human activity in which concepts are shaped and selected to convey an idea or emotion. A short story is an art form, a particular type of artistic activity and a product of the author’s imagination. Unlike novels that usually depict conflicts among many characters, developed through a variety of episodes, stimulating a complexity of responses inreaders, a short story is a brief fictional narrative prose disclosing one character’s inner conflict with others having one thematic focus. It concisely presents events and stirs our imagination.
 Guru Prasad
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35

Sokolov, Vladislav. "COSMISM IN FINE ART: ORIGINS, ESSENCE AND PERSPECTIVES." Herald of Culturology, no. 4 (2021): 114–47. http://dx.doi.org/10.31249/hoc/2021.04.07.

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This work is devoted to cosmism in art, as it has become a particularly significant artistic style, clearly identifying high art as one of the ways of conceiving the world and man. It reveals the deep essence and the philosophical foundations of cosmism in visual arts. All that is presented in the context of those new views that were carried by artists-cosmists and which are associated with the symbolism of otherness and other states of matter, the inevitability of the spiritual evolution of mankind and, in general, with the ideas of the New World, New Man and New Beauty.
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36

Talipov, Nozim Hamidovich. "CREATIVE TECHNOLOGIES OF WORKING PORTRAIT COMPOSITION IN PROFESSIONAL TRAINING OF FUTURE FINE ART TEACHERS." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 04, no. 01 (2023): 81–88. http://dx.doi.org/10.37547/pedagogics-crjp-04-01-12.

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Анотація:
The article contains the basic theoretical and practical recommendations for the portrait. Since the work on the portrait requires a special approach from the painter, the article gives the features of individual methods on this issue.
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37

Xamidovich, Talipov Nozim. "CREATIVE TECHNOLOGIES FOR THE PROVISION OF ART EDUCATION TO FUTURE TEACHERS OF FINE ARTS." Current Research Journal of Philological Sciences 5, no. 1 (2024): 39–45. http://dx.doi.org/10.37547/philological-crjps-05-01-08.

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Анотація:
The article contains the basic theoretical and practical recommendations for the portrait. Since the work on the portrait requires a special approach from the painter, the article gives the features of individual methods on this issue.
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38

Zhao, Wentao, Wei Jiang, and Xinguo Qiu. "Big Transfer Learning for Fine Art Classification." Computational Intelligence and Neuroscience 2022 (May 31, 2022): 1–19. http://dx.doi.org/10.1155/2022/1764606.

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Анотація:
Automatic classification and retrieval of fine art collections have received much attention in recent years. In this article, we explore the applicability of convolutional neural networks (CNNs) for art-related image classification tasks. To examine how hyperparameters affect model performance, we use different hyperparameters in our experiments and find that a higher resolution and appropriate training steps with mix-up can improve model performance. To determine how transfer learning affects the final results, we systematically compare the efforts of five weight initializations of the models
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39

Akimov, Dmytro. "Marketing researches and promotion works of art in the fine art’s marketing." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 139–44. http://dx.doi.org/10.32461/2226-0285.1.2021.238609.

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The purpose of the article. Research and analysis of marketing technology algorithms by means of market segmentation in fine arts marketing. The methodology of the study is to apply comparative, empirical, and theoretical methods. This methodological approach allows us to analyze the processes of segmentation of the fine arts market with the subsequent use of research results in the marketing processes of promoting works of art from artist to consumer. The scientific novelty consists in expanding the notions about the research of marketing processes in the art market. The article establishes t
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40

Aghayev, Emil. "The phenomenon of Sattar Bahlulzade in art critic Ziyadkhan Aliyev's research." Scientific Bulletin 4 (2020): 162–68. http://dx.doi.org/10.54414/rkve3013.

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Анотація:
The history of the development of fine arts in Azerbaijan has always been followed by art critics. The emergence of new scientific works enriches our art history. The phenomenon of Sattar Bahlulzade occupies an important place in the work of art critic Ziyadkhan Aliyev. Sattar Bahlulzade became famous as the author of lyrical works. His interesting works enrich our history of fine arts. Art critic Ziyadkhan Aliyev carefully analyzed and studied the peculiarities of the artist's work in his works. This article is based on the articles of the art critic on the artist's work and is presented as t
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41

McCallum, Kate, Scott Mitchell, and Thom Scott-Phillips. "The Art Experience." Review of Philosophy and Psychology 11, no. 1 (2019): 21–35. http://dx.doi.org/10.1007/s13164-019-00443-y.

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Анотація:
Abstract Art theory has consistently emphasised the importance of situational, cultural, institutional and historical factors in viewers’ experience of fine art. However, the link between this heavily context-dependent interpretation and the workings of the mind is often left unexamined. Drawing on relevance theory—a prominent, cogent and productive body of work in cognitive pragmatics—we here argue that fine art achieves its effects by prompting the use of cognitive processes that are more commonly employed in the interpretation of words and other stimuli presented in a communicative context.
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42

Zhigaeva, A. A., and I. G. Zhigaev. "CLASSIFICATION OF INTERTEXTUAL CONNECTIONS OF WORKS OF FINE ART RELATIVE TO THE STATUS OF THE ARTISTIC IMAGE." Northern Archives and Expeditions 6, no. 2 (2022): 182–89. http://dx.doi.org/10.31806/2542-1158-2022-6-2-182-189.

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Анотація:
Researchers of artistic works of art use mainly theoretical and empirical research methods, as well as conceptual provisions of the theory of fine art. These methods are used in comparative historical, formal, iconographic and structural analyses. In addition to these methods, another approach to the study of both individual works of art and the history of art as a whole is proposed. The article describes one of the main methods used by artists of various eras, but most vividly in modern art, in modernism, post- and metamodernism - is quoting, which the authors of the article define as interte
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43

Zečević, Radmila. "Educational potential of fine arts at preschool age." Zbornik radova Uciteljskog fakulteta Prizren-Leposavic, no. 14 (2020): 445–53. http://dx.doi.org/10.5937/zrufpl2014445z.

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The creative potential of art, which is acquired through work processes, is of valuable importance for other areas as well. Children's artistic expression is not only a distinctly artistic activity, but at the same time it is a process of learning and checking one's own possibilities. Given the fact that there is a relative crisis in the teaching of art education, this paper aims to affirm the role and importance of art culture and art, with an emphasis on preschool age. The author starts from a short historical review of fine arts practice in the educational context, after which he emphasizes
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44

qizi, Kurbonova Shoxsanam Boxodirjon. "ABOUT COLOR THEORY THE PURPOSE AND TASKS OF COLOR PAINTING." American Journal of Engineering and Technology 6, no. 12 (2024): 199–202. https://doi.org/10.37547/tajet/volume06issue12-19.

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Анотація:
In this article, students of the faculties of Architecture, Design, Engineering Graphics and Fine Arts will learn about the purpose, tasks and objectives of color science and painting, how to create works of art using various art materials, modern trends in fine art. and highlights the history and theory of painting, the life and work of great artists, sources about their famous works of art.
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45

Pardayev, Bakhtiyor A., and Mirolim I. Khudoiberdiyev. "TO DEVELOP THE SKILLS AND COMPETENCIES OF WATERCOLORS FOR FUTURE TEACHERS OF FINE ARTS." CURRENT RESEARCH JOURNAL OF HISTORY 03, no. 02 (2022): 18–25. http://dx.doi.org/10.37547/history-crjh-03-02-04.

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Watercolor is a Latin word that means water-based paint, as well as watercolor painting. Watercolor was widely used in ancient Egypt, Japan, and from the 21st century the work of major works of art in watercolor is highly developed. Working with watercolors was developed in England a century and a half ago. The following is a description of the origin and processing technology of watercolors.
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46

Zarkasi, Much Sofwan, and Bening Tri Suwasono. "THE ELABORATION OF SACRED AND PROFANE IN FINE ART WORK ENTITLED "WHEN HANDS AND FEET ARE TALKING”." Acintya Jurnal Penelitian Seni Budaya 16, no. 1 (2024): 13–28. http://dx.doi.org/10.33153/acy.v16i1.6028.

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The article "Sacred and Profane Elaboration in a Work of Art Titled When Hands and Feet Speak" by Much. Sofwan Zarkasi and Bening Tri Suwasono explores the intersection of sacred and profane elements in art, a convergence rarely seen in modern works that typically separate art and religion. This meeting of sacred and profane is grounded in Islamic prophetic values derived from Quranic knowledge. The authors argue that since the purpose of human life is to worship, and art is a part of human activity, art should also encompass the concept of worship. Thus, art becomes a blend of sacred and prof
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47

K., Shantha Kumari. "KARNATAKA FOLK DANCES ARE THE HEART AND SOUL OF OUR RURAL AREA PEOPLE." Shanlax International Journal of Arts, Science and Humanities 6, S2 (2019): 199–203. https://doi.org/10.5281/zenodo.3228249.

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<em>Characteristically folk art is not influenced by&nbsp;</em><em>movements</em><em>&nbsp;in&nbsp;</em><em>academic</em><em>&nbsp;or fine art circles, and, in many cases, folk art excludes works executed by professional artists and sold as &quot;high art&quot; or &quot;fine art&quot; to the society&#39;s art patrons.&nbsp;On the other hand, many 18th- and 19th-century American folk art painters made their living by their work, including itinerant portrait painters, some of whom produced large bodies of work. Terms that might overlap with folk art are na&iuml;ve art,&nbsp;</em><em>tribal art</
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48

Turchak-Lazurenko, Lesia. "Arkhyp Kuindzhi's Creative Work in the Context of Ukrainian and World Artistic Culture." Issues in Cultural Studies, no. 41 (March 31, 2023): 21–31. https://doi.org/10.31866/2410-1311.41.2023.276683.

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<em>The aim of the article&nbsp;</em>is to find out the contribution of the artist Arkhip Kuindzhi to Ukrainian and world fine art.&nbsp;<em>Research results.&nbsp;</em>The article examines the activity of the artist, teacher &mdash; Arkhyp Kuindzhi, analyses his creative path, thereby proving that the artist, despite the fact that he lived and worked in Russia, his works are closely related to Ukraine. The themes of many famous works are Ukrainian: &ldquo;Ukrainian Night&rdquo;, &ldquo;Dnipro in the Morning&rdquo;, &ldquo;Ukraine&rdquo;, &ldquo;Moonlit Night on the Dnieper&rdquo;, &ldquo;Even
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49

Otto, Melanie. "'Untold stories': The relationship of word and image in the work of Shaun Tan." Image & Text, no. 38 (June 11, 2024): 1–25. http://dx.doi.org/10.17159/2617-3255/2024/n38a2.

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Primarily known as a children's book author and illustrator, Shaun Tan has repeatedly resisted this label and rather positioned himself between the fields of literature and fine art, emphasising that his training and primary interest are in the latter. This essay approaches Tan's work via his idea of 'untold stories', articulated in the eponymous section of his book The bird king and other sketches (2011) and in the 2018 solo exhibition at Beinart Gallery in Melbourne, Untold tales. Untold essentially means unpremeditated in Tan's vocabulary and relates to his evocation of Paul Klee's idea of
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50

Rudakoff, Judith. "Cuba “AsiSomos” and the Fine Art of Survival." Canadian Theatre Review 78 (March 1994): 59–60. http://dx.doi.org/10.3138/ctr.78.010.

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Анотація:
From September 12-19, 1993, I co-ordinated a Theatre and Fine Arts Delegation which travelled in Cuba. The primary goal of this delegation was to begin to explore the Fine Arts in several regions of the country with particular emphasis on learning how the social, economic, political and religious conditions affect the contemporary creative work in terms of themes, imagery, form and structure and even, at times, venue. This was my second of five trips planned this year, facilitated by the Cuban Ministry of Culture and their Canadian representatives, Canada-Cuba Sports and Culture Festivals. The
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