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1
濱田, 麻矢. "少女中国―２０世紀中国語圏文学における女学生表象." Kyoto University, 2018. http://hdl.handle.net/2433/233816.
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辻, 浩和. "中世〈遊女〉の身分とその支配." 京都大学, 2012. http://hdl.handle.net/2433/157652.
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Kyoto University (京都大学)0048
新制・課程博士
博士(人間・環境学)
甲第16941号
人博第584号
新制||人||140(附属図書館)
23||人博||584(吉田南総合図書館)
29616
京都大学大学院人間・環境学研究科共生文明学専攻
(主査)教授 西山 良平, 教授 元木 泰雄, 教授 赤松 紀彦, 准教授 三枝 暁子
学位規則第4条第1項該当
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Su, Donghui. "两代中国女性导演视角下的女性电影中女性意识之比较研究 : —以《人鬼情》和《送我上青云》为例." Thesis, Högskolan Dalarna, Institutionen för språk, litteratur och lärande, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-37596.
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As a product of the western feminist movement, feminist films have become an important tool for displaying feminist connotations and reflecting femalec onsciousness. With the advancement of society and the awakening of female consciousness, feminist film theory, criticism and practice have gradually taken a place in the film system dominated by male discourse power, and have constantly tried to speak for women on the big screen. After China's reform and opening up, feminism took root in China. In the 1980s, under the influence of western feminist film theory and practice, Chinese female filmmakers also began to try to express the situation and demands of Chinese women through films. After more than 40 years of drastic changes in reform and opening up, major changes have taken place in alllevels of current Chinese society. Chinese feminism and feminist films have also changed in accordance with the trend of the times. When the next generation of feminist filmmakers stand on the shoulders of their predecessors, they incorporate the spirit of the new era for the expression of feminism. This article selects two representative Chinese feminist films, which are "Woman Demon Human" and "Send Me to the Clouds". Through the comparison and analysis of the thematic contents, narrative styles and lens languages of the two films, the differences between the two are revealed in three aspects of feminist connotation,which include the subjective consciousness, female desires and gender differences.作为西方女性主义运动的产物，女性主义电影成为了展现女性主义内涵和反映女性意识的重要工具。随着社会的进步和女性意识的觉醒，女性主义电影理论、批评与实践在以男性话语权为主导电影体系中渐渐占据了一席之地，并不断尝试在大荧幕上为女性发声。中国改革开放后，西方女性主义思潮进一步影响中国。八十年代中国的女性电影人在西方女性主义电影理论与实践的影响下，也开始尝试通过电影来表达中国女性的处境和诉求。在经历改革开放四十多年的剧变后，当下的中国社会各个层面都发生重大变革。中国的女性主义以及女性主义电影也顺应时代的潮流而改变。下一代的女性主义电影人站在前辈们的肩膀上，为女性主义的表达融入了新时代的精神。 本文从上世纪八十年代和近十年的中国影坛选取两部具有代表性的女性主义电影——《人鬼情》和《送我上青云》，并通过对两部电影在主题内容、叙事方式和镜头语言上的分析，发现两部电影在呈现女性意识的三个不同方面——主体性意识、女性欲望和性别差异上的表达呈现出不同的侧重点。由此，从而以小见大，从局部来窥见两个时代的女性主义电影所反映的女性主义的时代性内涵。
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Cheng, Chi-Lan, and 鄭崎藍. "女中儒士：清中葉徽歙才女汪嫈." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/gp8ar6.
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碩士國立中正大學
歷史系研究所
105
Wang Ying, a well-talented female writer, was born in Hui state (Anhui, China today) in Qing Dynasty. She was supported by his father to study Chinese classics, Four Books and Five Classics. Her famous works are Ya An Shu Wu Wen Ji (The Collection of Yaan Study Room) and Ya An Shu Wu Wen She Ji (The Poems of Yaan Study Room), four volumes in total. All of her works were collected and published by her son, Chen Bao. In Qing Dynasty, she was well known as a “female Confucian scholar”. In this thesis, I had chosen her works as main study materials, through the perspective of her life, to explain how Wang Ying understood Confucian thinking and how she practiced these concepts, especially her understandings to female virtues and virtues of being a mother. Firstly, I make a wholescale description on her life. Secondly, I put my emphasis on her practices of female virtues and being a mother. Moreover, by interpreting her relations between her family in Hui State and her husband’s family, her social cares and worries to nation can be further analyzed. Finally, I summarize her cultural characteristic by the study of her life. Through my thesis, I expect to take Wang Ying’s lens to understand the women characteristic and life style at that time.
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CHANG, WEI-HSUAN, and 張維軒. "《中國女報》、《中國新女界雜誌》與《天義》的婦女議題研究." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/3wvah6.
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碩士國立中正大學
中國文學研究所
106
In the late Qing Dynasty, faced with internal and external problems, China's social environment was challenged as never before, and intellectuals promoted reforms in order to effectively improve the situation in China at that time. They think one of the important factors that defeated and weakened of China is the situation of Chinese women. The women's issue became one of the goals of the prophets of all parties to advocate reform. In addition, there are also a few female intellectuals who propose improved policies and appeals for Chinese women. They advocate themselves as women, perhaps more appropriate and appropriate to achieve the effects and objectives of the reform. This article mainly uses the 1907“Zhong Guo Nu Bao”, “Zhong Guo Xin Nu Jie Za Zhi” and “Tian Yi” as the discussion texts. The three women's newspapers and periodicals have their representativeness, so they are discussed together. Through the records of the newspapers and periodicals, this article carefully reads the contents, and combs the women's issues advocated by the intellectuals at that time, trying to trace back to the great environment facing China at that time, Closer to understand the life of Chinese women, women's experiences and women's concepts.
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Kuan, Man-Chun, and 關曼君. "唐詩中女仙、道家女子之研究." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/93739509503606954020.
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Kao, Shou-Fong, and 高秀鳳. "中共女兵之研究." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/43340081021313823328.
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梁淑萍. "明代女紅─以北方婦女為中心之探討." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/20147603026964030476.
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"中國當代女作家小說創作中女性形象系列硏究(1978-1987)." 2000. http://library.cuhk.edu.hk/record=b6073795.
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霍玉英.論文(博士)--香港中文大學, 2000.
參考文獻 (p. 215-274)
中英文摘要.
Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong.
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Mode of access: World Wide Web.
Huo Yuying.
Lun wen (bo shi)--Xianggang Zhong wen da xue, 2000.
Can kao wen xian (p. 215-274)
Zhong Ying wen zhai yao.
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JIANG, XIAN-JING, and 姜賢敬. "中韓女誡文學之研究." Thesis, 1990. http://ndltd.ncl.edu.tw/handle/36321837312660296331.
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"七十年代香港婦女雜誌中的「時代女性」." 2006. http://library.cuhk.edu.hk/record=b5896486.
Full textAbstract:
高詠怡."2006年9月"
論文(哲學碩士)--香港中文大學, 2006.
參考文獻(leaves i-ix).
"2006 nian 9 yue"
Abstracts in Chinese and English.
Gao Yongyi.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2006.
Can kao wen xian (leaves i-ix).
導論 --- p.1-18頁
Chapter ■ --- 引言
Chapter ■ --- 硏究緣起
Chapter ■ --- 前人硏究回顧
Chapter ■ --- 本硏究的目的、資料與方法
Chapter ■ --- 論文結構
Chapter ■ --- 預期貢獻
Chapter 第一章 --- 七十年代的香港女性 --- p.19-46頁
Chapter ■ --- 政治及法律改革與女性地位的提升
Chapter ■ --- 普及教育與女性競爭力的提高
Chapter ■ --- 經濟發展與職業女性的湧現
Chapter ■ --- 七十年代職業女性面對的困難
Chapter ■ --- 總結
Chapter 第二章 --- 戰前至七十年代香港的婦女雜誌 --- p.47-80頁
Chapter ■ --- 戰前的婦女雜誌-知識及愛國情操並重
Chapter ■ --- 戰後至五十年代的婦女雜誌-以家庭生活爲中心
Chapter ■ --- 六十年代的婦女雜誌-擴展年輕讀者市場
Chapter ■ --- 七十年代的婦女雜誌-以職業女性爲對象
Chapter ■ --- 總結
Chapter 第三章 --- 婦女雜誌中的「時代女性」：形象與生活 --- p.81-107頁
Chapter ■ --- 「時代女性」一詞在雜誌中的運用
Chapter ■ --- 「時代女性」的定義
Chapter ■ --- 婦女雜誌描述下「時代女性」的形象
Chapter ■ --- 「時代女性」在現代社會中面對的困難
Chapter ■ --- 形成「時代女性」的因素
Chapter ■ --- 總結
Chapter 第四章 --- 「時代女性」與七十年代香港女性議題 --- p.108-155頁
Chapter ■ --- 七十年代社會環境與本地婦女議題的討論
Chapter ■ --- 婦女雜誌對婦女運動的關注
Chapter ■ --- 婦女雜誌中有關婦女議題的論述
Chapter ■ --- 總結
結論 --- p.156-168頁
附件
表一十五歲或以上人口在各級教育程度之百分率 --- p.A
表二 1961年-1981年女性人口在各級之教育程度 --- p.B
表三 1961年-1981年男性人口在各級之教育程度 --- p.B
圖一 1961年-1981年女性人口在各級之教育程度 --- p.B
圖二 1961年-1981年男性人口在各級之教育程度 --- p.B
表四 1947年-1964年之教育金字塔數據 --- p.C
表五 七十年代各類中學中一級之學費 --- p.C
表六 1975年幾間著名私校中一級學費 --- p.C
表七 1977年-1978年香港大學及中文大學的本科生和硏究生數目 --- p.C
表八 1961年-1986年女性接受小學教育師訓的百分率 --- p.D
表九 1971年-1986年香港大學及中文大學女性本科生所佔百分率 --- p.D
表十 1961年-1981年以性別及職業類別分類的勞動人口分佈 --- p.E
表十一 1961年至1981年以性別分類之勞動參與率 --- p.E
表十二 1961年-1981年以性別及年齡分類的勞動參與率 --- p.F
圖三 不同年齡組別女性之勞動參與率 --- p.F
表十三 1976年整體女性勞動人口之學歷與職業分佈百分比 --- p.G
表十四一九三零至一九七零年代本港出版之婦女雜誌 --- p.H
表十五七十年代銷售之婦女雜誌 --- p.I
表十六七十年代七本婦女雜誌的目錄標題統計 --- p.J
圖四 七本婦女雜誌的封面 --- p.K
參考書目 --- p.i-ix
14
Chang, Chun-Wen, and 張瓊文. "民國女畫家梁白波繪畫中的女性展現." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/95011640627446753927.
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謝靉倫. "誰的婦女政策？我國婦女政策中「婦女」的論述分析(1949-2000)." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/65182318028650453355.
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Su, Xiao Ru, and 蘇筱茹. "丁玲小說中的女性形象." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/17732318687072620208.
Full textAbstract:
碩士輔仁大學
中國文學系
101
ABSTRACT Ding Ling is a offspring after the May 4th Movement, and at the same time is a good woman wirter in the proletariat class in 1930s. In her 60-year writing, there is a certain importance in Chinese Literature. Ding at first presents a novel called“Sha-Fei Lady's Diary”, to surprise the literature field. she boldly describes the women in the new ages who present sexual desire. Furthermore, in the turn of time, from a gril of Sha-Fei, she tries to break the morale rules and pursues her own life. also she is fanticied Also she is fanticied with the life of love. However, she steps into the Liftiest in 1930. She turns her life morale into revolution. Therefore, there is a big gap between revolution and her love. in the end, in order to make forturne to the public, she gives up her lovely love. Jumping out from the rule of revolition, Ding Ling uses her unique experience to present her own leading actress. Following with the time and change, in the love of her party and then disappointment, she creates lot she creates lots of self-sacrificed women who fight for the country against the Japanese, who fight for the change of land reformation, and who greadually bring hope to the country. In her writing, women from the women rights in Utopian thinking to the advocates of the Communism are related to Ding's experience in her time, and meanwhile, to influence her writing about women changes. This is all from Ding's creative observation to see the issues about women and society. In the world of patriarchy, she voices for women to promote their struggles in the society and families. from the attention of women lives rights, she tries her best to present women's self-consciousness and the interaction between the period and women. This thesis is divided into seven chapters. The first chapter provides an introduction to the motivation, purpose, methods, scope, and reference source of this study. In the second The thesis includes seven chapters. The first chapter provides an introduction to the motivations, purposes, methods, scope, and literature review of this study. The second chapter is Ding Ling’s background and her works. This chapter will survey her background and the inspirations of works. The third chapter discusses the first stage of female image and assets women. Ding Ling differentiates varieties of female images. She thinks that women possess different personality ideas. The ideas include rebellion, Capital embodied, indulging, self-supporting economy and female friendships. I will discuss these images and what will make some difficult position in the new generation. Next chapter is the second and third female image：It has different division between traditional woman and advanced woman. Ding Ling thinks that woman has differentiated varieties of female images. The images is Mature consciousness , Submissive , Over time changed or Discard the private from the public, Give them a bright future. The fifth chapter is that patriarchal society, social cycle, oppressive and reactionary. The sixth chapter "female image of artistic skills", discussion on the female images in Ding Ling's is how it has been portrayed and shaping, as well as her usual artistic skills, enrich her female characters. The seventh is "last LUN", due this research agenda to explore the transition changes in Ding Ling's novels, significance in female novels in depth, and patriarchal women under the common fate, caring female life force review of Ding Ling's novels.
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LIN, YU-HSIEN, and 林瑜絃. "《春秋》視域中的女性——「文姜」." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/39kcrs.
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LI, MENG-JUN, and 李孟君. "唐詩中的女性形象研究." Thesis, 1992. http://ndltd.ncl.edu.tw/handle/70147778273717518447.
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Chen, Yi-Cheng, and 陳怡錚. "國中女教師生涯之研究." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/22006708914057912266.
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ZHOU, YUE-YING, and 周月英. "解讀媒介中的女性意識." Thesis, 1991. http://ndltd.ncl.edu.tw/handle/38960207895692259007.
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"中國女作家短篇小說中的新女性: 一九一七年至一九三七年." 1991. http://library.cuhk.edu.hk/record=b5895430.
Full textAbstract:
霍玉英.稿本(電腦打印本)
Thesis (M.A.)--香港中文大學中國語言及文學學部.
Gao ben (dian nao da yin ben)
Includes bibliographical references (leaves 319-338).
Huo Yuying.
Thesis (M.A.)--Xianggang Zhong wen da xue Zhongguo yu yan ji wen xue xue bu.
提要
目錄 --- p.1-5
前言 --- p.1-4
Chapter 一 --- 論文的研究目的 --- p.1-2
Chapter 二 --- 論文的研究範圍與方法 --- p.2-4
Chapter 1. --- 研究範圍
Chapter 2. --- 研究方法
Chapter 第一章 --- 緒言 --- p.5-29
Chapter 第一節 --- 晚清「小說界革命」及小說中女性形象的描寫 --- p.5-12
Chapter 一 --- 晚清「小說界革命」
Chapter 二 --- 晚清小說中女性形象的描寫
Chapter 第二節 --- 易卜生戲劇、易卜生主義的紹介及其對新文學的影響 --- p.12-20
Chapter 一 --- 魯迅的〈摩羅詩力說〉
Chapter 二 --- 《玩偶之家》的上演與洪深的〈嬌妻〉
Chapter 三 --- 一九一八年《新青年》的「易卜生號」
Chapter 1. --- 胡適的〈易卜生主義〉
Chapter 2. --- 袁振英的〈易卜生傳〉
Chapter 四 --- 早期新文學對易卜生作品思想的攝取
Chapter 第三節 --- 中國女性的覺醒 --- p.20-28
Chapter 一 --- 中國近代女子教育的發展
Chapter 1. --- 梁啓超興辦女學與蔡元培開放大學女禁
Chapter 2. --- 西方教會學校在中國女子教育所扮演的角色
Chapter 二 --- 秋瑾與中國婦女解放
Chapter 三 --- 「五四」時期的新女性
Chapter 第四節 --- 小結 --- p.28-29
Chapter 第二章 --- 新文學創作的拓荒者-陳衡哲 --- p.30-50
Chapter 第一節 --- 埋沒了的「第一人」 --- p.30-38
Chapter 一 --- 新文學小說創作第一人
Chapter 二 --- 女作家第一人
Chapter 三 --- 陳衡哲與婦女解放
Chapter 1. --- 「個人人格」與「性別人格」
Chapter 2. --- 婚姻觀念
Chapter 第二節 --- 陳衡哲短篇小說中的新女性形象 --- p.38-50
Chapter 一 --- 追求理想的知識女性
Chapter 1. --- 理想的追求
Chapter 2. --- 情感的昇華
Chapter 3. --- 晚境的孤寂
Chapter 二 --- 撫育子女為己任的賢惠婦女
Chapter 三 --- 小結
Chapter 第三章 --- 愛的禮讚者-冰心 --- p.51-90
Chapter 第一節 --- 人生究竟 --- p.51-67
Chapter 一 --- 「五四」驚雷來天地
Chapter 二 --- 愛的哲學
Chapter 三 --- 冰心的婦女觀
Chapter 四 --- 冰心的創作觀
Chapter 1. --- 「真」的抒發
Chapter 2. --- 創作的陶冶與思想技巧的攝取
Chapter 第二節 --- 冰心短篇小說中的新女性形象 --- p.67-90
Chapter 一 --- 時代的犧牲者
Chapter 二 --- 中外兼賅的理想新女性
Chapter 三 --- 孤寂的落拓者
Chapter 四 --- 小結
Chapter 第四章 --- 「五四」思潮掀起的産兒-廬隠 --- p.91-137
Chapter 第一節 --- 敢¨ёł窠臼的新女性 --- p.91-104
Chapter 一 --- 「五四」的産兒
Chapter 二 --- 廬隱的婦女觀
Chapter 三 --- 廬隠隱的創作觀
Chapter 1. --- 靈機說
Chapter 2. --- 個性與生命的表現
Chapter 3. --- 創作養份的攝取
Chapter 四 --- 廬隱的「停滯」
Chapter 第二節 --- 廬隱短篇小說中的新女性形象 --- p.104-137
Chapter 一 --- 精神戀愛
Chapter 1. --- 「憂讒畏譏」的弱者
Chapter 2. --- 「不畏譏誚」的勇士
Chapter 二 --- 同性愛戀
Chapter 三 --- 情智夾缝的新女性
Chapter 四 --- 擱淺的人
Chapter 五 --- 革命的「娜拉」
Chapter 六 --- 小結
Chapter 第五章 --- 中國的「曼殊斐兒」---凌叔華 --- p.138-175
Chapter 第一節 --- 高門的精魂 --- p.138-147
Chapter 一 --- 酒後的一派？
Chapter 二 --- 凌叔華小說創作的取向
Chapter 1. --- 站在時代洪潮以外？
Chapter 2. --- 溫婉嫻靜中見剛健
Chapter 三 --- 凌叔華對婦女問題的見解
Chapter 第二節 --- 凌叔華短篇小說中的新女性形象 --- p.147-175
Chapter 一 --- 新舊時代交替的婦女
Chapter 二 --- 時代新女性
Chapter 1. --- 賢妻
Chapter 2. --- 家庭束縛下的犧牲
Chapter i --- 沉悶的家庭生活
Chapter ii --- 家庭生活的煎迫
Chapter 三 --- 規矩以外的變奏者
Chapter 1. --- 同性愛戀
Chapter 2. --- 「娜拉」的踵武者
Chapter 3. --- 孤寂的人
Chapter 四 --- 小結
Chapter 第六章 --- 拔心不死的「卷葹」---馮沅君 --- p.176-197
Chapter 第一節 --- 大膽無畏的代言者 --- p.176-183
Chapter 一 --- 敢作敢言
Chapter 二 --- 馮沅君的文學創作觀及其作品的時代意義
Chapter 1. --- 文學創作觀
Chapter i --- 「為人生而藝術」？為藝術而藝術」？
Chapter ii --- 情感的抒發
Chapter 2. --- 作品的時代意義
Chapter 第二節 --- 馮沅君短篇小說中的新女性形象 --- p.183-197
Chapter 一 --- 不得自由我寧死
Chapter 二 --- 「靈」的追求
Chapter 三 --- 親子之愛與男女之愛的掙扎者
Chapter 四 --- 小結
Chapter 第七章 --- 黑暗中摸索的「莎菲」---丁玲 --- p.198-231
Chapter 第一節 --- 「近代女子」的姿態 --- p.198-208
Chapter 一 --- 從ModernGirl到「革命女性」
Chapter 1. --- 一顆炸彈
Chapter 2. --- ModernGirl
Chapter 3. --- 走向革命？
Chapter 二 --- 丁玲的文學創作觀
Chapter 1. --- 一九三零年以前
Chapter 2. --- 一九三零年以後
Chapter 第二節 --- 丁玲短篇小說中的新女性形象 --- p.208-231
Chapter 一 --- 都市的惶惑者
Chapter 二 --- 同性愛戀
Chapter 三 --- 「革命女性」
Chapter 四 --- 新時代的落後者
Chapter 五 --- 小結
Chapter 第八章 --- 結論 --- p.232-248
Chapter 一 --- 婦女觀的形成
Chapter 1. --- 西風的衝擊
Chapter 2. --- 家庭背景與學校教育
Chapter 二 --- 新女性形象的類型
Chapter 1. --- 精神戀愛的禮讚者
Chapter 2. --- 時代的犧牲者
Chapter 3. --- 賢妻良母
Chapter 4. --- 娜拉的踵武者
Chapter 5. --- 同性愛戀的追求者
Chapter 6. --- 孤寂的落拓者
Chapter 三 --- 結語
注釋（一至八章） --- p.249-307
附錄（一至六） --- p.308-318
中文參考書目及論文目錄 --- p.319-335
英文參考書目及論文目錄 --- p.336-338
後記 --- p.339
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方瑄. "性別‧權力‧啟蒙：《婦女新知》中的女性關懷（1982-2008）." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/16193863012298388397.
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李璨如. "細姨女兒的故事---一個中年婦女的自我建構." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/21612498687087733836.
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"香港單親家庭中的母女關係與「女性」的建構." 謝靜雯], 1996. http://library.cuhk.edu.hk/record=b5895693.
Full textAbstract:
謝靜雯.論文(碩士) -- 香港中文大學硏究院人類學學部, 1996.
參考文献 : leaves 137-146.
Xie Jingwen.
Chapter 第一章 --- 導論：單親家庭與「女性」的建構
Chapter 一 --- 硏究課題 --- p.1
Chapter 二 --- 文獻回顧 --- p.3
Chapter 三 --- 理論架構 --- p.8
Chapter 四 --- 硏究方法 --- p.15
Chapter 五 --- 論文大綱 --- p.18
Chapter 第二章 --- 香港的單親家庭
Chapter 一 --- 單親家庭的定義 --- p.20
Chapter 二 --- 單親家庭在香港：數據與現況 --- p.24
Chapter 三 --- 香港單親家庭與社會福利制度 --- p.33
Chapter 四 --- 爲單親家庭提供服務的組織： 自願性組織與非政府的社會服務機構 --- p.34
Chapter 第三章 --- 家庭的再思：母與女日常的互動
Chapter 一 --- 家庭與性別建構的關係 --- p.39
Chapter 二 --- 以父爲中心的家庭結構中女性的身 份與地位 --- p.42
Chapter 三 --- 嬗變中的「女性」：今日與傳統 --- p.46
建構的「女性」：「賢妻」 --- p.48
建構的「女性」：「良母」、「孝女」 --- p.55
單親家庭的分工與性別建構 --- p.67
Chapter 四 --- 小結 --- p.69
Chapter 第四章 --- 公眾論述：「單親家庭」的塑造
Chapter 一 --- 電視劇集 --- p.74
Chapter 二 --- 廣告 --- p.88
Chapter 三 --- 報章 --- p.100
Chapter 四 --- 小結 --- p.113
Chapter 第五章 --- 社會福利政策與單親家庭中的性別建構
Chapter 一 --- 社會福利政策：「家爲本位」、 「男主外、女主內」 --- p.115
Chapter 二 --- 社會福利制度與性別建構 --- p.119
Chapter 三 --- 小結 --- p.126
Chapter 第六章 --- 總結：「社會問題」建構
Chapter 一 --- 性別觀念的反思與轉變中的家庭槪念 --- p.127
Chapter 二 --- 「社會問題」的建構 --- p.131
Chapter 三 --- 女性的本質 --- p.134
參考書目 --- p.137
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Jean, En-min, and 簡恩民. "晚唐詩中書寫"女性及男女情愛"主題之研究." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/61834521499776505786.
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LIN, KUANG YING, and 林冠瑩. "晚清公共空間中的上海婦女：以晚清上海婦女報刊為研究中心." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/29516030388889499324.
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Chang, Kai-Yu, and 張凱育. "青少女閱讀羅曼史小說之研究―以台中市三位高中女學生為例." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/25913290451634873647.
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LU, NAI-AI, and 盧乃愛. "關漢卿雜劇中之婦女研究." Thesis, 1990. http://ndltd.ncl.edu.tw/handle/63800155947670850745.
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Yi-chun, Wang, and 王怡君. "俄漢諺語中的女性與男性." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/97693586279813158231.
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Chang, Chia-Chen, and 張家禎. "《綴白裘》中女性形象的塑造." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/77286111067797652024.
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"王安憶小說中的女性意識." 香港中文大學, 1995. http://library.cuhk.edu.hk/record=b5895566.
Full textAbstract:
余婉兒.論文(碩士) -- 香港中文大學硏究院中國語言文學系, 1995.
參考文獻: leaves 6-27 (4th group)
Yu Wan'er.
Chapter 第一章 --- 緖言 --- p.1
論文硏究的目的、範圍和方法
註釋 --- p.6
Chapter 第二章 --- 生平和作品
Chapter 第一節 --- 王安憶傳 --- p.7
Chapter 第二節 --- 王安憶的理論及其創作 --- p.35
註釋 --- p.52
Chapter 第三章 --- 小說中女性形象的分析 --- p.57
Chapter 第一節 --- 純潔善良的天使 --- p.59
Chapter 第二節 --- 自尊自重的人格 --- p.64
Chapter 第三節 --- 堅韌的力行者 --- p.70
Chapter 第四節 --- 母性的行使者 --- p.78
註釋 --- p.88
Chapter 第四章 --- 女性的追求 --- p.93
Chapter 第一節 --- 透過愛情顯示對理想的追求 --- p.94
Chapter 第二節 --- 生命意義的追求 --- p.101
Chapter 第三節 --- 追求的態度 --- p.104
註釋 --- p.109
Chapter 第五章 --- 女性與男性的關係 --- p.111
Chapter 第一節 --- 男性的理性英雄形象 --- p.113
Chapter 第二節 --- 男性的弱化 --- p.119
Chapter 第三節 --- 男性的鏡子意義 --- p.129
Chapter 第四節 --- 女性對男性的背叛 --- p.135
註釋 --- p.139
Chapter 第六章 --- 女性的超越 --- p.143
Chapter 第一節 --- 人格的超越 --- p.145
Chapter 第二節 --- 愛情的超越 --- p.149
Chapter 第三節 --- 性愛的超越 --- p.155
Chapter 第四節 --- 女性英雄歷史的建立 --- p.163
註釋 --- p.173
Chapter 第七章 --- 女性的出路 --- p.177
Chapter 第一節 --- 弱者意識 --- p.179
Chapter 第二節 --- 找尋男性能力不能抵達的空間 --- p.183
Chapter 第三節 --- 建立私人的空間一一家庭 --- p.186
Chapter 第四節 --- 內心世界的開拓一一追求內心世界的完善 --- p.192
註釋 --- p.198
Chapter 第八章 --- 女性的困境 --- p.200
Chapter 第一節 --- 空中樓閣式的世界 --- p.202
Chapter 第二節 --- 男性的背叛 --- p.206
Chapter 第三節 --- 女性強大愛情的後果 --- p.214
Chapter 第四節 --- 傳統意識的積澱 --- p.217
註釋 --- p.232
Chapter 第九章 --- 總結 --- p.236
Chapter 第一節 --- 重建女性的王國 --- p.237
Chapter 第二節 --- 不是「女性主義者」的女性意識 --- p.245
Chapter 第三節 --- 王安憶的世界 --- p.250
後記 --- p.252
註釋 --- p.253
附錄：
Chapter 【一】 --- 王安憶作品目錄 --- p.1
Chapter 【二】 --- 參考書目 --- p.6
Chapter 【三】 --- 參考期刊及論文目錄 --- p.11
Chapter 【四】 --- 王安憶小說編年 --- p.28
Chapter 【五】 --- 王安憶年譜 --- p.32
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MA, DONG-MEI, and 馬冬梅. "張愛玲小說中的女性世界." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/35106471530729043312.
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YU, RONG-RONG, and 喻蓉蓉. "五四時期之中國知識婦女." Thesis, 1987. http://ndltd.ncl.edu.tw/handle/48496329907646047727.
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Mei-Kuang, Tai Joyce, and 臺美光. "女性自我與中年的對話：兩位女性的生命故事." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/35210263370022944585.
Full textAbstract:
碩士國立政治大學
廣告研究所
91
Mid-life transition means a series of psychological and physical changes occurring during one’s middle age. How women make sense of it and how it intertwines with women''s personal experiences, life occurrences and surroundings are the main interests of this research. After searching through the life stories of Ms. Chou and Ms. Kao, with regard to the mid-life subject, it''s found that life occurrences, rather than merely physical changes, drive their life stages to transit. 2 interviewees both see mid-life transition as one of the many events among life occurrences instead of a crisis or a turning point. It''s also unfolded that, with regard to the construct of self, discussion on social and cultural contexts is evidently important. The self - "independent" or "interdependent" - actually intertwines with surroundings, relatedness and life themes. Secondly, it''s also revealed that the integrated self at mid-life stage can be one integrated self, or an integrated acknowledgment of the fact that, one''s self can involve many dimensions and the dimensions can still be growing. In addition to the life stories of Ms. Chou and Ms. Kao, this research also documents the introspection of a young researcher. This is also a truthful documentation of the construction and de-construction of a research framework.
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籃慧蓮. "電影《面子》與《蝴蝶》中的女同志情慾與母女關係." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/41418086589586909059.
Full textAbstract:
碩士國立新竹教育大學
美勞教育研究所
96
The purpose of this thesis is to explore lesbian desire and mother-daughter relationship for both Chinese lesbian films: “Saving Face” and “Butterfly”. This research adopts lesbian feminism and mother-daughter related theories as research methods, and is followed with exploration of interactions and transformation towards lesbian desire and identity, in addition to lesbian-mother relationship. Moreover, it confronts the hard facts as how to expose the vitality of reconstructing mother-daughter friendship. The lesbianism in the films subverts the polarized assertions in the past: Either a Lesbian is “without lust” or has “powerful and strong sexuality”. Instead, this thesis displays real lesbian pleasures in addition to diversified bodily desires. And the lesbian T character is viewed as a display of styles which further might make loose the rigid and binary sexual confrontations and bring out the possibility of opening up the act of sexual border-crossing. This thesis also explicates that in the patriarchal and heterosexual society, lesbians under the calling of desires would react from self-suppression, struggling and finally to awakening. She honestly faces herself in the aspect of desire, shaking off the preexisted shackles of sexual norms and achieves the goal of lesbian identity. Lastly, this thesis would compare lesbian images depicted in these two films with those of other movies of the past, and summarizes positive lesbian images so as to break up the prejudice and smearing imposed on lesbians based on the heterosexual ideology in the past. Conversely, the positive lesbian images and their implied meanings of are fairly demonstrated as result. In the two films, the explorations are ranged from the patriarchal suppression to liberation, desexualization to taking the sexual initiative, motherhood not out of obligation, a try to walk out of patriarchal domination, bright image courageous to be a mother, and final returning to become the subject of mother. Mainstay of this thesis falls on both the mother and the daughter, who chose mutual understandings instead of staying antagonistic, and finally, reconstructs the female friendship of the most cherished form: Mother and daughter. Mother, bearing once the cross of traditional motherhood, conducted oppression towards the daughter of lesbian, nevertheless, when becomes a lesbian-mother would carry out both her sexuality and motherhood, it did face the dilemma between lesbian desires and practices of maternity. And only through the salvation like a reconstruction of feminine friendship and mother-daughter relationship could the entanglement between “lesbian” and “motherhood” see the light and chance of liberation.
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"女性氣質的建構: 香港初中女生的族誌學研究." 2008. http://library.cuhk.edu.hk/record=b5896775.
Full textAbstract:
李泳萱."2008年4月".
"2008 nian 4 yue".
Thesis (M.Phil.)--Chinese University of Hong Kong, 2008.
Includes bibliographical references (leaves 161-171).
Abstract also in English.
Li Yongxuan.
Abstract --- p.i
論文摘要 --- p.iii
致謝 --- p.v
論文目錄 --- p.viii
Chapter 第一章 --- 硏究意義和目的：一些現實與理論的背景 --- p.1
Chapter 第二章 --- 理論架構 --- p.9
Chapter 第三章 --- 硏究問題 --- p.23
Chapter 第四章 --- 硏究方法 --- p.27
Chapter 第五章 --- 硏究田野背景資料 --- p.38
Chapter 第六章 --- 師生關係與女性氣質論述 --- p.50
Chapter 第七章 --- 性態論述與性別關係 --- p.83
Chapter 第八章 --- 學業表現與女性氣質論述 --- p.110
Chapter 第九章 --- 論文討論及總結 --- p.145
參考文獻 --- p.161
Reference --- p.162
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Wu, Wan Ru, and 吳婉茹. "八十年代臺灣女作家小說中女性意識之研究." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/10565637695465025301.
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林欣若. "網路中的女性情誼－以台大椰林「站崗的女人」為例." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/51250258758348207673.
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yuan, meng, and 孟元. "ㄧ九八0年代兩岸女作家小說中女性意識研究." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/40517782468343880748.
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詹翠芳. "《醒世姻緣傳》女性觀研究—以女性互動情節為中心." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/97792004786038013924.
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賴佳欣. "工廠女兒圈－論1970～80年代台灣文學中的女工樣貌." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/66926551134982680780.
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HONG, MEI-HUA, and 洪美華. "清代民間祕密宗教中的婦女." Thesis, 1992. http://ndltd.ncl.edu.tw/handle/94746036764362267369.
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CAI, SU-ZHEN, and 蔡素珍. "近百年中國婦女祺袍之研究." Thesis, 1992. http://ndltd.ncl.edu.tw/handle/79843487287248172021.
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