Dissertations / Theses on the topic '女人'
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張, 愛玲, Jin LI, Jing-Di YANG, Yukiyo HOSHINO, Hong LI, Xiao-Jing CHEN, Hai LI, et al. "張愛玲「女を語る[談女人]」." 名古屋大学大学院国際言語文化研究科, 2013. http://hdl.handle.net/2237/18894.
Full text愛新覚羅, 烏拉煕春. "明代の女真人 - 『女真訳語』から『永寧寺記碑』へ -." 京都大学 (Kyoto University), 2010. http://hdl.handle.net/2433/120788.
Full textNagira, Yuri. "In Search of Inaudible Voice: Rhetorical Politics in Race and Gender in Gloria Naylor's Fiction." Kyoto University, 2018. http://hdl.handle.net/2433/235101.
Full text0048
新制・課程博士
博士(人間・環境学)
甲第21381号
人博第864号
新制||人||207(附属図書館)
2018||人博||864(吉田南総合図書館)
京都大学大学院人間・環境学研究科共生人間学専攻
(主査)教授 水野 尚之, 教授 廣野 由美子, 准教授 小島 基洋
学位規則第4条第1項該当
高, 媛. "丁玲『ソフィ女士の日記』に関する考察 : 女性的エクリチュールによる知識人女性の主体性分析." 名古屋大学国際言語文化研究科国際多元文化専攻, 2010. http://hdl.handle.net/2237/14121.
Full textSu, Donghui. "两代中国女性导演视角下的女性电影中女性意识之比较研究 : —以《人鬼情》和《送我上青云》为例." Thesis, Högskolan Dalarna, Institutionen för språk, litteratur och lärande, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-37596.
Full text作为西方女性主义运动的产物，女性主义电影成为了展现女性主义内涵和反映女性意识的重要工具。随着社会的进步和女性意识的觉醒，女性主义电影理论、批评与实践在以男性话语权为主导电影体系中渐渐占据了一席之地，并不断尝试在大荧幕上为女性发声。中国改革开放后，西方女性主义思潮进一步影响中国。八十年代中国的女性电影人在西方女性主义电影理论与实践的影响下，也开始尝试通过电影来表达中国女性的处境和诉求。在经历改革开放四十多年的剧变后，当下的中国社会各个层面都发生重大变革。中国的女性主义以及女性主义电影也顺应时代的潮流而改变。下一代的女性主义电影人站在前辈们的肩膀上，为女性主义的表达融入了新时代的精神。 本文从上世纪八十年代和近十年的中国影坛选取两部具有代表性的女性主义电影——《人鬼情》和《送我上青云》，并通过对两部电影在主题内容、叙事方式和镜头语言上的分析，发现两部电影在呈现女性意识的三个不同方面——主体性意识、女性欲望和性别差异上的表达呈现出不同的侧重点。由此，从而以小见大，从局部来窥见两个时代的女性主义电影所反映的女性主义的时代性内涵。
前野, みち子, and MICHIKO MAENO. "中世の女性観 - フィリップ・ド・ノヴァルの『人生の四段階』について." 名古屋大学大学院国際言語文化研究科, 2005. http://hdl.handle.net/2237/7924.
Full textHuang, Li-ju, and 黃麗如. "女人家." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/72683843770045246137.
Full text許秀珮. "羅曼史小說：女人寫給女人的書." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/47880068569673600181.
Full textSu, Jing-Yuan, and 蘇菁媛. "晚明女詞人研究." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/34560301067222212706.
Full textXU, BING-CHANG, and 徐丙嫦. "朝鮮朝女詩人研究." Thesis, 1985. http://ndltd.ncl.edu.tw/handle/25202949225319555577.
Full text黃俐綾. "當女人成為旅人—女性海外自助旅行之旅遊體驗分析." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/51761328058995930493.
Full text國立臺灣師範大學
運動休閒與餐旅管理研究所
102
The research aimed to analyze Taiwan female independent travelers’ oversea experience. The meaning of their journeys and the social significance of their devotion to oversea travel were revealed through the analysis of their experience and travel process. It adopted in-depth interview methods. Purposive sampling and snowball sampling were employed in this study. Ten female independent travelers were interviewed respectively. Based on the analysis of the interviews and data, findings were shown as below: 1. There were three types of relationships between females’ family and their traveling. Female oversea independent travel was basically motivated by internal motivations. External motivation, however, was reinforced gradually. Travel motivations varied between experienced and unexperienced female travelers. Partner relationships, which were also traveling restrictions for women, were of great concerns. For types of female partner relationships were found. Safety issues, however, didn’t become female travelers’ obstacles. Female were capable of managing safety risks. 2. The female, strongly self-conscious and independent, gained out-of-the-boxing and experienced their selves by traveling. They valued partner relations and focused on building relationship with the local. The female self-constructed distinctive travel experiences, originated from the interactive experience and the sense of being part of the scene by escaping from their daily life. Female travelers achieved verification and self-realization of their selves by traveling and considered traveling as life focus. 3. Female independent travel was not limited to only escaping from self or the oppression of patriarchy; it was highly related to self-ability assessment and risk management. Female had the courage to get away from the social context and social expectation. Independent travels contributed positively to a better family relation, a more fulfilling individuality and social relation for women. Based on the conclusions, the following suggestions were made. Although the majority of independent travelers were female, the overall tourism environment, such as hardware facilities and accommodation environments, were not well-established. Female travelers should try to be heard, by means of Internet, for example. They should unite and overcome the difficulties together, share resources and information with each other so that consensus and strategies could be formulated and the travel environment would be improved. Then a more friendly traveling space and environment for the female could be created in the future.
Pei-Ru, Tsai, and 蔡佩如. "穿梭天人之際的女人：女童乩的性別特質與身體意涵." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/25286923423304428504.
Full textHsin-i, Liu, and 劉欣怡. "《愛他的女人和男人》中的角色詮釋." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/64656493085809666058.
Full textLiu, Min Fen, and 劉敏芬. "綜藝類「音樂人生」:女人的青春悲喜曲." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/23102695007405185625.
Full text"吉林二人轉女演員初探." 2004. http://library.cuhk.edu.hk/record=b5896143.
Full text"2004年1月".
論文(哲學碩士)--香港中文大學, 2004.
參考文獻 (leaves 100-107).
附中英文摘要.
"2004 nian 1 yue".
Liu Yang.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2004.
Can kao wen xian (leaves 100-107).
Fu Zhong Ying wen zhai yao.
摘要 --- p.1
Chapter 第一章 --- 導論 --- p.1
Chapter 1.1 --- 硏究目的和範圍 --- p.1
Chapter 1.2 --- 硏究背景 --- p.2
Chapter 1.3 --- 考查工作及資料搜集 --- p.6
Chapter 第二章 --- 二人轉簡介 --- p.8
Chapter 2.1 --- 源起及發展 --- p.8
Chapter 2.2 --- 與東北民歌及戲曲的關係 --- p.17
Chapter 2.3 --- 語言特點 --- p.22
Chapter 2.4 --- 二人轉的音樂風格 --- p.25
Chapter 2.5 --- 觀眾的參與及影響 --- p.33
Chapter 第三章 --- 二人轉女演員概述 --- p.35
Chapter 3.1 --- 女演員出現的地理及歷史因素 --- p.35
Chapter 3.2 --- 女演員的出現及發展 --- p.36
Chapter 3.3 --- 女演員的服裝、道具及扮相 --- p.39
Chapter 3.4 --- 女演員的表演 --- p.44
Chapter 3.5 --- 女演員的舞蹈 --- p.58
Chapter 第四章 --- 三位女演員的表演特色 --- p.68
Chapter 4.1 --- 閆學晶 --- p.68
Chapter 4.2 --- 王娟 --- p.74
Chapter 4.3 --- 梁學華 --- p.81
Chapter 4.4 --- 二人轉女演員特點總結 --- p.86
Chapter 第五章 --- 結論 --- p.89
Chapter 5.1 --- 總結 --- p.89
Chapter 5.2 --- 未來的硏究方向 --- p.98
參考著作 --- p.100
附錄 --- p.108
附錄I藝訣 --- p.109
附錄II譜例 --- p.112
譜例2-1 選自《西廂》唱段 --- p.113
譜例2-2 選自《西廂》唱段 --- p.114
譜例2-3 選自《西廂》唱段 --- p.116
譜例4-1 選自《皇親夢》唱段 --- p.118
譜例 4-2 選自《皇親夢》唱段 --- p.119
譜例 4-3 選自《包公斷后》唱段 --- p.121
譜例 4-4 選自《包公斷后》唱段 --- p.123
譜例 4-5 選自《包公斷后》唱段 --- p.124
附錄III圖例 --- p.125
圖例2-1 嗩吶、二胡、琵琶 --- p.126
圖例3-1 丑靴、旦舞鞋、服裝 --- p.127
圖例3-2 大板和手玉子、扇子、手絹 --- p.128
顏任儀. "玩命女人：從性別面向分析女性算命行為." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/68256421249393235166.
Full textTzu-Wen, Chen, and 陳姿彣. "倩女幽魂：尋回遺忘的人性." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/63382509275071557171.
Full textZHENG, REM-JIE, and 鄭人傑. "人工受精子女之法律地位." Thesis, 1988. http://ndltd.ncl.edu.tw/handle/86361015321450195671.
Full textCai, Chun, and 蔡春. "女性經理人個人特質、生活型態及領導行為之關係:中美日女性經理人之實證研究." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/95413124892698304629.
Full textShen, Yi-Ying, and 沈沂潁. "唐人小說中之妓女故事研究." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/97664085085151826517.
Full text黃櫻芳. "《史記》西漢女性人物形象研究." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/26525459766575728533.
Full textTseng, Yung-shih, and 曾詠詩. "唐詩中的婦女詩人詩歌研究." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/70684364246282250049.
Full textChien, Huang Shih, and 黃詩倩. "白先勇小說的女性人物研究." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/14546852396222328335.
Full text熊淑君. "新移民女性子女的自我概念及人際關係之研究." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/89450648639868779497.
Full text國立台北師範學院
教育心理與輔導學系碩士班
92
The main purposes of this study are to explore the self-concept and the interpersonal relationship of the foreign brides’ children and to compare those with the normal students of the elementary schools, then to give teachers and related administrators some suggestions. 82 students in different 69 classes whose mothers came from foreign countries were sampled from the 20 elementary schools located in Taipei County. We also chose 82 local students based on the same Social Economic Status as a comparative group. The subjects were evaluated by Questionnaire of the background information for the elementary school students, Self Concept Scale for the elementary school children and Sociometric Method. The data were analyzed by SPSS for Windows 10.0, Two-way ANOVA, Chi-square test and Pearson product-moment correlation. The results of this study are as follows: 1.There is no significant difference between the children of the foreign mothers and the local mothers on the self-concept and the interpersonal relationship. 2.There is no significant difference among the children of the foreign mothers in different Social Economic Status on the self-concept and the interpersonal relationship. 3.The self-concept and the interpersonal relationship of the foreign brides’ children are significantly related. The findings of this study are recommended for teachers, related guidances and future studies.
林欣若. "網路中的女性情誼－以台大椰林「站崗的女人」為例." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/51250258758348207673.
Full textLee, SHAM Po, and 沈寶莉. "女人的「家」鎖——一對香港母女的敘說研究歷程探究." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/58573698672818934060.
Full text輔仁大學
心理學系
99
Daughter, wife, mother, mother- daughter relationship are the inevitable important issue in a woman’s live. When I am growing up and start to think deeply about my life direction, I feel that “marriage” still is the most persuade ideology for woman to get in a family in the Chinese mainstream society. After entered in the graduate school, I feel puzzled and lost between the society expectation and my own life direction. At that time, I went back to seek my guru, my mother, advise and it caused me started to records her life stories. During my study, I discovered that although woman was the victim under the patriarchal society, she also can be the offender of the patriarchal society for the other woman! I feel trapped in the mother- daughter relations and my research project. Afterwards, I tried to not only pay attention on my mother but also need to focus on all my family members’ stories. So I returned to my family, my field, to get in touch with my father and my younger brother. At that time, I realized that all the immigration history of my family members are related to the cultural, political and the economical development between China, Hong Kong and Taiwan. So I realized that I can’t blame on the woman who needs a “home” to be her shuttle, it’s totally a politic decision for the woman in a specific situation which I never consider it seriously. Finally, I choose to re-read and re-write my mother and my story. This action is becoming an example of showing how the governments (China and Hong Kong government) or the economical power oppresses woman and how does the woman re-act of its oppression, and transformed into the next generation oppression.
陳青佩. "城市與女人：三Ｏ年代上海都市文學中的女性想像." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/84385127470652383057.
Full textLI, CHEN HUI, and 李貞慧. "女性的社會參與-以監所讀書會之女性帶領人為例." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/84324992211129717617.
Full text國立高雄師範大學
成人教育研究所
93
Abstract In more than ten years in the past, the adult education in Taiwan has developed a study type which is called “study circles.” Both Council of Culture Affairs and Ministry of Education of Executive Yuan promote the study circles with policy. Now “study circles” has become one of the major types of adult education in Taiwan. Because most of the members of folk study circles are female, there are more female leaders than the other. In 1997, Ministry of Justice gave order to each prison to encourage the prisoners to read books, and the instructors and the managers should induce them to establish study circles. Therefore, prisons utilize a group of leader of folk study circles to lead the study circles in the prison (prison study circles). Most of the leaders are women. The fact that these full-time housewives are willing to do this job without salary is quite different from the impression of women, and it has also presented the meaning of the communal participation. I choose a prison study circle in the south as my study field. By visiting and talking with five female leaders of the study circle and collecting information, I inquire into the study course of housewives participating folk clubs, the study course of female leaders of prison study circles learning to be a leader, and the meaning of the communal participation which is revealed by housewives’ leading prison study circles. According to the result of study, this research can also offer the reference and understanding of topics of women’s communal participation. My research discovered that the motive of female leaders’ participating in prison study circles includes external and inherent factor. The external factor includes being invited, the cooperation of time, family condition, and personal ability. The inherent factor includes study-pursuing and self-grown-up. The appearance of the prison study circles operation is influenced by both the structure condition of prisons and the condition of leaders. Prison study circles produce several functions on prisoners: to stabilize their feeling of being imprisoned, to learn to read, to introspect themselves, and to learn interpersonally interaction. Prison study circles’ influence on female leaders includes: ability improving, experience expending, responsibility bearing, and confidence promoting. The meanings of housewives’ communal participation are: to open up a new field in life with ability which is earned in the past, and the possibility and limitation of women characteristics. Besides, in my research, I also propose suggestions to prison study circles and follow-up research separately. So that this research can be a reference to push prison study circles forward and to study the same subject as follow-up.
Wang, Yu-Ling, and 王郁菱. "莫札特歌劇《女人皆如此》- 女性主義探討與歌唱詮釋." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/57052343087669367380.
Full text國立臺東大學
音樂學系碩士班
103
Wolfgang Amadeus Mozart (1756 - 1791) is one of the most important composers of the Classical era and Così fan tutte is one of his important opera works. Due to the subject of the opera, the critics of that time hold a reproachful and questioning attitude toward it. However, following the gradual awakening of the individual self-consciousness the hidden ideas in it were reexamined and discussed by philosophers. Così fan tutte was accepted gradually and regained its status in music history. Feminism is an extensive and multidimensional issue. The opera Così fan tutte is closely connected to historical evolution, political landscape, social patterns, ideology, and economic development. Therefore in this paper, the author explored and discussed the female positions and consciousness in Così fan tutte through five different aspects of feminism: woman belongs to man, marriages and society, psychological awareness, rights and sexuality. This not only confirmed the status of Così fan tutte in musical history but also make operas one of the important ways to disseminate ideas.
CHUN, LIN CHING, and 林靖鈞. "閱讀《Cheers》─女性／閱聽人主體的探究." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/21864867186993509415.
Full text國立高雄師範大學
性別教育研究所
95
The study analyzed the statements in《Cheers》which are about preferred discourses and gender power relation. Besides, we explored female readers how to position their reading position by using the subjective views of post - modernism and post - structuralism. Furthermore, interaction between text discourse and female audiences was explored to show their subjectivity. According to Stuart Hall’s medium concepts, investigating encoding and decoding in the same time, the study divided into two processes. At the first stage, 21 statements and discourses were chosen in 15《Cheers》magazines published in 2006. Text analyzing mode was used to explore the discourse style and the gender power relation in the working place. In the second stage, we had depth interviews to five female audiences based on the discourse style on the text analysis in the first stage. How female audiences treat of the gendered representation in the working place was explored in the magazines. Besides, how reading《Cheers》affect their working expression was also explored in this stage. The study found that there are five discourse styles in the first analysis: first, taking the association of the female workers and beauty for granted; second, emphasizing the stereotypical gendered temperament and the division of labor; third, strengthening the concepts of different sexes with different leader styles; forth, supporting only male workers to bring into full play in the working place only; fifth, supplying the working women limited reading position. In the second- stage analysis, the subjective expression of female readers were not in any fixed reading positions. They sometimes obey or resist the explanation in《Cheers》, and sometimes negotiate with the text meanings — showing the “situated subjectivity”. Besides, female readers will bring their subjectivity to the everyday life. In vertically thinking, they also connect the depicted working situation in the text and the social situation in the real world — showing the “cross-historical subjectivity”.
張瓊勻. "老人劇團女性身體意象之初探." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/37920422759462554653.
Full text李淑瓊. "人工生殖子女法律地位之研究." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/72417820115806729336.
Full text王惠萱. "台灣現代女詩人作品主題研究." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/26454856221609988002.
Full text朱燕華. "侯文詠小說中的女性人物研究." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/04745656773341385220.
Full text簡國明. "鄭清文短篇小說女性人物研究." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/21053660355665209997.
Full text林靖鈞. "閱讀《Cheers》─女性／閱聽人主體的探究." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/84723556317055492658.
Full textchen, ya-li, and 陳雅莉. "《怨女》中人物對自我認識的追尋." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/50018963024089569830.
Full textLee, Tao-Feng, and 李島鳳. "依戀愛情關係的女人之敘說研究." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/62884236847536394742.
Full text范姜明華. "台灣傳統婦女的宿命與人文反思." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/78742763186280405584.
Full textLiu, Yi-Chien, and 劉伊倩. "韓劇閱聽人研究－以台北女性為例." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/05936738865749915276.
Full text"性別迷離: 中國古典戲劇的女強人." 2001. http://library.cuhk.edu.hk/record=b5895909.
Full text"2001年6月"
論文 (哲學碩士)--香港中文大學, 2001.
參考文獻 (leaves 99-108)
附中英文摘要.
"2001 nian 6 yue"
Zhang Jiefeng.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2001.
Can kao wen xian (leaves 99-108)
Fu Zhong Ying wen zhai yao.
Chapter (一） --- 導論
「花木蘭現象」
中國文人對女性的「女媧情結」
明代社會思潮與戲劇特色
論述之一：男性的出路限制
論述之二：女性較重視自由戀愛
Chapter (二） --- 一往情深超越生死
《杜丹亭》等才子佳人劇
最理想的佳人典型杜麗娘
《紫釵記》的強弱對比
《繡襦記》歌頌自我犧牲的女德
《玉簪記》的思凡女道士
才子不負心結局大團圓
男情陷低谷女愛越高峰
Chapter (三） --- 坐待名花艷福無邊
仙凡配與擁雙艷諸作
仙凡有別人鬼殊途
仙女蛇妖同屬「他者」
《琵琶記》宣揚教化女德
重婚後再迎元配的一夫二妻格套
「不嫉妒」成為婦德至高標準
Chapter (四） --- 家國興亡女兒之責
《雌木蘭》與《浣紗記》的典型
「花木蘭模式」的「陰陽同體」
「願天速變作男兒」：易裝者眾
西施若解傾吳國，越國亡來又是誰
「女媧」與「女禍」
報國仇家恨有賴女荊軻
Chapter (五） --- 戲劇常新´Ø現代啟示
古典情結的現代演繹
出得廳堂入得廚房
附錄：孟麗君與《再生緣》
戲劇文本參考版本
參考書目
郭莉娟. "古代婦產科學對女人身體的建構." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/86046293467216561701.
Full textCHEN, YUAN-YAN, and 陳媛嬿. "已婚職業婦女的家人關係之研究." Thesis, 1988. http://ndltd.ncl.edu.tw/handle/91833100752496911994.
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