Academic literature on the topic '女性形象'

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Journal articles on the topic "女性形象"

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宋, 皓. "文学伦理学批评视角下的东西方女妖形象比较研究." 文化艺术创新 3, no. 6 (December 22, 2020): 49. http://dx.doi.org/10.26549/whyscx.v3i6.6041.

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女妖是东西方魔幻文学作品中常见的角色,融合了女性形象和魔幻形象,具有独特的文学意义和教诲功能。从文学伦理学批评的视角来看,女妖作为人世间的高等生命形态有其独特的伦理身份,在作品的伦理环境中也必然遵守一定的伦理准则。论文从伦理准则和伦理意识两个方面对东西方女妖代表形象进行比较研究,认为因为文化差异驱动作者赋予了女妖迥异的伦理身份,因此在文学作品中表现出各异的伦理意识和伦理选择。此外,这种伦理方面的差异性也是彼时社会伦理环境的投影。
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NG, Siu Kuen Robert. "Body Image Discrepancy and Body Mass Index among Chinese University Students in Hong Kong." Asian Journal of Physical Education & Recreation 20, no. 1 (June 1, 2014): 12–20. http://dx.doi.org/10.24112/ajper.201810.

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LANGUAGE NOTE | Document text in English; abstract also in Chinese. Introduction: The purposes of this study were to examine (a) the relationship between Body Mass Index (BMI) and the perception of body image, (b) the body satisfaction level (BSS), and (c) the most satisfied and dissatisfied body part. Methods: 588 university students (aged: 20.0±2.2 years; BMI: 20.3±2.8 kg/m2) from four universities in Hong Kong indicated their perceived ‘ideal’ and the ‘healthiest’ male and female figure from 9-figure rating scale. Body Image Discrepancy (BID) between their ‘current’ and ‘ideal’ figure was calculated. Results: Men reported significantly higher level of BSS than women. BMI correlated with BSS in women (r=.-263, p<.01) but not in men; BMI correlated with BID in women (r=.446, p<.001) and men (r=.587, p<.001). Most respondents indicated ‘no part’ as their most satisfied body part. Men and women stated their most dissatisfied body part was abdomen and thigh respectively. BSS was the highest in normal weight men and underweight women. Overweight respondents rated significantly larger figure as their ‘ideal’ size than their underweight and normal weight counterparts. Conclusions: An increase in BMI aggravates an increase in their desire to be thinner. It is necessary to help university students in Hong Kong to develop a healthy and realistic body image. 探討大學生(1)身體質量指數(BMI)與身體形象差異的關係; (2)身體滿意度; (3)最滿意和最不滿意自己身體部份。588位大學生從香港四所大學在9個由瘦至肥的男女剪影公仔中選擇(1)“理想”和“最健康”的男女體型; (2)代表自己“現在”和“理想”的體型來計算出身體形象差異。女性的身體滿意度比男性低並與BMI成反比。大多數指無最滿意的身體部份,男女分別最不滿意腹部和大腿。正常體重男士和過輕女士最滿意自己身體。總結,BMI與減磅意欲成正比。
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范, 若兰. "战前马来亚的私娼治理及成效." 华人研究国际学报 12, no. 02 (December 2020): 79–97. http://dx.doi.org/10.1142/s1793724820000206.

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CHIA, Michael, and Jin Jong QUEK. "Log-linear Adjusted Lower Limb Muscle Power of Boys and Girls." Asian Journal of Physical Education & Recreation 8, no. 2 (December 1, 2002): 67–71. http://dx.doi.org/10.24112/ajper.81273.

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LANGUAGE NOTE | Document text in English; abstract also in Chinese.The study investigated the log-linear muscle power of the lower limbs in a group of 13 to 14 year old boys and girls. Participants were 48 boys (stature: 1.69±0.05m; body mass: 57.9±11.8kg; lower limb muscle mass: 16.4±2.5kg) and 38 girls (stature: 1.59±0.06m; body mass: 57.7±7.6kg; lower limb muscle mass: 12.5±1.2kg). Lower limb muscle mass (LLMM) was determined using a dual energy X-ray absorptiometric (DEXA) procedure. Participants completed a 30s Wingate Anaerobic Test (WAnT) where peak power (PP) and mean power (MP) were expressed in relation to LLMM using log-linear adjustment procedures. Boys and girls had similar log-linear adjusted PP (495W vs. 488W, p>0.05) and MP (423W vs. 422W, p>0.05) when they were expressed in relation to LLMM. However, common b exponents that defined the allometric relationship between PP and MP, and LLMM in both boys and girls were 1.26 (SE 0.15), and 1.21 (SE 0.15), respectively. These were markedly different from the b exponent of 1.0 used in the ratio standard, or the 0.67 value predicted from geometric similarity theory. Despite a similar interpretation of data (i.e. no sex difference in lower limb muscle power in boys and girls) using either allometric modeling, allometric modeling of sample-specific exercise data is recommended to produce an appropriate size-independent variable, to allow appropriate comparisons in performance between boys and girls.本文以對數一線性修正法對13 — 14歲少年下肢力量進行了研究。測試對象為48名男孩(身高為1.69 ± 0.05米,體重為57.9 ± 11.8公斤,下肢去脂體重為16.4 ±2.5公斤)和38名女孩(身高為1.59 ± 0.06米,體重為57.7 ± 7.6公斤,下肢去脂體重為12.5 ± 1.2公斤)。以雙光能X光吸收儀(DEXA)測定受試者下肢的去脂體重。受試對象在自行車功率儀上完成30秒溫蓋特無氧功率測試 (Wingate Anaerobic Test, WAnT),以對數-線性修正法表示最高功率和平均功率與下肢去脂體重的關係。其結果顯不,男孩與女孩的最高功率分別為495瓦與488瓦(p>0.05),平均功率分別為423瓦與422瓦(p>0.05)。根據對數-線性修正法所得的最高功率和平均功率與下肢去脂體重關係的b指數分別1.26 (SE為0.15)與1.21 (SE為0.15),男女相同。此結果與常用標準比b指數為1,或應用幾何相似理論推測值0.67等方法所得的結果明顯不同。應用異速生長模型(對數-線性修正法)可測得與其實驗對象和運動形式相適應的形態機體指標,因而可較正確地比較少年男女之間的運動能力。
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Ying, Hu. "Nüjie zhi xingqi: Wanqing Tianjin nüzi jiaoyu yu nüxing xingxiang goujian 女界之興起: 晚清天津女子教育與女性形象構建 (The rise of ‘nüjie’: Female education in Tianjin and the formation of women’s image in the late Qing), written by Qin Fang 秦方." NAN NÜ 23, no. 1 (August 16, 2021): 187–90. http://dx.doi.org/10.1163/15685268-02310021.

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屈, 静. "“Angel” and “Navel”: Metaphorically Revealing French Female Images." World Literature Studies 04, no. 02 (2016): 31–35. http://dx.doi.org/10.12677/wls.2016.42005.

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Han, Xiao. "Study on the image of Korean female revolutionaries in Chinese modern literature." JOURNAL OF CHINESE HUMANITIES 70 (December 31, 2018): 191–209. http://dx.doi.org/10.35955/jch.2018.12.70.191.

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赵, 文瑶. "Psychological Description of Female Images in Watanabe’s Love Literature." World Literature Studies 07, no. 04 (2019): 156–60. http://dx.doi.org/10.12677/wls.2019.74025.

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Wangling, Jinghua. "Ruan Li 阮立 Tang Dunhuang bihua nüxing xingxiang yanjiu 唐敦煌壁畫女性形象研究 (A study of female images in the Dunhuang murals from the Tang Dynasty). Wuhan: Wuhan daxue chubanshe, 2012. 195 pp. RMB 28. ISBN 978-7-307-09633-2." Nan Nü 16, no. 1 (September 10, 2014): 147–50. http://dx.doi.org/10.1163/15685268-00161p08.

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McKinney, Cathy H., and Denise E. Grocke. "The Bonny Method of Guided Imagery and Music for Medical Populations: Evidence for Effectiveness and Vision for the Future." Music and Medicine 8, no. 2 (May 1, 2016): 18. http://dx.doi.org/10.47513/mmd.v8i2.485.

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The Bonny Method of Guided Imagery and Music (GIM) and modifications derived from it are potent and flexible for addressing a variety of psychological and physical concerns in both clinical and nonclinical adult populations. This paper summarizes the existing evidence relevant to medical populations with a focus on mental and physical health. Medical populations found to benefit from a series of individual GIM sessions have included individuals with cancer, cardiovascular disease, autoimmune disorders, and psychological conditions, including anxiety, chemical dependency, posttraumatic stress disorder, and disability from work stress. Researchers also have documented significant change resulting from a series of GIM sessions in physiological variables including blood pressure, cortisol, and chronic pain. Adaptations and modifications to the original method to meet individual clinical need or circumstances include shortening the session, using less evocative music, introducing supportive images, employing directive guiding of the imagery process, and foregoing the verbal dialogue in groups. Group music and imagery, in particular, has been found to contribute to improvement in global functioning for individuals with psychotic disorders and to decrease pain and improve mood in women with fibromyalgia. GIM is effective for ameliorating symptoms and improving quality of life for a variety of medical populations.Keywords: Bonny Method of Guided Imagery and Music, GIM, mental health, physical health, music imageryGermanDie Bonny Methode der Guided Imagery and Music für medizinisch auffälligePatienten: Evidenz für Effektivität und zukünftige VisionenCathy H. McKinney, Denise E. GrockeAbstract: Die BMGIM und ihre Modifikationen sind einflussreich und anpassungsfähig, sie erreichen psychologisch und physisch sowohl klinische als auch nicht-klinische erwachseneMenschen. Dieser Artikel fasst die vorhandene Evidenz zusammen, die für die medizinischauffällige Bevölkerung mit Fokus auf deren mentale und physische Gesundheit relevant sind.Diese medizinische Bevölkerung profitiert von einer Reihe individueller GIM Sitzungen, dies gilt auch für Patienten mit Krebs, cardiovasculäre Krankheiten, Autoimmunkrankheiten und psychischen Problemen, inclusive Angststörungen, Abhängigkeiten von chemischen Substanzen, posttraumatischen Stresssymptomen, und Behinderungen aufgrund von Arbeitsstress. Aufgrund einer Reihe von GIM Sitzungen konnten Forscher signifikante Veränderungen bei physiologischen Variablen dokumentieren, eingeschlossen Blutdruck, Cortisol und chronischer Schmerz. Anpassungen und Modifikationen, die individuellenklinischen Bedürfnisse oder Umstände zu treffen, waren das Verkürzen der Sitzungen, weniger aufwühlende Musik zu benutzen, Einführen unterstützender Bilder, direktives Führen während des Imagery-Prozesses und Verzicht auf den verbalen Dialog in den Gruppen. Besonders bei Music and Imagery in Gruppen wurde festgestellt, dass dies zu einer Verbesserung des globalen Funktionierens bei Patienten mit psychotischen Störungen führt und bei Frauen mit Fibromyalgie den Schmerz vermindert und die Stimmung verbessert. GIM hilft, um bei einer großen Anzahl der medizinischen auffälligen Bevölkerung die Symptome zu verbessern und die Lebensqualität zu erhöhen.Keywords: Bonny Method of Guided Imagery and Music, GIM, mentale Gesundheit, physischeGesundheit, music imageryJapanese医療現場におけるボニー式GIM: 将来に向けた効果と展望のためのエビデンスボニー式GIMとそれから派生した変形様態には、大人への臨床と非臨床の両面において様々な精神と身体の問題に対処するための効能と柔軟性がある。本稿は精神と身体に焦点をあてた医療に関連した存在エビデンスについて要約する。医療現場では、ガン、心血管疾患、自己免疫障害の患者、そして不安障害、薬物依存、心的外傷後障害、そして職場でのストレスによる障害を含む精神的状態において連続した個別GIMセッションから利益があることを発見した。研究者達は、血圧、コルチゾール、慢性疼痛を含む生理学上の変化にも連続したGIMセッションから有意な変化を 得られることをことも報告してきた。対象者の臨床的ニーズと状況に合わせるために原型のメソッドへの適応と変容は、セッション時間の短縮、喚情的な音楽の使用の回避、支援的なイメージの導入、直接的なイメージ処理の導き、そしてグループ内での言語対話を先行することを含んでいる。グループにおける音楽とイメージは、特に、精神障害者の全体機能向キーワード:ボニー式GIM, GIM, 精神医療、身体的健康、音楽イメージChinese邦尼式引導想像音樂治療法(GIM)及其衍生的方法能靈活有效的處理各種成人的心理、生理臨床或非臨床的議題。本文從現有證據針對此方法對醫療族群的心理與生理健康之相關性做一總結。 研究發現能受益於個別GIM系列療程的病患包括罹患癌症、心血管疾病、自體免疫系統疾患、心理疾患如焦慮、藥物依賴、創傷後壓力症候群以及工作壓力殘疾者。 研究人員並記錄到GIM系列療程帶來血壓、皮質醇以及慢性疼痛等生理變向上的重大變化。為了符合個案需求與情況對原方法所做的改變與調整包括縮短療程、使用較少誘發性的音樂、引入支持性意象、直接帶領意象過程以及在團體中的事前對話。音樂引導意象團體治療被發現對於提升精神疾病患者的整體功能,以及減低女性纖維肌疼痛並改善心情特別有助益。GIM可有效改善多種醫療族群的症狀並提升生活品質。Korean일반병원 환자를 위한 Bonny의 유도된 심상과 음악 기법 : 효과에 대한 근거와 미래에 대한 비전Cathy H. McKinney, Denise E. Grocke초록Bonny에 의해 개발된 유도된 심상과 음악(GIM) 및 수정/보완된 기법은 임상 및 정상범주 성인 대상군 모두에게 다양한 심리 및 신체적 어려움을 해결하는데 상당한 잠재성과 적용 가능성을 보인다. 본 논문은 정신 및 신체 건강에 포커스를 맞추면서 의료현장 환자군과 관련된 현존하는 근거들을 종합하였다. 개별 GIM 세션을 통해 혜택을 받은 의료 환경 내 대상군은 암, 심혈관 질환, 자가면역 장애, 불안 등의 심리 상태, 약물 의존, 외상 후 스트레스 장애, 업무 스트레스로 인한 장애 등을 가진 대상자들이었다. 일련의 GIM 세션 시행 후 혈압, 코티솔, 만성 통증 포함 여러 생리학적 변인에서 나타난 유의미한 변화들을 기록한 연구들도 있었다. 개인별 임상적 필요나 환경적 문제를 고려한 수정/보완 방법의 일환으로 세션 횟수의 감소, 자극이 적은 음악의 사용, 지지적 이미지의 소개, 지시적인 심상유도 도입, 심상 전 그룹내 대화 등이 활용 되었다. 그룹 대상 음악과 심상은 특히 정신증적 장애를 가진 대상자의 전반적 기능을 향상시키고, 섬유근육통이 있는 여성들의 통증을 줄여주며 기분을 향상시키는 데 기여하는 것으로 밝혀졌다. GIM은 다양한 의료환경 내 대상군의 증상을 개선시키고 삶의 질을 향상시키는 데 효과적임을 알 수 있다. 키워드: Bonny에 의해 개발된 유도된 심상과 음악기법, GIM, 정신 건강, 신체 건강, 음악 심상
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Dissertations / Theses on the topic "女性形象"

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李一之. "門裡門外性別之思 : 澳門初中語文教科書中的女性形象分析." Thesis, University of Macau, 2010. http://umaclib3.umac.mo/record=b2178397.

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譚炳棠. "論蘩漪形象的典型性及其深層意蘊 = The typicalness and essense of the character Fan-Yi." Thesis, University of Macau, 2000. http://umaclib3.umac.mo/record=b1636201.

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施惠娟. "柳永詞女性形象之研究." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/03768943435475388062.

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Su, Xiao Ru, and 蘇筱茹. "丁玲小說中的女性形象." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/17732318687072620208.

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碩士
輔仁大學
中國文學系
101
ABSTRACT Ding Ling is a offspring after the May 4th Movement, and at the same time is a good woman wirter in the proletariat class in 1930s. In her 60-year writing, there is a certain importance in Chinese Literature. Ding at first presents a novel called“Sha-Fei Lady's Diary”, to surprise the literature field. she boldly describes the women in the new ages who present sexual desire. Furthermore, in the turn of time, from a gril of Sha-Fei, she tries to break the morale rules and pursues her own life. also she is fanticied Also she is fanticied with the life of love. However, she steps into the Liftiest in 1930. She turns her life morale into revolution. Therefore, there is a big gap between revolution and her love. in the end, in order to make forturne to the public, she gives up her lovely love. Jumping out from the rule of revolition, Ding Ling uses her unique experience to present her own leading actress. Following with the time and change, in the love of her party and then disappointment, she creates lot she creates lots of self-sacrificed women who fight for the country against the Japanese, who fight for the change of land reformation, and who greadually bring hope to the country. In her writing, women from the women rights in Utopian thinking to the advocates of the Communism are related to Ding's experience in her time, and meanwhile, to influence her writing about women changes. This is all from Ding's creative observation to see the issues about women and society. In the world of patriarchy, she voices for women to promote their struggles in the society and families. from the attention of women lives rights, she tries her best to present women's self-consciousness and the interaction between the period and women. This thesis is divided into seven chapters. The first chapter provides an introduction to the motivation, purpose, methods, scope, and reference source of this study. In the second The thesis includes seven chapters. The first chapter provides an introduction to the motivations, purposes, methods, scope, and literature review of this study. The second chapter is Ding Ling’s background and her works. This chapter will survey her background and the inspirations of works. The third chapter discusses the first stage of female image and assets women. Ding Ling differentiates varieties of female images. She thinks that women possess different personality ideas. The ideas include rebellion, Capital embodied, indulging, self-supporting economy and female friendships. I will discuss these images and what will make some difficult position in the new generation. Next chapter is the second and third female image:It has different division between traditional woman and advanced woman. Ding Ling thinks that woman has differentiated varieties of female images. The images is Mature consciousness , Submissive , Over time changed or Discard the private from the public, Give them a bright future. The fifth chapter is that patriarchal society, social cycle, oppressive and reactionary. The sixth chapter "female image of artistic skills", discussion on the female images in Ding Ling's is how it has been portrayed and shaping, as well as her usual artistic skills, enrich her female characters. The seventh is "last LUN", due this research agenda to explore the transition changes in Ding Ling's novels, significance in female novels in depth, and patriarchal women under the common fate, caring female life force review of Ding Ling's novels.
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LI, MENG-JUN, and 李孟君. "唐詩中的女性形象研究." Thesis, 1992. http://ndltd.ncl.edu.tw/handle/70147778273717518447.

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Liu, Chun Hsiang, and 劉春祥. "晉宋時代女子形象及女性意識." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/60272832691295920879.

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王湘雯. "六朝小說之女性形象研究." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/58148623918248920547.

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Chang, Chia-Chen, and 張家禎. "《綴白裘》中女性形象的塑造." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/77286111067797652024.

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謝宛娟. "《石點頭》中的女性形象研究." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/yzesvf.

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黃琬婷. "《夷堅志》中的女性形象研究." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/rbft65.

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Books on the topic "女性形象"

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媒介权力性别--新中国女性媒介形象变迁与性别平等. Shanghai Jiao Tong University Press, 2018.

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