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Dissertations / Theses on the topic '李斯特'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

翁嘉穗. "李斯特《艾斯特山莊的噴泉》之研究". Thesis, 2000. http://ndltd.ncl.edu.tw/handle/90297138707799864706.

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2

陳依均. "李斯特兩首傳奇曲之探討". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/35467874651895967559.

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3

yu-lan, Lu, та 呂郁嵐. "李斯特鋼琴改編曲-以四種題材為例". Thesis, 2014. http://ndltd.ncl.edu.tw/handle/09000326396993639294.

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碩士<br>國立臺灣師範大學<br>音樂學系<br>102<br>Transcription in nineteenth-century is considered an important genre. Numerous musicians had participated in transcribing different types of works. Franz Liszt is considered the most well-known and representative arranger in this time. His Piano transcriptions have three purposes. First of all, to promote a particular composers, who he respected and appreciated their works. Such as Bach’s organ pieces, Beethoven’s Symphonies. Second, to provide an attractive concert repertoire. Liszt took themes from famous and popular pieces, or used elegant melodies to be his
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4

林欣穎. "李斯特B小調鋼琴奏鳴曲之詮釋報告". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/11425601591627878528.

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5

張瑜珊. "李斯特三首《佩托拉克十四行詩》詮釋報告". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/21779569217614862158.

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6

Fai-Shan, Cheng, та 鄭妃珊. "《李斯特六首帕格尼尼大練習曲》之詮釋報告". Thesis, 2006. http://ndltd.ncl.edu.tw/handle/64227295329653932822.

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7

黃暐婷. "李斯特的《一首浮士德交響曲》：交響曲還是交響詩？". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/94965404363304175030.

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碩士<br>國立臺灣師範大學<br>音樂學系<br>99<br>Franz Liszt (1811-1886) completed 12 symphonic poems and 2 symphonies during the 12 years (1848-1860) he was in Weimar. There is a significant difference in musical form between his symphonic poems and his symphonies, but both tended to be inspired by literature or other arts, essentially orchestral works with poetic appeal. In Eine Faust-Symphonie, Liszt utilized different themes to depict the images of Faust, Gretchen, and Mephistopheles through fully elaborate thematic transformations, a technique he had already mastered. He conveyed the three characters’ co
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8

楊舒惠. "《李斯特B小調鋼琴奏鳴曲》樂曲分析與詮釋報告". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/gvt22h.

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9

范振傑. "李斯特《B小調鋼琴奏鳴曲》作品一七八分析研究". Thesis, 2014. http://ndltd.ncl.edu.tw/handle/81889078778062516577.

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10

鄞蔚婷. "李斯特b小調奏鳴曲練習技巧與詮釋風格探討". Thesis, 2006. http://ndltd.ncl.edu.tw/handle/12803320263329727822.

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11

張家怡. "李斯特第一號降E大調鋼琴協奏曲之指揮詮釋". Thesis, 2006. http://ndltd.ncl.edu.tw/handle/77745944117324964590.

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12

Chen, Hung Ju, та 陳虹如. "兩首「噴泉」的比較性研究－從李斯特〈艾斯特別莊的噴泉〉到拉威爾《噴泉》/陳虹如鋼琴畢業音樂會". Thesis, 2001. http://ndltd.ncl.edu.tw/handle/73674989275223536848.

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13

Ying-Hao, Lu, та 盧盈豪. "探討李斯特兩首鋼琴改編曲《Widmung》、《Fruhlingsnacht》/盧盈豪畢業鋼琴獨奏會". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/55526219041426503072.

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14

Ting, Chang Ya, та 張雅婷. "李斯特鋼琴作品《佩脫拉克十四行詩》之樂曲探究及演奏詮釋". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/jdr96j.

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15

游翠鈴. "從C.P.E.巴哈、貝多芬及李斯特的鋼琴作品來看鋼琴奏鳴曲的發展". Thesis, 1999. http://ndltd.ncl.edu.tw/handle/67667414678955187756.

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16

Yen, Kuan-Yu, та 顏冠宇. "李斯特《巡禮之年第一年：瑞士》中〈威廉泰爾教堂〉、〈暴風雨〉、〈奧柏曼山谷〉與〈日內瓦之鐘〉之研究". Thesis, 2017. http://ndltd.ncl.edu.tw/handle/af2yya.

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17

Wan-Tzu, Yang, та 楊婉慈. "巴赫：G大調觸技曲作品916，拉威爾：庫普蘭之墓，普羅高菲夫：F小調第一號鋼琴奏鳴曲作品一，李斯特：巡禮之年第一年瑞士日內瓦之鐘，梅菲斯特圓舞曲". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/80684092818730287279.

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碩士<br>東海大學<br>音樂系<br>96<br>J.S. Bach Toccata in G Major,BWV916 M. Ravel Le Tombeau de Couperin S. ProkofievPiano Sonata in F minor, No.1, Op.1 F. Liszt Années de Pèlerinage: Première Année‧Suisse《Les cloches de Genève》 F. Liszt Mephisto-Walzer
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18

I, Ching Tsai, та 蔡宜靜. "奏鳴曲風幻想曲與幻想曲風奏鳴曲：李斯特《但丁詩篇讀後感─奏鳴曲風幻想曲》與斯克利亞賓《升G小調幻想奏鳴曲，作品19》詮釋報告". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/13215539969418765560.

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19

賴依雯. "李斯特之巴赫獻禮：《巴赫主題幻想曲與賦格》及《巴赫動機變奏曲：哭泣、怨訴、憂慮、膽怯》之作品分析與研究". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/18842144991749952708.

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20

林文昌. "李斯特的三個時期四首鋼琴作品之比較研究:《佩托拉克十四行詩104號》、《保歐拉的聖方濟水上行走》、《陰霾》與《厄運》。". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/67231586955309446703.

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