Academic literature on the topic '清末民初'

方鳳婷.<br>"2009年8月".<br>"2009 nian 8 yue".<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2009.<br>Includes bibliographical references (leaves 64-69).<br>Abstracts in Chinese and English.<br>Fang Fengting.<br>鳴謝<br>論文提要 --- p.i<br>圖版目錄 --- p.iv<br>引言 --- p.1<br>Chapter 第一章 --- 博古畫緣起 --- p.5<br>Chapter 一. --- 歷史中的「博古」 --- p.5<br>Chapter 二. --- 全形拓技術與拓片入畫的傳統 --- p.8<br>Chapter 三. --- 混合槪念´ؤ´ؤ「博古」與「清供」 --- p.11<br>Chapter 第二章 --- 鄦叀鼎´ؤ´ؤ個案硏究 --- p.17<br>Chapter 一. --- 焦山寺與古鼎 --- p.18<br>Chapter 二. --- 全形拓片的其他來源 --- p.23<br>Chapter 三. --- 鄦叀鼎的意涵及畫家筆下的鄦叀鼎 --- p.26<br>Chapter 第三章 --- 磚甓博古畫 --- p.31<br>Chapter 一. --- 以古磚作「清供」 --- p.32<br>Chapter 二. --- 磚甓文字的角色 --- p.35<br>Chapter 三. --- 改製古物以爲今用 --- p.40<br>Chapter 第四章 --- 博古畫的變奏 --- p.44<br>Chapter ´ؤ. --- 黃士陵的博古畫 --- p.44<br>Chapter 二. --- 以筆墨仿拓片效果 --- p.50<br>結語 --- p.55<br>附錄一鄦叀鼎全形拓片 --- p.60<br>附錄二陶陵鼎全形拓片 --- p.62<br>參考書目 --- p.64<br>圖版 第一章圖版 --- p.70<br>第二章圖版 --- p.82<br>第三章圖版 --- p.99<br>第四章圖版 --- p.112<br>結語圖版 --- p.134

博士<br>東吳大學<br>中國文學系<br>91<br>In the 1980’s many scholars began to research Shi-Jing and they focused on the studies done during modern times. During this period many historical records were collected and the result was the emergence of research topics and methods but most of these research as limited to one area. Compared to research Shi-Jing done 2000 years ago, the research done during the end of Ching Dynasty and at the outset of the Republic of China as relatively weak. The thesis starts from Kung Yao-Wei’s argument on Mao-Shi to Fu Shi-Nien’s historical and linguistic perspective on Shi-Jing. The thesis covers 55 scholars’ work dating from 1888 to 1938. During these 50 years there were more than 130 different studies done on Shi-Jing. This author’s thesis has 220,000 words, it discusses the compilation of Chinese classics, academic and historical meaning of the research during this period. The first chapter talks about the conflict between Jing Wen Xue Pai and Ku Wen Xue Pai and modern research on Shi-Jing. The debate during the end of Ching Dynasty and its initial success was the denial of the sanctity of Mao Shi and created the possibility of reading the book from one’s perspective. The conflict between these two schools is the integrity of Shi-Jing (true copies or false ones) and its methods. This chapter starts from discerning between what is true and false, and reviewing Jing Wen Xue Pai on Shi-Jing research work at the end of Ching Dynasty. The research work of Chang Tai-Yen, Liu Shi-Pei and Huang-Jay was put in a category of Kuo Tsui Pai which one can see the development of Mao Shi at the end of Ching Dynasty, the explanation of words is systematic, Shi-Jing is a source for historical research and use Mao Shi to interpret the book. Use the above results to discern Jing Wen Xue Pai’s work on Mao Shi. The second chapter discusses the compilation of Chinese Classics movement and the development of Shi Jing Xue at the outset of the Republic of China. The research on Shi-Jing and the theory of compilation of Chinese classics were continuously served as models and references. At the outset of the Republic of China the scholars of compilation of Chinese classics were based on concern for historical accuracy, cultural awareness and academic background, they tried to find a new way for the old literature and Shi-Jing was the best material for them. The impact helped to pave the way for the research of Shi-Jing. The chapter starts from the discussion of Shi Shiu, research Shi-Jing from the perspective of folk songs and people in general can read of Shi-Jing. This chapter analyzes the literature written by scholars such as Hu-Shi, Ku Jie-Gang, Chen Yen-Jay, Cheng Cheng-Yi, Yi Ping-Bao, Ju Chih-Ching, Kuo Mo-Ruo, Chiang Shan-Kuo, Chen Su-Chin, etc. One can see three positive rewards: (a) The collapse of Mao Shi, the book served as historical evidence and let Shi-Jing go back to its original purpose (b) mingle the classic books with local literature, especially in the area of literature which has long been forgotten (c)To settle all accounts of Shi-Jing which includes the study of Shi-Jing become popular and easy for people to study on their own. The third chapter talks about archeological digs such as tortoise shells, bronze inscriptions that provide information for textual research of Shi-Jing. The direction and viewpoint of writing might be different but under international sinology exchange together with archeological digs and concrete evidence. The main discussion of this chapter: (a) The application of Wang Kuo-Wei’s dual evidence in the research of Shi-Jing that includes the interpretation of words and ancient Chinese history. (b) Lin Yi-Guang, Wen I-Duo, Yu Sing-Wu and other scholars, their contribution on the explanation of words, the ancient words support the explanation of Shi-Jing. (c) Fu Sy-Nien’s study: He used historical and linguistic studies to interpret the content of Shi-Jing which includes the interpretation of Shi-Jing, the basic problems of Shi-Jing and use Shi-Jing as resource for studying the history of the Hsia Dynasty, the Shang Dynasty and the Chou Dynasty. From the above observations my summary is: Concret evidence collapse the Jing Xue in the research of Shi-Jing, the confirmation of Shi-Jing’s literature, use modern Chinese words to interprete and universal development of researching Shi-Jing and Shi Jing Xue become a professional study.

博士<br>國立政治大學<br>史學研究所<br>94<br>Twentieth century has been a revolutionary era for the China. In the past researches, scholars frequently analyzed the Chinese revolution from the approach of ideology and action. However, in recent years, a few western scholars pay more attention to the significant influence of locality and identity in the Chinese revolution. Revolution is not merely the conflict of ideologies and political actions, but a certain kind of representation of daily life and social phenomena. In the violent process of the Chinese revolution, body is the main battleground. Various political parties and groups have different opinions about citizen’s appearance, which is including hairstyle, clothing, adornment, figure, carriage and so on. These opinions reflected the ideal image of citizens what they conceived. Furthermore, such opinions also revealed the transformation of Chinese people's realization and recognition about body. Meanwhile, modern science has gradually replaced the traditional Confucianism to be the new authority on judging or identifying Chinese people's impression about body. The discussions about body in Modern China usually tied with the collective intention and goal of establishing a wealthy and powerful nation. On the other hand, since mid-nineteenth century the rapid growth of economy in the coastal cities has created a new fashion. The impact of new fashion on traditional order and notion about body (present in dress) is noteworthy. The main purpose of this project is to investigate how Chinese people changing his appearance and body in the tide of revolution, and to inquire the significance of the new culture (or the same old one) through the approach of fashion and body. We are going to use newspapers, memoirs and photographs to look at the social and political history of this period. We do find numerous dramatic variations of Chinese society in revolutionary era. And we do understand the fashion is symbol of doing away the old and changing it for new. Then we do comprehend the change of appearance is an important identification for distinguishing between different groups. We also notice the reformation of body is highly concerned in Chinese revolution. Nevertheless, though the tradition seems to be totally negated, in fact the fashion and the tradition are still interrelated in innumerable ways.