Relevant bibliographies by topics / 詞韻

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  2. Dissertations / Theses

Academic literature on the topic '詞韻'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "詞韻"

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Jiang, Di. "漢語詞形韻律結構的變化與上古君王人名長度的演進." International Journal of Chinese Linguistics 4, no. 2 (December 30, 2017): 308–24. http://dx.doi.org/10.1075/ijchl.00001.jia.

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抽象 文章提出一種重新看待早期漢語詞形韻律結構的新觀點並採納新的方法加以分析。與漢語從上古單音節詞伊始演變而來觀點不同，我們認為，承繼甲骨文語言而來的早期漢語實際是從遠古多音節詞語言發展而來，至商周乃至春秋戰國時代已經轉變為單音節詞為詞彙主體的語言。商周詞形韻律結構有 SS，CS，SC，MS，BW（雙音節、弱首音節、重首音節、單音節、雙詞音節）五類。MS是主體，BW初萌發，餘三類是遠古遺存，也是本文分析重點。我們嘗試用輕重韻律說明為什麼早期君王名難以釋讀，輕重韻律如何影響詞形結構變化以及對君王名的制約。
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CHU, Chia Ning. "從語言風格學看李白詩的賞析/An Analysis of Li Bai's Poetry from the Perspective of Linguistic Stylistics." Asian Studies, no. 1 (September 25, 2012): 111–30. http://dx.doi.org/10.4312/as.2012.-16.1.111-130.

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摘要本文從三個層面嘗試，第一是韻律分析，提出了李白運用入聲字安排節奏韻律的幾種模型。第二個層面是分析作品的詞彙，觀察同義詞、色彩詞、數字詞的運用。第三個層面是分析李白有哪些句式及語法結構。關鍵詞: 李白詩， 唐詩韻律，語言風格學， 入聲字 In this paper, the emphasis is placed on the language styles and techniques by the analysis of the works of Li Bai, in order to see a more complete picture of Li Bai’s works, not just the manifestation of emotional contents. Linguistic analysis openes up a new window for the appreciation of poems. This goal was achieved by three ways: (1) By analyzing the rhythm of Li Bai’s poems, (2) by analyzing the lexical structure of Li Bai’s works, and (3) by analyzing the syntactic structure of Li Bai’s poetry.
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김현주 and 김영미. "朝鮮詞人趙冕鎬之次韻中國詞考察." China Studies 61, no. ll (July 2014): 99–114. http://dx.doi.org/10.18077/chss.2014.61..007.

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倫, 杜佳. "論「抴/曳」與「掣」的源流關係及其在閩南、閩東若干方言的發展演變." Bulletin of Chinese Linguistics 12, no. 2 (May 27, 2020): 149–85. http://dx.doi.org/10.1163/2405478x-01202002.

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提要 本文藉由彙整、析論古漢語「抴/曳」與「掣」的語義用法及其所處語詞孳生脈絡，對照閩南、閩東若干方言相關語詞的語義用法及其發展演變，閩南方言以廈門話、台灣閩南語為例，閩東方言則以福州話、馬來西亞詩巫閩清話為例，進而探究兩者之間密切的源流關係以及方言內部的個別發展。我們一方面彙整閩南方言tsʰua7、tsʰuaʔ4 具體的語義用例，同時也列舉閩東方言相應語詞的語義用例；另一方面藉由爬梳古漢語文獻來詳細探究漢語詞「抴/曳」與「掣」的語義用法以及其音義孳乳關係；最後從歷史音韻規則與語義對應關係，辨析漢語詞「抴/曳/掣/泄」在閩語的發展與演變。
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改擺刨, 菈露打赫斯, 鴻瑞 林, and 莉莎 齊. "東河賽夏語中客語、閩南語和日語借詞之音韻探討." Cahiers de Linguistique Asie Orientale 49, no. 2 (October 26, 2020): 168–216. http://dx.doi.org/10.1163/19606028-bja10008.

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摘要 本文從音韻的觀點針對東河賽夏語中客語、閩南語及日語借詞展開更全面的比較研究。研究發現賽夏語的借音共15個，包括13個輔音以及2個元音。客語詞彙大量借入賽夏語，影響最深，除了來自日語的借音/d, g, z/ 外，客語概括閩南語和日語對賽夏語語音系統的影響。 本文也檢視及比較了在賽夏語中借詞所主導之音節結構的規則。客語和閩南語的規則相同，而日語的規則則有些不同。客語和閩南語單音節詞，借進賽夏語之後，為了符合實詞雙音節以上的規律，發生音節重整。日語單音節借詞借進賽夏語之後直接重疊。客語、閩南語與日語元音起首音節，借進賽夏語之後，為了符合賽夏語輔音起首之原則，自動加上喉塞音。客語與閩南語音節元音結尾，無論在第一音節或是第二音節，皆會元音延長；日語的規則則不同，第一音節不變，在第二音節會加上喉塞音。 最後，本文發現有些借詞同時來自客語、閩南語和／或日語造成有雙式借詞或三式借詞，須仔細地辨認每個借詞的來源，同時需要考量許多複雜的因素，包括發音人對不同語言熟悉度、借音以及音節結構的規則。
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Zhang, Huili, Haifeng Duan, and Haihua Pan. "焦點–重音原則與漢語的「把」字句." Language and Linguistics / 語言暨語言學 18, no. 3 (July 10, 2017): 479–504. http://dx.doi.org/10.1075/lali.18.3.06zha.

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抽象 本文從焦點–重音匹配的角度來探討漢語日常口語中「把」字句謂語部分的複雜性。本文認為，與一般 [PP V] 結構不同，「把」字句是為了在句子層面上把位於「把」NP 後的謂語部分處理為資訊焦點而產生的一種特殊句式，而實現為資訊焦點的必要條件就是必須得到句法結構提供的核心重音。由於「把」字句中「把」後 NP 是謂語動詞的論元，其後的謂語部分只有在句法上形成分支結構才能夠得到核心重音，僅僅在韻律上形成分支結構是不夠的，因此光杆動詞和不形成句法分支的雙音節動詞都被排除在「把」字句之外。這個觀點也適用於其他動詞在尾的結構，例如被動句和「連…都」結構等。
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List (游函), Johann-Mattis. "Using Network Models to Analyze Old Chinese Rhyme Data (用網絡模型來分析古代漢語的韻母數據)." Bulletin of Chinese Linguistics 9, no. 2 (June 22, 2016): 218–41. http://dx.doi.org/10.1163/2405478x-00902004.

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The evidence one can draw from the rhyming behavior of Old Chinese words plays a crucial role for the reconstruction of Old Chinese, and is particularly relevant to recent proposals. Some of these proposals are no longer solely based on the intuition of scholars but also substantiated by statistical arguments that help to assess the probability by which a given set of rhyming instances can be assigned to an established rhyme group. So far, however, quantitative methods were only used to confirm given hypotheses regarding rhyme groups in Old Chinese, and no exploratory analyses that would create hypotheses regarding rhyme groups in a corpus were carried out. This paper presents a new method that models rhyme data as weighted undirected networks. By representing rhyme words as nodes in a network and the frequency of rhymes in a given corpus as links between nodes, rhyme groups can be inferred with help of standard algorithms originally designed for social network analysis. This is illustrated through the construction of a rhyme network from the Book of Odes and comparing the automatically inferred rhyme groups with rhyme groups proposed in the literature. Apart from revealing interesting general properties of rhyme networks in Chinese historical phonology, the analysis provides strong evidence for a coda *-r in Old Chinese. The results of the analysis and the rhyme network of the Book of Odes can be inspected in form of an interactive online application or directly downloaded. 古代漢語的詞語所反映的韻為對上古音系的構擬，特別是對於最近的一些上古漢語構擬系統，異常重要。其中有一些構擬系統不再僅僅靠於學者的直覺，而且還用統計參數證實來評估分韻和派韻的概率。然而，迄今為止，定量方法僅用於確認關於上古韻部的假設，並且沒有進行探索性數據分析來創建初步分韻假設。本文提出了一種將韻母數據模型為加權無向網絡的新方法。此方法將韻母模型為網絡中的頂點，將某個語料庫的合韻率模型為聯頂點的邊緣，用社會網絡分析的標準算法來推斷語料庫所反映的韻母。為了更具體的說明此方法，本文用“詩經”來構建韻母網絡，而且比較自動與學者所推斷的上古韻部。除了揭示古代漢語韻網的一些有趣特點，“詩經”韻網分析了支持上古漢語韻尾* -r的新證據。“詩經”韻網和韻網分析的結果可以用交際在線應用來訪問而下載。(This article is in English.)
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清, 沈瑞. "黃坑話與早期閩北語." Bulletin of Chinese Linguistics 12, no. 1 (December 17, 2019): 52–73. http://dx.doi.org/10.1163/2405478x-01201005.

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摘要 本文基於多次田野調查收集的材料，第一次全面整理了福建省建陽市黃坑鎮方言的音系與詞彙，並在此基礎上進一步討論黃坑話的譜系地位及其相關問題。首先，我們提出了支持黃坑話的譜系地位屬於閩北語的證據。其次，我們通過黃坑話跟原始閩北語構擬的比較，梳理了黃坑話在音韻上的存古與創新，認為黃坑話應該屬於目前所知的閩北語中最早分出的一支。然後，我們構擬了比原始閩北語更早的早期閩北語，並比較了它跟原始閩北語在音系結構上的異同。最後，我們討論了黃坑話的詞彙特點以及黃坑話對漢語方言研究的啟示。
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이충규. "音韻レベルからみた日韓語の動詞結合― 音韻現象の分析を通して ―." Journal of Japanese Culture ll, no. 45 (May 2010): 25–46. http://dx.doi.org/10.21481/jbunka..45.201005.25.

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Ko SooMan. "日本語 五段動詞의 連用形 語尾에 대한形態音韻論的 考察." Journal of Japanese Studies ll, no. 70 (December 2016): 197–214. http://dx.doi.org/10.15733/jast.2016..70.197.

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Dissertations / Theses on the topic "詞韻"

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MURAO, Remi, and 玲美 村尾. "英語の高頻度品詞連鎖における韻律パターン認識." 名古屋大学大学院国際言語文化研究科, 2014. http://hdl.handle.net/2237/19709.

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趙詠寬. "金元詞入聲韻用韻考." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/58489359686838623717.

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施惠婷. "馬鈺詞韻考." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/11438844229586796382.

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林育旻. "吳潛詞用韻研究." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/75830903120605674859.

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吳如蕙. "元好問詞用韻考." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/85988953810819925244.

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郭娟玉. "沈謙詞學與其沈氏詞韻研究." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/18245402482941299244.

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Lee, Mei-Hui, and 李美慧. "《詩詞通韻》「通音」研究." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/08444236758375053074.

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郭麗蘋. "李清照詞之音韻風格." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/11264180000418645927.

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李妍周. "漢語同源詞音韻研究." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/83940531259653478650.

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黃淑娟. "李俊民詩詞用韻之研究." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/79669227165343067479.

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