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Journal articles on the topic '詩人'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

김준연. "元代詩人范梈의 詩論과 詩". JOURNAL OF CHINESE STUDIES ll, № 27 (2010): 231–57. http://dx.doi.org/10.26585/chlab.2010..27.011.

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2

오석륜. "『四季』派詩人과 朝鮮". Journal of Japanese Language and Literature 82, № 2 (2012): 157–74. http://dx.doi.org/10.17003/jllak.2012.82.2.157.

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3

LIN, Ming-chang. "平生足悲吒----論韓愈詩的憂憤悲懷/The Sadness of Life-Han Yu's Poetry of Grief and Sorrow". Asian Studies, № 1 (25 вересня 2012): 93–110. http://dx.doi.org/10.4312/as.2012.-16.1.93-110.

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摘要本文從悲苦憂懼的角度重新詮釋韓愈的詩作與人生，以「老病之懼」、「飢寒之憂」、「喪生之畏」三項主題為核心，解析韓愈藉詩抒發對生命老化、漂泊與死亡的深深恐懼。本文是學界至今為止極少數探討韓愈文學此一面向的研究。關鍵詞：韓愈詩、諧謔、以文為詩、以文為戲 This paper is a study of the element of melancholy apprehension in Han Yu’s poetry. Han’s apprehension of melancholy, which up to now has received very little attention, is discussed in three aspects: (1) the fear of old age and sickness, (2) the fear of hunger and cold, and (3) the fear of death. Against the background of Han Yu’s unstable and uncertain life and career, the new reading and analysis show that melancholy lies at the very heart of his personality and writ

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4

김미정. "周作人과 〈老虎橋雜詩〉Ⅰ- 炮局雜詩와 忠舍雜詩를 중심으로". CHINESE LITERATURE 76, № ll (2013): 195–216. http://dx.doi.org/10.21192/scll.76..201308.009.

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5

한기련. "『북의 시인[北の詩人]』연구 -실제와 허구를 중심으로-". Journal of japanese Language and Culture ll, № 22 (2012): 673–91. http://dx.doi.org/10.17314/jjlc.2012..22.034.

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6

Minho Kang. "중국문학에서 詩人의 개념과 역사 —杜甫를 중심으로". CHINESE LITERATURE 100, № ll (2019): 1–32. http://dx.doi.org/10.21192/scll.100..201908.001.

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7

김보성. "Characteristics of Korean and Chinese Poems on Ginseng(人蔘詩)". Journal of Korean Classical Chinese Literature 36, № 1 (2018): 299–329. http://dx.doi.org/10.18213/jkccl.2018.36.1.010.

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8

Chu, Da Qing. "高麗詩人林惟正的集句詩創作源流及其意義". Journal of Korean Studies ll, № 29 (2008): 323–49. http://dx.doi.org/10.17790/kors.2008..29.323.

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9

Yoon,Su-Young. "<飮酒>詩에 나타난 人生의 意味". Journal of Chinese Language and Literature ll, № 50 (2007): 213–50. http://dx.doi.org/10.15792/clsyn..50.200712.213.

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10

YAMASAKI, Kayoko. "高橋睦郎の世界/The World of Mutsuo Takahashi". Asian Studies 3, № 1 (2015): 185–99. http://dx.doi.org/10.4312/as.2015.3.1.185-199.

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要旨本稿は、日本現代詩を代表する詩人高橋睦郎をとりあげ、初期の作品から今日に至るまでの作品について、樹木のモチーフの変化を分析する。父の早世など、過酷な幼児期は、自叙伝的な家庭史と神話を絡ませた円環形式をもつ詩集『姉の島』(1995) に結晶した。だが、2000年以降は、環境破壊、家族崩壊、テロなどの社会問題など、外の世界へと向かっていく。社会的なテーマは、日本の詩歌では歴史が浅いが、逆説的なレトリックによって、高橋睦郎は多義的で抒情的な思想詩を生み出した。東北地方太平洋沖大震災のあった2011年以降の作品は、核エネルギーの問題、情報化時代を背景とした言語の空洞化を主題として新しい展開を見せている。 AbstractThis paper presents the poetry of Mutsuo Takahashi, one of the most important contemporary Japanese poets. We particularly focus on analysing the tree motif in the poems created since the poets’ early stages to the present day. The collection of poetry Sister’s Islands (1995), inspired

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11

Nishi, Kinya, та 欣也西. "Basho as a Post-Pastoral Poet (ポスト・パストラル詩人としての芭蕉)". Culture and Dialogue 5, № 1 (2017): 7–30. http://dx.doi.org/10.1163/24683949-12340023.

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This essay is an attempt to explore Basho Matsuo’s establishment of haiku as a significant moment in the history of Japanese literature where the perception of nature was drastically changed. It is often assumed that Basho’s poetry exemplifies aesthetic harmony between human beings and nature. However, with the help of recent critical discussions on the idea of nature I will argue that Basho’s poems entail intriguing paradoxes between, for example, the natural and the artificial, or between the legacy of the past and the perception of the present. A reconsideration of the literary, religious a

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12

Soen, Ailing. "浅论唐詩中之蟋蟀意象与诗人悲秋之歌吟". Jurnal Cakrawala Mandarin 3, № 1 (2019): 38. http://dx.doi.org/10.36279/apsmi.v3i1.68.

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13

FUKUMA, Kenji. "団塊の世代の文学/Literatue of the “dankai” Generation". Asian Studies 3, № 1 (2015): 201–21. http://dx.doi.org/10.4312/as.2015.3.1.201-221.

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要約日本では、戦後のベビーブームで生まれた世代は、「団塊の世代」と呼ばれる。かれらは豊かになっていく社会の文化の消費者として登場し、1970年前後に「熱い季節」を体験した。佐藤泰志の短篇小説「市街戦のジャズメン」と佐々木幹郎の詩「死者の鞭」は、1960年後半の政治運動の波動から生まれた二つの先駆的作品である。1970年代のある時期に社会の空気が変わった。人々は問題未解決のままの幸福状態に入っていった。そこにつきまとう不安が当時の詩の特徴の一部となっている。Abstract The generation born during Japan’s post-war baby boom are called the “dankai” generation. Appearing as consumers of culture in a society which was becoming richer, they experienced a “hot season” around 1970. Sato Yasushi’s Jazzmen in Street Fighting and Sasaki Mikirō’s Whip of the Dead are two pioneer works born in an undulation from the political movement i

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14

Chen (陳鴻森), Hung-sen. "Some Minor Insights from Reading the Anhui University Warring States Bamboo Slips of the Classic of Poetry." Bamboo and Silk 4, no. 1 (2021): 172–88. http://dx.doi.org/10.1163/24689246-00401006.

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Abstract This article discusses three topics. First, it discusses the line “I could not fill my slanting basket” 不盈頃筐 in the poem “Juan er” 卷耳. The Anhui University Bamboo Slip version’s qing 頃 (slanting) is written . This, as with the Chu Silk Manuscript character, should be explained as qi 攲 (lopsided). Second, regarding the line “Do you not understand me?” 不諒人只 in the poem “Bai zhou” 柏舟 of the Yong Airs 鄘風 section, the Anhui University Bamboo Slip version of liang 諒 (understanding) is written jing 京. This character should be understood as qiang 強 in the sense of “coerce/force” 強迫. In the li

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15

KATAOKA, Hiroji. "The Image of Iqbal, Founding Poet of Pakistan." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 59, no. 1 (2010): 532–26. http://dx.doi.org/10.4259/ibk.59.1_532.

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16

Lim, Kwi-nam. ""A Review on the Dongshi ""Muninpyeyuga"" by Gosan Yun Seondo "." Study of Korean Poetry and Culture 47 (February 28, 2021): 261–86. http://dx.doi.org/10.52530/kpac.2021.47.10.

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17

Kim, Mi-seon. "Personality Educational Plan(人性敎育方案) through Chinese Poetry Education(漢詩敎育)-Centering of Filial Piety(孝) aimed -". Han-Character and Classical written language Education 2016, № 39 (2016): 71–96. http://dx.doi.org/10.15670/hace.2016.39.1.71.

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18

Park, Hae Young. "A study on the View of the Heaven and Humans in the Poems Quoted in 『ZhongYong』." Institute for Korean Culture 69 (August 31, 2018): 641–69. http://dx.doi.org/10.15186/ikc.2018.8.31.641.

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19

Park, Chong hoon. "A Study on Repeated Longing Poems in the Late Chosun Dynasty." ONJI COLLECTION OF WORKS 58 (January 31, 2019): 55–86. http://dx.doi.org/10.16900/onji.2019.58.02.055.

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20

Kwon, Hyok Myong. "Ilong Choehuilyang's life and poetry as warrior." STUDY OF THE EASTERN CLASSIC 68 (September 30, 2017): 9–34. http://dx.doi.org/10.16880/sec.2017.68.01.009.

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21

KAWAMURA, Yuto. "Patanjali's Interpretation vs. Poetic Usage:." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 64, no. 3 (2016): 1074–80. http://dx.doi.org/10.4259/ibk.64.3_1074.

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22

김금숙. "A Study on Perception of the World Appeared in Sam Dang poets(三唐詩人)' poems - Focused on the Movement of the Poetic Self in 'Way'". Journal of Korean Classical Chinese Literature 32, № 1 (2016): 163–96. http://dx.doi.org/10.18213/jkccl.2016.32.1.006.

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23

park kyoung yeon. "宮沢賢治の童話と法華経－『十力の金剛石』、『マグノリアの木』、『竜と詩人』を中心に－". Journal of Japanese Language and Literature 93, № 2 (2015): 309–32. http://dx.doi.org/10.17003/jllak.2015.93.2.309.

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24

사와 마사히로. "<日本文学と流浪> 詩人・西脇順三郎にみる流浪・漂泊の表現の達成". Journal of japanese Language and Culture ll, № 19 (2011): 57–67. http://dx.doi.org/10.17314/jjlc.2011..19.004.

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25

He, Ya Wen. "Inside and Outside the College: On Taiwan 1970-generation Poets from Cultural Capital." Journal of Chinese Studies 91 (February 28, 2020): 97–116. http://dx.doi.org/10.35982/jcs.91.5.

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26

Yun, In-hyun. "The recognition of Seo Geojeong’s Yongsa and Jeonhwa through 『Donginsihwa』." Korean Literature and Arts 29 (March 31, 2019): 89–130. http://dx.doi.org/10.21208/kla.2019.03.29.89.

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27

Park, Chonghoon. "The acceptance and variation aspect of Chosun literary people's Yuggab verse." ONJI COLLECTION OF WORKS 54 (January 31, 2018): 39–68. http://dx.doi.org/10.16900/onji.2017.54.02.039.

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28

Park, Chonghoon. "The acceptance and variation aspect of Chosun literary people's Yuggab verse." ONJI COLLECTION OF WORKS 54 (January 31, 2018): 39–68. http://dx.doi.org/10.16900/onji.2018.54.02.039.

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29

Yun, Hojin. "A Review on the Jaehua poetry(題畵詩) which were composed on the the pictures of Kang, heean(姜希顔) by poets of Choson dynasty". NAMMYONGHAK STUDY 50 (30 червня 2016): 53–94. http://dx.doi.org/10.14381/nmh.2016.50.06.30.53.

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30

Addison, Neil. "LiLT SIG: Teaching ideas in Shakespeare." Language Teacher 38, no. 5 (2014): 3. http://dx.doi.org/10.37546/jalttlt38.5-1.

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This study notes that whilst there are some problematic factors that teachers need to consider when contemplating introducing the works of William Shakespeare into Japanese tertiary reading classes, this need not prevent them from doing so. Indeed, despite possessing antiquated language and idioms that our students may not be familiar with, Shakespeare’s plays contain poetic ideas and themes that are universal to the human experience. This study recommends two approaches that have been utilized with sophomore university English students to teach key ideas in the plays Romeo and Juliet and Haml

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31

Woo, Sung Min. "A Study on the Perception of Koguryeo and Balhae by the Tang Dynasty’s Literary People." CHUNGGUKSA YONGU (The Journal of Chinese Historical Researches) 120 (June 30, 2019): 1–37. http://dx.doi.org/10.24161/chr.120.1.

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32

Jeon, Myoung-sun. "A Study of replying rhyming of literati in the pre-middle Chosun period." JOURNAL OF CHINESE HUMANITIES 75 (August 31, 2020): 353–83. http://dx.doi.org/10.35955/jch.2020.08.75.353.

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33

Lee, Young-suk. "A study on spiritual poetry of Kwak Jong-suk -Focusing on ｢The thirty -eight poetry of the amphibious goods｣-." Nammyonghak Studies 61 (March 31, 2019): 127–55. http://dx.doi.org/10.14381/nmh.2019.61.03.30.127.

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34

Kaneko, Ruriko. "Poetry of Chosun Women in Japan in the 50's Circle Journal “Jindallae” : Focusing on Lee Jeong󰠏ja’s works." Journal of Japanology 44 (May 31, 2017): 239–64. http://dx.doi.org/10.21442/djs.2017.44.11.

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35

Koh, Yong-Hwan. "A Study of The expression “Young grass & Spring flowers of pond” in Hitomaro Songs - Comparison study of ‘Spring grass of pond’ in the Chinese poem -." East Asian Ancient Studies 42 (June 30, 2016): 203–35. http://dx.doi.org/10.17070/aeaas.2016.06.42.203.

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36

Jacobs, Marjorie Lee. "Violins of Hope." Music and Medicine 8, no. 3 (2016): 139. http://dx.doi.org/10.47513/mmd.v8i3.462.

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Violins of Hope was inspired by a confluence of factors: (1) my recovery-oriented psychiatric rehabilitation work with adults and young adults, the majority of whom have been diagnosed with trauma- and stressor-related disorders, depression, anxiety, and/or psychotic disorders, (2) the Violins of Hope-Cleveland educational and music collaboration and (3) the research of Daniel Levitin (Behavioural Neuroscience Department of Psychology, McGill) and Anthony Jack (the Brain, Mind and Consciousness Laboratory, Case Western Reserve). The poem reflects my understanding of how music can trigger both

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37

Penyka, Penyka. "STRUKTUR GENETIK PUISI MODERN JEPANG JINRUI NO IZUMI (人類の泉) KARYA TAKAMURA KŌTARŌ". Ayumi : Jurnal Budaya, Bahasa, dan Sastra 2, № 1 (2017). http://dx.doi.org/10.25139/ayumi.v2i1.7.

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Puisi lahir bukan dari kekosongan. Ia ada karena pengarang yang terkait erat dengan lingkungan dan karyanya yang disebut struktur genetik. Penelitian puisi Jinrui no Izumi (人類の泉) karya Takamura Kōtarō ini menggunakan teori teori strukturalisme genetik menurut Kinayati Djojosuroto. Sumber data diperoleh dari kumpulan puisi Takamura Kōtarō dalam buku yang berjudul 高村光太郎詩集 (Takamura Kōtarō Shishuu) karya伊藤信吉(Itou Shinkira) (1950). Analisis penelitian strukturalisme genetik puisi dilakukan dengan mengkalsifikasikan data berdasarkan struktur fisik, batin, kemudian dikaitkan dengan genetiknya. Dari

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38

Jayanti, Pennyka May. "STRUKTUR GENETIK PUISI MODERN JEPANG JINRUI NO IZUMI (人類の泉) KARYA TAKAMURA KŌTARŌ". Ayumi : Jurnal Budaya, Bahasa, dan Sastra 4, № 1 (2017). http://dx.doi.org/10.25139/ayumi.v4i1.545.

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AbstrakPuisi lahir bukan dari kekosongan. Ia ada karena pengarang yang terkait erat dengan lingkungan dan karyanya yang disebut struktur genetik. Penelitian puisi Jinrui no Izumi (人類の泉) karya Takamura Kōtarō ini menggunakan teori strukturalisme genetik menurut Kinayati Djojosuroto. Sumber data diperoleh dari kumpulan puisi Takamura Kōtarō dalam buku yang berjudul 高村光太郎詩集 (Takamura Kōtarō Shishuu) karya伊藤信吉(Itou Shinkira) (1950). Analisis penelitian strukturalisme genetik puisi dilakukan dengan mengklasifikasikan data berdasarkan struktur fisik, batin, kemudian dikaitkan dengan genetiknya. Dari

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39

Legal History Review 2007, № 57 (2007): 245–47. http://dx.doi.org/10.5955/jalha.2007.245.

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