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Dissertations / Theses on the topic '論述'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

山田, 健二. "ラッセルの記述理論". 京都大学 (Kyoto University), 2003. http://hdl.handle.net/2433/148242.

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2

莊琬華. "論述權力的展現--以電影論述之作者論論述為例". Thesis, 2000. http://ndltd.ncl.edu.tw/handle/55554591300817926192.

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3

歐慧敏. "敦煌書法述論". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/80706054961609267317.

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4

KE, JIN-MU, та 柯金木. "魏晉論語學考述". Thesis, 1990. http://ndltd.ncl.edu.tw/handle/93375762751346746096.

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5

Chien, Amy, та 簡穎柔. "Virginia Woolf的反戰論述". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/36465138517441927222.

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碩士<br>東吳大學<br>哲學系<br>97<br>Virginia Woolf’s works were simply viewed as extraordinary literature by the public and the scholars. Her insightful critiques on politics, society and culture were not taken seriously. Until 1970s, the rise of radical feminism first brought up the con-cept of the connection between patriarchy and gender inequality, helped opened up a new way of interpreting politics, also contributed more and more feminists to go back to research the political thinking within her works. This paper would like to introduce the political thinking within Woolf’s works, also discuss and

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6

王郁雯. "創作論述心象風景". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/01366399906324484560.

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7

賴維倫. "(對)身體論述的觀察". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/80231076930690215704.

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8

黃嘉寭. "娚-黃嘉寭創作論述". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/67145641996641710131.

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9

Chen, Yan-Bo, та 陳彥伯. "砳－陳彥伯創作論述". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/65839408654672742576.

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10

WANG, PENG-KAI, та 王鵬凱. "歷代論語著述綜錄". Thesis, 1989. http://ndltd.ncl.edu.tw/handle/60297968255083594916.

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11

"王鳴盛《尚書》學述論". 2013. http://library.cuhk.edu.hk/record=b5549234.

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在清代學術史研究中，王鳴盛的學術地位主要由其史學成就奠定。而作為乾嘉時期的經史大家，其經學研究理應佔據一席之地。<br>《尚書後案》是王鳴盛的經學代表作，其主旨在於「發揮鄭康成一家之學」。「鄭氏學」是王氏《尚書》學的核心，「鄭氏家法」也貫穿於王氏治學之始終。其《尚書》學的主要內容在於鄭玄注「輯佚」與「疏證」兩方面，雖然各有得失，但總體而言其《尚書》學成就，得到乾嘉諸儒的普遍認可。<br>王鳴盛的《尚書》學，前承清初辨偽古文、偽孔《傳》之餘韻，後啟乾嘉鄭氏學、乃至今文學之序幕，於清代《尚書》學史中具有轉折意義。但其學特色鮮明，好博尊聞，而精審未及；守一家之學，生門戶之見，故屢遭後人苛評。此固當分別而論。<br>As far as the studies of academic history of the Qing Dynasty are concerned, the academic status of Wang Ming-sheng was chiefly established through his accomplishments in Historiography. A major figure in the studies of Confucian classic and history in the Qianlong-Jiaqing period, Wang deser

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12

"胡應麟論小說述評". 香港中文大學, 1995. http://library.cuhk.edu.hk/record=b5888385.

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吳學忠.<br>論文(碩士) -- 香港中文大學硏究院中國語言及文學學部,1995.<br>參考文獻: leaves 194-210.<br>Wu Xuezhong.<br>Chapter 第一章： --- 緒論 --- p.1<br>Chapter 第二章： --- 胡應麟的生平際遇與其小說理論的淵源<br>Chapter 第一節： --- 胡應麟生平大要 --- p.7<br>Chapter 第二節： --- 胡應麟的家學 --- p.9<br>Chapter 第三節： --- 胡應麟個人嗜好 --- p.13<br>Chapter 第四節： --- 胡應麟交遊略說 --- p.17<br>Chapter 第三章： --- 胡應麟論述小說著作版本述略<br>Chapter 第一節： --- 胡應麟著述繋年述略 --- p.21<br>Chapter 第二節： --- 《少室山房類稿》及《少室山房筆叢》版本 --- p.25<br>Chapter 第四章： --- 胡應麟文言小說理論探討<br>Chapter 第一節： --- 古今「小說」槪念上的差別 --- p.29<br>Chapter 第二節： --- 重視一向被視爲末技的小說 --- p.43<br>Chapter 第三節： --- 文言小說的類型劃分 --- p.50<br>Chapter 第四節：

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13

HSU, Hui-ju, та 許慧如. "東晉前期禮學述論". Thesis, 2006. http://ndltd.ncl.edu.tw/handle/60688105846347203038.

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14

Wei-Hao, Tseng, та 曾偉豪. "嚎-曾偉豪創作論述-". Thesis, 2004. http://ndltd.ncl.edu.tw/handle/73506042861670089220.

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碩士<br>臺南藝術學院<br>造形藝術研究所<br>92<br>Self-experience is always the main point of my works─no matter the limit of the environments or adapt myself to the environment, and transform the pressure to attack and reacting consciousness, then put down myself to think about the problem of human being medium in the communication, finally I hope that I could get rid of the control to experience my position in the environment. In these chapters, I begin with describing the background of my ideas and narrations of my works, and cite the discussions of works, including the records from 1998 to 2004. In chapter

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15

PENG, YA-LING, та 彭雅玲. "史通的歷史敘述理論". Thesis, 1990. http://ndltd.ncl.edu.tw/handle/27787396905288686281.

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16

Tang, Tze Yeung, та 鄧子揚. "天←→地鄧子揚創作論述". Thesis, 2001. http://ndltd.ncl.edu.tw/handle/36017713708557432301.

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17

陳麗婷. "默季---陳麗婷創作論述". Thesis, 2001. http://ndltd.ncl.edu.tw/handle/85890350525890318586.

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18

Ting, Feng Hsiao, та 馮曉庭. "宋人劉敞的經學述論". Thesis, 2000. http://ndltd.ncl.edu.tw/handle/65245567124081350882.

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19

JI, MING-HUI, та 紀明輝. "萊布尼茲神義論闡述". Thesis, 1991. http://ndltd.ncl.edu.tw/handle/64570081512246109784.

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20

王婉婷. "王婉婷創作論述─「小手」". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/29150836327097284516.

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21

hui-yuan, Chang, та 張惠媛. "拉康之主體與慾望論述". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/59339811338137968193.

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22

Hsien-Jen, Pan, та 潘顯仁. "方塊•字-潘顯仁創作論述". Thesis, 2006. http://ndltd.ncl.edu.tw/handle/62596639510622532873.

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23

謝崇熙. "清初明遺民的「屈陶」論述". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/7rmef8.

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24

Chen, Li-Ling, та 陳麗琳. "空間共生創作研究論述". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/10858994836768390939.

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碩士<br>嶺東科技大學<br>視覺傳達設計研究所<br>98<br>Space is the stage for the objects. Symbiosis is the circulation and the extension of life. Fixed positions or status in space are substantial presentation for people in a society. The ulti-dimensions of the space for ethnic groups remind us that we should think about the real and unreal spaces with critical, and open attitude. On the critical moment of global warming, humans must have respect for different ethnic people who live in the same space. Spatial symbiosis which includes the issues from the environment to the standpoint of minorities relates to the

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25

姚彥淇. "《莊子》中的「孔」／「顏」論述研究". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/18303316070670668369.

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26

葉欣怡. "台獨論述與民進黨轉型". Thesis, 2001. http://ndltd.ncl.edu.tw/handle/31091970382308521269.

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27

SU, LIAN-NENG, та 蘇廉能. "台灣當代建築評論論述之初之初探". Thesis, 1991. http://ndltd.ncl.edu.tw/handle/98527644761321262811.

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28

潘怡帆. "含混性有無可能充實客觀論述之不足-以梅洛龐蒂身體觀論述". Thesis, 2004. http://ndltd.ncl.edu.tw/handle/18244126745402536939.

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29

魏嘉男. "國家認同理論與台灣經驗論述之研究". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/93569877173714787833.

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30

欒興美. "業--欒興美水墨畫創作論述". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/50997113152379482461.

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31

CHIANG, CHIU-HSIA, та 江秋霞. "心境-新境(江秋霞創作論述)". Thesis, 2007. http://ndltd.ncl.edu.tw/handle/15476198932380498651.

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32

ko-fei, Tai, та 戴克非. "遊戲迷宮-戴克非創作論述". Thesis, 2006. http://ndltd.ncl.edu.tw/handle/06501091017366477170.

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33

Chen, Wei-Hau, та 陳威豪. "莫名其妙-陳威豪創作論述". Thesis, 2005. http://ndltd.ncl.edu.tw/handle/56210792446525496314.

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34

張明風. "飄浮幻向－張明風創作論述". Thesis, 2001. http://ndltd.ncl.edu.tw/handle/86612804419939689451.

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35

Hsieh, Yi-ting, та 謝怡婷. "李昂小說的性別論述研究". Thesis, 2004. http://ndltd.ncl.edu.tw/handle/90849129902284380754.

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36

DON, YONG TAE, та 龍泰燉. "刻骨銘姓–龍泰燉創作論述". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/46883798879909803158.

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37

Tzeng, Ping-Ping, та 曾萍萍. "陳映真小說與後殖民論述". Thesis, 2000. http://ndltd.ncl.edu.tw/handle/28950774097186869154.

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38

Wu, Kuei-Jung, та 吳桂蓉. "砂動畫『祝英台』之創作論述". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/675u3t.

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碩士<br>臺南藝術學院<br>音像動畫研究所<br>90<br>Abstract Every nation and its people have developed their own culture and art under the existed and unchangeable historical fate. And such unique art character often creates amazing and brilliant sparkles under the enhancement of culture and within the flow of historical current, further is gradually develops its own special art direction and aesthetic standard. It is incredible that a painting brush dipped with ink and water would present the beauty of the great nature on the paper. This is the landscape painting, which is a form of Chine

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陳信甫. "2012不思議－陳信甫創作論述". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/7948rn.

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碩士<br>國立高雄師範大學<br>美術學系<br>100<br>I have always been fond of amazing and extraordinary things, especially--those which are normal but also a little bit unreasonable. Ladies are self-images from subconscious. In this study about artistic creations, what I wanted to present are analyses of selves, impressions from the social aspect, and symbols of fashion under capitalism. I transformed myself into a lady, through time travel, experiencing the contradictions and conflicts inside. An amazing KUSO method was applied to images which seem normal, inorder to reach reasonable and harmonic beauty. I

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David, TRZCINSKI, та 湯大衛. "湯大衛水墨寫生創作論述". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/ckyd4s.

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41

Hsu, Kou Chen, та 徐國誠. "《臺灣民報》的中國論述 (1920-1927)". Thesis, 2014. http://ndltd.ncl.edu.tw/handle/f8z949.

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碩士<br>國立清華大學<br>歷史研究所<br>102<br>This paper will discuss, during Japanese colonial rule of Taiwan newspaper “Taiwan people's News(臺灣民報)”, known as "Taiwan's only organ", how about the reporting of China News? And what kinds of meaning or purpose exist in these messages of “China”. I read the "Taiwan people's news(臺灣民報)" before the summaries of these articles about "China", then use the methods of text analysis to research. I found: in the "China" and "Chinese nationalism" on the two subjects, adopted a positive attitude to the“Taiwan people's News(臺灣民報)” with a negative attitude the " Taiwa

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42

李菁菁. "凝視．漫延 ─李菁菁創作論述". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/4n8tkb.

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碩士<br>國立高雄師範大學<br>美術學系<br>104<br>Abstract The theme of my creation is “gaze. extension”. “Gaze” is a way that one may do the self-reflection and learn to concentrate oneself. When recalling one’s inner thoughts with the self image, one would be able to experience the existence in a vivid and alive aspect. In gazing the self-consciousness, one is able to extend one’s thoughts and sentiment through the self-translation. “Extension” is referred to as a flowing state that the sentiment lasts and cohere the experience with one’s disposition, progressing in creation which one could regain the inspir

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43

"探討本地教會的家庭論述". 2009. http://library.cuhk.edu.hk/record=b5896554.

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杜敏玲.<br>"2009年6月".<br>"2009 nian 6 yue".<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2009.<br>Includes bibliographical references (leaves [78]-82).<br>Abstracts in Chinese and English.<br>Du Minling.<br>摘要 --- p.i<br>鳴謝 --- p.ii<br>目錄 --- p.iii<br>序言 --- p.1<br>Chapter 第一章 --- 核心家庭的歷史發展 --- p.4<br>Chapter 1. --- 家庭形態的發展 --- p.4<br>Chapter 2. --- 核心家庭是理想家庭的唯一典範 --- p.9<br>Chapter 3. --- 小結 --- p.14<br>Chapter 第二章 --- 家庭論述與規訓 --- p.15<br>Chapter 1. --- 家庭論述規範下的非核心家庭 ´ؤ 以《家庭暴力條例》修訂爲案例 --- p.15<br>Chapter 2. --- 家庭論述的規範 --- p.19<br>Chapter 3. --- 家庭作爲家庭價値 --- p.22<br>Chapter

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44

陳彥吟. "心之映像-陳彥吟創作論述". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/26067373492240892215.

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碩士<br>國立高雄師範大學<br>美術學系<br>96<br>This essay attempts to represent in chronological order my artistic works produced since 2006 to 2008. They can be identified as three separated series: 【IVY Series】, 【the Imaginary Space】, and 【the Sacrifice】. The introduction chapter incorporates two major sections -- the background, motive, and purpose related to my works and the process of my creation. The first section traces the creator’s past lived experiences as well as the influence from the contemporary social setting. The second section outlines respective focuses of the creator’s three creation s

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45

ZHENG, CHAO-QUN, та 鄭超群. "《蓓兒的遠行》繪本創作論述". Thesis, 2019. http://ndltd.ncl.edu.tw/handle/3xq36r.

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碩士<br>國立東華大學<br>藝術與設計學系<br>107<br>It has become a common phenomenon that most of the children in Taiwan go to cram school or are taken care of by others, as a result of parents are under great financial pressure, working outside for a long time, they have less quality time relatively. In the book, "Running on Empty: Overcome Your Childhood Emotional Neglect", J. Webb proposed "Parental companionship is positive for the child's personality and growth". In order to emphasize the importance of accompanying children, creating this picture book based on the issue and providing parents and children

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46

馬妤涵. "再見童年─馬妤涵創作論述". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/43585r.

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碩士<br>國立新竹教育大學<br>人資處造形藝術碩士專班<br>100<br>This paper begins with the memory of childhood upon which the author works to re-examine himself by transforming and discovering “the inner child” of the author. The pro-type of the works is the kindergarten children who are seriously influenced by the media. It then discusses the dissolving of the borderline between children and adult in post modern society and rediscovers the innocence of human from the appearance child-like old lady, the grandmother of the author. The first chapter touches upon the motivation of the research and frames the method and

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47

謝志成. "大嵙崁意象－繪畫創作論述". Thesis, 2007. http://ndltd.ncl.edu.tw/handle/45056447665895775974.

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48

"論茅盾翻譯、評論和小說中的婦女解放論述(1919 -1930)". 2013. http://library.cuhk.edu.hk/record=b5884264.

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李凱琳.<br>"2013年9月".<br>"2013 nian 9 yue".<br>Thesis (Ph.D.)--Chinese University of Hong Kong, 2013.<br>Includes bibliographical references (leaves 138-146).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Abstract in Chinese and English.<br>Li Kailin.

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49

Ro-Ping, Wang, та 王若萍. "一個反支配論述的形成－－一九七○年代台灣鄉土文學的論述與形構". Thesis, 1996. http://ndltd.ncl.edu.tw/handle/77046397099918517116.

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尚昱辰. "晚明戲曲論述中「情」「理」與「審美」論題之互涉". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/qeqx4q.

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