Relevant bibliographies by topics / 1431-1506

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic '1431-1506'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "1431-1506"

1

Traversari, Mirko, Roberta Ballestriero, and Francesco M. Galassi. "A likely case of goiter in the Madonna col Bambino dormiente (1465/1470) by Andrea Mantegna (1431–1506)." Journal of Endocrinological Investigation 40, no. 2 (September 13, 2016): 237–38. http://dx.doi.org/10.1007/s40618-016-0548-z.

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Raffaella, Bianucci, Perciaccante Antonio, Charlier Philippe, and O. Appenzeller. "The maid of the Bridal Room by Andrea Mantegna (1431–1506) shows evidence of hypopituitary dwarfism and neurofibromatosis type-1." Journal of the Neurological Sciences 380 (September 2017): 148–50. http://dx.doi.org/10.1016/j.jns.2017.07.029.

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Dissertations / Theses on the topic "1431-1506"

1

Kaplan, Nancy Ridel. "O São Jeronimo em meditação no deserto do Masp." [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281490.

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Orientador: Luiz Cesar Marques Filho
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Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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2

Pellé, Anne-Sophie. "Aemulatio Italorum, la réception des estampes de Mantegna par Dürer et ses contemporains germaniques : la gravure comme agent d'émulation culturelle à la Renaissance." Thesis, Tours, 2016. http://www.theses.fr/2016TOUR2006.

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Au début du XVIè siècle, le territoire germanique apparaît comme le foyer de réception non seulement le plus important mais aussi le plus fécond des estampes du peintre italien Andrea Mantegna (1431-1506). De Dürer à Peter Vischer à Nuremberg, de l’atelier d’Ulrich Apt à celui de Jörg Breu l’Ancien à Augsbourg, d’Hans Baldung Grien à Matthias Grünewald dans les régions rhénanes, d’Urs Graf à Jörg Schweiger en Suisse, de l’atelier d’Altdorfer implanté à Ratisbonne à celui de Wolf Huber situé à Passau : tous les centres artistiques et humanistes du monde germanophone sont concernés. Inscrite dans la problématique des transferts culturels, cette thèse vise à montrer, par une approche résolument pluridisciplinaire, que la réception des modèles gravés italiens en Allemagne ne se borne pas aux emprunts formels et stylistiques, mais s’intègre dans une réflexion sur l’émulation, qui tient compte des spécificités à la fois historiques et culturelles du Saint Empire Romain germanique
During the early 16th century the German territory was not only the most important but also the most fruitful center for the circulation of Italian painter Andrea Mantegna's (1431 - 1506) prints. From Dürer to Peter Vischer in Nuremberg, from Ulrich Apt's workshop to Jörg Breu the Elder in Augsbourg, from Hans Baldung Grien to Matthias Grünewald in Alsace, from Urs Graf to Jörg Schweiger in Switzerland, Altdorfer's workshop, located in Regensburg to Wolf Huber's in Passau. Basically all artistic and humanist centers in the German-speaking world were concerned. This thesis takes as its primary object the problematic of cultural transfers and aims at showing, through a multidisciplinary approach, that the German reception of Italian engravings is not only limited to formal and stylistics aspects but it is integrated in a reflection regarding the emulation, which will take into account both historical and cultural particularities of the German Sacred Roman Empire
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Books on the topic "1431-1506"

1

Giovanni, Agosti, Thiébaut Dominique, and Musée du Louvre, eds. Mantegna, 1431-1506. Paris: Hazan, 2008.

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2

Giovanni, Agosti, Thiébaut Dominique, Galansino Arturo, Stoppa Jacopo, and Musée du Louvre, eds. Mantegna, 1431-1506. Milano: Officina libraria, 2008.

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3

1431-1506, Mantegna Andrea, ed. Mantegna: With a complete catalogue of the paintings, drawings, and prints. Berkeley: University of California Press, 1986.

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4

Leoncini, Luca. Il codice detto del Mantegna: Codice Destailleur OZ 111 della Kunstbibliothek di Berlino. Roma: L'Erma di Bretschneider, 1993.

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5

Camesasca, Ettore. Mantegna. Antella, Florence, Italy: Scala, 1992.

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6

Andrea Mantegna: Making art (history). Hoboken: Wiley, 2015.

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7

1431-1506, Mantegna Andrea, ed. Andrea Mantegna: The Adoration of the Magi. Los Angeles, Calif: J. Paul Getty Museum, 1997.

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8

Emi, Genesio, ed. Andrea Mantegna. Cavallermaggiore [Italy]: Arte Gribaudo, 2001.

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9

Suzanne, Boorsch, Martineau Jane, Royal Academy of Arts (Great Britain), and Metropolitan Museum of Art (New York, N.Y.), eds. Andrea Mantegna. [Ivrea?]: Olivetti, 1992.

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10

Burchard, Johann. Alla corte di cinque papi: Diario 1483-1506. Milano: Longanesi, 1988.

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