Academic literature on the topic '1444 or 5-1510'
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Journal articles on the topic "1444 or 5-1510"
Erfiza, N. M., N. R. Purba, K. Ahda, I. Sulaiman, S. Rohaya, and F. Razi. "Characterization of tannin based colorimetric indicator and its application on fish packaging." IOP Conference Series: Earth and Environmental Science 922, no. 1 (November 1, 2021): 012057. http://dx.doi.org/10.1088/1755-1315/922/1/012057.
Full textPadrielli, L., R. Fanti, A. Ficarra, L. Gregorini, F. Mantovani, and S. Spangler. "The Low Frequency Variability of Extragalactic Radio Sources: A Relativistic Effect or Galactic Scintillation?" Symposium - International Astronomical Union 129 (1988): 297–98. http://dx.doi.org/10.1017/s0074180900134758.
Full textKim, William, and Torunn Sivesind. "Patient Perceptions of Dermatologic Photography: Scoping Review." JMIR Dermatology 5, no. 1 (January 26, 2022): e33361. http://dx.doi.org/10.2196/33361.
Full textMundt, Lothar. "VEIT PROBST: Petrus Antonius de Clapis (ca. 1440-1512). Ein italienischer Humanist im Dienste Friedrich des Siegreichen von der Pfalz. - Paderborn, München, Wien, Zürich: Schöningh 1989 (=Veröffentlichungen des Historischen Instituts der Universität Mannheim. 10.) 5 Bll., 291 S." Daphnis 20, no. 3-4 (March 30, 1991): 753–55. http://dx.doi.org/10.1163/18796583-90000522.
Full textHough, Rachael E., Clare Rowntree, Rachel Wade, Nicholas Goulden, Chris Mitchell, and Ajay J. Vora. "Impact Of Age On Toxicity Associated With Chemotherapy For Acute Lymphoblastic Leukaemia (ALL): Results From The UK Prospective Study UKALL2003." Blood 122, no. 21 (November 15, 2013): 840. http://dx.doi.org/10.1182/blood.v122.21.840.840.
Full textKroschinsky, Frank P., Kai Friedrichsen, Juliane Mueller, Mathias Haenel, Gerhard Ehninger, and Eberhard Schleyer. "Oral Etoposide Is Equivalent to Intravenous Administration within the CHOEP-Regimen - Results of a Comparative Pharmacokinetic Study." Blood 108, no. 11 (November 16, 2006): 4662. http://dx.doi.org/10.1182/blood.v108.11.4662.4662.
Full textNakamoto, Yoshihiko, Megumi Ishiguro, Motoki Yoshida, Koji Ikejiri, Izumi Mochizuki, Hidetaka Mochizuki, Kenjiro Kotake, et al. "Noninferiority of S-1 to UFT/LV as adjuvant chemotherapy for stage III colon cancer: A randomized phase III trial (ACTS-CC)." Journal of Clinical Oncology 31, no. 15_suppl (May 20, 2013): 3518. http://dx.doi.org/10.1200/jco.2013.31.15_suppl.3518.
Full textLu, C. H., T. J. Lee, C. L. Yu, and S. C. Hsieh. "POS1386 THE OCCURRENCE OF INFUSION-RELATED REACTIONS TO RITUXIMAB IS ASSOCIATED WITH LOW PLASMA LEVELS OF MYELOPEROXIDASE-DNA COMPLEXES." Annals of the Rheumatic Diseases 81, Suppl 1 (May 23, 2022): 1033.1–1033. http://dx.doi.org/10.1136/annrheumdis-2022-eular.1626.
Full textLee, Hun Ju, Susan O'Brien, Hagop M. Kantarjian, Farhad Ravandi, Stefan Faderl, Charles Koller, Marina Konopleva, et al. "Outcome of Patients with Philadelphia Chromosome-Positive (Ph+) Acute Lymphoblastic Leukemia (ALL) with Relapse After Tyrosine Kinase Inhibitor (TKI) Therapy." Blood 118, no. 21 (November 18, 2011): 1518. http://dx.doi.org/10.1182/blood.v118.21.1518.1518.
Full textDemetrio, D., A. Magalhaes, M. Oliveira, R. Santos, and R. Chebel. "11 Invivo-derived embryo pregnancy rates at Maddox Dairy from 2008 to 2018." Reproduction, Fertility and Development 32, no. 2 (2020): 130. http://dx.doi.org/10.1071/rdv32n2ab11.
Full textDissertations / Theses on the topic "1444 or 5-1510"
Mendonça, Débora Barbam [UNESP]. "Botticelli: pintura e teoria." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/93137.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
Trata-se de uma investigação dos aspectos filosóficos que envolviam o fazer artístico de Botticelli; tomando como cenário a cidade de Florença durante o Quattrocento. Este trabalho se realizou a partir de uma dupla abordagem, envolvendo um debate filosófico e historiográfico, cuja finalidade foi a de apresentar as discussões teóricas que permeavam a atividade dos artistas da época. Nosso trabalho contou com um aparato histórico, para que fosse possível configurar o Renascimento a partir do contexto em que as atividades culturais estiveram inseridas. Dentre as teorias distintas que visavam refletir sobre uma questão comum, o belo artístico, ressaltamos a proposta neoplatônica de Marsilio Ficino e a teoria pautada no cientificismo humanista de Leon Batista Alberti. A finalidade do embasamento teórico era de indicar aos artistas como deveria ser a composição de suas obras, como deveriam ser as apropriações a partir da Antiguidade, e, desta maneira, mostra como localizar a beleza dada pela natureza. Procuramos em nosso trabalho identificar o pintor Sandro Botticelli como exemplo legítimo da busca pela beleza artística, pela graça que resultava da reflexão sobre a arte como imitação eletiva da natureza
This thesis is an investigation on the philosophical aspects involved in Botticelli’s painting, adopting Florence during the Quattrocento as the main scenario. This work has been done from a double approach, involving a historical debate and a philosophical one, which aims at showing theoretical discussions, that underlies the activity of artists of this period. The historical apparatus of our work allowed us to configure the Renaissance from the context in such cultural activities were inserted. Among the distinct theories that aim to think about the artistic beauty, we highlighted Marcelo Ficino’s Neo-platonic proposal and the theory based on Leon Batista Alberti’s Humanist Scientific. The goal of this theoretic foundation was to indicate how should be the composition of works made by artists and how should be the appropriation of Ancient by them, what, thus, implies at showing how we can locate beauty given by nature. We seek in our work to identify Sandro Botticelli as a genuine example of the questing for artistic beauty, for grace which results of reflection about art as elective imitation of nature
Lake, G. Thomas. "The five paintings of the Adoration of the Magi by Sandro Botticelli /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61261.
Full textThis thesis outlines the general trends in art with respect to the Adoration theme and then concentrates on a demonstration of Botticelli's attempts at correlating compositional devices and the unique features developed with respect to spectator involvement. This selected study allows for a careful examination which spans the artistic career of Sandro Botticelli. As a result, it can be shown that it was perhaps Botticelli, rather than Leonardo da Vinci, who was primarily responsible for the development of a compositional format which became a foundation stone of High Renaissance compositions.
Vermeersch, Paula. "Considerações sobre os desenhos de Sandro Botticelli para a Divina Comedia." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270062.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-11T10:57:27Z (GMT). No. of bitstreams: 1 Vermeersch_Paula_D.pdf: 10980689 bytes, checksum: 580b34aad69148ac6f37f95ab15e89a6 (MD5) Previous issue date: 2007
Resumo: A tese aborda alguns aspectos dos desenhos que o pintor florentino Alessandro di Marianni di Vanni Filipepi, dito Sandro Botticelli (1445-1510), realizou, em data incerta entre 1480 e 1500, para a ilustração da Divina Comédia de Dante Alighieri (1265-1321). Tais desenhos, feitos sobre pergaminho, foram separados durante séculos e sempre muito pouco se soube a seu respeito. Eles formam, ademais, o cerne de uma série de reflexões sobre o papel das artes figurativas no chamado Renascimento italiano, as quais envolvem as seguintes temáticas: a relação entre palavra e imagem; a presença de um diálogo com a tradição anterior de manuscritos ilustrados para o poema de Dante; o debate entre os comentadores da Comédia e a intersecção de projetos intelectuais, nas cidades italianas de fins do Quattrocento, sobre a recepção e compreensão do legado de Dante, como é o caso da primeira edição do Comento Sopra La Comedia, de 1481, do humanista Cristoforo Landino (1425-1498), e os incunábulos e as edições posteriores; e a visão de que, mais do que ilustrador, Botticelli também foi um comentador da Comédia, a partir de análises de algumas iconografias de seus desenhos
Abstract: The present thesis deals with some aspects of the drawings that the Florentine Alessandro di Marianni di Vanni Filipepi, alias Sandro Botticelli (1445-1510), did, in uncertain date between 1480 and 1500, to illustrate the Divine Comedy of Dante Alighieri (1265-1321). Such drawings, which were made on parchment, were separated through centuries and always very little was known about them. They form, moreover, the center of a series of reflections on the role of the figurative arts at the so-called Italian Renaissance, which encompasses the following subjects: the relationship between word and image; the presence of a dialogue with the previous tradition of illustrated manuscripts for Dante¿s poem; the debate among the commentators of the Comedy and the intersection of intellectual projects, in the Italian cities at the end of the Quattrocento, on the reception and understanding of Dante¿s legacy, as is the case of the first edition of the Comento Sopra La Comedia, from 1481, of the humanist Cristoforo Landino (1425-1498), and the incunabula and the subsequent editions; and the vision that, more than being an illustrator, Botticelli was also a commentator of the Comedy, which can be deduced from the analyses of some of the iconographies of his drawings
Doutorado
Literatura e Outras Produções Culturais
Doutor em Teoria e História Literária
Taylor, Chloë. "The aesthetics of sadism and masochism in Italian renaissance painting /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79810.
Full textBooks on the topic "1444 or 5-1510"
Deimling, Barbara. Sandro Botticelli 1444/5-1510. Koln: Benedikt Taschen Verlag, 1994.
Find full textTilman, Lingesleben, ed. Alessandro Botticelli 1444/45-1510. Köln: Könemann, 1998.
Find full textBotticelli, Sandro, 1444 or 5-1510., ed. Botticelli's Neoplatonic images. Potomac, Md., U.S.A: Scripta Humanistica, 1993.
Find full textBotticelli, Sandro, and Liana Cheney. Botticelli's Neoplatonic Images (Scripta Humanistica). Scripta Humanistica, 1985.
Find full textBotticelli, Sandro, and Bruno Santi. Botticelli (The Library of Great Masters). Riverside Book Company, 1991.
Find full textGromling, Alexandra, and Tilman Lingesleben. Botticelli (Masters of Italian Art). Konemann, 1999.
Find full textBook chapters on the topic "1444 or 5-1510"
"WINCHESTER COLLEGE 49 1501 (3 pieces 10 1/4 yds.), 1503 (3 pieces 12 yds.), 1507–09 (3 pieces 4 yds.) and 1510 and 1514–16 (3 pieces 8 yds.), and price rises above 53.33s. per piece (the apparently normal price from 1481 to 1518) in these years, calculating 24 yds. to the piece, are roughly in proportion to the apparent decreases in quantity, again suggesting that the piece here was longer and that the price and quantity remained unchanged. The price in 1501, however, is higher in proportion to the apparent fall in quantity and probably represents a price-rise as well as a larger piece. From 1520 quantities are irregular and supply no guide to the size of the piece. In 1520 the price given is an average of 2 pieces 8 yds. for £10 10s. and 1 piece 41/2 yds. for £5 7s. 1d., calculating 24 yds. to the piece. In 1522, 1524 and from 1527 onwards prices are quoted per yd. and raised here to the piece of 24 yds., but other prices after 1520 are by the piece and are printed with a warning, as there is no evidence as to its size. For Servants, 1395–1464. Gross 70, Net 49. For Grooms, 1394–1454. Gross 61, Net 34. For Stewards and Gentlemen, 1406–76. Gross 71, Net 46. There has been much controversy as to the nature of this material but it seems probable that English ray was cloth made of russet or dark wool originally undyed,." In Prices and Wages in England, 111. Routledge, 2013. http://dx.doi.org/10.4324/9781315031385-82.
Full text"Collins, P. 98 structure of 150–1, 152; overt Collinson, D. 58 research on 153–4; and potentials of Community Care 62 confrontation 153–8, 163; reasons Community Relations Councils 171 for studying 158–60; researcher as Cotterill, P. 95, 101, 108; and threat to 154–5; risk of research on Letherby, G. 94, 95, 107 162–3; risk to researcher 153–8; role of researcher in 161–2; Dalley, G. 117 secondary roles for researcher in danger: awareness of 2, 23–4; beyond 155–6; structural/cultural view of researcher/researched 160–2; 151–2; studying 147–8; and trust coping strategies 144; defined 74; in 155–6; validity of research on the field 182; as immediate physical 159–60; and wider community threat 8–9; insights from 189; 160–2; see also groups invisible 80–1; move from empathy Day, G. 107 to sympathy 154–5, 157, 159, 160; Dees, M. and Fiffer, S. 151 multiple aspects 54–5, 133; new delivery suite: attitude to patients agenda 115–18; and political 86–7; description of 81; emotional correctness 169; as positively danger in 82–7; and internal disruptive influence 56; of examination 82–3; and (lack of) representation 168, 179; and knowledge 84–5; and monitoring of research 27–9, 40, 189–92; and births 83–4; and new technology researcher risk 1–7, 9–10, 61; of 81, 85; powerlessness and anger in unreliable knowledge 169; see also 83 risk/danger Denby, S. and Baker, C. 58 dangerous groups 169; acceptance of Denizen, N. 149 researcher in 157; attitude to Dobie, K. 151 presentation of reports on 157–8; door work 43–4, 198–9; assaults, take-basic preparations for studying overs, swimming lessons 48–9; and 163–4; conceptual approach toward the bouncer self 53; and collective 150–2; and confidentiality of trust 51–2; at dance-oriented club material 155–6; covert research on 49–52; and danger 47–53, 54; 153; and data collection 149–50; ethnographic episodes 7–52; at gay defined 148; development of 152; club 48–9; and gender 45, 58; and ethical problems with 156; gaining knowing the score 49–50; links to access to 155; and involvement of criminality 44, 45–6; and losing wider community 160–2; and law ‘bottle’ 48; methodological enforcement 156–7; leadership of concerns 46–7; mythology/reality 156–7; long-term involvement with concerning 44; and personal 156; mechanics of participant information 52; post-fieldwork observation 154; membership/social experience 54–6;." In Danger in the Field, 216. Routledge, 2002. http://dx.doi.org/10.4324/9780203136119-37.
Full textConference papers on the topic "1444 or 5-1510"
Reshetnikova, N. V., and E. Y. Vataeva. "METHODS OF ACS RESEARCH UNDER NON-STATIONARY CONDITIONS." In ZAVALISHENSKY READING’20. St. Petersburg State University of Aerospace Instrumentation, 2020. http://dx.doi.org/10.31799/978-5-8088-1446-2-2020-15-148-151.
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