Relevant bibliographies by topics / 1445-1510

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic '1445-1510'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "1445-1510"

1

Chrisman, Miriam Usher. "Johannes Geiler von Kaysersberg (1445-1510): Der Straßburger Münsterprediger als Rechtsreformer. Uwe Israel." Speculum 75, no. 4 (October 2000): 940–41. http://dx.doi.org/10.2307/2903575.

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Köbler, Gerhard. "Voltmer, Rita, Wie der Wächter auf dem Turm. Ein Prediger und seine Stadt. Johannes Geiler von Kaysersberg (1445–1510) und Straßburg." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 124, no. 1 (August 1, 2007): 509–10. http://dx.doi.org/10.7767/zrgga.2007.124.1.509.

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Matheis-Rebaud, Christel. "«Die Predigt mit dem Gebet für die sieben Tage der Woche» von Johannes Geiler von Kaysersberg (1445-1510): ein Beispiel für die religiöse und spirituelle Unterweisung von Klosterfrauen am Ende des Mittelalters." Revue Mabillon 02 (January 1991): 207–39. http://dx.doi.org/10.1484/j.rm.2.305489.

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Massing, Andreas. "Mapping the Malagueta Coast: a History of the Lower Guinea Coast, 1460–1510 through Portuguese Maps and Accounts." History in Africa 36 (2009): 331–65. http://dx.doi.org/10.1353/hia.2010.0010.

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The Malagueta Coast can serve as a classic example of a region which was integrated into the world economy as a result of world demand for its resources—spices and labor in the fifteenth/sixteenth centuries, and again in the nineteenth century palm oil, cocos fiber, and labor—and has sunk into oblivion once the demand ceased. It is similar with Liberia's rubber and iron ore industry of the twentieth century. I had wanted to write this paper, which reconstructs the discovery and commercial exploitation of the coast through a systematic analysis of published maps and reports, ever since I walked and paddled along this coast in 1968. Furthermore I intend to review the discovery of the coast in the perspective of overall Portuguese policy and politics (interior and foreign). Last, but not least, this is to help students of Liberian and West African history with a review of the early sources—among which maps are by far the most abundant.The Portuguese legacy to Africa is enshrined in coastal toponymy until today. Avelino Teixeira da Mota in his “Topónimos de origem portuguesa” focused on Portuguese names still surviving in the nineteenth century, but I will focus here on contemporary fifteenth- and sixteenth-century nomenclature and what it might reveal about the African discoveries. The Portuguese initially were attracted by gold at the Rio d'Ouro (later Spanish Sahara), then slaves, and eventually malagueta—a substitute for Indian pepper—commodities known on the Lisbon market and which served to name the coasts: malagueta, marfim, ouro, esclavos. Diogo Gomes was the first to actually see Malagueta on the Gambia in 1445, but the malagueta coast was not discovered until after Henry's the Navigator's death in 1460.
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Ashrafian, H. "Differential diagnosis of a thyroid mass, facial malar rash and ptosis on the flora in the primavera by Sandro Botticelli (1445–1510)." Journal of Endocrinological Investigation, July 9, 2021. http://dx.doi.org/10.1007/s40618-021-01623-3.

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Abstract Purpose The Primavera is considered amongst the greatest and controversial artistic masterpieces worldwide painted by renaissance artist Sandro Botticelli. The aim was to identify any underlying medical foundations for the painting. Methods Observational study. Results The painting reveals, a ‘butterfly’ malar rash, bilateral ptosis and a clear neck swelling consistent with a goitre in the figure of Flora. This could be explained by concomitant Graves’ disease and systemic lupus erythematosus, or other presentations of multiple autoimmune syndrome. Conclusion These findings highlight the likely presentation of the earliest pictorial depictions of thyroid disease with systemic lupus erythematosus and emphasize the exactitude of depiction demonstrated by Botticelli in renaissance era.
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Dissertations / Theses on the topic "1445-1510"

1

Auclair, Valérie. "La compétence du dessinateur en France au XVIe s. : la copie et la perspective comme instruments de l'invention." Paris 4, 2003. http://www.theses.fr/2003PA040172.

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Les méthodes de composition d'un dessin connaissent de profonds changements au XVIe s. En France. La copie d'invention - création d'une image inédie à partir de prototypes anciens - et la perspective sont des techniques de composition, apparemment antinomiques, mais en réalité complémentaires. Contrairement à une idée reçue, l'usage de la perspective ne révèle pas d'abord des préoccupations mathématiques de la part des artistes: elle apporte une solution aux problèmes empiriques de disposition des prototypes. L'analyse d'œuvres (A. Caron, J. Cousin. . . ), de recueils de modèles, et de traités didactiques sur le dessin (J. Pélerin, dit Viator, J. Cousin père et fils, J. Androuet) montre l'évolution de la compétence du dessinateur, qui devient plus savante et englobe l'invention, domaine auparavant réservé à l'inventeur lettré. L'imprimerie, aux conséquences sociologiques et esthétiques importantes, a imposé l'idée du dessin comme art libéral, sous l'impulsion des amateurs, qui s'affirment
Drawing methods evolve through deep changes in sixteenth century France. "Copie d'invention" - a practice of selecting prototypes in previous works and of combining them freely - and perspective are two apparently opposed, but in fact complementary, compositional technics. Indeed, the main scope of perspective is not essentially a mathematical one : it brings a practical response to problems of disposition. Through analysis of works (from A. Caron, J. Cousin), sketchbooks and didactic treatises on drawing (J. Pélerin Viator, J. Cousin father and son, J. Androuet du Cerceau), it appears that competence of an artist becomes more and more learned, and embraces the literary invention. By the way of printing and the emergence of a new public composed of "amateurs", drawing becomes a liberal art
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Books on the topic "1445-1510"

1

Israel, Uwe. Johannes Geiler von Kaysersberg (1445-1510): Der Strassburger Münsterprediger als Rechtsreformer. Berlin: Duncker & Humblot, 1997.

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2

Sed corde dicemus: Das volkstümliche Element in den deutschen Predigten des Geiler von Kaysersberg. Frankfurt am Main: P. Lang, 1996.

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3

Voltmer, Rita. Wie der Wächter auf dem Turm: Ein Prediger und seine Stadt Johannes Geiler von Kaysersberg (1445-1510) und Strassburg. Trier: Porta Alba, 2005.

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4

Bauer, Gerhard. Johannes Geiler Von Kaysersberg, 1445-1510: Samtliche Werke (Ausgaben Deutscher Literatur Des XV Bis XVIII Jahrhunderts). Walter De Gruyter Inc, 1991.

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Book chapters on the topic "1445-1510"

1

Voltmer, Rita. "Preaching on Witchcraft? The Sermons of Johannes Geiler of Kaysersberg (1445–1510)." In Contesting Orthodoxy in Medieval and Early Modern Europe, 193–215. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-32385-5_10.

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2

Steinmetz, David C. "Johannes Geiler Von Kaysersberg (1445–1510)." In Reformers in the Wings, 9–14. Oxford University Press, 2001. http://dx.doi.org/10.1093/0195130480.003.0002.

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