Dissertations / Theses: '1500-'

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Ramos, Carla Susana Barbas dos. "A administração municipal e as vereações do Porto : de 1500=1500 a 1504=1504." Master's thesis, Porto : [Edição do Autor], 1997. http://hdl.handle.net/10216/55231.

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Esta tese retrata todos os assuntos debatidos nas sessões camarárias da cidade do Porto nos anos de 1500 a 1504. São apresentadas os oficiais camarários e a organização municipal de então, forma de eleição e substituições. assuntos económicos e financeiros, obras públicas e a manutenção da ordem na cidade, relações entre o poder local e o poder central, e ainda a festa do Corpo de Deus e medidas preventivas para evitar a entrada de peste no reino

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Ramos, Carla Susana Barbas dos. "A administração municipal e as vereações do Porto : de 1500=1500 a 1504=1504." Dissertação, Porto : [Edição do Autor], 1997. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000062462.

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Esta tese retrata todos os assuntos debatidos nas sessões camarárias da cidade do Porto nos anos de 1500 a 1504. São apresentadas os oficiais camarários e a organização municipal de então, forma de eleição e substituições. assuntos económicos e financeiros, obras públicas e a manutenção da ordem na cidade, relações entre o poder local e o poder central, e ainda a festa do Corpo de Deus e medidas preventivas para evitar a entrada de peste no reino

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3

Stumpf-Condry, Claudia. "The renaissance of Antinous (1500-1550)." Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269970.

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4

Taylor, Valerie. "Drawings, dining and display in Mantua 1500-1550." Thesis, University of Sussex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432423.

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5

Hart, Ian James. "Religious life in Essex, circa 1500 to 1570." Thesis, University of Warwick, 1992. http://wrap.warwick.ac.uk/110551/.

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This thesis investigates popular religion in Essex during the English Reformation, and it assesses whether revisionist arguments that the Reformation was generally unwanted and was slow to take root apply there. Various sources, such as wills, churchwardens' accounts and court records, have been examined. These reveal that popular piety was strong on the eve of the Reformation, and that Lollardy influenced only a minority. Most people acquiesced to the changes in religious practice and church decor demanded by the Henrician and Edwardian governments, but this was due mainly to obedience and coercion, not conversion to the new teachings. By Edward's death there was a minority of convinced Protestants in Essex, mainly in the North of the county and along the Thames. For the majority, however, the result of the changes was uncertainty and confusion in religious matters. Victims of this unease included religious drama and the Church's sponsorship of popular festivals; both had been widespread throughout the early sixteenth century, but were severely curtailed by the mid-1540s. Mary attempted to restore Catholicism, and traditional piety did revive slightly during her reign, whilst traditional decor reappeared in Essex churches under the authorities' supervision; her reign also occasioned the death or exile of dozens of Essex Protestants. However, relatively few were committed to either set of doctrines, and confusion remained in matters pertaining to religion. During the early Elizabethan period traditional piety and decor mostly disappeared, but while the majority continued to exhibit Christian beliefs and principles, few were doctrinally Protestants. In addition, the environment which had allowed communities to put on plays in earlier decades continued to disappear, and an Elizabethan revival of communal religious drama failed. Thus by 1570 the old order was mostly destroyed, but the Protestant alternative still needed to be disseminated amongst the masses.

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6

Grimm, Charles Ludwig. "[tsélem] צלם na Bíblia Hebraica: contribuições para um novo dicionário semântico do hebraico bíblico." Faculdades EST, 2012. http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=374.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico
Esta pesquisa faz um mapeamento completo das ocorrências de צלם [tsélem] na Bíblia Hebraica buscando trazer contribuições para a produção de verbetes do Semantic Dictionary of Biblical Hebrew. O presente estudo insere-se nesse projeto maior dedicando-se assim ao estudo em profundidade de um lexema do hebraico bíblico.
This research is a complete mapping of occurrences of צלם [tsélem] in the Hebrew Bible seeking to bring contributions to the production of articles in the Semantic Dictionary of Biblical Hebrew. This study fits into a larger project devoted to an in depth study of a biblical Hebrew lexeme.

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Chiu, Remi. "Motet settings of the Song of Songs ca. 1500-1520." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99361.

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This thesis investigates early sixteenth-century motet settings of texts taken from the Song of Songs. By way of contextualization, I will explore the Christian history of Song of Songs exegesis from the third century to the twelfth. I will also consider generic properties of the renaissance motet---contemporary definitions of the genre, performance context, types of texts used, and repertory dissemination---and make a case that both the Song of Songs and the motet occupy a sort of "intermediate" position between the secular and the sacred world, participating in both the earthly and the spiritual.
Several motets---Tota pulchra es by Ludwig Senfl, Tota pulchra es by Nicolaus Craen, Nigra sum sed formosa by Johannis Lheritier, and the anonymous Vulnerasti cor meum from Petrucci's Motetti de la Corona I print---will be analyzed through the lens of the historical Christian exegesis and generic considerations of the motet. I interpret diverse musical parameters---among them, texture, quotation of pre-existent material, motivic structuring, cadential manipulation, mode and modal commixture---as some of the ways in which the composers responded to their Song of Songs texts.

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Biddington, T. E. "A history of Spanish religious verse (c.1500 - c.1570)." Thesis, University of Leeds, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.376363.

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Simpson, David Bradley Brook. "Starch 1500." Thesis, University of Bath, 2000. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.760736.

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Jenkins, Glynn Edwin Fayrfax Robert Wilder Philip van Carver Robert Lupi Johannes Certon Pierre Sermisy Claudin de Johnson Robert Douglas Patrick. "Latin polyphony in Scotland, 1500-1560 (with studies in analytical techniques) /." Online version, 1988. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.380815.

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Thesis (Ph. D.)--University of Exeter, 1988.
Appendix A (v. I, leaves 367-388) "presents information relating to William Finschear the elder, a burgess of Edinburgh and possibly scribe of the Dunkeld Partbooks." Vol. II contains editions with commentary of the following works: Robert Fayrfax, Ave Dei Patris filia; Philip van Wilder, Vidi civitatem; van Wilder, Aspice Domine; Robert Carvor [sic], Mass Dum sacrum mysterium; Carvor, Mass Sine nomine a 5; Johannes Lupi, Ad nutum Domini nostrum; Pierre Certon, Regina caeli; Claudin de Sermisy, O Maria stans sub cruce; Robert Johnson, Domine in virtute tua; Patrick Douglas, In convertendo Domini. Publisher's no.: DX 82363. Includes bibliographical references (v. I, leaves 448-456).

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Jenkins, G. E. "Latin polyphony in Scotland, 1500-1560 : With studies in analytical techniques." Thesis, University of Exeter, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380815.

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Hannam, James. "Teaching natural philosophy and mathematics at Oxford and Cambridge 1500-1570." Thesis, University of Cambridge, 2008. https://www.repository.cam.ac.uk/handle/1810/218820.

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The syllabus in natural philosophy and mathematics was radically changed in the course of the sixteenth century with new subjects, textbooks and methods introduced. Education became more practical and less dependent on medieval antecedents. Printing technology improved textbooks and made it possible to replace them with newer versions. Following sweeping syllabus reform around 1500, the Cambridge Master of Arts course was heavily slanted towards humanism. The old scholastic textbooks were rejected and replaced with modern authors. The purpose of natural philosophy was explicitly to illuminate the providential work of the creator, especially through natural history (a newly developing subject in the sixteenth century thanks to newly translated and promulgated Greek texts) where examples of God's work were there for all to see. Oxford remained wedded to scholastic texts although the trivium was reformed along humanistic lines. Cromwell's visitors in 1535 outlawed scholasticism by decree but gave little indication of the alternative (their white list stipulating only Aristotle). The solution adopted by the Oxford masters was to import the Cambridge syllabus and textbooks wholesale. When the evangelical regime of Edward VI reformed the universities in 1549, the humanist natural philosophy syllabus was adjudged appropriate, especially those parts promoted by Philip Melanchthon at the University of Wittenberg. However, the visitors' background at court meant they valued ethics and politics more highly. The Reformation itself left natural philosophy largely unaffected although the barrier preventing Catholics from entering clerical careers after 1558 appears to have encouraged some to remain philosophers. In mathematics, the 1549 visitation was highly significant. Cambridge University's initiative in 1500 in employing a university lecturer in the subject was in danger of stagnating due to inappropriate appointments. However, John Cheke's statutes in 1549 promoted the use of modern textbooks of practical arithmetic, finance and surveying useful to the centralised Tudor state. He also introduced the new subject of geography as a result of his contacts at court with merchants and explorers. The thesis concludes that during the second half of the sixteenth century,English students could expect a mathematical and philosophical education comparable to that of their Italian peers. This was sufficient to provide graduates with the knowledge they needed to carry these subjects forward in the seventeenth century.

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Georgel, Christophe. "Architecture, espace et représentation en Lorraine à la Renaissance (1500-1550)." Université Marc Bloch (Strasbourg) (1971-2008), 2004. http://www.theses.fr/2004STR20021.

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La structure et le régime symboliques de l'architecture et de l'espace architectual en Lorraine au moment du renouveau stylistique à l'aube de la Renaissance sont analysés dans trois champs géographiquement et historiquement dépendants les uns des autres : 1) la production régnicole sous les ducs René II et Antoine qui s'articule autour du palais ducal de Nancy, élevé dans le contexte idéologique postérieur à la Bataille de Nancy. La représentation et la légitimation du pouvoir, dans le cadre d'une rénovation humaniste de l'idéal chevaleresque, se diffusent alors principalement à travers la forme logique et discursive du mythe qui permet de fonder l'origine providentielle de la souveraineté dynastique. . . 2) le De Artificili Perspectiva (Toul, 1505) de Jean Pèlerin, dit le Viator, clerc qui bénéficia de la protection de René II. . . 3) l'architecture religieuse dans le diocèse de Toul à partir de l'introduction des ordres à l'église de Blénod-lès-Toul. . .
At the dawning of the Renaissance the stylistic renewel of the structure and symbolic functionality of the architectural space in Lorraine is analysed in three geographical styles interdependent historically : 1) the production of the ruling-class under the Dukes René II and Antoine situated around the ducal palace in Nancy. . . 2) the analysis of the "poetic threshold", of the draughtsmanship of the treaty, De Artificiali Perspectiva (Toul, 1505) by Jean Pèlerin. . . 3) from the introduction of the orders of the church of Blénod-lès-Toul. .

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Blomberg, Andreas, and Johan Stöllman. "Haspelsystemet Camcoil 1500." Thesis, Karlstad University, Faculty of Technology and Science, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1653.

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Our employer Camatec Industriteknik AB gave us the assignments to increase theirs range of versions on Camcoil that is their own patent product. Camcoil is a capstan system that is used when steel band fabricated. Exist for example in production lines their steel band should be annealed. Our goal with this work is to come up with a completed production basis on a Camcoil for heavy industry. The basis should contain calculations, 3D-constructions, drawings and cost proposal on manufacturing and detail purchase.

Demands on this project:

1. 15 ton load

2. Strip width up to 1500 mm

3. Head diameter 610 mm

4. Production speed 35 m/min

5. Economy manufacturing

6. Be simple

Several concepts were decided out of the feasibility study. The concepts were compared against each other and finally only one was left. Result of the design concept became one shaft with three capstan heads and a support function.

One conceivable working process was planed with a Gantt-table. A decision was made that the work of the Camcoil should be separated in several details. Earlier work on Camcoil was study to increase our understanding for the work.

Some of the examined parts were shaft dimensions, bearings, head shape, tripod, support function and hydraulic cylinder for the capstan and support.

Some of the calculations have been made in Ansys. Directional deformation, Von Mises stress for the shaft, length of the hydraulic cylinder in the capstan heads and the stress for tripod and support function was calculated.

Analytic calculations were made on some parts. Frequency analysis for the system was made with Dunkerleys method. The reaction forces in the bearings were calculated with a combination of elementary case. Lifecycle of the bearings can with this be appreciated. Hydraulic cylinder strength in capstan heads and support function, locking assemblies, sheet metal thickness and control off beam dimensions in support was also decided with analytic calculations.

3D models were made on several details in the system. Models like lock rings, engines and bearings were taken from the supplier.

After the modeling assemble drawings and detail drawings were made for the whole capstan system. The drawings were sending to manufacturer for a cost proposal.

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Tawn, Phillipa Lindsey. "Women and women's voices : their literary expression in France c.1500-c.1540." Thesis, Durham University, 1993. http://etheses.dur.ac.uk/5618/.

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The purpose of this thesis is to examine woman as reader and writer in early sixteenth-century France. As a focal point to the study, I concentrate on the theme of speech. The exclusion of the Renaissance woman from mixed-sex conversations allows us to perceive her writing as a form of vicarious speech. The thesis is divided into two distinct parts. Part 1 (Chapters 1-3) deals with various images and stereotypes of the female sex, which feature in texts by male writers. Chapter 1 discusses the behavioural models set out in etiquette books, while emphasizing the differing ideals for each of the sexes. A comparison of these role models shows that all aspects of the ideal for the female sex, revolving around a central concern with chastity, seek to curb feminine behaviour. Chapter 2 explores the notion of male writing as a public dialogue in which woman frequently becomes the subject of scurrilous debate. In works such as the Blasons Anatomiques and the French emblems, the male poet-cum-artisan moulds and sculpts his ideal image of woman, transforming her into a voiceless artefact. The attitude of these writers towards women tends to be aggressive, or even overtly sadistic. My third chapter is devoted to the examination of literary representations of the sixteenth-century wife. In Chapters 1-3, emphasis is placed on woman's position as the forgotten or ignored listener, her presence needed only for a silent appreciation of male rhetoric. Part 2 (Chapters 4-5) concentrates on texts composed by women, grouping works into the categories of secular, and then devotional writings. The aim of these chapters is to rediscover writers whose works have been obscured by time. Consequently, many of the texts studied have never been previously analysed in such detail, or examined from a literary perspective. By recreating a chain of women writers, we may establish the continuity of a female tradition in the Renaissance period. Certain stylistic and thematic characteristics recur in the works of all women writers. In my analysis of feminine writing, these similarities are attributed to the social constraints shared by all women attempting to assert a voice in a male-dominated discourse.

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Finlay, John. "Professional men of law before the Lords of Council, c.1500-c,1550." Thesis, University of Edinburgh, 1998. http://hdl.handle.net/1842/21240.

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In 1532, James V founded a College of Justice. In the past lawyers and historians have often differed in their opinions of the significance of this event for the history of Scots law. What is beyond dispute is that a by-product of the foundation was the preservation, for the first time, of the names of professional men of law whose practice linked them directly to a Scottish court. The men on this list, and another preserved from 1549, provide the earliest opportunity to study in depth men of law in their professional context. Described by a variety of titles, of which 'advocate' is the best known today, the careers of these men illustrate the evolution of increasingly sophisticated procedures of the lords of council and the College of Justice, and the not inconsiderable ability of those who pled before these bodies on a regular basis. In the relatively short period considered in this study, professionalisation of the function of the legal representative in Scotland advanced significantly. For the first time the king used his own advocate on a regular basis to defend and pursue his legal interests. During the reign of James V, a single advocate also became associated with the queen mother. Further down the social scale, amongst both clerics and laymen, similar, if sometimes less durable, relationships were formed with professional men of law. Legal representation of the poor is also well attested during this period. For the first time records allow contemporary relationships between men of law and their clients to be compared, and in some cases details of the terms upon which those relationships were entered into and maintained have survived. These indicate that various services were provided by men of law beyond the core activities of rendering advice and representation to their clients in return for a fee. The standing of Scottish men of law, not only within their own society but also by comparison with men who followed a legal career in England, France, Castile and the Low Countries, was broadly favourable in terms both of social status and educational background. In this thesis they are studied collectively and individually, and placed within the context of their own time as well as within the context of the wider history of the legal profession.

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Geurts, Jacobus Hubertus Joseph. "'Onsser stadt in sulken gedranghe' : Maastricht tussen Brabant en het Rijk 1500-1550 /." Nijmegen, 1993. http://catalogue.bnf.fr/ark:/12148/cb35599924f.

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Döring, Thomas Thibault. "Leipziger Buchkultur um 1500." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-89727.

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Wenn man die Ausstellung „Leipziger Buchkultur um 1500“ der Universitätsbibliothek Leipzig betritt, kann man den Johannes Schmiedhöfer genauso besuchen wie den Drucker Martin Landsberg, den Buchbinder Valentin Bormann und viele andere mehr. Die Ausstellung umfasst zwanzig Vitrinen, die in ihrer Anordnung einen Rundgang durch die Buchstadt Leipzig um 1500 ermöglichen. Jede Vitrine hat eine ganz konkrete Adresse, repräsentiert ein ehemals (oder auch heute noch) vorhandenes Gebäude; so findet beispielsweise der Besucher den Buchbinder Valentin Bormann in der Ritterstr. 22.

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Jickeli, Carl F. "Textlose Kompositionen um 1500 /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1994. http://catalogue.bnf.fr/ark:/12148/cb35717921m.

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MacMahon, Luke. "The ambassadors of Henry VIII : the personnel of English diplomacy, c.1500-c.1550." Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322153.

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Robinson, Jon. "Court politics and culture : their relationship to English and Scottish court literature, 1500-1540." Thesis, Northumbria University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422446.

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Machado, Maria de Fátima Pereira. "O órfãos e os enjeitados da cidade e do termo do Porto (1500-1580)." Doctoral thesis, Porto : [Edição do Autor], 2010. http://hdl.handle.net/10216/55375.

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Machado, Maria de Fátima Pereira. "O órfãos e os enjeitados da cidade e do termo do Porto (1500-1580)." Tese, Porto : [Edição do Autor], 2010. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000205923.

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Huss, Niklas. "Automating IEEE 1500 wrapper insertion." Thesis, Linköping University, Department of Computer and Information Science, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-52347.

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Integrated circuits (ICs) are becoming increasingly complex, which leadsto long design and development times. Designing ICs in a modular fashionis efficient to shorten design and development times. Due to imperfection inIC manufacturing, all ICs are tested. An IC designed in a modular fashioncan be tested in a modular manner. To enable modular test, the IEEE 1500std has been developed to enable isolation and access of modules. Whilethe IEEE 1500 std is adopted, there is yet no commercial tool available.

In this thesis we have (1) developed an IEEE 1500 std wrapper and (2)included it in a design flow based on a commercial tool, and developed scriptto automate the process. Given a module in VHDL, our design automationautomatically makes synthesis, scan insertion, test generation (ATPG), andwrapper insertion. We have applied the design flow to several benchmarksand through simulation verified the correctness.

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Kovesi, Killerby C. M. "Italian sumptuary legislation, 1200-1500." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315864.

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Kaufmann, Miranda. "Africans in Britain : 1500-1640." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.568756.

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This study of Africans in Britain 1500-1640 employs evidence from a wide range of primary sources including parish registers, tax returns, household accounts, wills and court records to challenge the dominant account, which has been overly influenced by the language of Shakespeare's Othello and other contemporary literature. I explain the international context of growing trade and increased diplomatic relations with Africa and a concomitant increased level of contact with Africans in the Atlantic world. I then explore the ways in which Africans might come to Britain. Some travelled via Europe in the entourages of royals, gentlemen or foreign merchants; some came from Africa to train as trade factors and interpreters for English merchants; large numbers arrived as a result of privateering activity in which they were captured from Spanish and Portuguese ships. Once in Britain, they were to be found in every kind of household from those of kings to seamstresses. Some were entirely independent, some poor, though few resorted to crime. They performed a wide range of skilled roles and were remunerated in the same mix of wage, reward and gifts in kind as others. They were accepted into society, into which they were baptized, married and buried. They inter-married with the local population and had children. Africans accused of fornication and men who fathered illegitimate children with African women were punished in the same way as others. The legacy of villeinage coupled with the strong rhetoric of freedom in legal and popular discourse ensured that Africans in Britain were not viewed as slaves in the eyes of the law. Neither were they treated as such. They were paid wages, married, and allowed to testify in court. Those scholars who have sought to place the origins of racial slavery in Elizabethan and early Stuart England must now look elsewhere.

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Chivers, Marc Leonard. "Shetland vernacular boats, 1500-2000." Thesis, University of the Highlands and Islands, 2017. https://pure.uhi.ac.uk/portal/en/studentthesis/shetland-vernacular-boats-15002000(6e129275-2698-4ea1-8784-3c669e9c49fc).html.

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This thesis provides a more accurate narrative of the origin and development of the Shetland vernacular boat in all its forms. Shetland, being treeless, imported boats from Norway, described as 'kits,' implying that they were quick and easy to assemble. New evidence suggests that this is incorrect; instead, boats-in-boards were rough-cut smuggled components that took longer and required a higher degree of boatbuilding skill to construct than previously acknowledged. This new evidence also establishes that boatbuilding began in Shetland c.1780, some 27 years earlier than formerly thought. Scholars espouse that Shetland boats were of lineal Norse descent. Analysis of late nineteenth century indigenous boats found some Norse features, but, when hull-forms, and methods of construction were compared with similar craft from Faroe and Norway it was discovered that Shetland boats diverged from the west Norwegian Oselvar (that retained a hull-form, and many construction features found in the Norse period) proving that indigenous boats were not of direct Norse descent; instead they were a unique Shetland product. Subsistence, ferrying, and recreational boat use had been neglected by previous researchers. This thesis corrects this imbalance, discovering that boat ownership was ubiquitous across all strata of society with subsistence and ferrying use remaining unaltered for several centuries. By c.1880 competitive boating had become popular. Although vernacular in origin, these new racing boats were influenced by construction methods from elsewhere. The new evidence suggests xiii that the continual development of the Maid Class made what was once an egalitarian sport into an elitist one, and, ironically, this contributed to the disappearance of the vernacular boat. Road transport superseded vernacular craft, exemplified by the introduction of the roll-on-roll-off ferries during the mid 1970s, and it was a combination of these factors that caused Shetlanders to drift away from their vernacular boat heritage.

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Wolff, Christoph. "Mitteldeutsche Residenzkultur 1500 – 1800: Einführung." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71856.

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Coutts, Kieran Howard Julian. "European ceramic design, 1500-1830." Thesis, University of St Andrews, 1994. http://hdl.handle.net/10023/15336.

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This thesis looks at the design and decoration of European ceramics in the period 1500-1830, paying particular attention to their place within the evolution of stylistic trends within European art and design in this period, including the dissemination of designs through prints during the Renaissance; the influence of the import of Oriental goods in the 17th and 18th centuries; the influence of metalwork in the 18th century; and the influence of the Classical revival of the late 18th century. It pays particular attention to the usage of objects and changes in eating and drinking, including the emergence and decline of service a la francaise in the 18th century, and the use of ceramics as room decoration in this period. It also considers ceramic product as an aspect of economic theory such as mercantilism and changes in society and industrial production.

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Posocco, Anna <1987&gt. "Ludovico Fiumicelli (1500 ca.-1582)." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3251.

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La tesi si propone di analizzare la figura di Ludovico Fiumicelli nel suo complesso partendo dalla sua fortuna critica e dai dati biografici desunti dalle fonti. Viene quindi esaminata la sua attività pittorica nel panorama trevigiano e compiuta un'analisi stilistica sulle opere. Giovanni Antonio Pordenone, Paris Bordon, Tiziano, Giovan Pietro Meloni e Francesco Beccaruzzi sono i pittori con i quali l'artista si relaziona o ai quali fa riferimento nelle sue opere. Queste sono infine raccolte in un catalogo che comprende sia le opere esistenti che quelle perdute ma ricordate dalle fonti.

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Casimiro, Luís Alberto. "A anunciação do Senhor na pintura quinhentista portuguesa (1500-1550) : análise geométrica, iconográfica e significado iconológico." Doctoral thesis, Porto : [Edição do Autor], 2004. http://hdl.handle.net/10216/18025.

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Casimiro, Luís Alberto. "A anunciação do Senhor na pintura quinhentista portuguesa (1500-1550) : análise geométrica, iconográfica e significado iconológico." Tese, Porto : [Edição do Autor], 2004. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000156059.

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Jackson, Christine A. "The Berkshire woollen industry : 1500 - 1650." Thesis, University of Reading, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357014.

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Rebecchini, Guido. "Private collectors in Mantua, 1500-1630." Thesis, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368032.

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Marshall, Susan. "Illegitimacy in medieval Scotland, 1165-1500." Thesis, University of Aberdeen, 2013. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=196170.

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Illegitimacy was an important subject in medieval Scotland. It was a legal barrier to inheritance, and its associations with wrongful sexual conduct could be socially stigmatising. We know that these disadvantages were taken seriously, since many parents turned to legal remedies either to ensure their children’s legitimate status or to mitigate the effects of their illegitimacy. But neither legal sanctions nor the disapproval of illegitimacy that lay behind them extinguished the phenomenon of illegitimate birth in medieval Scottish society. Although we cannot know the full extent of its prevalence, there is plentiful evidence of it in royal and noble families and in the Scottish Church, and it was certainly known in urban life as well. Medieval Scots had a complex relationship with illegitimacy. Most understood it to be an undesirable condition linked to moral fault, but in general they accommodated this view alongside a pragmatic acceptance of their peers who were illegitimate or were parents of illegitimate offspring. The literary texts and chronicles examined in this study reveal something of these contemporary attitudes. They also provide some insight into how Scots, legitimate and illegitimate alike, engaged with illegitimacy to reconcile its negative associations with the reality that those born outside marriage may live as virtuously, and have as much to offer their communities, as anyone else. Consideration of the role of illegitimacy and illegitimates in political events and developments between 1165 and 1500 bears out the evidence of these texts, and reinforces the impression that Scottish people in the middle ages had a highly nuanced view of illegitimacy. Bringing together some of the many references to illegitimacy in medieval sources and examining them collectively provides compelling evidence that illegitimacy was more significant as a political, social and personal concern in medieval Scotland than has hitherto been recognised.

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Boisnard, Luc. "Ces messieurs de Chinon : 1500-1914 /." La Roche-Rigault : PSR éd, 2006. http://catalogue.bnf.fr/ark:/12148/cb40194993s.

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Woodruff, Lawrence Theodore. "The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331202/.

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While musical sources and documents from throughout the Middle Ages reveal that mode was an enduring and consciously derived trait of monophonic chant, modality in later polyphony shares neither the historical span nor the theoretical clarity of its monophonic counterpart. Modern theorists are left with little more than circumstantial evidence of the early development of modality in polyphony. This study attempts to shed light on the problem by detailed analysis of a select body of paraphrase masses from the early sixteenth century. First, it correlates the correspondence between the paraphrased voice and the original chant, establishing points of observation that become the basis of melodic analysis. Then, these points are correlated with known rules of counterpoint. Exceptions are identified and examined for their potential to place emphasis on individual mode-defining pitches. A set of tools is derived for quantifying the relative strength of cadential actions. Levels of cadence are defined, ranging from full, structural cadences to surfacelevel accentuations of individual pitches by sixth-to-octave dyadic motions. These cadence levels are traced through the Missae de beata virqine repertoire from c. 1500-1520, a repertoire that includes masses of Josquin, Brumel, La Rue, Isaac, and Rener. While the Credos, based on two chant sources—one early (11th century) and one later (15th century)—showed little modal consistency, the Kyries show some suggestion of purposeful modal expression; and the Glorias show even greater implications. Results of the study have potential application in sixteenth-century music scholarship to such important issues as musica ficta, performance practice, text underlay, and form.

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Fuchs, Reimar Walter. "Die Mainzer Frühdrucke mit Buchholzschnitten 1480-1500 /." Stuttgart : Hauswedell, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018014979&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Miranda, López M. del Mar. "Música i cerimònia a Girona, 1500-1650." Doctoral thesis, Universitat de Girona, 2020. http://hdl.handle.net/10803/669705.

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This doctoral dissertation studies different festivities and ceremonies that took place in Girona between 1500 and 1650, as well as the music that could have accompanied them at that time. The dissertation consists of two volumes: Volume I (Study) and Volume II (Appendices and Musical Edition). Volume I, with five chapters, is structured in three parts: Part I (Chapter I), Part II (Chapters II and III), and Part III (Chapters IV and V). Chapter I (Part I) is divided in four sections. Volume II of the dissertation contains transcriptions of a selection of unpublished documents, used for the elaboration of the dissertation, and a musical edition of the following works: Mass of Saint Narcisus 1 in plainchant; Mass of Saint Narcissus 2, alia, also in plainchant (both found in the Llibre coral 57 of the Catedral); and the hymn melodies that appear in the Consueta (1655) of Girona cathedral.
Aquesta tesi doctoral estudia les diferents festivitats i cerimònies que es celebraren a Girona entre el 1500 i 1650, així com la música que pogué acompanyar-les. La tesi consta de dos volums: Volum I (Estudi) i Volum II (Apèndixs i Edició musical). El Volum I, amb cinc capítols, està estructurat en tres parts: Part I (Capítol I), Part II (Capítols II i III) i Part III (Capítols IV i V). El Capítol I (Part I) està dividit en quatre seccions. El Volum II conté nou Apèndixs amb les transcripcions d’una selecció de documents inèdits, utilitzats per a l’elaboració de la tesi, i l’edició musical de la Missa de Sant Narcís 1 en cant pla, la Missa de Sant Narcís 2, alia, també en cant pla (contingudes al Llibre coral 57 de la Catedral); i les melodies dels himnes de la Consueta (1655) de la catedral de Girona.

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Reifegerste, Matthias. "Der systematische Katalog des Altbestandes 1500 - 1967." Universitätsbibliothek Chemnitz, 2007. http://nbn-resolving.de/urn:nbn:de:swb:ch1-200701384.

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Matthias Reifegerste, Universitätsbibliothek Freiburg, berichtet über ein Projekt zur Digitalisierung von Altbestands-Metadaten. Der Altbestand, nachgewiesen im Freiburger systematischen Katalog (SyK) mit den Eckdaten 1500 bis 1967, soll statt in herkömmlicher Form im Sinne eines OPAC zugänglich werden. Ursprünglich war der Freiburger SyK ein Hartwigsches System gewesen. Er wurde in einem reprotechnischen Verfahren in einen Bandkatalog überführt. Eine neue systematische Katalogisierung begann 1969/70 mit einem Zettelkatalog nach Eppelsheimer. Seit 1995 ist schließlich die digitale Retrokatalogisierung im Gange, so dass mittlerweile über 500.000 Freiburger Lokalsätze an Titelsätze des Südwestverbundes angehängt wurden. Dadurch, dass die Kapitelüberschriften des alten Bandkataloges erfasst und mit einer Signaturenabfrage in einem Standortkatalog des Altbestandes kombiniert wurden, besteht nun die Möglichkeit, die Systematik online blätternd oder gezielt nach den einzelnen Teilen der Systematiküberschriften zu durchsuchen. Im Rahmen des neuen Internetauftritts der UB Freiburg wurde die Online-Altbestandssystematik am 22.5.2007 öffentlich zugänglich <. http://www3.ub.uni-freiburg.de/index.php?id=1113>.

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Schweers, Volker [Verfasser]. "Bruderschaften in Coesfeld um 1500 / Volker Schweers." Münster : Universitäts- und Landesbibliothek der Westfälischen Wilhelms-Universität, 2012. http://d-nb.info/1027018939/34.

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Furniss, Emma Louise. "The Franciscans in Aragon, c. 1500-1558." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402757.

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Boisen, Camilla. "Emerging idea of humanitarian intervention 1500-1800." Thesis, Cardiff University, 2009. http://orca.cf.ac.uk/54885/.

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This thesis traces the emergence of the idea of what has become known as humanitarian intervention. The nascent concept of humanitarian intervention was present in the early modern period, and emerged in the writings of thinkers who wrote on the law of nature and the law of nations, such as Francisco Vitoria, Alberico Gentili, Francisco Suarez, Juan Gines de Sepulveda, Hugo Grotius, Samuel von Pufendorf, Christian Wolff, Emmerich Vattel, and Edmund Burke. My claim is that the distinctive features of the idea of humanitarian intervention have changed considerably over the centuries, reflecting the historical circumstances in which these ideas were developed. Although, on the surface, modern conceptions of humanitarian intervention share certain similarities with their historical namesake, they are in fact conceived and justified very differently. When contemporary thinkers invoke the authority of this illustrious heritage they tend to neglect the different foundations and rationale given for intervention. I argue that if we want to understand what shocked the moral conscience of mankind during the emergence of the idea, we have to understand the general historical context, that is, the conditions of belief that formed our conceptions of the moral obligation to save strangers. Otherwise we fail to understand what constitutes our humanitarian urge. For the earlier writers, debates were framed within a fundamentally western and Christian context, which they purported were universal. Most discussions revolved around questions of intervening to convert heathens to save their souls, saving innocents from being slaughtered and other crimes against the natural law such as cannibalism or sodomy. Modern conceptions of humanitarian intervention rest their case on very different principles, and are firmly grounded in a human rights culture associated with the juridical revolution in international relations. As such, this thesis explores the development of the idea of humanitarian intervention in the early modern period in order to highlight its distinctive character. To make such a claim I also identify some of the main features of the contemporary idea of humanitarian intervention. I suggest that the development of the concept has not been properly understood in the modern-day literature. There is therefore a considerable gap, which I seek to fill.

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Coster, William. "Kinship and community in Yorkshire, 1500-1700." Thesis, University of York, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316165.

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Pritchard, Mark. "The urban development of Bologna, 1300-1500." Thesis, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339449.

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Middlemass, Cara Sian. "Mourning jewellery in England, c.1500-1800." Thesis, University of Newcastle upon Tyne, 2018. http://hdl.handle.net/10443/4188.

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This thesis explores the historical importance and social function of memorial jewellery within the funerary and mourning cultures of early modern England. Mourning jewellery represented a particularly distinctive facet of mourning and funerary ritual and etiquette, and this study reveals the customary role which mourning jewellery grew to occupy, as a method for the memorialisation and commemoration of the dead, over the course of three centuries, c.1500- 1800. The thesis introduces and defines the broad parameters of the primary research, with a discussion of the source materials employed, including the creation of a database which analysed a large body of wills from Essex, Middlesex, and Surrey, as a means of understanding the place which mourning jewellery occupied within the funerary and remembrance strategies of early modern testators. Beginning with the material objects themselves, the following two chapters provide a chronological overview of the jewellery itself, looking at what kinds of pieces were actually being produced and utilised, introducing form and fashions, and detailing evolving stylistic modes, conventions, and decorative motifs. Placing these material markers within their proper social, cultural, and economic contexts offers a greater understanding of the customary function of mourning jewellery as a whole and the ways in which it was bequeathed and utilised as a means of mourning and commemorating the dead. The fourth chapter offers an insight into the types of people who were typically giving and receiving mourning jewellery, and how the processes, functions, and relationships, which lay behind these exchanges, actually worked in practice. The fifth chapter assesses the overall significance and widespread popular impact of mourning jewellery as a whole, both socially and over time, within the funerary provisions and customary remembrance strategies of testators and the bereaved. The role, significance, and import of mourning jewellery fluctuated according to its employment; it lay within an intricate web of attachments and obligations, ritual and observance, mourning and memory. The final part of the thesis ends by providing some insight into this process, looking at the ways in which mourning jewellery was used in practice and the prospective lifecycle of such objects. It also deals with thornier issues surrounding contemporary emotional responses towards death and loss, observing how mourning jewellery operated, why it was used, and whether it could provide any comfort for the bereaved.

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Marsland, Rebecca Louise Katherine. "Complaint in Scotland c.1424- c.1500." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:05468bd1-c936-426f-9ab4-79afb94a59fb.

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This thesis provides the first account of complaint in Older Scots literature. It argues for the coherent development of a distinctively Scottish complaining voice across the fifteenth century, characterised by an interest in the relationship between amatory and ethical concerns, between stasis and narrative movement, and between male and female voices. Chapter 1 examines the literary contexts of Older Scots complaint, and identifies three paradigmatic texts for the Scottish complaint tradition: Ovid’s Heroides; Boethius’s De Consolatione Philosophiae; and Alan of Lille’s De Planctu Naturae. Chapter 2 concentrates on the complaints in Oxford, Bodleian Library MS Arch. Selden. B. 24 (c. 1489-c. 1513). It considers afresh the Scottish reception of Lydgate’s Complaint of the Black Knight and Chaucer’s Anelida and Arcite, and also offers original readings of three Scottish complaints preserved uniquely in this manuscript: the Lay of Sorrow, the Lufaris Complaynt, and the Quare of Jelusy. Chapter 3 focuses on the relationship between complaint and narrative, arguing that the complaints included in the Buik of Alexander (c. 1438), Lancelot of the Laik (c. 1460), Hary’s Wallace (c. 1476-8), and The Buik of King Alexander the Conquerour (c. 1460-99) act as catalysts for narrative movement and subvert the complaint’s traditional identity as a static form. Chapter 4 is a study of complaint in Robert Henryson’s three major works: the Morall Fabillis (c. 1480s); the Testament of Cresseid (c. 1480-92); and Orpheus and Eurydice (c. 1490-2), and argues that Henryson consistently connects the complaint form with the concept of self-knowledge as part of wider discourses on effective governance. Chapter 5 presents the evidence that a text’s identity as a complaint influenced its presentation in both manuscript and print witnesses. The witnesses under discussion date predominantly from the sixteenth century; the chapter thus also uses them to explore the complaints’ later reception history.

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Messana, Maria Sofia. "Inquisition et sorcellerie en Sicile (1500-1782)." Paris, EHESS, 2007. http://www.theses.fr/2007EHES0137.

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La recherche porte sur la poursuite de la sorcellerie et de la magie par l'Inquisition espagnole installée en Sicile entre 1500 et 1782, date d'abolition du tribunal de Païenne. Elle est principalement fondée sur des sources d'archives de Madrid, Barcelone, Simancas, Païenne, Rome, Londres. La première partie de la thèse est consacrée aux agents de l'Inquisition, au fonctionnement de leur tribunal, à la procédure inquisitorial, à la durée de ce pouvoir. La seconde partie est consacrée à la société sicilienne impliquée dans la pratique de la magie, à la typologie et à l'extension de la sorcellerie en Sicile et à sa visée thérapeutique. Une égale attention est accordée à ceux qui pratiquent la sorcellerie et à ceux qui en bénéficient : ils appartiennent à tous les niveaux de la société et presque également aux deux sexes. La richesse des sources permet de restituer le tissu social de l'île, les croyances populaires, les cultes des âmes des condamnés à mort, la peur du trépas qui conduit à faire le voyage de Saint Jacques. Une partie de la recherche est consacrée au rapport entre médecine, magie et religion et à l'usage de l'exorcisme pour soigner les maladies du corp et de l'esprit. Il y a aussi une liste de 197 autodafés de l'Inquisition de Sicile en partie inconnues.

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Munro, Gordon James. "Scottish church music and musicians, 1500-1700." Thesis, Connect to e-thesis, 1999. http://theses.gla.ac.uk/882/.

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Andermann, Ulrich. "Albert Krantz : Wissenschaft und Historiographie um 1500 /." Weimar : H. Böhlaus Nachf, 1999. http://catalogue.bnf.fr/ark:/12148/cb376294660.

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Habilitationsschrift--Fachbereich Kultur- und Geowissenschaften--Universität Osnabrück, 1994.
Contient une liste des oeuvres d'Albert Krantz, de leurs éditions et sources. Bibliogr. p. 542-334. Index.

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Dissertations / Theses on the topic '1500-'

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