Relevant bibliographies by topics / 1555-1619

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Academic literature on the topic '1555-1619'

Author: Grafiati
Published: 4 June 2021
Last updated: 24 January 2023

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Journal articles on the topic "1555-1619"

1

Perini Folesani, Giovanna. "Ludovico Carracci a Roma." Acta ad archaeologiam et artium historiam pertinentia 32, no. 18 N.S. (2021): 97–116. http://dx.doi.org/10.5617/acta.9021.

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This essay focuses on Ludovico Carracci (1555-1619) and this reputation in Rome in his lifetime and afterwards. Well-known, but often overlooked literary and visual evidence on Ludovico's appreciation in Rome is brought to bear, in order to reassess his contemporary fame, superior to his cousins', as is suggested by works attributed to him in the main seventeenth-century Roman collections. His present-day partial disgrace is the result of a number of changes soon brought about by several factors, including the probability of untold doubts on his religious orthodoxy raising in the early seventeenth-century. His use of German prints especially in his late religious paintings may have a lot to do with this. On cover:ANNIBALE CARRACCI (BOLOGNA 1560 - ROME 1609), An Allegory of Truth and Time c. 1584-1585.Oil on canvas | 130,0 x 169,6 cm. (support, canvas/panel/str external) | RCIN 404770Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021.
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2

Wallace, P. "Between Opposition and Collaboration: Nobles, Bishops, and the German Reformations in the Prince Bishopric of Bamberg, 1555-1619." German History 32, no. 1 (2013): 131–33. http://dx.doi.org/10.1093/gerhis/ght070.

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Dixon, C. Scott. "Between Opposition and Collaboration: Nobles, Bishops, and the German Reformations in the Prince-Bishopric of Bamberg, 1555–1619 (review)." Catholic Historical Review 98, no. 3 (2012): 570–71. http://dx.doi.org/10.1353/cat.2012.0152.

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Hsia, R. Po-chia. "Between opposition and collaboration. Nobles, bishops, and the German reformations in the prince-bishopric of Bamberg, 1555–1619. By Richard J. Ninness. (Studies in Central European Histories, 53.) Pp. xiii+224 incl. 1 map+colour map. Leiden–Boston: Brill, 2011. €99. 978 90 04 20154 5; 1547 1217." Journal of Ecclesiastical History 63, no. 4 (2012): 820–21. http://dx.doi.org/10.1017/s002204691200142x.

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Books on the topic "1555-1619"

1

Brogi, Alessandro. Ludovico Carracci (1555-1619). Tipoarte, 2001.

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2

Brogi, Alessandro. Ludovico Carracci: (1555-1619). Tipoarte, 2001.

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Brogi, Alessandro. Ludovico Carracci: (1555-1619). Tipoarte, 2001.

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Between opposition and collaboration: Nobles, bishops, and the German Reformations in the prince-bishopric of Bamberg, 1555-1619. Brill, 2011.

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5

National Gallery of Art (U.S.), Pinacoteca nazionale (Bologna Italy), and Metropolitan Museum of Art (New York, N.Y.), eds. The Age of Correggio and the Carracci: Emilian painting of the sixteenth and seventeenth centuries. National Gallery of Art, 1986.

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Publishers, Brepols. Identities and the Making of Modern Germany: Court Festivals in the Holy Roman Empire, 1555 - 1619. Brepols Publishers, 2020.

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Ninness, Richard. Between Opposition and Collaboration: Nobles, Bishops, and the German Reformations in the Prince-Bishopric of Bamberg, 1555-1619. BRILL, 2011.

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8

Freedberg, S. J. Circa 1600. Harvard University Press, 2014.

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9

Ludovico Carracci And The Art Of Drawing (L'arte Del Disegno). Harvey Miller, 2005.

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10

Wittkower, Rudolf. Drawings of the Carracci in the Collection of Her Majesty the Queen at Windsor Castle. Textbook Publishers, 2003.

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Book chapters on the topic "1555-1619"

1

"Front Matter (“Table of Contents”, “List of Illustrations”, “Preface”, “Acknowledgements”)." In Court Festivals of the Holy Roman Empire, 1555–1619. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.efs-eb.5.122690.

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"Introduction: Festivals and Identity in the Late-Sixteenth- and Early-Seventeenth-Century: Holy Roman Empire of the German Nation." In Court Festivals of the Holy Roman Empire, 1555–1619. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.efs-eb.5.122691.

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"Chapter 1. Lineage, Legitimacy, and History." In Court Festivals of the Holy Roman Empire, 1555–1619. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.efs-eb.5.122692.

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"Chapter 2. Mortality, Masculinity, Femininity, and Mutability." In Court Festivals of the Holy Roman Empire, 1555–1619. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.efs-eb.5.122693.

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"Chapter 3. Nature and the German Land." In Court Festivals of the Holy Roman Empire, 1555–1619. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.efs-eb.5.122694.

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"Chapter 4. Religion, Piety, and Confessional Difference." In Court Festivals of the Holy Roman Empire, 1555–1619. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.efs-eb.5.122695.

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"Chapter 5. Festival Encounters and the Shifting Borders of German Identity." In Court Festivals of the Holy Roman Empire, 1555–1619. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.efs-eb.5.122696.

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"Conclusion. Virtue, Identity, and the Politics of Access to Festival." In Court Festivals of the Holy Roman Empire, 1555–1619. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.efs-eb.5.122697.

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9

"Back Matter (“Bibliography”, “Index”)." In Court Festivals of the Holy Roman Empire, 1555–1619. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.efs-eb.5.122698.

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