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Relevant bibliographies by topics / 1564-1616 Histories

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Academic literature on the topic '1564-1616 Histories'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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Dissertations / Theses on the topic "1564-1616 Histories"

1

Edelman, Charles. "The theatrical and dramatic form of the swordfight in the chronicle plays of Shakespeare." Title page, contents and abstract only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phe21.pdf.

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2

Morrill, Richard Brooke. ""Warriors of the Working-day" Class in Shakespeare's Second Historical Trilogy." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/MorrillRB2004.pdf.

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3

Pizarro, Solar Francisca. "Invitación a la muerte: una reelaboración surrealista de Hamlet de William Shakespeare." Tesis, Universidad de Chile, 2012. http://www.repositorio.uchile.cl/handle/2250/111489.

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Informe de Seminario para optar al grado de Licenciada en Lengua y Literatura Hispánica<br>En términos generales, este trabajo presenta el estudio y análisis comparativo entre la obra Invitación a la Muerte del mexicano Xavier Villaurrutia y la tragedia clásica de William Shakespeare Hamlet, con el cual se pretende demostrar cómo Villaurrutia realiza una reelaboración surrealista de la obra renacentista, a partir de la recepción del os movimientos europeos de vanguardia de la primera mitad del siglo XX por parte de los artistas y escritores latinoamericanos con el fin de renovar la producción

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4

Arneaud, Javan André. "La liberación de Calibán-el negro esclavizado y colonizado en Une tempête de Aimé Césaire y The pleasures of exile de Georg Lamming." Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/169826.

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Tesis para optar al grado de Magíster en Estudios Latinoamericanos<br>La tesis que a continuación se presenta es una aproximación al campo de las apropiaciones de The Tempest de William Shakespeare, en el cual destacan dos versiones afrocaribeñas articuladas por George Lamming y Aimé Césaire en The Pleasures of Exile (1960) y Une tempête (1969), respectivamente. Se trata de un análisis literario y comparativo entre los dos textos con el propósito de investigar la manera en que los dos pensadores antillanos resisten y desmantelan el legado colonial para los afrodescendientes y sus países depend

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5

Fernandes, Renan. "Cena Teatral e Recepção Estética o olhar dos críticos para os espetáculos Trono de Sangue (1992) e Macbeth (1992)." Universidade Federal de Uberlândia, 2011. https://repositorio.ufu.br/handle/123456789/16396.

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In Brazil, since 1985 after the end of military dictatorship and the return to democratic freedoms - all segments of society have undergone significant changes, being observed also in artistic doings, especially in theater. If, before the productions turned their eyes mostly for the scenic composition of shows that prioritized issues related to engaging in an action against oppression established, now permeate the reflections by the trade issue, as well as the search for new conceptions of aesthetic languages .Within this perspective, the purpose of this study is the analysis of critical the

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6

Mayer, Jean-Christophe. "Souveraineté et sacralité : enquête sur les rapports entre le politique et le religieux dans les pièces historiques anglaises de Shakespeare et dans l'Angleterre élisabethaine." Montpellier 3, 1997. http://www.theses.fr/1997MON30058.

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L'univers des pieces historiques anglaises de shakespeare est habite par des figures ambivalentes et souvent contradictoires de la souverainete. D'aucuns, tels henri vi, richard ii, ou encore le roi jean se reclament d'ideaux chretiens qui pourtant les menent directement a leur perte. D'autres, tels richard iii, pousses par un heroisme du mal, acquierent une dimension supra-humaine qui peut les transformer en de grotesques boucs emissaires, ou encore en de paradoxaux fleaux de dieu. Le theatre de shakespeare met egalement en scene des etres "hybrides," des souverains, comme henri iv, henri v,

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7

Loftus, Ann Elizabeth. "The public face of personal qualities : a study of four political plays of Shakespeare." Phd thesis, 1989. http://hdl.handle.net/1885/139152.

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8

Edelman, Charles. "The theatrical and dramatic form of the swordfight in the chronicle plays of Shakespeare / Charles Edelman." Thesis, 1988. http://hdl.handle.net/2440/18714.

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Books on the topic "1564-1616 Histories"

1

Shakespeare in stages: New theatre histories. Cambridge, UK: Cambridge University Press, 2010.

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2

Harold, Bloom, ed. Shakespeare's histories. Broomall, PA: Chelsea House Publishers, 2000.

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3

Shakespeare's history: Introduction to the interpretation of the first part of King Henry the Sixth and the English histories. Macon, Ga: Mercer University Press, 2012.

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4

Rackin, Phyllis. Stages ofhistory: Shakespeare's English chronicles. New York: Routledge, 1991.

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5

Shakespeare, William. Histories. Edited by Barnet Sylvan. London: David Campbell, 1994.

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6

Holderness, Graham. Shakespeare: The histories. New York: St. Martin's Press, 2000.

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Shakespeare, William. Histories: Volume 1. New York: A. Knopf, 1994.

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8

Smith, Emma, 1970 May 15-, ed. Shakespeare's histories. Malden, MA: Blackwell Pub., 2004.

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9

Harold, Bloom, ed. William Shakespeare. New York: Chelsea House, 2009.

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10

Cohen, Derek. Shakespeare's culture of violence. New York, N.Y: St. Martin's Press, 1993.

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Book chapters on the topic "1564-1616 Histories"

1

"Shakespeare, William (1564–1616)." In Encyclopedia of Lesbian and Gay Histories and Cultures, 1323–25. Garland Science, 2003. http://dx.doi.org/10.4324/9780203487884-154.

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