Relevant bibliographies by topics / 1660-1669

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Academic literature on the topic '1660-1669'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "1660-1669"

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Barbosa, Rodrigo Canossa. "Cartografia e Restauração: John Narborough e o processo de legitimação da expansão ultramarina inglesa no Estreito de Magalhães através dos mapas." Epígrafe 12, no. 1 (2023): 156–96. http://dx.doi.org/10.11606/issn.2318-8855.v12i1p156-196.

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O objetivo deste artigo é apresentar e analisar as formas de construção de um discurso espacial colonialista realizado no Estreito de Magalhães por Sir John Narborough entre 1669 e 1671, sob ordens diretas de Carlos II da Inglaterra. A cartografia no século XVII era muito mais que apenas uma forma de representação pictórica de espaços geográficos, era uma linguagem com poder intrínseco de possessão e legitimação territorial dentro da política dos impérios ultramarinos europeus. Narborough deixou mapas e um diário sobre sua expedição, além de mapas subsequentes feitos por outros cartógrafos ter
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Stogova, Anna. "Pepys reading: passion for books in an English man’s diary of the 17th century." Adam & Eve. Gender History Review, no. 29 (2021): 188–242. http://dx.doi.org/10.32608/2307-8383-2021-29-188-242.

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The article touches upon the Early Modern practices of reading, which are subject of much debate in contemporary scholarship. The traditional image of man’s reading before the 18th century implied serious approach to books and the use of information found there for self-education, self-edification, and acquisition of social prestige. The analysis of the diary by Samuel Papys (1660-1669), a Navy Office clerk, demonstrates that this ideal model did not have considerable effect on representations of the experience of reading in texts that constructed a “story of self”. Not only the practices of r
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PENTREL, MEIKE. "Connecting the present and the past: cognitive processing and the position of adverbial clauses in Samuel Pepys's Diary." English Language and Linguistics 21, no. 2 (2017): 263–82. http://dx.doi.org/10.1017/s1360674317000120.

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The present article studies the linear order of main and temporal adverbial clauses in theDiary of Samuel Pepys (1660–1669). In the development of a framework that combines cognitive and historical data, processing principles identified for Present-day English (e.g. Prideaux 1989; Diessel 2008) are tested for this ego-document from the seventeenth century. The factors investigated are the iconic temporal order of both clauses, the length of the adverbial clause and the implied meaning of the clauses. Moreover, the discourse function of the respective clauses will be discussed. On the basis of
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Stogova, Anna. "Men’s Fashion and Self–Fashioning in The Diary of an English Navy Clerk Samuel Pepys (1660–1669)." Adam & Eve. Gender History Review, no. 30 (2022): 237–96. http://dx.doi.org/10.32608/2307-8383-2022-30-237-296.

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In introducing the concept of self–fashioning, Stephen Greenblatt appealed to the idea of fashion and costume being able to turn the aristocrats of Renaissance England into a work of art. It is easy enough to draw parallels between fashion and self–fashioning when by "fashionable" we mean a type of costume and lifestyle that can become prestigious and popular for some period of time, which can be adopted and then abandoned in favour of a new one, thereby creating a certain public image for oneself. Early modern fashion is associated primarily with the court society. How could an official be fa
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Hutton, Sarah. "Henry More and the Apocalypse." Studies in Church History. Subsidia 10 (1994): 131–40. http://dx.doi.org/10.1017/s0143045900000168.

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An interest in prophecy is a continuing theme of the writings of the Cambridge Platonist, Henry More (1614–87). In his earlier writings, the focus is on prophecy in general, particularly in relation to religious enthusiasm. He did not turn his attention to millenarianism until relatively late in his career, after he had established himself as a philosopher. From 1660 onwards, his writings are characterized by a deepening interest in biblical prophecy generally and in the Book of Revelation in particular. More first discusses biblical prophecy in print in his An Explanation of the Grand Mystery
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Muhaj, Ardian. "Aspekte nga detaria e Ulqinit në shek. XVII-XVIII." Revista Albanon 1, no. 4 (2021): 36–42. http://dx.doi.org/10.54273/ra.v1i4.126.

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Pas marrjes së Ulqinit e Tivarit nga osmanët në vitet 1570, tashmë kufiri detar osman në Adriatik shtyhet më në veri duke përfshirë të gjitha trojet bregdetare shqiptare. Kështu fillon ngritja e Ulqinit si qendër detare dhe njëfarë rënie graduale e Vlorës edhe pse pa një lidhje shkakore mes tyre. Duke filluar prej 1571, Ulqini do të shërbejë si një bazë e mirë e detarisë osmane me lidhje të rregullta jo vetëm me Stambollin, por edhe me shtetet detare të Afrikës së Veriut dhe si një bazë ushtarake kundër venecianëve.1 Ulqinakët përdornin barka të ndryshme, kryesisht të dimensioneve të vogla e m
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Muhaj, Ardian. "Aspekte nga detaria e Ulqinit në shek. XVII-XVIII." Revista Albanon 4, no. 4 (2020): 36–42. http://dx.doi.org/10.54273/ra.v4i4.62.

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Pas marrjes së Ulqinit e Tivarit nga osmanët në vitet 1570, tashmë kufiri detar osman në Adriatik shtyhet më në veri duke përfshirë të gjitha trojet bregdetare shqiptare. Kështu fillon ngritja e Ulqinit si qendër detare dhe njëfarë rënie graduale e Vlorës edhe pse pa një lidhje shkakore mes tyre. Duke filluar prej 1571, Ulqini do të shërbejë si një bazë e mirë e detarisë osmane me lidhje të rregullta jo vetëm me Stambollin, por edhe me shtetet detare të Afrikës së Veriut dhe si një bazë ushtarake kundër venecianëve.1 Ulqinakët përdornin barka të ndryshme, kryesisht të dimensioneve të vogla e m
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Stogova, Anna. "The Greediness of the Memory’: News, Gossip and Conversation in a Sev-enteenth-Century Men's Diary." Adam & Eve. Gender History Review, no. 32 (2024): 54–93. https://doi.org/10.32608/2307-8383-2024-32-54-93.

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The study of the gender aspects of the English information culture of the second half of the 17th century is focused on the diary of Samuel Pepys covering the years 1660-1669. The diary, which contains a large amount of news, gossip, retold conversations, etc., is not just an autobiographical text, but a tool for dealing with the increased flow of information caused both by changes in the cultural and political life and by changes in status, social standing, and lifestyle of Pepys himself. It is examined in the context of the practice of note-taking and the associated changes in the culture of
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Meyer, Silke. "„… for now my business is a delight to me, and brings me great credit, and my purse encreases too“. Umgang mit Geld und Kredit in Samuel Pepys’ Tagebuch (1660–1669)." Rheinisch-westfälische Zeitschrift für Volkskunde 2019/2020, no. 1 (2020): 49–62. http://dx.doi.org/10.31244/rwz/2020/05.

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Favelukes, Graciela. "Voyages of a 17th-Century Map of Buenos Aires: From Spies and Sailors to Printers and Scholars." Material Culture Review 94 (October 4, 2022): 12–32. http://dx.doi.org/10.7202/1092685ar.

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The proposed paper will present the long and rich life span of a city map of Buenos Aires and its changing settings, by following the many editions of a map first drawn by a French military engineer, Barthelemy de Massiac, that stayed as a prisoner in the city between 1660 and 1662. This example helps to further questions referring to the problem of stability / instability of maps. How do copies and adaptation to different supports or media affect their alleged unicity? How do they travel and what are the effects of their journeys? The problem may be addressed on the basis of the works on soci
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Dissertations / Theses on the topic "1660-1669"

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Lubbe, Michelle Hester. "Samuel Pepys' reception and perception of vocal music in seventeenth-century England : an analysis of selected diary entries from 1660 until 1669." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/14088.

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Samuel Pepys (1633-1703) was a late seventeenth-century diarist with a deep love of music, which he often compared to his love of women, as expressed in the previous quotation. Even though this quotation specifically refers to wind music, it also directly expresses Pepys' love of music as a whole. His diary stretches over a period of approximately nine years, 1660 until 1669. Among the discussions on a number of topics, in his diary Pepys expresses his views on music in various forms and from a range of perspectives. In this study Pepys' views on music from the point of view of a listener or a
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Roberts, David. "The ladies : female patronage of Restoration drama 1660-1700." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670377.

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Vidal, Carlos 1964. "Invisualidade da pintura : história de uma obsessão (de Caravaggio a Bruce Nauman)." Doctoral thesis, 2009. http://hdl.handle.net/10451/2409.

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Tese de doutoramento, Belas-Artes (Pintura), Universidade de Lisboa, Faculdade de Belas-Artes, 2010<br>Um resumo deste estudo deve, em primeiro lugar, justificar o seu título: Invisualidade da Pintura: História de uma Obsessão (de Caravaggio a Bruce Nauman). Pretende-se uma definição da pintura que permita ou revele um seu denominador comum à videosfera (mas também à escultura ao cinema e ao teatro, áreas abordadas nesta investigação). Esse denominador comum define ou redefine a natureza, ou a marca e a existência, das duas disciplinas em causa (vídeo e pintura, em primeiro lugar, com su
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Books on the topic "1660-1669"

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Samuel, Pepys. A record of Samuel Pepys' financial accounts, 1660-1669. Edwin Mellen Press, 2006.

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Gyldenstolpe, Michael Olofsson Wexionius. Professor Michael Wexionius Gyldenstolpes brev till sonen Nils 1660-1669. Elanders Sverige AB, 2014.

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Ruth, Kristen. Fortællingen om Cezil: En roman fra barokken. Klim, 2007.

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Perley, Sidney. Bartlett genealogy: The descendants of Richard Bartlett of Newbury in 1637, Capt. Robert Bartlett of Marblehead in 1669, John Bartlett of Marblehead in 1660. Parker River Researchers, 1986.

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Rogal, Samuel J. A Record of Samuel Pepys' Financial Accounts, 1660-1669. Edwin Mellen Pr, 2006.

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L'oeil de Samuel: Sexe et pouvoir sous la Restauration anglaise : Journal de Samuel Pepys (1660-1669). Harmattan, 2011.

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Calendar of the State Papers, Relating to Ireland Preserved in the Public Record Office, 1660-[1670]: 1666-1669. Creative Media Partners, LLC, 2023.

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Hughes, Alicia, Tim Huisman, Annie Bitbol-Hespériès, et al. Quatre atlas de myologie de Van Horne et Sagemolen. Edited by Jean-François Vincent and Isabelle Bonnard. Université Paris Cité, 2022. http://dx.doi.org/10.53480/van-horne.6c30.

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In June 2016, four large atlases comprising two hundred and fifty anatomical drawings which were made around 1654-1660 in Leiden (Netherlands) were identified at the Bibliothèque interuniversitaire de santé. Made by the painter Marten Sagemolen (ca. 1620-1669) under the direction of the anatomist Johannes van Horne (1621-1670), they systematically describe the muscles of man. This extensive collection had been lost since the mid-18th century. The albums entered the collections of the Ecole de santé in 1796, along with the magnificent drawings by the painter Gerard de Lairesse (1641-1711) for t
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Samuel, Pepys. The Diary of Samuel Pepys, Vol. 9: 1668-1669. University of California Press, 2000.

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Cope, R. Douglas. Limits of Racial Domination: Plebeian Society in Colonial Mexico City, 1660-1720. University of Wisconsin Press, 1994.

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Book chapters on the topic "1660-1669"

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Van De Wetering, Ernst. "The 'late Rembrandt', second phase (1660-1669)." In A Corpus of Rembrandt Paintings VI. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-9240-0_9.

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Drews, Jörg, and Jürgen Schlaeger. "Pepys, Samuel: The Diary of Samuel Pepys 1660–1669." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14482-1.

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Randall, Dale B. J., and Jackson C. Boswell. "1660–1669." In Cervantes in Seventeenth-century england. Oxford University PressOxford, 2009. http://dx.doi.org/10.1093/oso/9780199539529.003.0007.

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Abstract Nor are these false measures of Honor more opposite to Religion, then Prudence; The glosses the Sword-men have put upon the one fundamental Law of Not bearing an Injury, have introduced such a multitude of ridiculous Punctillo’s, that the next Age will be in danger of receiving the Fable of Don Quixot for Authentique History; and I see not with what justice this can laugh at them in him and his squire Sancho, and yet think them serious enough to govern men in their most real and weighty concernments.
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Hume, Robert D. "The Establishment of Carolean Drama 1660-1669." In The Development of English Drama in the Late Seventeenth Century. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198117995.003.0008.

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Abstract The object of this chapter, and of the remainder of this book, is to investigate closely and chronologically the directions taken by English playwrights. My concern is basically with the kinds of new plays written at each stage in the half-century under consideration. Even a somewhat selective consideration involves about five hundred plays: necessarily then, theatre history and the productions of earlier English drama can receive only peripheral attention. For theatre history, one must turn to The London Stage; for an account of the fortunes of Renaissance drama in this period we hav
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"The spies of the early Restoration regime, 1660–1669." In Intelligence and Espionage in the Reign of Charles II, 1660–1685. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511522680.006.

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Parker, William Riley. "Last Days, 1669–1674." In Milton. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198128892.003.0024.

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Abstract ALHOUGH Milton had printed nothing in the six years between 1660 and 1667, during the final six years of his life he published one or more books every year. But this burst of activity was not, for the most part, the product of any new urge to composition. Two factors seem to have been responsible’. First, half a dozen London booksellers were making the discovery that writings by John Milton had commercial value, and they persuaded the blind author to go through his papers with a view to their quite unsuspected needs. They were interested in the manuscripts of his Latin grammar, his li
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Weiss, Piero. "Saint-Évremond’s Views On Opera." In Opera. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195116373.003.0010.

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Abstract The writings of Charles de Saint-Evremond (1613-1703)1 who has been called the most civilized man of his century, enjoyed a great popularity in the early 1700s, undergoing several editions, all of them posthumous. His famous letter on operas (addressed to the second Duke of Buckingham and here given in the English version of 1728) summarizes most of the opinions on the subject current in Paris before the rise of Lully’s tragedies en musique. Saint Evremond himself had been obliged to flee Paris in 16611 having compromised himself politically, and spent the rest of his long life in Lon
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Baxter, Richard. "782 To? 16 September 1669." In Calendar of the Correspondence of Richard Baxter, Vol. 2: 1660–1696, edited by N. H. Keeble and Geoffrey F. Nuttall. Oxford University Press, 1991. http://dx.doi.org/10.1093/oseo/instance.00009783.

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Baxter, Richard. "766 To John Humfrey Early 1669?" In Calendar of the Correspondence of Richard Baxter, Vol. 2: 1660–1696, edited by N. H. Keeble and Geoffrey F. Nuttall. Oxford University Press, 1991. http://dx.doi.org/10.1093/oseo/instance.00009767.

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Humfrey, John. "767 From John Humfrey Early 1669?" In Calendar of the Correspondence of Richard Baxter, Vol. 2: 1660–1696, edited by N. H. Keeble and Geoffrey F. Nuttall. Oxford University Press, 1991. http://dx.doi.org/10.1093/oseo/instance.00009768.

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Conference papers on the topic "1660-1669"

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Petraru, Ana-Magdalena. "THE GREAT PLAGUE VS COVID 19 - REPRESENTATIONS OF CULTURAL, SOCIAL AND ECONOMIC TRANSFORMATION DURING PANDEMIC TIMES." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/vs13/86.

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The aim of our paper is to account for the changes that occurred during the Great Plague of London (1665) and the restrictions imposed by authorities, as recorded by (neo)classics such as Daniel Defoe in his Journal of the Plague Year (1722) and Samuel Pepys�s diary (1660-1669) which only came out in the 19th century. Furthermore, we purport to compare them to the most recent pandemic of our times, i.e., COVID 19, seen through the lenses of (post)modern Romanian authors (Jan Cornelius � Aventurile unui calator naiv, intre miscare si izolare/ The Adventures of A Naive Traveler, Between Movement
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Reports on the topic "1660-1669"

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Israngura na ayudhya, Tul. Gender and sibling relations in the life of Samuel Pepys, 1660-1669. Chulalongkorn University, 2017. https://doi.org/10.58837/chula.res.2017.73.

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Journal articles
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