Relevant bibliographies by topics / 1735-1736

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  2. Dissertations / Theses
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Academic literature on the topic '1735-1736'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "1735-1736"

1

Funk, Holger. "Towards bibliographical accuracy: a clarification of some obscure references in Linnaeus's Musa cliffortiana (1736)." Archives of Natural History 39, no. 2 (October 2012): 302–11. http://dx.doi.org/10.3366/anh.2012.0096.

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A consistent and reliable method of citing published works was an integral part of Linnaeus's great project on classification and nomenclature which began with the publication of Systema naturae in 1735. Unfortunately, this applies only to a limited extent for his Musa cliffortiana of 1736, a monograph about the banana, abounding in historical details, but which suffers from a series of cryptic or faulty references. In this paper, corrections of some of these erroneous citations are suggested.
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2

De Almeida, Kênia Maria. "Minotauros, labirintos e Teseus no teatro burlesco de Antônio José da Silva." Tabuleiro de Letras 11, no. 1 (April 8, 2018): 69. http://dx.doi.org/10.35499/tl.v11i1.3400.

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O dramaturgo luso-brasileiro Antônio José da Silva escreveu ao todo oito comédias burlescas, dentre elas, algumas que dialogam com a mitologia grega, como, por exemplo, Os encantos de Medeia (1735); Esopaida, ou a vida de Esopo (1734); Precipício de Faetonte (1738); e O Labirinto de Creta (1736). O objetivo deste artigo consiste exatamente na análise dessa última peça teatral, em que o autor retoma de forma paródica a imagem do labirinto e do minotauro como metáforas monstruosas tanto da Inquisição como do Santo ofício.
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3

Meyer, Matthias. "From the Harz Mountains to the Atlantic and Back Again." Daphnis 45, no. 3-4 (July 18, 2017): 620–38. http://dx.doi.org/10.1163/18796583-04503014.

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Abtract This essay concerns the newspaper Stolbergische Sammlung neuer und merckwürdiger Weltgeschichte (1735, 1736, 1738), as published by Schnabel, as well as the novel Insel Felsenburg. It focuses on the relation between the production of knowledge and narration. Schnabel’s methods as a newspaper editor are compared with contemporary usage as well as with his narrative technique as a novelist. It is significant how Schnabel makes use of narrative strategies not only in the small news items in the category “Sonderbare [Weltgeschichte]” but also in order to create a coherent narrative in the political sections of his newspaper, spanning longer periods of time.
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Buzykina, Yu N. "Summer of 1735 in Cyprus: Vassiliy Grigorovich-Barskiy travelling during epidemic." Russian Journal of Church History 1, no. 3 (October 23, 2020): 20–35. http://dx.doi.org/10.15829/2686-973x-2020-3-37.

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The object of the research is the description of the monasteries of Cyprus, made by Vassiliy Grigorovich-Barskiy in 1735-1736. The outbreak that happened after the earthquake on April 10, 1735 had a significant impact on the choice of the route by the traveler: he went to inspect the remote monasteries of the island. The purpose of the study is to identify the true goals of his expedition, to make an assumption about his patron, to point sources of information that Barskiy used. The tasks of the study are to demonstrate how Barskiy used the epidemic in Cyprus to compile description of the local monasteries. I will try to answer the questions, why is he wandering the island during the epidemic, why is he describing monasteries, ignoring many other objects, and finally where did Barskiy, who had previously visited only the most famous places in Cyprus, take such an accurate information about the number of monasteries and their location, because it is impossible to see and describe so much going at random.
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5

Stinson, Russell. ""Ein Sammelband aus Johann Peter Kellners Besitz"." Bach-Jahrbuch 78 (February 8, 2018): 45–64. http://dx.doi.org/10.13141/bjb.v19921118.

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Das nahezu 400 Seiten umfassende Konvolut SBB Mus. ms. P 804 zählt zu den wichtigsten Quellen für die Instrumentalmusik J. S. Bachs. Der Artikel bietet ein Inventar, das auf Grundlage neuer Forschungen erstmals eine Übersicht zu Inhalt, Originaltiteln, Papiersorten, Schreibern, Vorlagen und Datierungen gibt. Zwei Anhänge geben darüber hinaus Auskunft zu weiteren Bach-Abschriften Johann Peter Kellners und Wolfgang Nicolaus Meys. Erwähnte Artikel: Hartwig Eichberg: Unechtes unter Johann Sebastian Bachs Klavierwerken. BJ 1975, S. 7-49 Andreas Glöckner: Neuerkenntnisse zu Johann Sebastian Bachs Aufführungskalender zwischen 1729 und 1735. BJ 1981, S. 43-76 Yoshitake Kobayashi: Zur Chronologie der Spätwerke Johann Sebastian Bachs. Kompositions- und Aufführungstätigkeit von 1736 bis 1750. BJ 1988, S. 7-72
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6

Voigt, Lisa. "Naufrágio, cativeiro, e relações ibéricas: a História trágico-marítima num contexto comparativo." Varia Historia 24, no. 39 (June 2008): 201–26. http://dx.doi.org/10.1590/s0104-87752008000100010.

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Esse artigo compara as narrativas portuguesas de naufrágios dos séculos dezesseis e dezessete, muitas das quais foram publicadas no livro História trágico-marítima, de Bernardo Gomes de Brito (1735-1736), com os relatos coevos de naufrágio e cativeiro hispânicos. Ao examinar não só as estratégias e as estruturas das narrativas de naufrágio e cativeiro, mas também suas conexões intertextuais, pretende-se iluminar o contexto ideológico e literário compartilhado pelos impérios ibéricos na modernidade. A comparação permite desnudar ainda a capacidade destas narrativas de divertir os autores e os leitores modernos como também o seu caráter didático e dessa forma questionar as interpretações contemporâneas que ou priorizam a perspectiva nacionalista ou focam-se exclusivamente no aspecto contra-hegemônico contidos nesses textos.
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7

Sobral, Luís de Moura. "Uma nota sobre ilusionismos e alegorias na pintura barroca de Salvador da Bahia." Varia Historia 24, no. 40 (December 2008): 511–22. http://dx.doi.org/10.1590/s0104-87752008000200011.

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As principais tendências da pintura no Brasil colonial podem ser estudadas na Catedral de Salvador, a igreja do antigo Colégio da Companhia de Jesus. Datando dos finais do século XVII, várias séries de quadros de qualidade diversa, compõem com as esculturas dos altares um soberbo e complexo bel composto de propaganda inaciana. Para decorar o forro da Biblioteca, por cima da sacristia, os Jesuítas encomendaram cerca de 1735-1736 uma monumental quadratura ao pintor português António Simões Ribeiro (?-1755). A pintura é estudada em função da tradição de decoração das bibliotecas durante a época moderna. Para além da quadratura, Simões Ribeiro introduziu na arte brasileira as figuras alegóricas, tornando-se assim o primeiro pintor brasileiro verdadeiramente barroco e o criador da chamada Escola Bahiana.
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8

Clark, Peter. "The ‘Mother Gin’ Controversy in the Early Eighteenth Century." Transactions of the Royal Historical Society 38 (December 1988): 63–84. http://dx.doi.org/10.2307/3678967.

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DURING the second quarter of the eighteenth century there were successive waves of public agitation over the spirits trade—in 1726, 1728–9, 1735–8 and again in 1748–51. Opponents of ‘Mother Gin’ and her supporters waged a multi-media propaganda war, through tracts and sermons, broadsides, ballads, satirical verse, petitions, posters and prints (though Hogarth's Gin Lane and Beer Street came only as a final, splendid coda to the attack on gin, in 1751). Parliament in this period enacted a series of measures to deal with the problem. The most dramatic and draconian of these was the 1736 Gin Act, whichwas hurried through Parliament in a few weeks and threatened to close down the spirits trade overnight. The Act, with secondary legislation in 1737 and 1738, caused such a landslide of protest and opposition in the capital that it had to be abandoned and later repealed. In this paper I want to concentrate on the 1736 Act, looking at its background and aftermath. As we shall see, the controversy raises important questions not only about the organisation of the drink trade and consumption patterns in the early eighteenth century, but also about the social and political processes of legislation–the activity of interest groups, the attitude of government, and the problems of enforcement.
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Glöckner, Andreas. "Fasch-Ouvertüren aus Johann Sebastian Bachs Notenbibliothek?" Bach-Jahrbuch 76 (May 11, 2018): 65–70. http://dx.doi.org/10.13141/bjb.v19902715.

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Der Beitrag setzt sich mit dem erhaltenen Stimmenmaterial zu einer B-Dur-Suite Johann Friedrich Fasc hs auseinander, das der Musikaliensammlung der Thomasschule entstammt. Dabei werden mögliche Bezüge zu Bachs Collegium Musicum erörtert. Erwähnte Artikel: Werner Neumann: Das “Bachische Collegium Musicum”. BJ 1960 S. 5-27 Hans-Joachim Schulze: “Das Stück in Goldpapier” - Ermittlungen zu einigen Bach-Abschriften des frühen 18. Jahrhunderts. BJ 1978, S. 19-42 Andreas Glöckner: Neuerkenntnisse zu Johann Sebastian Bachs Aufführungskalender zwischen 1729 und 1735. BJ 1981, S. 43-76 Andreas Glöckner: Handschriftliche Musikalien aus den Nachlässen von Carl Gotthelf Gerlach und Gottlob Harrer in den Verlagsangeboten des Hauses Breitkopf 1761 bis 1769. BJ 1984, S. 107-116 Yoshitake Kobayashi: Zur Chronologie der Spätwerke Johann Sebastian Bachs. Kompositions- und Aufführungstätigkeit von 1736 bis 1750. BJ 1988 S. 7-72
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10

Rifkin, Joshua. "Besetzung - Entstehung - Überlieferung: Bemerkungen zur Ouvertüre BWV 1068." Bach-Jahrbuch 83 (March 13, 2018): 169–76. http://dx.doi.org/10.13141/bjb.v19971844.

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Der Artikel widmet sich im ersten Teil der Bläserbesetzung in der Orchestersuite D-Dur BWV 1068 und deren wahrscheinlich nachträglicher Hinzufügung. Darüber hinaus wird die Frage nach dem Entstehungsort und -zeitpunkt des Werks erörtert. Der zweite Teil geht den Frankfurter und Leipziger Stimmen zum Werk nach und versucht, deren Entstehung und Überlieferung zu erhellen. Erwähnte Artikel: Walther Vetter: Die Trompeten in Bachs dritter Orchesterouvertüre. BJ 1953, S. 97-107 Hans-Joachim Schulze: Frühe Schriftzeugnisse der beiden jüngsten Bach-Söhne. BJ 1963/64, S. 61-69 Werner Neumann: Johann Sebastian Bachs "Rittergutskantaten" BWV 30a und 212. BJ 1972, S. 76-90 Andreas Glöckner: Neuerkenntnisse zu Johann Sebastian Bachs Aufführungskalender zwischen 1729 und 1735. BJ 1981, S. 43-75 Alfred Dürr: Neue Erkenntnisse zur Kantate BWV 31. BJ 1985 S. 155-159 Yoshitake Kobayashi: Zur Chronologie der Spätwerke Johann Sebastian Bachs. Kompositions- und Aufführungstätigkeit von 1736 bis 1750. BJ 1988, S. 7-72 Peter Wollny: Zur Überlieferung der Instrumentalwerke Johann Sebastian Bachs: Der Quellenbesitz Carl Philipp Emanuel Bachs. BJ 1996, S. 7-21
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Dissertations / Theses on the topic "1735-1736"

1

Su, Mei-Yu. "La naissance du trait de ciseau : l’espace pictural restructuré : histoire de la sculpture sur bambou à l’époque des qīng." Paris 4, 2006. http://www.theses.fr/2006PA040180.

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Le bambou n’est pas considéré comme un matériau précieux. Cependant, il occupe un rôle symbolique, spirituel et moral dans la vie des Chinois depuis la dynastie des Jìn (265-420). L’art de la sculpture sur bambou se développe, vers le milieu de la dynastie des Míng (ca. 1500) dans la province du Jiāngsū, avec l’impulsion des lettrés qui s’intéressent à cet art. Ils transmettent aux artisans leur goût et leur concept esthétique, comme ils l’ont fait auparavant à travers les pièces en jade. Les objets artistiques en bambou, appréciés tant par la Cour que par les lettrés, deviennent ainsi une des créations les plus raffinées du XVIIIe siècle. C’est Jīn Yuányù 金元鈺, lettré des Qīng, qui dès 1807 parle des artistes-sculpteurs sur bambou de la ville de Jiādìng 嘉定, dans son Répertoire des artistes-sculpteurs sur bambou (Zhúrén lù, 竹人錄). Les artistes-sculpteurs ont réussi à transposer dans leur art les conceptions de la peinture, de la calligraphie et de la poésie en « maniant le ciseau comme le pinceau » (yòng dāo rú yòng bǐ, 用刀如用筆) et en traitant la peau du bambou comme le papier, donnant naissance à un art raffiné et élégant
Bamboo is not regarded as a precious material. Nevertheless, since the Jìn dynasty (265-420), it plays a symbolic, spiritual and moral role in the life of the Chinese. The art of bamboo sculpture was developed in the middle of the Míng dynasty (ca. 1500) in the Jiāngsū province, under the impulse of the scholars who were interested in this art. They passed on to craftsmen their taste and their aesthetic concept as they did before through pieces of jade. The bamboo artistic objects, appreciated by the Court as well as by the scholars, became one of the most refined creations of the XVIIIe century. It is Jīn Yuányù 金元鈺, a scholar of the Qīng dynasty, who, as early as 1807, spoke about the bamboo artists-carvers from his own town, Jiādìng 嘉定, in his Record of Bamboo Carvers (Zhúrén lù, 竹人錄). The artists-carvers succeeded in transposing in their art the painting, calligraphic and poetic conceptions by “handling the chisel like a brush” (yòng dāo rú yòng bǐ, 用刀如用筆) and by handling the bamboo skin as paper, giving birth, by this way, to a refined and elegant true art
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Books on the topic "1735-1736"

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Zaporozʹke viĭsʹko v Rosiĭsʹko-turet︠s︡ʹkiĭ viĭni 1735-1739 rokiv. Zaporiz︠h︡z︠h︡i︠a︡: RA "Tandem-U", 2002.

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2

Stentz, Howard W. Consolidated master indexes to multiple volumes of Stentz family chronologs: A consolidation of all related separate respective indexes set forth in the following individual genealogical chronologs: Henrich Stentz, 1690-1758 ; Hans Jacob Stentz, 1732-1784 ; Philip Daniel Stentz, 1735-1807 ; John Leonard Stentz, 1736-1807 ; John Peter Snyder, 1729-1807 ; Mary Catherine Elizabeth (Stentz) Snyder,1739-1782. Coos Bay, Or. (P.O. Box 629, Coos Bay 97420): H.W. Stentz, 1989.

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Book chapters on the topic "1735-1736"

1

"Volume IV of the Iliad. Lady Mary returns from abroad. Death of Parnell. 1719 AP leases villa at Twickenham overlooking the Thames. 1720 South Sea Bubble. Volumes V and VI complete Iliad translation. 1721 AP edits Parnell’s poems. 1722 AP editing Shakespeare and translating Odyssey; Atterbury arrested on suspicion of treason. 1723 AP publishes Works of John Sheffield; edition seized on sus picion of treasonable material; Atterbury tried and exiled; Bol ingbroke returns. 1725 AP publishes 6-volume edition of Shakespeare. Bolingbroke settles at Dawley Farm. First three volumes of Odyssey trans lation published. 1726 Theobald attacks AP in Shakespeare Restored. Volumes IV-V of Odyssey published. Swift visits; Swift’s Gulliver’s Travels pub lished. 1727 Death of George I; accession of George II. AP and Swift publish two volumes of Miscellanies. 1728 Gay’s Beggar’s Opera begins huge run. AP and Swift publish third volume of Miscellanies, including Peri Bathous. First version of The Dunciad published, to controversial reception. 1729 Dunciad Variorum published; advance copy presented by Walpole to King and Queen. 1730 Cibber appointed Poet Laureate. 1731 First version of Epistle to Burlington published. 1732 AP and Swift publish fourth volume of Miscellanies. Death of Atterbury; death of Gay. 1733 Epistle to Bathurst published. Imitations of Horace series be gins with The First Satire of the Second Book of Horace. Montagu/ Hervey Verses attacking Pope. Essay on Man, Epis tles I-III. Death of AP’s mother. 1734 Epistle to Cobham published. Essay on Man, Epistle IV. Second Satire of the Second Book of Horace, Sober Advice from Horace published. 1735 Epistle to Dr Arbuthnot published. Epistle to a Lady published. Death of Arbuthnot. Second volume of AP’s Works published. Curll publishes edition of AP’s Letters. 1736 AP gives Prince of Wales a puppy. 1737 Second Epistle... and First Epistle of the Second Book of Horace published. Authorized edition of AP’s Letters. Essay on Man attacked by Crousaz. 202." In Alexander Pope, 216. Routledge, 2002. http://dx.doi.org/10.4324/9780203158258-16.

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Journal articles
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