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Relevant bibliographies by topics / 17th century poetry

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Journal articles

Academic literature on the topic '17th century poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

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Journal articles on the topic "17th century poetry"

1

Strode, Anna. "Reliģiskie tēli 17. gadsimta latīņu kāzu dzejā Rīgā." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/1 (March 1, 2021): 14–28. http://dx.doi.org/10.37384/aplkp.2021.26-1.014.

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The humanists of Riga began to compose various Latin poetry texts due to the currents of European humanism, which came to Livonia soon after the Protestant Reformation took place in Livonia in the first half of the 16th century. As a result of this historical and religious impact, the level of education increased, enabling an environment for the development of the literature. The aim of the article „Religious characters in the 17th-Century Nuptial Poetry in Riga” is to bring to light the content of nuptial (epithalamium, ὑμέναιος/hymenaeus, carmen nuptialis etc.) poetry written in Riga in the 17th century, providing insight into the most frequently mentioned characters and their meaning, as well as by exploring the specific features of occasional poetry to capture reader’s and researcher’s interest in the previously undiscovered cultural heritage. The subject of the study is more than 380 Latin nuptial poems, which are stored in the Department of Manuscripts and Rare Books of the Academic Library of the University of Latvia. The poems are printed at the beginning of the 17th century by the second typographer of Riga city Gerhard Schröder (?–1657). The article includes data from a classification table (created by the author) in which the main characteristic of each poem is highlighted, including the mentions of all (more than 280) characters from ancient Greek and Roman mythology, as well as biblical and historical characters. Fragments of Latin nuptial poetry written in Riga are included to portray the content of poetry more clearly. All translations of poetry in the article are done by the author.

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2

Basri, Muhammad Ridha. "Puitisasi Terjemahan Al-Qur’an Mohammad Diponegoro (Kajian Kabar Wigati dan Kerajaan: Puitisasi Terjemahan Al-Qur’an Juz ke-29 dan ke-30)." Nun: Jurnal Studi Alquran dan Tafsir di Nusantara 6, no. 1 (2020): 27–63. http://dx.doi.org/10.32495/nun.v6i1.125.

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Al-Qur’an was revealed by Arabic which was commonly used in the 7th century. As the spread of Islam to many countries, language transfer of the Qur’an becomes a necessity. In Indonesia, translation began with Tarjuman al-Mustafid in the 17th century. Translation became lively in the 20th century. In addition to translation, poetry translations have also emerged. This study reviews the work of Mohammad Diponegoro, Kabar Wigati dan Kerajaan: Puitisasi Terjemahan Al-Qur’an Juz ke-29 dan ke-30, which was originally published in 1977. This work is in the form of lyric poetry and is classified as a new type of poetry. Diponegoro called his work: the poetic translation of the Qur’an, not the poetic translation as HB Jassin’s work. Mukti Ali called this work as art that was born from the Qur’an. In poetry, words are the key, which connects the reader to the poet’s ideas and intuition. Diponegoro arranges linguistic elements and diction choices like poetry in general. Understanding a poem requires an intensification process. This library research will review the poetry of Diponegoro’s translation of the Qur’an with a historical, literary, hermeneutical-interpretative approach.

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3

Kwon, Youngtak. "Milton’s Originality Compared to the 17th Century English Poetry." Journal of East-West Comparative Literature 53 (September 30, 2020): 27–43. http://dx.doi.org/10.29324/jewcl.2020.9.53.27.

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4

Almudena Vidorreta. "Women and Carriages in 17th-Century Aragonese Burlesque Poetry." Calíope 22, no. 2 (2017): 43. http://dx.doi.org/10.5325/caliope.22.2.0043.

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5

Volkova, Anna G. "THE RECEPTION OF FRANCISCAN MYSTICS IN EUROPEAN POETRY OF THE 17TH CENTURY." Vestnik of Kostroma State University, no. 3 (2020): 117–21. http://dx.doi.org/10.34216/1998-0817-2020-26-3-117-121.

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European poetry of the 17th century has its own complicated metaphoric language the interpretation of which depends on understanding of different contexts. It is especially true about religious poetry that does not only use metaphors, motifs and stories from the Bible but also perceive the biblical text through some confessions and often through some directions within a confession. Such cultural and historical code is important and necessary for reception and interpretation of poetical text. Franciscans as a special direction in Roman Catholic spirituality influenced very much on European literature and especially on religious poetry of Middle ages, Renaissance and Baroque i.e. the late 16th – 17th centuries. The main point of the article is studying of key images and motifs of Franciscan spirituality that were expressed in German mystical poetry (on texts by Johannes Scheffler familiarly known as Angelus Silesius). Except traditional motifs of poverty, God’s love, one can find out thoughts about relationships between the Creator and its creature popular in theology and religious experience of Franciscans in his poetry. In poetry such ideas as an experience of communication with God are transmitted through poetical language, metaphors and also through special mean of concordia discors or connecting unconnectable.

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6

Strode, Anna. "Rīgā 17. gadsimtā sacerētās latīņu kāzu dzejas komponentes." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 4, 2020): 212–26. http://dx.doi.org/10.37384/aplkp.2020.25.212.

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Soon after the Protestant Reformation took place in Livonia in the 16th century, the currents of European humanism came to Livonia. As a result of the historical and religious impact, the level of education increased, enabling an environment for the development of the literature. Soon various Latin poetry texts int. al. 17th-century occasional poetry written by the humanists of Riga started to appear. The aim of the article is to bring to light the components of nuptial (epithalamium, ὑμέναιος/hymenaeus, carmen nuptialis, etc.) poetry written in Riga in the 17th century, as well as by exploring the specific features of occasional poetry to capture readers’ and researchers’ interest in the previously undiscovered cultural heritage. At the beginning of the article, the tradition of nuptial poetry is explained. Then, by examining the basic principles one must take into account in composing occasional poetry based on works of the ancient rhetors – Menander (Μένανδρος Ῥήτωρ, c. 3rd century), pseudo-Dionysius (pseudo-Dionysius/Διονύσιος), Himerius (Ἱμέριος, c. 315–c. 386) and the book “Seven Books on Poetry” (Poetices libri septem, 1561) written by Italian humanist Julius Caesar Scaliger (1484–1558) – a table of the most used topics in nuptial poetry is formed. Afterwards, the poetry written in Riga and its most typical components (didactics, laudation, inducement, foresight, wishes/congratulations and prayers) is compared to the topics offered by previously mentioned theoreticians. Fragments of Latin nuptial poetry written in Riga are included to portray the components of poetry more clearly. All translations of poetry included in the article are made by the author of the article.

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7

Hallyn, Fernand, and Roxanne Lapidus. ""A Light-Weight Artifice": Experimental Poetry in the 17th Century." SubStance 22, no. 2/3 (1993): 289. http://dx.doi.org/10.2307/3685288.

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8

Mašić, Madžida. "From Stylistic Devices to Imagery of 17th Century Poets." Prilozi za orijentalnu filologiju, no. 69 (January 18, 2021): 183–208. http://dx.doi.org/10.48116/issn.2303-8586.2019.69.183.

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This paper aims to present three poems written as alifnāmas (an abecedarian poem), very popular poems in diwan, tekke and folk poetry in Turkish. An abecederian poem as stylistic devices formally belongs to figures of construction and this paper shed a light on three alifnāmas written by Ahmad Talib Bosnawi (one alifnāma) and Hasan Kaimi (two alifnāmas). As we know, this poems have not been presented to our scientific public until now.

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9

Talib, Adam. "Pseudo-Ṯaʿālibī’s Book of Youths". Arabica 59, № 6 (2012): 599–649. http://dx.doi.org/10.1163/157005812x622885.

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Abstract This article presents a critical edition and study of a 17th/18th-century poetry collection that had previously been mistaken for al-Ṯaʿālibī’s lost Kitāb al-Ġilmān. It provides a codicological analysis of Berlin MS Wetzstein II 1786 in which the poetry collection is contained and also explains and corrects long-held misconceptions regarding al-Ṯaʿālibī’s connection with the text. Finally, the article situates this poetry collection in the context of Mamluk- and Ottoman-era epigram anthologies and the critical apparatus to the edition demonstrates the key features of intertextuality and popularity that characterised these poetry collections.

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10

Pritula, Anton. "East Syriac Poetry Embedded in the Manuscript Decoration: 17th—18th Centuries." Manuscripta Orientalia. International Journal for Oriental Manuscript Research 26, no. 2 (2020): 3–11. http://dx.doi.org/10.31250/1238-5018-2020-26-2-3-11.

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East Syriac poetry embedded in the manuscript decoration has not been studied despite its large popularity in this tradition. Such verse pieces, mostly quatrains, are known at least since the 16th century. The poems being discussed in the present paper represent a further development of this particular text group. It seems to have first appeared in the Gospel lectionaries. Later on, the other types of liturgical manuscripts also obtained different kinds of “decorative” scribal poetry. This process went on alongside the growth of the poetry's popularity in the East Syriac tradition during several centuries of the Ottoman period.

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