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Relevant bibliographies by topics / 1808-1855

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Academic literature on the topic '1808-1855'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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Journal articles on the topic "1808-1855"

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Lőkkös, Andor. "The water beetles (Coleoptera: Hydradephaga, Hydrophiloidea) of the Nagy-berek area, Lake Balaton, Hungary." Natura Somogyiensis, no. 17 (2010): 157–70. http://dx.doi.org/10.24394/natsom.2010.17.157.

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During a faunistical exploration of Nagy-berek at the Lake Balaton (Hungary) carried out between 2003 and 2009, 136 water beetle species were recorded. Important faunistic records are new localities of Hydroporus longicornis Sharp, 1871, H. melanarius Sturm, 1835, H. neglectus Schaum, 1845, H. notatus Sturm, 1835, H. umbrosus (Gyllenhal, 1808), Laccornis kocae (Ganglbauer, 1904), Agabus nebulosus (Forster, 1771), A. striolatus (Gyllenhal, 1808), Ilybius guttiger (Gyllenhal, 1818), Graphoderus zonatus (Hoppe, 1795), Gyrinus suffriani Scriba, 1855, Hydrochus megaphallus Berge Henegouwen, 1988, Cercyon hungaricus Endrődy-Younga 1967, Laccobius simulatrix d’Orchymont, 1932, Enochrus ater (Kuwert, 1888) and E. hamifer (Ganglbauer, 1901).

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Isaeva, O. I. "Odessa Inhabitants A. O. Skalkovsky and A. S. Borinevich: the leaders of domestic statistical science of the XIX century." Studies in history and philosophy of science and technology, no. 26-27 (July 28, 2018): 72–82. http://dx.doi.org/10.15421/2618011.

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The contribution to the development of urban statistics, demography, history of famous Odessa scientists and public figures Apollon Skalkovsky (1808-1898) and Anton Borinevich (1855-1946) is analyzed in the article. A parallel was made between the activities of both scientists, as well as their influence on the development of branches of domestic science.

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Lastuvka, A., and Z. Lastuvka. "New records of Lepidoptera from the Iberian Peninsula from 2017 and 2018 (Insecta: Lepidoptera)." SHILAP Revista de lepidopterología 47, no. 186 (June 30, 2019): 237–50. http://dx.doi.org/10.57065/shilap.563.

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New records of Nepticulidae, Gracillariidae, Roeslerstammiidae, Plutellidae, Argyresthiidae, Oecophoridae, Coleophoridae, Momphidae, Brachodidae, Erebidae, and Noctuidae for Spain and Portugal are presented. Stigmella nylandriella (Tengström, 1848), Ectoedemia argyropeza (Zeller, 1839), E. spinosella (Joannis, 1908), Phyllonorycter sorbi (Freyer, 1855), Roeslerstammia erxlebella (Fabricius, 1787), Rhigognostis senilella (Zetterstedt, 1839), Argyresthia aurulentella Stainton, 1849, A. thuriferana (Gibeaux, 1992), A. buvati Gibeaux, 1992, A. reticulata Staudinger, 1877, A. submontana Frey, 1870, Batia internella Jäckh, 1972, Coleophora gryphipennella (Hübner, 1796), and Mompha raschkiella (Zeller, 1839) are new for Spain, Chelis maculosa (Gerning, 1780) and Helotropha leucostigma (Hübner, 1808) are new for Portugal. Stigmella nylandriella, Ectoedemia argyropeza, E. spinosella, Rhigognostis senilella, Argyresthia aurulentella, A. thuriferana, A. buvati, A. reticulata, A. submontana, Batia internella, and Mompha raschkiella are new for the Iberian Peninsula. New province records are given of 54 species (57 new province records in all).

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BOROWIEC, LECH, and JOLANTA ŚWIĘTOJAŃSKA. "A monograph of the Afrotropical Cassidinae (Coleoptera: Chrysomelidae). Part 4. Revision of the genus Chiridopsis Spaeth." Zootaxa 4316, no. 1 (August 31, 2017): 1. http://dx.doi.org/10.11646/zootaxa.4316.1.1.

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African members of the genus Chiridopsis Spaeth, 1922 are revised and 32 species are recognized in this area. Three species are described as new: Chiridopsis klapperichi n.sp. (Republic of South Africa), Chiridopsis tanzaniensis n.sp. (Tanzania) and Chiridopsis zambiana n.sp. (Zambia). The following new synonyms are proposed: Chiridopsis aequinoctialis (Olivier, 1808) = Coptocycla kraatzi Wagener, 1880 syn. nov.; Chiridopsis aubei (Boheman, 1855) = Chiridopsis weisei Spaeth, 1924 syn. nov.; Chiridopsis boutareli (Spaeth, 1917) = Chirida subgibbosa Spaeth, 1917 syn. nov.; Chiridopsis flavipennis (Spaeth, 1902) = Chiridopsis rothschildi Spaeth, 1922 syn. nov.; Chiridopsis nigrosepta (Fairmaire, 1891) = Coptocycla vernicata Fairmaire, 1891 syn. nov. = Cassida circumcincta Weise, 1919 syn. nov.; Chiridopsis observabilis (Spaeth, 1916) = Chiridopsis athinia Spaeth, 1924 syn. nov. Lectotypes are designated for Chirida ariadne Weise, 1896, Chirida circe Weise, 1896, Chirida observabilis Spaeth, 1916 and Chirida tessellata Spaeth, 1917. Colour photos of species, including intraspecific variablity, key to species and maps of distribution are given.

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Täljedal, Inge-Bert. "The idea of being is not uniquely innate." Principia: an international journal of epistemology 20, no. 3 (April 9, 2017): 343. http://dx.doi.org/10.5007/808-1711.2016v20n3p359.

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http://dx.doi.org/10.5007/1808-1711.2016v20n3p343According to the Italian philosopher Antonio Rosmini (1797-1855), being is an innate idea that is requisite for contemplating anything. He emphatically claims that it is the one and only innate idea. Rosmini makes a sharp distinction between sensations and perceptions. Perceptions are thought to arise when the undetermined idea of being (tantamount to possibility) is combined with sensations, universals when being is combined with perceptions. It is argued here that Rosmini’s explanation of the origin of universals does not work. If the idea of being is regarded as innate, then several others should be similarly regarded, notably the idea of qualitative identity which is an idea necessary for deriving universals. Although Rosmini holds that certain properties are necessarily present in real objects and therefore implicit in the idea of being, the property of being qualitatively identical with something else is not among those properties. Theological motives may have encouraged Rosmini to emphasize being as a peculiarly fundamental idea. However, if the idea of being is more fundamental than other universals, it may be regarded so in virtue of its generality, not because it has a uniquely innate character.

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Mack, Eric. "LYSANDER SPOONER: NINETEENTH-CENTURY AMERICA'S LAST NATURAL RIGHTS THEORIST." Social Philosophy and Policy 29, no. 2 (July 2012): 139–76. http://dx.doi.org/10.1017/s0265052511000264.

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AbstractThe main purpose of this essay is to articulate the ideas of the last powerful advocate of natural rights in nineteenth-century America. That last powerful advocate was the Massachusetts-born radical libertarian Lysander Spooner (1808-1887). Besides his powerful antebellum attacks on slavery, Spooner developed forceful arguments on behalf of a strongly individualistic conception of natural law and private property rights and against coercive moralism, coercive paternalism, and state authority and legislation. This essay focuses on the theoretical core of Spooner’s position which is his doctrine of natural rights—a doctrine that is primarily developed in Spooner’s The Law of Intellectual Property (1855), Natural Law (1882), and A Letter to Grover Cleveland (1886). I situate Spooner within the libertarian tradition in political thought by beginning this essay with an examination of two English writers whose radical writings (for the most part) preceded Spooner’s—Thomas Hodgskin (1787-1869) and the early Herbert Spencer (1820-1903). I emphasis the strongly Lockean character of Spooner’s thought and support this contention in part by showing how much more Lockean Spooner was than either Hodgskin or the early Spencer.

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Shikhaliev, Sh Sh, P. I. Takhnaeva, and I. A. Chmilevskaya. "Necropolis of the Mehtulla Khans in the village of Nizhnii Dzhengutai (Delet- Qaburlar cemetery)." Orientalistica 6, no. 1 (June 22, 2023): 24–54. http://dx.doi.org/10.31696/2618-7043-2023-6-1-024-054.

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During the ?ield trip to the Piedmont and Mountainous Daghestan in 2022 the authors studied the “Delet- Qaburlar” cemetery in the village of Nizhnii Dzhengutai, which was the capital of a major local political entity the Mekhtulla Khanate which had existfrom the middle of the 17 th century to 1867. At the cemetery, previousl unsearched tombstones of the last representatives of the Mekhtulla Khanate dynasty were found. On these tombstones, the names of the buried, the date of their death and auspicious inscriptions were carved in Arabic. The main goal of the study was compare the buried representatives is genus known in historical sources. In otal, the article contains a description of the nineteen tombstones. In the ?irst part, the monuments of the ideti?ied persons with their brief biographical information are given. The second part contains descriptions of tombstones whose owners could not be identi?ied. Ithis article authors have considered some aspects of the biographies of Ahmad-khan Mekhtulinskii (1808–1843), his wife Nuh-bike (d. 187), their sons: the elder Ibrahim-khan (1836–1869) and the younger Rashid-khan (d. 1876), as well as their relatives: Shikhshabek (d. 1865), Mirza-bek, son of Abusulan nutsal-khan (d. 1855) and other representatives of the local aristocracy buried in this cemetery.

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Zhantiev, Dmitry. "Emir Abd al-Qadir al-Jazairi and the legacy of Ibn Arabi in Ottoman Damascus." ISTORIYA 14, no. 10 (132) (2023): 0. http://dx.doi.org/10.18254/s207987840028762-7.

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The article analyzes the late period of the life of the hero of the anti-French struggle in Algeria, Emir Abd al-Qadir al-Jazairi (1808—1883) in Ottoman Damascus in 1855—1883. Refusing to continue the fight against the French colonialists after being released from captivity and moving to Ottoman possessions, Abd al-Qadir devoted his later life to charity and teaching the mystical teachings of Muhyi al-Din Ibn Arabi (1165—1240). The activities of Abd al-Qadir in Ottoman Damascus were inscribed in the moral, religious and political context of his era, when the Ottoman Empire was subjected to increasing pressure from the European powers. Abd al-Qadir sought to find an Islamic response to this external challenge through spiritual perfection based on the teachings of Ibn Arabi. Abd al-Qadir al-Jazairi from a young age belonged to the followers of Ibn Arabi and therefore perceived his life in Damascus not as an exile, but as a way of approaching the comprehension of the mystical insights of Ibn Arabi, who at one time also lived for many years in Damascus where he was buried. In Damascus, Abd al-Qadir enjoyed great spiritual authority and provided patronage to his countrymen — immigrants from Algeria and other countries of the Maghreb. The circle of his chosen disciples was also replenished with local Syrian ulama. Under the influence of Abd al-Qadir, close relations were established between immigrants from Algeria and local Sufis on the basis of Islamic mysticism. The intellectual activity of the circle of followers of Abd al-Qadir in Damascus contributed to the strengthening of the position of Sufism in Ottoman Syria on the basis of the spiritual convergence of the beliefs of the followers of various Islamic mystical teachings.

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Gainot, Bernard. "Le général Joseph Servan de Gerbey (Romans, 1741-Paris, 1808). Pour une armée au service de l’homme." Annales historiques de la Révolution française, no. 338 (December 1, 2004): 159–60. http://dx.doi.org/10.4000/ahrf.1855.

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Tavares, M. A. G. C., and J. D. Vendramim. "ATIVIDADE INSETICIDA DA ERVA-DE-SANTA-MARIA CHENOPODIUM AMBROSIOIDES L. (CHENOPODIACEAE) EM RELAÇÃO A SITOPHILUS ZEAMAIS MOTS., 1855 (COL.: CURCULIONIDAE)." Arquivos do Instituto Biológico 72, no. 1 (March 2005): 51–55. http://dx.doi.org/10.1590/1808-1657v72p0512005.

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RESUMO O gorgulho-do-milho, Sitophilus zeamais é considerado uma das principais pragas de grãos armazenados. Visando à busca de um método alternativo de controle dessa praga, avaliou-se, em laboratório, o potencial inseticida dos pós de frutos e da planta inteira (com frutos) de Chenopodium ambrosioides. Os insetos utilizados nos ensaios foram obtidos de criação mantida em grãos de trigo. Avaliou-se o efeito inseticida dos pós sobre a fase imatura e adultos do inseto, utilizando-se caixas plásticas contendo 20 g de trigo em seu interior, e liberados 20 adultos de S. zeamais para que realizassem a oviposição. Após 3 dias, os insetos foram retirados, e aos 15 e 21 dias após a infestação foram adicionados 0,25 g dos pós de C. ambrosioides. As avaliações foram realizadas no período de 25 a 60 dias a contar da infestação inicial. Para avaliação do poder residual, foram utilizadas caixas plásticas contendo 20 g de trigo em seu interior, e colocados 0,25 g dos pós de C. ambrosioides, separados e em contato com os grãos. Posteriormente, foram liberados 20 adultos de S. zeamais, em diferentes períodos: no momento da instalação do ensaio (0 dia), e após 5, 10 e 20 dias. As avaliações foram realizadas 5 dias após a infestação, contandose o número de insetos mortos. Concluiu-se que pós de frutos e da planta inteira (com frutos), aplicados após 15 dias da infestação inicial, possuem efeito inseticida sobre a fase imatura de S. zeamais e que pós de frutos apresentam efeito inseticida residual contra adultos do inseto pelo período máximo de 5 dias.

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Dissertations / Theses on the topic "1808-1855"

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Le, Guen Jean-Michel. "Champs textuel et sémantique des Chimères de Nerval." Paris 4, 1990. http://www.theses.fr/1990PA040038.

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La première partie de ce travail s'efforce de délimiter méthodiquement un corpus de textes qui ressemblent totalement ou telle pièce des Chimères. Partant du principe que seule la superposition des structures autorise les couplages, nous avons trouvé les doublets moins dans Les Filles du feu que dans le Voyage en orient, dans Les Illuminés et dans Aurélia. Nous étions donc fonde à étoffer la lecture du recueil de sonnets (d'une importance majeure, certes) pour informer l'essentiel du champ sémantique, partagé entre la vie et la mort et ramifié en dichotomies. Le monde moral, jusqu'en ses drames hiérarchisés (religion, politique, société, famille), se déduit du monde physique, - ou l'analyse de l'énergie, immanente ou transcendants, attractive ou non par rapport à une autre source, servirait à définir des figures du feu (sinon ténébreuses), nommées dans les Chimères et à classer dans un troisième champ, narratif, que cette thèse prépare
The first part of this thesis attempts to methodically define a corpus of texts which totally resemble one or another of the poels in Nerval's Chimeres. Working on the assumption that coupling texts from different volumes written by Nerval is justified only in cases where the two structures may be superimposed, I discovered fewer doublets in Les Filles du feu than in Voyage en Orient, Les Illuminés and Aurelia. I therefore had good grounds for broadening my of the book of sonnets, les Chimeres (though it is in itself of considerable importance), in order to complete the semantic field which is divided between life and death, and which branches out into dichotomies. The moral world can be deduced from the physical world, even down to its hierarchy of dramas (religion, politics, society and family) - in which the analysis of energy whether immanent or transcendent, attractive or not in relation to another source of energy, might be used to define figures of fire (or even figures of darkness) names in les Chimeres and which will be classified in a third field, a narrative one, which is prepared by this thesis

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Sharif, Sami Al. "Gérard de Nerval et la quête en Orient." Lyon 3, 1989. http://www.theses.fr/1989LYO3A008.

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Glatigny, Sandra. "Configurations mythologiques dans Aurélia et Les Chimères : narrativité et pluralité du lyrisme nervalien." Paris 4, 2006. http://www.theses.fr/2006PA040097.

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Ce travail a pour objectif de replacer le fonctionnement et les enjeux du syncrétisme nervalien dans une perspective poétique. En effet, ces configurations mythologiques génèrent une écriture lyrique plurielle. Si, dans Aurélia et Les Chimères, les différents niveaux de récritures, de la plus résiduelle à la plus complète, s’agencent différemment selon l’environnement textuel, ces modes d’apparitions du mythe se conjuguent pour interroger le sujet et mettre en scène sa quête identitaire. Le lyrisme se nourrit de la dynamique narrative et symbolique des actualisations pour sortir de l’expression autarcique et statique des sentiments. La convergence paradoxale du mythe, récit universel, et du lyrisme, représentation de l’affect personnel, s’inscrit dans un projet esthétique précis. Il s’agit de remettre en cause les catégories génériques et langagières pour retrouver le chant d’Orphée : une parole libérée de ses entraves, relais des voix du monde
This work intends to replace the way Nerval’s syncretism operates in a poetic perspective. Indeed these mythological configurations generate a specific and lyrical writing. Although in Aurelia and Les Chimères the different levels of rewriting, from the most minute to the most complete, are constructed differently depending on the textual environment, these modes of appearances of myth merge so as to question the subject and stage its quest of the self. Nerval’s lyricism feeds on the narrative and symbolic dynamics of actualisations in order to come out of the autarkical and static expression of feelings. For the paradoxical convergence of both myth, or universal narrative, and lyricism, or representation of the personal affect, occurs within a precise esthetic project. The aim is to call generic and linguistic categories into question and rediscover Orpheus’song : a speech which, liberated from its shackles, relays the voices of the world

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Kim, Soonkyung. ""Sylvie" de Gérard de Nerval et le thème du double." Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37594850s.

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Moucarbel, Roula. "Le voyage en Orient de Gérard de Nerval." Limoges, 1995. http://www.theses.fr/1995LIMO0502.

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En 1943, gerard de nerval entreprend un long periple en orient. Ce voyage dans la terre sacree devrait lui permettre de penetrer les secrets les plus profonds de la destinee humaine au moyen de l'initiation, et cela dans le cadre de la nature, la societe, les mythes, les femmes, la religion. . . Les grandes etapes de ce voyage initiatique furent l'egypte. Le liban et la turquie. Pour s'integrer a l'orient, il embrasse en un vaste syncretisme les croyances de l'islam, du christianisme, du drusisme, de l'esoterisme. . . Mais le voyage s'est revele etre un echec, car nerval n'est pas parvenu a decouvrir l'essence de l'orient. Il s'est termine sans que rien n'ait ete revele, l'initiation n'a pu aboutir a sa phase finale : la renaissance et la transformation
In 1943, g. De n. Set out for a long journey in the east. He hoped that travel in a sacred land would give him access to the deepest secrets of human destiny through an initiation to nature, religion, society, myths, women. . . The main stages of that initiative journey were egypt, lebanon and finally turkey. To become integrated in that orient. , he fused into a vast syncretism the tenets of islam, christianism, drusism, esoterism. But the journey proved a failure for he didn't manage to reach the essence of what he imagined the orient to be. It ended without bringing a revalation, initiation didn't reach its final stage : renaissance transformation

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Mitchovitch, Jean-Pierre. "Création et représentation de Léo Burckart de Gérard de Nerval." Lyon 3, 2010. https://scd-resnum.univ-lyon3.fr/in/theses/2010_in_mitchovitch_j-p.pdf.

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La thèse est une étude sur Léo Burckart. Fortement adossée sur la recherche de documents historiques, elle met à disposition la version de 1838 écrite par Dumas et Nerval, et le procès verbal de censure, et l'intégralité des articles de presse sur les représentations. En s'appuyant le cas échéant sur les récits de Gérard de Nerval, elle résout ou tente de résoudre certaines problématiques liées au texte, à savoir le nombre exact de représentations ; le décor, les chœurs (Arndt, puis Körner et Weber), le rite d'initiation de Waldeck ; elle dévoile la source d'une partie des textes qui accompagnent l'édition en volume de 1839, enfin, elle localise un exemplaire de l'édition espagnole. Par un travail comparatiste des deux versions 1838 et 1839, scène par scène, elle offre un éclairage historique, politique, littéraire et esthétique sur l'écriture nervalienne. Elle contient une liste de plus de huit cents titres de journaux et périodiques témoignant de l'activité de la presse parisienne pour l'année 1839
The thesis is a study of Leo Burckart. Leaned heavily on the research of historical documents, it provides the version written in 1838 by Dumas and Nerval, and the minutes of censorship, and the entire press articles on the performances. Based on the appropriate accounts of Gerard de Nerval, it solves or attempts to resolve certain issues related to the text, to know the exact number of performances, the scenery, the chorus (Arndt, and Körner and Weber), the initiation rite of Waldeck and it reveals the source of some of the texts that accompany the volume edition of 1839, finally, she locates a copy of the Spanish edition. For a comparative work on both versions 1838 and 1839, scene by scene, it offers a historical, political, literary and aesthetic Nervalian on writing. It contains a list of over eight hundred newspapers and periodicals reflecting the activity of the Parisian press for the year 1839

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Clark, Alice. "Gérard de Nerval, porte-parole de la réforme dramatique "shakespearienne" sous la monarchie de Juillet." Paris 3, 1992. http://www.theses.fr/1993PA030071.

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Ethier, Nathalie. "La promenade romantique chez Gérard de Nerval et George Sand /." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56940.

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The topic of this thesis is the romantic "promenade" as a literary theme in the works of two 19th century authors: Gerard de Nerval and George Sand.
We have used Rousseau's Reveries du promeneur solitaire as foundation text in our research. Our corpus is comprised of two works by Gerard de Nerval: Sylvie and Promenades et Souvenirs, as well as George Sand's Lettres d'un voyageur; included also are some exerpts of her Correspondance.
We discovered that the experience of Nerval's "promenade" equates to a quest for the past, for freedom and for Nature. He also seeks to escape mental sickness, the burden threatening his inspiration.
In George Sand's works, the "promenade" becomes an activity allowing one to overcome familial and sentimental chagrin, a means of regaining a taste for life.
In the conclusion we compared the characteristics of the theme as illustrated by both authors, and brought to light their respective peculiarities.

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Jun, Gwang-Ho. "De l'espace vécu à l'espace imaginaire : la vision théâtrale du monde dans la prose nervalienne." Aix-Marseille 1, 1997. http://www.theses.fr/1997AIX10079.

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L'ecriture comme le lieu d'un "theatre-vie", ce trait qui semble a nos yeux caracteriser les oeuvres nervaliennes revele une vision singuliere du monde. Chez nerval, la vie et le theatre s'interpenetrent avec la fusion du reel et du reve ou celle de la realite et de l'illusion. Sa vie semble etre a la fois l'objet du theatre et son lieu meme. Au-dela d'une representation-en-theatre au sens strict du terme, la vie entiere semble se vouer a la representation d'elle-meme a travers l'ecriture. L'art de conter chez notre voyageur-conteur, c'est l'art de scenifier avec une perspective theatrale. S'y ajoutent deux autres figures de nerval voyageur : voyageur-geographe et voyageur-archeologue. De l'espace vecu a l'espace imaginaire, le "je" nervalien joue, dans la vision theatrale, a l'identification aux creatures de son invention : jeux de masques dans le recit autobiographique s'accompagnent des transformations successives de (s) protagoniste (s) selon son (leur) degre d'assimilation au role. Le caractere binaire a multiples axes provient sans doute de l'errance psychique du "je" nervalien qui finit par se livrer a la confusion de l'identite, a son dedoublement conflictuel : dissension, dilution ou dissemination du moi dans le psychodrame introspectif, et, mort invitee ou mort vecue dans le monodrame dialogue ou speculaire. La derniere scene d'aurelia s'acheve, de maniere cathartique, dans une sorte de cure theatrale. C'est le denouement dynamique et paradoxal de la vita nuova nervalienne. Detheatraliser l'univers nervalien, cela signifierait desenchanter son experience, son vecu ou meme sa vie entiere et finalement lui oter l'imaginaire creatif sur quoi se fonde sa vision du monde. Car, c'est justement dans cet univers theatral, parseme d'une sorte de dramaturgie liturgique, que son aspiration poetique se nourrit le mieux du privilege imaginatif et reveur.

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Satô-Endô, Fumiko. "La recherche des formes poétiques chez Nerval de 1835 à 1855." Paris 12, 1996. http://www.theses.fr/1996PA120039.

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Le but de ce travail consiste principalement a suivre du point de vue formel l'itineraire de composition et de publication des textes poetiques en vers chez nerval, entre 1835 et 1855, et a eclaircir notamment son utilisation specifique de la forme du sonnet qu'il aurait commence a composer a partir de 1841, les premiers documents en etant dates probablement des mois de mars a novembre de cette annee. Les formes de ses textes poetiques en vers publies pendant les annees qui nous interessent, mis a part les sonnets, sont d'abord examines, ensuite la transcription et la publication de ses sonnets sont chronologiquement situees dans l'ensemble de la fabrication de ses textes. Cela fait, ses sonnets sont presentes, avec la description formelle, dans l'ordre de leur transcription et de leur publication et sont formellement examines de differents niveaux (vers, strophe, poeme et regroupement de poemes). Son utilisation de la forme du sonnet en est deduite : concentration et combinatoire. Enfin, ses sonnets, du point de vue formel, sont situes dans le resultat, provisoire, de nos recherches du sonnet francais publie dans la premiere moitie au dix-neuvieme siecle (1800-1857). L'histoire de la publication de poemes de cette forme durant ces annees est esquissee dans les grandes lignes et le resultat de la description formelle appliquee a une partie de notre corpus est presente. Divers usages de la forme du sonnet chez d'autres auteurs representatifs de l'epoque sont examines par rapport a l'usage de cette forme poetique chez nerval
The object of this work consists mainly in tracing, through a formal method, the developement of the composition and publication of nerval's poetic texts verse-forms from 1835 to 1855; particularly studying his specific use of the sonnet form, which he started writing in 1841, the first examples probably dating from march to november of that year. The style of his poetic texts verse-forms published during these years are first examined; the transcription and publication of his sonnets are then inserted chronologically into the overall scheme of his texts. Thus his sonnets are present in order of their transcription and publication, with their description and analysis from different points of view (verse, strophe, poem and group of poems). His poetic style of sonnet is thus elucidated : concentration et combination. Finally, his sonnets are situated formally, and provisionally, in the overall scheme of our research of the french sonnet as published in the first-half of the nineteenth century (1800-1857). The history of the publication of this style of poem during these years is sketched out in an overall form and the results of their description, applied to a part of our corpus, and presented. Different styles of the sonnet form amongst other authors, representative of the period, are examined in comparaison to the poetic style used by nerval

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Books on the topic "1808-1855"

1

Zoraida, Vázquez Josefina, Annino Antonio, and Museo Nacional de Historia (Mexico), eds. El primer liberalismo mexicano: 1808-1855. México, D.F: Museo Nacional de Historia, 1995.

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Stan, Valeriu. Ion Voinescu II, 1808-1855: Un revoluționar de la 1848 scos din uitare. București: SILEX, 1997.

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Tyers, Meryl. Critical fictions: Nerval's Les Illuminés. Oxford: Legenda, 1998.

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Eco, Umberto. Six walks in the fictional woods. Cambridge, Mass: Harvard University Press, 1994.

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Eco, Umberto. Sei passeggiate neiboschi narrativi: Harvard University, Norton Lectures 1992-1993. Milan: Bompiani, 1995.

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Gérard de Nerval: Janus multiplié. New York: P. Lang, 1987.

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Taguchi, Aki. Nerval. Recherche de l'autre et conquê̂te de soi: Contribution au suivi d'une genèse du Voyage en Orient. Bern, Switzerland: Peter Lang, 2010.

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Textualités de l'instable: L'écriture du Valois de Nerval. Berne: P. Lang, 1989.

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Georg, Helbrønd, and Slægtsarkivet (Viborg Denmark), eds. Slægten fra Mariegaard i Broager sogn: Omhandlende Anna Margaretha Thaysen, 1808-1836, Christian Jessen, 1796-1832, Christian Petersen, 1807-1855, Cecilia Margaretha Juhler, 1817-1884 og Tyche Henningsen, 1830-1895, deres efterkommere og forfædre. Viborg: Slægtsarkivet, 1987.

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Eco, Umberto. Shestʹ progulok v literaturnykh lesakh. Sankt-Peterburg: Symposium, 1994.

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Book chapters on the topic "1808-1855"

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Bergez, Daniel, Christiane Lauvergnat-Gagnière, Anne Paupert, Yves Stalloni, and Gilles Vannier. "Nerval (1808-1855)." In Précis de littérature française, 307–8. Armand Colin, 2023. http://dx.doi.org/10.3917/arco.berge.2023.01.0416.

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"Gérard de Nerval (1808–1855; French)." In Romanticism: 100 Poems, 150–51. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108867337.046.

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Reis, João. "2. Batuque: African Drumming and Dance between Repression and Concession: Bahia, 1808–1855." In Diasporic Africa, 45–63. New York University Press, 2022. http://dx.doi.org/10.18574/nyu/9780814733226.003.0006.

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Bentham, Jeremy. "1855 TO ÉTIENNE DUMONT 8 October 1804 (Aet 56)." In The Collected Works of Jeremy Bentham: The Correspondence of Jeremy Bentham, Vol. 7: January 1802 to December 1808, edited by J. R. Dinwiddy, 283. Oxford University Press, 1988. http://dx.doi.org/10.1093/oseo/instance.00066136.

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