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Relevant bibliographies by topics / 1809-1849 Criticism and interpretation

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Academic literature on the topic '1809-1849 Criticism and interpretation'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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Journal articles on the topic "1809-1849 Criticism and interpretation"

1

Borowczyk, Jerzy. "Ćwiczenia optyczne i duchowe. Oko i umysł w utworach lirycznych Krasińskiego i Słowackiego [Optical and Spiritual Exercises. The Eye and the Mind in the Lyrical Works of Krasinski and Slowacki]." Napis XX (2014) (December 31, 2014): 66–88. https://doi.org/10.18318/napis.2014.1.6.

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In this paper I undertake the analysis and interpretation of the poems and other statements of two romantic poets – Zygmunt Krasinski and Juliusz Slowacki. I lean primarily on the several lyrics of the first of them, created in the late 30s and early 40s of the nineteenth century, as well as on the statement from literary criticism – <em>Kilka słów o Juliuszu Słowackim</em> [‘Some words on Juliusz Slowacki’]. In the case of the second of the authors I am mostly interested in his mystical poetry, written in the years 1842-1849, but I also recall his poems: <em>God

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2

Higginson, Ian N. "The first Antarctic voyage of Edgar Allan Poe." Polar Record 30, no. 175 (1994): 287–98. http://dx.doi.org/10.1017/s0032247400024554.

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AbstractThe Palmer-Pendleton sealing and exploring expedition (1829–1831) was the first American voyage of discovery to the Antarctic that had official government sanction. For the writer Edgar Allan Poe (1809–1849), this expedition was an important landmark in an age when science was beginning to change the American continent socially, politically, and geographically. The shift away from Jefferson's agrarian Utopia was marked tangibly by increased industrialisation, the advent of the railroad, the growth of scientific societies, the beginning of elite professionalisation in the sciences, and

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3

Juma'. "Syarif Hidayatullah's Da'wah and Political Thought: a Religious Moderation Perspective." Journal of Islamic History 5, no. 1 (2025): 44–48. https://doi.org/10.53088/jih.v5i1.1430.

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This research analyzes Syarif Hidayatullah's da'wah (preaching) and politics using the concept of religious moderation. This research is a library research with main sources, archives, documents, books, journals, and other related works. The sources are obtained from searches on authoritative websites, such as Delpher, British Library, KITLV, and so on. By applying historical analysis, in the form of source criticism, interpretation and historiography, this research uses a biographical approach and leadership theory. This research shows that Syarif Hidayatullah as a scholar and umara has appli

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4

Hashim, Mahyuddin, Abd Rahman Hussien Obeid та Adnan Mohamed Yusoff. "التفسير الصوفي الإشاري في أعمال القلوب: دراسة نقدية في البحر المديد لابن عجيبة". Maʿālim al-Qurʾān wa al-Sunnah 8, № 9 (2013). http://dx.doi.org/10.33102/jmqs.v8i9.64.

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The research aims to define Tafsir Sufi Ishaari and Tafsir Al Bahr Al-Madid by Ibn Ajibah (1809). The research as well will extrapolate Tafsir Sufi Ishaari for Quranic verses in the book which related to the issue of the heart purification. The methodology for this research in analyzing information depends on the descriptive approach, and on collecting all facts and information. It also uses the analytical and criticism approach by matching the scholarly conditions of acceptance regarding Tafsir Sufi Ishari with what was interpreted by Ibn Al Ajibah. Then compare, evaluate and criticize it. Th

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5

Bach-Nielsen, Carsten. "Abildgaard, Bibelen og blasfemi." Religionsvidenskabeligt Tidsskrift, no. 19 (July 18, 1991). http://dx.doi.org/10.7146/rt.v0i19.5343.

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The Danish neoclassical painter Nicolai Abraham Abildgaard (1743-1809) received his artistic education in rome where he was influenced by the Swedish artist Sergei and the Swiss Fuseli. In 1777, he returned to Copenhagen where he became a professor at the Royal Academy of Fine Arts. In Rome, he encountered the thoughts of the European Enlightenment, revolutionary thoughts and opinions he was to hold for the rest of his life. In Copenhagen, he turned out to be a most satirical critic of the institutions of the absolute monarchy and the state church. Since the Reformation, the Danish clergy has

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6

Hertz, Ejvind, and Lisbeth M. Imer. "Runestenen fra Hørning genbelyst." Kuml 72, no. 72 (2025). https://doi.org/10.7146/kuml.v72i72.153203.

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The Hørning runestone revisited In 1849, farmer Jens Mortensen was ploughing his field when he found a runestone. It has since been known as the Hørning runestone (figs. 1 & 2). Jens Mortensen had the farm from 1809 until 1853. The field, cadastral parcel no. 3, extended from the village all the way northwards to the watercourse Aarhus Å. The text on the Hørning stoneThe Hørning stone has attracted attention from both archaeological illustrators and runologists since its discovery. The text appears quite straightforward and is translated as ‘Tóki Smith raised the stone in memory of Þorgísl

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Dissertations / Theses on the topic "1809-1849 Criticism and interpretation"

1

Brackeen, Stephanie E. (Stephanie Ellen). "Edgar Allan Poe's Use of Archetypal Images in Selected Prose Works." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501065/.

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This study traces archetypal images in selected prose fiction by Edgar Allan Poe and shows his consistent use of such imagery throughout his career, and outlines the archetypal images that Poe uses repeatedly throughout his works: the death of the beautiful woman, death and resurrection, the hero's journey to the underworld, and the quest for forbidden knowledge. The study examines Poe's use of myth to establish and uphold archetypal patterns. Poe's goal when crafting his works was the creation of a single specified effect, and to create his effects, he used the materials at hand. Some of thes

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2

Kessenich, Veronica L. "Odilon Redon, the visual poet of Edgar Allan Poe : a study of the lithographic album 'A Edgar Poë'." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14486.

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Odilon Redon, The Visual Poet of Edgar Allan Poe: A Study of the Lithographic Album A Edgar Poe argues that the album A Edgar Poe, published in 1882, fundamentally alters Redon's artistic career. The thesis advocates the importance of Poe's writing to Redon's development, contending that the lithographic album confirms nineteenth-century literary and artistic interest in Poe. The thesis maintains that, while Redon subsequently attempted to disassociate himself from the American writer, his art was recognized and admired for its Poe-esque visions. Chapter One examines Edgar Allan Poe's influenc

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3

Torrence, Avril Diane. "The people's voice : the role of audience in the popular poems of Longfellow and Tennyson." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/32172.

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At the height of their popularity in the mid-nineteenth century, a vast transatlantic readership conferred on Longfellow and Tennyson the title "The People's Poet." This examination of Anglo-American Victorian poetry attempts to account for that phenomenon. A poetic work is first defined as an aesthetic experience that occurs within a triangular matrix of text, author, and reader. As reception theorist Hans Robert Jauss contends, both the creator's and the receptor's aesthetic experiences are filtered through a historically determined "horizon of expectations" that governs popular appeal. A

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4

Sowdon, Nancy, and Nancy Sowdon. "Mendelssohn's works for cello: a musical and technical analysis." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/624869.

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Felix Mendelssohn was a many-faceted individual. While known now primarily as a composer, in his time he was also important as a virtuoso pianist and conductor. His contribution to the musical life of his time and to posterity is significant. As well as composing for nearly every genre (see Table 1) Mendelssohn was a popular soloist and dominated German conducting from 1830 until his death in 1847. Over the years his popularity has waxed and waned. The works of Mendelssohn were highly regarded during his lifetime and remained popular until about 1900. Around 1900, however, there was a major

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5

Louw, Denise Elizabeth Laurence. "A study of the numinous presence in Tennyson's poetry." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1005891.

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From Preface: A reader looking to this study for a charting of the diverse religious views held by Tennyson at different periods in his life may be disappointed. My primary concern has been not with religious forms, but with the numinous impulse. However, though I approached the topic with a completely open mind, I find my own Christian convictions have been strengthened through the study of Tennyson's poetry. As the title indicates, I have not attempted to deal with the plays. To explore both the poetry and the plays in a study of this length would have been impossible. I have perhaps been so

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6

Borda, Ann Elizabeth. "Nikolai Gogol's commedia del demonio." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26784.

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Though it is not certain to what extent Gogol was familiar with Dante, it appears he may have regarded Dead Souls I (1842) as the first part of a tripartite scheme in light of La Divina Commedia. Interestingly, the foundations for such a scheme can be found in Gogol's first major publication, Evenings on a Farm near Dikanka (1831-1832) and, in the prose fiction and plays of 1835-1836, a definite pattern is revealed. The pattern that evolved in the works of this period involves the emergence of a demonic element which shatters any illusion of a Paradise which may have been established previousl

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7

Kalkwarf, Tracy Lin. "Questioning Voices: Dissention and Dialogue in the Poetry of Emily and Anne Brontë." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2571/.

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My dissertation examines the roles of Emily and Anne Brontë as nineteenth-century women poets, composing in a literary form dominated by androcentric language and metaphor. The work of Mikhail Bakhtin, particularly concerning spoken and implied dialogue, and feminists who have pioneered an exploration of feminist dialogics provide crucial tools for examining the importance and uses of the dialogic form in the development of a powerful and creative feminine voice. As such, I propose to view Emily's Gondal poetry not as a series of loosely connected monologues, but as utterances in an inner dial

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8

Soucy, Jean-Philippe. "Six French composers’ homage to Haydn : an analytical comparison enlightening their conception of tombeau." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=104366.

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In 1909, the Revue musicale mensuelle de la Societe lnternationale de Musique (RSIM) asked six French composers (Debussy, Dukas, Hahn, d’Indy, Ravel and Wid or) to commemorate Haydn’s centennial anniversary of death by each creating a piano piece that incorporated a theme built with a letter-note correspondence on the word “Haydn”. In the context of the French fin-de-siecle search for musical identity, this collective tombeau represents a unique opportunity to discover what characteristics were important to them. My analysis of the pieces reveals five common elements: enharmonic reinterpretati

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9

Healey, Nicola. "Dorothy Wordsworth and Hartley Coleridge : the poetics of relationship." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/787.

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Louw, Denise Elizabeth Laurence. "A literary study of paranormal experience in Tennyson's poetry." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002292.

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My thesis is that many of Tennyson's apparently paranormal experiences are explicable in terms of temporal lobe epilepsy; and that a study of the occurrence, in the work of art, of phenomena associated with these experiences, may be useful in elucidating the workings of the aesthetic imagination. A body of knowledge relevant to paranormal experience in Tennyson's life and work, assembled from both literary and biographical sources, is applied to a Subjective Paranormal Experience Questionnaire, compiled by Professor V.M. Neppe, in order to establish the range of the poet's apparently "psychic"

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Books on the topic "1809-1849 Criticism and interpretation"

1

Harold, Bloom. Edgar Allan Poe. Bloom's Literary Criticism, 2012.

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2

Fisher, Benjamin Franklin. The Cambridge introduction to Edgar Allan Poe. Cambridge University Press, 2008.

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3

Thompson, Gary Richard. Poe's fiction: Romantic irony in the Gothic tales. University of Wisconsin Press, 1988.

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4

Paternu, Boris. France Prešeren: Poeta sloveno (1800-1849). Goriška Mohorjeva družba, 1999.

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Paternu, Boris. France Prešeren: Ein slowenischer Dichter, 1800-1849. Slavica Verlag A. Kovač, 1994.

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6

Pietro, Bianchi. Pietro Bianchi: 1787-1849 : architetto e archeologo. Electa, 1995.

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7

Zhili︠a︡kova, Ė. M. Tradit︠s︡ii sentimentalizma v tvorchestve rannego Dostoevskogo: (1844-1849). Izd-vo Tomskogo universiteta, 1989.

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8

Harold, Bloom, ed. Edgar Allan Poe. Bloom's Literary Criticism, 2007.

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9

Rando, Giuseppe. Le sirene del mito: Protostoria di Leopardi (1809-1818). EDAS-Edizioni Dr. A. Sfameni, 1985.

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Rando, Giuseppe. Le sirene del mito: Protostoria di Leopardi (1809-1818). EDAS, 1985.

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