Relevant bibliographies by topics / 1811-1886

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Academic literature on the topic '1811-1886'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "1811-1886"

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SANGSTER, GEORGE, ANDREW D. SWEET, and KEVIN P. JOHNSON. "Paraclaravis, a new genus for the Purple-winged and Maroon-chested Ground-doves (Aves: Columbidae)." Zootaxa 4461, no. 1 (August 20, 2018): 134. http://dx.doi.org/10.11646/zootaxa.4461.1.10.

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Previous molecular phylogenetic analyses and new analyses reported here demonstrate that the genus Claravis is not monophyletic and comprises two lineages, one with the species pretiosa Ferrari-Pérez, 1886 (Blue Ground-dove), and the other with two species: geoffroyi Temminck, 1811 (Purple-winged Ground-dove) and mondetoura Bonaparte, 1856 (Maroon-chested Ground-dove). Because the generic name Claravis is typified by C. pretiosa (Ferrari-Pérez, 1886), a new genus, Paraclaravis gen. nov., is described for geoffroyi Temminck, 1811 and mondetoura Bonaparte, 1856.
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Józsa, László. "Franz Liszt was born 200 years ago (1811–1886)." Orvosi Hetilap 152, no. 9 (February 2011): 352–54. http://dx.doi.org/10.1556/oh.2011.ho2337.

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Gut, Serge, Michael Short, and Leslie Howard. "Ferenc Liszt. (1811-1886). List of Works. Elenco delle opere." Revue de Musicologie 91, no. 1 (January 1, 2005): 269. http://dx.doi.org/10.2307/20141605.

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Davison, Alan. "Virtuosity Domesticated: Portraits of Franz Liszt by Two Biedermeier Artists." Nineteenth-Century Music Review 2, no. 1 (June 2005): 3–22. http://dx.doi.org/10.1017/s1479409800001543.

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The wide variety of nineteenth-century images of the great pianist—composer Franz Liszt (1811–1886) provides both art historians and musicologists with a rich resource through its sheer diversity and comprehensiveness. Of great potential value are the insights that Lisztian iconography may provide into the changing nature of Romanticism and music during much of the nineteenth century.
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Кондратьев, Евгений Николаевич, та Василий Викторович Аникин. "Список мух-кровососок (Diptera: Hippoboscidae) Среднего и Нижнего Поволжья". Полевой журнал биолога 2, № 4 (30 грудня 2020): 289–91. http://dx.doi.org/10.18413/2658-3453-2020-2-4-289-291.

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В статье приведены новые сведения о фауне мух-кровососок Среднего и Нижнего Поволжья. Материал собран на территории Республики Татарстан (2018) и Саратовской области (2014, 2016– 2018, 2020). На основании литературных данных и личных сборов показано, что фауна мух- кровососок представлена не менее чем 10 видами: Crataerina pallida (Olivier in Latreille, 1811), Icosta ardeae (Macquart, 1835), Olfersia fumipennis (Sahlberg, 1886), O. spinifera (?) (Leach, 1817), Ornithoica turdi (Olivier in Latreille, 1811), Ornithomya avicularia Linnaeus, 1758, O. chloropus Bergroth, 1901, O. fringillina Curtis
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Tanguy, Jean-François. "Gobbi, Gérald, Le comte de Falloux, 1811-1886. Entre Église et monarchie." Annales de Bretagne et des pays de l'Ouest, no. 118.2 (May 30, 2011): 183–86. http://dx.doi.org/10.4000/abpo.2032.

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Guyver, C. "Le Comte de Falloux 1811-1886: Entre Eglise et monarchie, by Gerald Gobbi." English Historical Review 127, no. 529 (November 28, 2012): 1557–59. http://dx.doi.org/10.1093/ehr/ces247.

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Teixeira, Thiago Plaça. "Sinos de Nepomuceno: intertextualidade em Cloches de Noël." OPUS 23, no. 3 (November 26, 2017): 109. http://dx.doi.org/10.20504/opus2017c2306.

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O presente artigo propõe a realização de uma análise musical da peça para piano Cloches de Noël (Sinos de Natal, 1915), do compositor brasileiro Alberto Nepomuceno (1864-1920), procurando encontrar relações intertextuais. A análise demonstra uma aproximação estilística da peça com a obra religiosa de Franz Liszt (1811-1886), principalmente no que concerne a quatro aspectos: (1) a utilização explícita de melodias gregorianas; (2) a harmonização de tais melodias com emprego exclusivo de consonâncias; (3) a referência extramusical e idiomática ao som dos sinos das igrejas e (4) a estrutura formal
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Zocchi, Paola. "Medicina e Risorgimento nel carteggio tra Andrea Verga (1811-1895) e Agostino Bertani (1812-1886)." STORIA IN LOMBARDIA, no. 1 (October 2018): 112–37. http://dx.doi.org/10.3280/sil2017-001007.

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Waszkiel, Halina. "Katarzyna z Fröhlichów Bogusławska." Pamiętnik Teatralny 52, no. 3/4 (December 30, 2003): 326–36. http://dx.doi.org/10.36744/pt.1745.

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Autorka podejmuje próbę rekonstrukcji biografii Katarzyny Fröhlich (1811–1886), absolwentki warszawskiej szkoły baletowej, w Teatrze Wielkim szlifującej talent pod okiem Julii Mierzyńskiej. Wymienia spektakle z udziałem tancerki, w tym w partiach solowych, przywołuje pochlebne opinie prasowe o „solo mazurze” z Wesela polskiego w Ojcowie. Uwypukla istotną funkcję życiową szkoły baletowej, którą ubogie, niepiśmienne rodziny wybierały dla swoich dzieci jako szansę na nieodpłatne zdobycie zawodu i kapitału społecznego. Podkreśla, że decyzja tancerki o zakończeniu kariery baletowej wynikała z zamąż
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Dissertations / Theses on the topic "1811-1886"

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Gobbi, Gerald. "Biographie d'Alfred Frédéric : comte de Falloux 1811 - 1886." Paris 10, 2009. http://www.theses.fr/2009PA100018.

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La thèse de Doctorat intitulé « Alfred-Frédéric, comte de Falloux (1811-1886» soutenue par le doctorant Gérald GOBBI sous la direction de monsieur le professeur traite de la vie publique et privée du comte Alfred de falloux. Homme politique français du XIXe siècle de tendance légitimiste, il oeuvra à la restauration de la monarchie française à travers le fusionnisme. L’évolution socio-politique française, amorcée depuis la Révolution de 1789, conduisit à la défaite de sa famille politique : le dernier quart du siècle vit le triomphe de la République en France. En tant que catholique, Alfred de
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Charrier, Jacques. "Alfred de Falloux, 1811-1886 étude de sociologie historique au XIXe siècle." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37596623t.

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Charrier, Jacques. "Alfred de Falloux, 1811-1886 : étude de sociologie historique du XIX e siècle." Paris 2, 1986. http://www.theses.fr/1986PA020095.

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La biographie d'un homme politique, depute, representant du maine-etloire, ministre de l'instruction publique, avec une etude de sociologie historique du xixeme siecle concernant les divers milieux de la societe francaise et les grandes questions de la vie francaise. Les sujets sont: la legitimite restauree, l'opposition des legitimistes sous la monarchie de juillet,-la seconde republique et le second empire, et leurs esperances de restauration apres 1870, les questions monarchique et electorale - le parti catholique, la question libera- le, les polemiques entre les catholiques liberaux et les
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Lee, Yoon Ju. "Selected operatic paraphrases of Franz Liszt (1811-1886): Compositional style and performance perspectives." Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/284277.

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This study investigates Liszt's compositional style, and considers performance perspectives in his operatic paraphrases, Reminiscences de Don Juan and Valse de l'opera "Faust" de Charles Gounod. The great body of transcriptions by Liszt forms an important contribution to the development of piano music, combining technical challenges, innovative notation, dramatic projection, and pianistic effects. Reminiscences de Don Juan and Valse de l'opera "Faust" de Charles Gounod offer good examples of Liszt's genius in condensing an operatic score into a viable piano texture. Rather than offering simple
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Grobler, Pieter Johannes Christoffel. "Franz Liszt (1811-1886) the Two episodes from Lenau's Faust as a unified work /." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3970.

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Thesis (D.M.A.)--University of North Texas, 2007.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Sept. 20, 2004, Oct. 24, 2005, Mar. 6, 2006, and Apr. 21, 2007. Includes bibliographical references (p. 41-42).
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Van, Dine Kara Lynn. "Musical Arrangements and Questions of Genre: A Study of Liszt's Interpretive Approaches." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28488/.

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Through his exceptional creative and performing abilities, Franz Liszt was able to transform compositions of many kinds into unified, intelligible, and pleasing arrangements for piano. Nineteenth-century definitions of "arrangement" and "Klavierauszug," which focus on the process of reworking a composition for a different medium, do not adequately describe Liszt's work in this area. His piano transcriptions of Schubert's songs, Berlioz's Symphonie fantastique and the symphonies of Beethoven are not note-for-note transcriptions; rather, they reinterpret the originals in recasting them as compos
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Le, Diagon-Jacquin Laurence. "La Musique de Liszt et les arts visuels : essai d'analyse comparée d'après Panofsky, illustrée d'exemples, Sposalizio, Totentanz, Von der Wiege bis zum Grabe." Université Marc Bloch (Strasbourg) (1971-2008), 2003. http://www.theses.fr/2003STR20056.

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La passion de Liszt pour l'art en général révèle son imagination synesthésique : il ne peut regarder certaines œuvres sans les mettre spontanément en musique. Ses écrits, lettres et articles, révèlent sa culture et sa connaissance de l'art et du milieu artistique. Son texte sur la sainte Cécile de Raphae͏̈l dévoile ses réels talents de critique d'art, et son coup d'œil très sensible. La façon dont il parle du tableau nous a fait penser à la méthode de Panofsky, que nous avons donc choisi d'adapter à la musique de Liszt inspirée d'art visuel. Cette méthode procède en trois étapes, que Panofsky
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Bongrain, Anne. "La thématique des poèmes symphoniques de Liszt : contribution à l'étude de l'expressivité musicale dans la musique à programme." Paris 4, 1985. http://www.theses.fr/1985PA040055.

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Goodchild, Neil John English Media &amp Performing Arts Faculty of Arts &amp Social Sciences UNSW. "Liszt's technical studies: a methodology for the attainment of pianistic virtuosity." Awarded by:University of New South Wales, 2007. http://handle.unsw.edu.au/1959.4/38153.

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In 1970, the Hungarian publishing firm Editio Musica Budapest began a long term project, ending in 2005, that endeavored to compile and publish all Liszt's works in a complete edition titled, The New Liszt Edition (NLE). Through the efforts of this firm, Liszt's Technical Studies were published in the way that he had originally intended for the first time in 1983. Yet, although the eminent Liszt-scholar Michael Saffle has stated that 'Pedagogy is one of the most thoroughly-mined veins of Liszt material ever uncovered', academic discussions on Liszt's Technical Studies (Walker, 2005), his defin
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Vavrušová, Andrea. "Franz Liszt: Totentanz." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-261365.

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Books on the topic "1811-1886"

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Ier, Bibliothèque royale Albert, ed. Franz Liszt, 1811-1886. Bruxelles: Bibliothèque royale Albert Ier, 1986.

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Smith, Sarah. Hodgson & Robinson archive, 1811-1886. Manchester: John Rylands University Library of Manchester, 1997.

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Fischer, Urs. Der Orgelbauer Friedrich Haas (1811-1886). Zürich: Fotorotar, 2002.

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Hamilton, Kenneth. Liszt, Sonata in B minor. Cambridge: Cambridge University Press, 1996.

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Eckhardt, Mária P. Franz Liszt,1811-1886: Hungarian and European. Budapest]: Commissioned by the Liszt Ferenc Memorial Museum and Research Centre, 2011.

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László, Csányi, ed. Szekszárd és nagyvilág: Liszt Ferenc, 1811-1886-1986. [Szekszárd]: Szekszárd Város Tanácsa, 1987.

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1946-, Saffle Michael, ed. Liszt and his world: Proceedings of the International Liszt Conference held at Virginia Polytechnic Institute and State University, 20-23 May 1993. Stuyvesant, N.Y: Pendragon Press, 1998.

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Gobbi, Gérald. Le comte de Falloux: 1811-1886 : entre église et monarchie. Rennes: Presses Universitaires de Rennes, 2010.

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Liszt, Franz. Complete etudes for solo piano. New York: Dover Publications, 1988.

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1866-1924, Busoni Ferruccio, ed. Complete etudes for solo piano. New York: Dover Publications, 1988.

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Book chapters on the topic "1811-1886"

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Gobbi, Gérald. "Remerciements." In Le comte de Falloux (1811-1886), 7. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.102557.

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Gobbi, Gérald. "Chapitre I. Une enfance angevine." In Le comte de Falloux (1811-1886), 11–19. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.102563.

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Gobbi, Gérald. "Chapitre II. Les années parisiennes." In Le comte de Falloux (1811-1886), 21–31. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.102566.

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Gobbi, Gérald. "Chapitre III. Le tour d’Europe." In Le comte de Falloux (1811-1886), 33–52. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.102569.

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Gobbi, Gérald. "Chapitre IV. Le catholicisme social." In Le comte de Falloux (1811-1886), 53–65. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.102572.

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Gobbi, Gérald. "Chapitre V. La gestation politique." In Le comte de Falloux (1811-1886), 69–75. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.102578.

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Gobbi, Gérald. "Chapitre VI. Du député du segréen..." In Le comte de Falloux (1811-1886), 77–96. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.102581.

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Gobbi, Gérald. "Chapitre VII. ... Au représentant du peuple." In Le comte de Falloux (1811-1886), 97–112. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.102584.

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Gobbi, Gérald. "Chapitre VIII. Le ministère de l’Instruction publique et des Cultes : le « ministre de l’Église »." In Le comte de Falloux (1811-1886), 113–52. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.102587.

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Gobbi, Gérald. "Chapitre IX. Le légitimiste au service de la restauration bourbonienne : la première tentative de fusion monarchique." In Le comte de Falloux (1811-1886), 153–71. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.102590.

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