Relevant bibliographies by topics / 1819-1892

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic '1819-1892'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic '1819-1892.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "1819-1892"

1

Riva, Michele A., Lorenzo Lorusso, and Vittorio A. Sironi. "Cesare Vigna (1819–1892)." Journal of Neurology 261, no. 2 (June 7, 2013): 449–50. http://dx.doi.org/10.1007/s00415-013-6988-x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Singh, Arun P., and Tribhuwan Singh. "Occurrence and association of the Scarce Lilacfork Lethe dura gammiei (Moore, [1892]) (Lepidoptera: Nymphalidae: Satyrinae) with Woolly-leaved Oak Quercus lanata Smith, 1819 (Fabaceae) forest in the Kumaon region of the Indian Himalaya." Journal of Threatened Taxa 12, no. 3 (February 26, 2020): 15387–90. http://dx.doi.org/10.11609/jott.5467.12.3.15387-15390.

Full text
Abstract:
The current findings are the first site specific records of L.d.gammiei Moore,1892 (Lepidoptera: Nymphalidae: Satyrinae) from the Kumaon region of the Himalaya and its unique association with Woolly-leaved Oak, Q.lanata Smith, 1819 over there.
APA, Harvard, Vancouver, ISO, and other styles
3

Volynkin, Anton V. "RESTORATION OF THE GENUS GURNA SWINHOE, 1892 (LEPIDOPTERA, EREBIDAE, ARCTIINAE)." Biological Bulletin of Bogdan Chmelnitskiy Melitopol State Pedagogical University 6, no. 3 (December 19, 2016): 290–94. http://dx.doi.org/10.15421/201697.

Full text
Abstract:
<p>The genus <em>Gurna </em>Swinhoe, 1892 is restored from synonymy with <em>Miltochrista </em>Hübner, [1819] basing on the study of the type-species of the genus. The diagnosis for the genus in comparison with related genera is given. Adults, male and female genitalia of the type species of all genera mentioned are illustrated.</p>
APA, Harvard, Vancouver, ISO, and other styles
4

Dunn, P. M. "Dr Carl Crede (1819-1892) and the prevention of ophthalmia neonatorum." Archives of Disease in Childhood - Fetal and Neonatal Edition 83, no. 2 (September 1, 2000): 158F—159. http://dx.doi.org/10.1136/fn.83.2.f158.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Gallois, Nicolas. "Clément Juglar (1819-1905) Nikolaï Kondratieff (1892-1938). Les cycles économiques." Sciences Humaines Les Essentiels, HS5 (February 9, 2019): 129. http://dx.doi.org/10.3917/sh.hs5.0129.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Wahlberg, Niklas, Jana Maresova, Leidys Murillo-Ramos, Steve Collins, and Li-Wei Wu. "The phylogenetic positions of Bhagadatta Moore, 1898, Kumothales Overlaet, 1940 and Harmilla Aurivillius, 1892 (Lepidoptera, Nymphalidae, Limenitidinae) based on molecular data." Nota Lepidopterologica 43 (May 29, 2020): 167–71. http://dx.doi.org/10.3897/nl.43.50307.

Full text
Abstract:
We sequenced multiple genes from the enigmatic genera Bhagadatta Moore, 1898, Kumothales Overlaet, 1940 and Harmilla Aurivillius, 1892 (Nymphalidae, Limenitidinae) and analysed them together with a large published dataset. We find that Bhagadatta is sister to the genera Cymothoe Hübner, 1819+Harma Doubleday, 1848, and that Kumothales is sister to these three. Harmilla is nested within the genus Euriphene Boisduval, 1847. We thus transfer Kumothales and Bhagadatta to the tribe Cymothoini, and we synonymise Harmillasyn. nov. with Euriphene.
APA, Harvard, Vancouver, ISO, and other styles
7

Осмаев, А. Д., and П. А. Осмаева. "АПШЕРОНСКИЙ ПОЛК В ЧЕЧНЕ В НАЧАЛЬНЫЙ ПЕРИОД КАВКАЗСКОЙ ВОЙНЫ." Материалы Всероссийской научно-практической конференции молодых ученых «Наука и молодежь», no. 1 (November 13, 2020): 324–28. http://dx.doi.org/10.36684/30-2020-1-324-328.

Full text
Abstract:
Апшеронский полк – одно из известных соединений Российской императорской армии, которое принимало участие в ходе почти всего периода Кавказской войны, его солдаты и офицеры отмечены многочисленными наградами, да и сам полк удостаивался высоких наград. Полк и его подразделения активно действовали и на территории Чечни с 1819 г., когда боевая единица пополнила, по просьбе генерала А. Ермолова, Кавказский корпус, участвуя в боевых столкновениях, штурме сел, их разорении. Богуславский Л.А. в трехтомной истории полка, изданной в 1892 г., подробно описал его боевой путь, именно на это произведение мы опирались при подготовке статьи.
APA, Harvard, Vancouver, ISO, and other styles
8

Magrini, Sara, and Anna Scoppola. "Cytological status of Viola kitaibeliana (Section Melanium, Violaceae) in Europe." Phytotaxa 238, no. 3 (December 16, 2015): 288. http://dx.doi.org/10.11646/phytotaxa.238.3.9.

Full text
Abstract:
Viola kitaibeliana Schultes in Roemer & Schultes (1819: 383) was described for “Pannonia” as a small pansy with “caule erecto simplicissimo, foliis grosse crenatis, inferioribus subrotundis glabris, superioribus obovatis, stipulis similibus subintegerrimis, basive subpinnatis, petalo cornuto calycem glabrum aequante, reliquis brevioribus. Arvensi proxima, hac praecocior multo, (Aprili florens!) tenerior, et notis indicatis satis distincta. Flores 2, vel unicus, raro tres, oblique erecti in pedunculis folia excedentibus.” (Typus: M0112803; Fig. 1). Thereafter, many other names have been assigned to similar pansies described outside the Pannonian region: e.g. V. tricolor Linneus (1753: 935) var. nana De Candolle (1824: 304) and V. nemausensis Jordan (1846: 18) in France, V. tricolor subsp. minima Gaudin (1828: 210) in Switzerland, V. tricolor var. trimestris De Candolle (1824: 304), V. tricolor var. henriquesii Willk. ex Coutinho (1892: 36) and V. tricolor var. machadeana Coutinho (1892: 36) in the Iberian Peninsula. None of these taxa have been reported in Flora Europaea by Valentine et al. (1968) and later they have been included in V. kitaibeliana or placed in synonymy with it in the main floras (e.g. Muñoz Garmendia et al. 1993). According to Valentine et al. (1968) and to the updates of Magrini & Scoppola (2015b), in Europe V. kitaibeliana is widespread from Southwest to East, extending to Ukraine (Fig. 2).
APA, Harvard, Vancouver, ISO, and other styles
9

Ebert, Andreas, and Matthias David. "Meilensteine der Präventionsmedizin. Carl Siegmund Franz Credé (1819–1892), der Credésche Handgriff und die Credésche Augenprophylaxe." Geburtshilfe und Frauenheilkunde 76, no. 06 (June 27, 2016): 675–78. http://dx.doi.org/10.1055/s-0042-106625.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Aguiar, Nair Otaviano, and Paulo Friedrich Bührnheim. "Pseudoscorpionida (Arachnida) em galerias de colônias de Passalidae (Coleoptera, Insecta) em troncos caídos em floresta de terra firme da Amazônia, Brasil." Acta Amazonica 41, no. 2 (2011): 311–20. http://dx.doi.org/10.1590/s0044-59672011000200018.

Full text
Abstract:
Em sete municípios do Amazonas, um de Rondônia e um de Roraima, foram examinadas 71 colônias de 24 espécies de Passalidae (Coleoptera), pertencentes aos gêneros: Passalus Fabricius, 1792 (14 espécies); Paxillus Mac Leay, 1819 (três); Popilius Kaup, 1871 (três); Spasalus Kaup, 1869 (uma); Verres Kaup, 1871 (uma); Veturius Kaup, 1871 (duas). Foram registradas doze espécies de pseudoscorpiões, incluindo nove gêneros e cinco famílias, listadas a seguir: Chernetidae - Americhernes aff. incertus Mahnert, 1979, Cordylochernes scorpioides (Linnaeus 1758), Lustrochenes similis (Balzan 1892), L. aff. reimoseri Beier, 1932, L. intermedius (Balzan 1892), Phymatochernes crassimanus Mahnert 1979; Chthoniidae - Pseudochthonius homodentatus Chamberlin, 1929; Lechytiidae - Lechytia chthoniiformis (Balzan 1887); Tridenchthoniidae - Tridenchthonius mexicanus Chamberlin & Chamberlin 1945; Withiidae - Cacodemonius sp., Dolichowithius (D.) emigrans (Tullgren 1907), D. (D.) mediofasciatus Mahnert, 1979. Dentre as espécies mais freqüentes (T. mexicanus, L. intermedius e L. aff. reimoseri), ocorreram todos os estágios de desenvolvimento. Foram coletadas de uma a três espécies de pseudoscorpiões em cada colônia individual de besouros passalídeos. T. mexicanus foi a única espécie encontrada em todos os municípios, ocorrendo em 45 colônias de dezenove espécies de passalídeos, sendo a maioria dos exemplares encontrado no subcórtex. L. intermedius foi a segunda espécie mais abundante, ocorrendo em colônias de 11 espécies de Passalidae, a maioria também no subcórtex. L. aff reimoseri ocorreu em 13 colônias de Passalidae, sob a casca, alburno e cerne. L. aff. reimoseri foi a única espécie coletada somente no cerne.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "1819-1892"

1

Nautiyal, Nandita. ""This self is Brahman" : Whitman in the light of the Upanishads." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26747.

Full text
Abstract:
This thesis examines the reasons why Walt Whitman has been a "puzzle" to literary critics for well over a century. It shows the correspondence between Walt Whitman's work and the mystical tradition of East as also interpreted by American Transcendentalists. Enquiry into "self" is the central theme of most of Whitman's work. Two aspects of this enquiry have been investigated in this thesis and compared with the Upanishads: the development of self; and the use of contradictions as a means of conveying meaning. Both aspects support the view that Whitman displays a worldview not in accordance with the popular Western view in which God and man are entirely different and can never meet on equal terms. Whitman's view can be compared to that of the American Transcendentalists and Neoplatonists which finds a sympathetic chord in the native European tradition of humanistic values as well as in the Upanishads. Whitman works from a state of consciousness that is different in spirit and structure from the Hegelian dialectical principle which has wielded so much influence over Western thought. Whitman's poetry is remarkably akin to that of the Upanishadic writers in whose consciousness the subject and object have fused into one. Whitman is shown to draw his ideas from a depth of the human psyche that is often associated with Eastern thought but which is also present in the West. Four stances of self in Whitman's work have been identified which are seen to be related to, but not identical with, four states of consciousness in the Upanishads. The thesis concludes that not only is there a remarkable degree of correspondence between Walt Whitman and the Upanishads, both in respect to development of the self and use of contradictions, but that interpreting him in the light of the Upanishads provides another modern opportunity for meeting of the East and the West.
APA, Harvard, Vancouver, ISO, and other styles
2

Preston, Nathaniel H. "Passage to India and back again : Walt Whitman's democratic expression of vedantic mysticism." Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/902498.

Full text
Abstract:
Democracy and mysticism are two prominent themes of Walt Whitman's writings, yet few critics have explored the connections that may exist between these areas. Some critics have noted that Whitman holds an ideal of "spiritual democracy," in which all people are equal due to their identity with a transcendent self such as that found in "Song of Myself," but they have not identified the best philosophical model for such a political viewpoint. I believe that the parallel between Whitman's thought and Vedantic mysticism, already developed by V. K. Chart and others, may be expanded to account for Whitman's political thought. Past studies of Whitman and Vedanta have focused only on the advaitic aspects of his writing, but in his later years he came to adopt a visistadvaitic stance similar to that of Ramanuja. In the political sphere, his concept of a Brahmanic self shared by all people led him to not only believe that all people are equal, but that they also possess the capacity to become contributors to a democratic society. Whitman felt that the poet was the primary means by which the masses could attain mystical consciousness and the concomitant social harmony. The ideal poet described in Democratic Vistas and the Preface to the 1855 Leaves of Grass serves as a mediator between the people as they are and Whitman's ideal of a completely unified democratic society and thereby parallels the Vedantic guru's function of bridging the relative and absolute levels of reality.
Department of English
APA, Harvard, Vancouver, ISO, and other styles
3

Janssen, David. "Walt Whitman's Poetics of Labor." PDXScholar, 1993. https://pdxscholar.library.pdx.edu/open_access_etds/4593.

Full text
Abstract:
The purpose of this thesis is to organize and examine Walt Whitman's poetic representations and discussions of laborers and labor issues in order to argue that form a distinct "poetics" of labor in Leaves of Grass. This poetics of labor reveals that Whitman was attempting to enlarge the audience for American poetry by representing American society at work in poetry. Whitman also used labor as a poetic subject in order to justify the work of the poet in that society. In this sense, Whitman's poetics of labor is comprised of numerous demonstrations of his argument for the labor of poetry because the representation of America at work is contained within the work of the poet. The organization of this thesis rests upon a distinction between the work of the hands and the work of the mind. This distinction resonates in nineteenth century American literature, and it is especially important to debates about the status of the writer in a working democratic society. This question figures prominently in the works of Emerson and Thoreau, and a central issue for both of them is whether or not the writer should participate in the work of the hands. Whitman engages in this debate as well, and argues that the poet can participate in all kinds of work through poetic representation. He participates by representing workers in poetry, and in Whitman's argument the poet then becomes a representative of those workers. A central premise of this thesis is that Whitman's poetry of labor demonstrates an attempt to ensure that America works according to Whitman's interpretation of democracy. This is most apparent in poems where he directly addresses his working audience, and those addresses reveal a specific ideology behind Whitman's poetics of labor. That is, Whitman attempts to level the implicit hierarchical organization of different kinds of work. For instance, in such poems as "Song for Occupations" and "Song of the Broad-Axe," Whitman engages in a conversation with manual laborers in an effort to acknowledge their value and significance to the democratic process. As he celebrates their contribution, he also associates his own work with them, and argues for the · usefulness of such poetry to that process as well. In such poems as "When I Heard the Learn'd Astronomer'' and "To A Historian," Whitman addresses those who labor with the mind in order to include them in the dialogue, and also to argue that the majority of that work needs to be revised because its claim for authority perpetuates hierarchical distinctions. Whitman offers poetry as a solution, and argues that it is central to democracy because it "completes" all labor by fusing the work of the community with the work of shaping individual identity that comes from reading and writing poetry. This thesis draws upon New Historicist methodologies and approaches to Whitman in order to reconstruct the significance of labor in Whitman's poetics. The poetry which directly addresses laborers and labor issues in Leaves of Grass forms the basis of the argument, but Whitman's relevant prose is considered in detail as well. In particular, Democratic Vistas is examined for its claims that the "work" of poetry is itself incomplete. "Work" is used here to refer both to the aesthetic object and the effort involved in reading it. In other words, Whitman argues that the work of poetry, like the work of democracy, is a continuous, recursive process.
APA, Harvard, Vancouver, ISO, and other styles
4

Brown, Bryce Dean. "Whitman's Failures: "Children of Adam" in the Light of Feminist Ideals." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc503937/.

Full text
Abstract:
Walt Whitman was a feminist, and this assertion can be supported by excerpts from his prose, poetry, and conversation. Furthermore, the poet's circle of associates, chronology, and place of residence also lend credence to the hypothesis stating Whitman's subscription to feminist credos. A pro-feminine attitude is evident in much of Whitman's work, and his ties to the women's rights movement of the nineteenth century do influence the poet's portrayal of women. But the section of poems titled "Children of Adam" proves to be an anomaly in Walt Whitman's feminist attitudes. Instead of portraying women as equals, able to walk a path of equanimity with males, the women of "Children of Adam" are often obscured in linguistic veils or subjugated to the poet's Adamic rhetoric.
APA, Harvard, Vancouver, ISO, and other styles
5

McHenry, Patrick J. "With music strong I come : Whitman's cultural influence through folk music." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/287.

Full text
Abstract:
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
English Literature
APA, Harvard, Vancouver, ISO, and other styles
6

Morales, Muñoz Víctor. "Whitman's body and soul politic in Leaves of grass: a scientific and sensory reinvigoration of the United States." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/137778.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Montoya, Gálvez Natalia. "Poetic intimacy: poet and reader : the exploration of prophetic voice in Blake and Whitman." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/137771.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Saraiva, Junior Gentil. "Re-creating Walt Whitman's Leaves of Grass into portuguese." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15552.

Full text
Abstract:
Este trabalho está focalizado na tradução criativa da poesia de Walt Whitman para o português. O termo utilizado para nos referir a este processo é recriação, ou seja, uma tradução que vai além da tradução literal (que privilegia apenas os significados), buscando um trabalho de reconstrução conjunta de significados e significantes, dada a relação profunda existente entre ambos (o capítulo 3 trata desse método de tradução criativa, aqui indicado, além de abordar temas relacionados a este na poesia, como verso livre, ritmo, metro, etc.). Esse termo foi emprestado de meus mestres neste tipo de tradução, que são os poetas Concretistas brasileiros: Haroldo de Campos, Augusto de Campos e Décio Pignatari. Em inglês, utilizamos essa palavra com hífen, “re-creation” (e seus derivados), devido ao fato de que “recreation” indica apenas recreação, divertimento, e não um “criar de novo”. É preciso lembrar que o precursor neste campo tradutório, da tradução a qual também é criação, foi Ezra Pound, que nos trouxe a idéia de renovação constante da poesia via tradução, e recebe atenção mais aprofundada nas seções 3.2 e 3.3. Há outras traduções da obra de Whitman em português, inclusive uma edição completa de Folhas de Relva pela Martin Claret (2005), das quais fornecemos um histórico na seção 2.2, entretanto, nenhuma delas foi feita de modo semelhante ao nosso. Deste modo, o trabalho que apresentamos aqui é inédito, embora não seja completo. No corpo desta tese, no capítulo 4, apresentamos a recriação de vinte peças literárias, entre poemas e livros, do conjunto de Folhas de Relva, que é o volume que engloba a poesia completa de Whitman. Dentro das recriações apresentadas aqui, está o poema “Do Berço Infindamente Embalando,” que faz parte de Detrito-Marinho, o qual havia sido acrescentado como anexo em minha Dissertação de Mestrado. O poema foi revisado e corrigido e foi incluído aqui para que a seção Detrito- Marinho ficasse completa. Na seção 2.1 há uma explicação da história editorial de Folhas de Relva. Além do contexto histórico dessa publicação, o capítulo 2 apresenta uma análise crítica da obra e do autor e discute um símbolo central nas Folhas, que é o cálamo. A recriação do livro “Cálamo”, bem como de “Descendentes de Adão” e “Canção de Mim Mesmo,” integra o texto da minha dissertação de mestrado (SARAIVA, 1995).
This work focuses on the creative translation of Walt Whitman’s poetry into Portuguese. The term that we use to refer to this process is re-creation, which is a type of translation that goes beyond literal translation (which favors the signified), searching for a work of conjoined reconstruction of signified and signifiers, due to the profound relation that exists between them (chapter 3 explains this method of creative translation; it also discusses the themes that are related to this in poetry, such as free verse, rhythm, meter, etc.). The term re-creation was borrowed from our masters in this type of translation, the Brazilian Concretist poets: Haroldo de Campos, Augusto de Campos and Décio Pignatari. In English, we use this word hyphenated, “re-creation” (and its derivatives), due to the fact that “recreation” indicates only diversion, an activity that is performed for relaxation and pleasure, and not “creating again”. It is necessary to remember that the precursor in this translatorial field, of translation which is also creation, was Ezra Pound, who brought us the idea of constant renewing of poetry via translation, and who is given more attention in sections 3.2 and 3.3. There are other translations of Whitman’s works in Portuguese, including a complete edition of Leaves of Grass by Martin Claret publishing house (2005), of which we provide an account in section 2.2, however, none of them was carried out in a similar way to our own. Thus, the work we present here is original, although it is not complete. In the body of this dissertation, in chapter 4, we present the re-creation of twenty literary pieces, among poems and books, from Leaves of Grass, which is the volume that assembles the complete poetry of Whitman. Within the re-creations presented here, there is the poem “Out of the Cradle Endlessly Rocking”, which is part of Sea-Drift, and which had been added as an annex to our Master’s thesis. This poem has been revised and corrected, and has been included here in order for the Sea-Drift cluster to be complete. In section 2.1 there is an explanation about the publishing history of Leaves of Grass. In addition to the historical context of this publication, chapter 2 presents a critical analysis of the works, author, and a central symbol in the Leaves, which is the calamus root. The re-creation of “Calamus”, as well as of “Children of Adam” and “Song of Myself” appears in our Master’s thesis (SARAIVA, 1995).
APA, Harvard, Vancouver, ISO, and other styles
9

Gambarotto, Bruno. "Walt Whitman e a formação da poesia norte-americana (1855-1867)." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-21052007-145634/.

Full text
Abstract:
O objetivo desta dissertação é analisar alguns dos momentos decisivos do processo de formação da poesia norte-americana, marcados pelas quatro primeiras edições (1855, 1856, 1861,1867) de Leaves of Grass, de Walt Whitman. A escolha desses momentos sublinha o caráter engajado do projeto poético de Whitman, que não visava à mera aclimatação da poesia européia no Novo Mundo, mas sim à constituição formal de uma poesia norte-americana adequada à realidade social de seu país. Nesse sentido, a leitura das quatro primeiras edições de Leaves of Grass pressupõe dois movimentos complementares: o entendimento dessa poesia enquanto resposta aos inúmeros conflitos que perpassam as décadas de 1850 e 1860 norte-americanas, quando a modernização, encabeçada pela industrialização e pelo trabalho livre, entra em choque definitivo com estruturas sociais de origem colonial, baseadas tanto na exploração do trabalho escravo como na própria constituição descentralizada da república; e a configuração literária desses problemas, em que veremos elementos constitutivos da poesia romântica européia em relação dialética com formas locais de expressão, muitas vezes estranhas ao quadro literário do Velho Mundo, mas reforçadas pela pretensão de se fazer valer (não sem contradições) uma literatura de caráter nacional. Para tanto, nossa análise toma não apenas a longa tradição de estudos hitmanianos, que atualmente têm se dedicado à revisão histórica de Leaves of Grass centrada quase que exclusivamente na experiência social norte-americana, mas a própria tradição crítica brasileira, na qual se consolidou um importante corpo de conceitos e debates acerca da posição periférica das literaturas do Novo Mundo em relação à Europa, o que nos permite tanto colocar a literatura de Whitman em um quadro mais abrangente de formação literária como observar ali algumas questões comuns às experiências brasileira e norte- americana para a consolidação de seu sistema literário, tais como o caráter empenhado da elite literária; a busca de novas formas; a representação e afirmação, na lírica, do indivíduo e da natureza do país; as questões éticas e econômicas ligadas ao problema da escravidão; e a relação ambígua e contraditória com os movimentos literários europeus.
The purpose of this dissertation is to analyze some of the decisive moments in the making of North American poetry, determined by the development, from 1855 to 1867, of the four initial editions of Walt Whitman\'s Leaves of Grass. The choice of these remarkable moments serves to underline the engaged feature of Whitman´s poetical accomplishment, which implied not the mere transposition of European literary thought into the New World, but mainly the formal constitution of a national poetry fit for the social environment of the United States. In this sense, the analysis of these four Leaves of Grass´ editions (1855, 1856, 1861, 1867) presupposes two complementary ways: firstly the acknowledgment of Whitman´s poetry as a response to the social tensions in North American midnineteenth century, when modernity, led by free labor and industrialization, collides with colonial and pre-modern social structures, based upon slavery and the very descentralized commercial Republic constitution; secondly the literary configuration of these tensions, in which we observe elements of the literary Romanticism dialetically linked to local forms of expression, some of them alien to the literary achievements of the Old World, but reinforced by the founding project of a national literature. To attend these questions, this dissertation recovers the long tradition of Walt Whitman studies - dedicated in the present time to the historical revisioning of the poet´s works centered almost exclusively in the North American social experience - by the light of the Brazilian critical tradition, in which very important concepts and debates over the periferical position of New World literatures were consolidated. This theoretical perpective allows us not only to place Leaves of Grass in a wider perspective of New World literatures but also to build a indirect comparative view that rests upon some important questions to the North American and Brazilian literary traditions, as the engaged ethos of their literary elites; the search for new literary forms; the lyrical affirmative representation of national individuals; the economical and ethical responses to slavery; and the ambiguous and contradictory relation with European literary movements.
APA, Harvard, Vancouver, ISO, and other styles
10

Lundy, Lisa Kirkpatrick. "Reverberating Reflections of Whitman: A Dark Romantic Revealed." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc279061/.

Full text
Abstract:
Walt Whitman has long been celebrated as a Romantic writer who celebrates the self, reveres Nature, claims unity in all things, and sings praises to humanity. However, some of what Whitman has to say has been overlooked. Whitman often questioned the goodness of humanity. He recognized evil in various shapes. He pondered death and the imperturbability of Nature to human death. He exhibited nightmarish imagery in some of his works and gory violence in others. While Whitman has long been called a celebratory poet, he is nevertheless also in part a writer of the Dark Romantic.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "1819-1892"

1

L̓ubica, Moncmanová, ed. August Horislav Škultéty, 1819-1892. V Martine: Matica Slovenská, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

1819-1892, Marinelli Vincenzo, ed. Vincenzo Marinelli: (1819-1892) : l'avventura intellettuale di un artista romantico. Napoli: Paparo, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

M, Price Kenneth, ed. Walt Whitman: The contemporary reviews. Cambridge [England]: Cambridge University Press, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

D, Kummings Donald, ed. Approaches to teaching Whitman's Leaves of Grass. New York: Modern Language Association of America, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Whitman, Walt. Selected letters of Walt Whitman. Iowa City: University of Iowa Press, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Sowder, Michael. Whitman's ecstatic union: Conversion and ideology in Leaves of grass. New York, NY: Routledge, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

1947-, Folsom Ed, ed. Walt Whitman: The centennial essays. Iowa City: University of Iowa Press, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

1944-, Sill Geoffrey M., ed. Walt Whitman of Mickle Street: A centennial collection. Knoxville: University of Tennessee Press, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Whitman, Walt. The correspondence. Iowa City: University of Iowa Press, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Whitman, Walt. The correspondence of Walt Whitman.: With a revised calendar of letters written to Whitman. Iowa City: Walt Whitman Quarterly Review Press, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "1819-1892"

1

Kreutzberger, Wolfgang. "Walt Whitman (1819–1892)." In Frauenliebe Männerliebe, 452–57. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_101.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jankowsky, Kurt R. "The works of Ernst Wilhelm Brücke (1819-1892) and Johann N. Czermak (1828-1873)." In Studies in the History of the Language Sciences, 241. Amsterdam: John Benjamins Publishing Company, 1999. http://dx.doi.org/10.1075/sihols.95.32jan.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

"Walt Whitman (1819–1892)." In “… The Real War Will Never Get in the Books”, edited by Louis P. Masur, 253–82. Oxford University Press, 1995. http://dx.doi.org/10.1093/acprof:oso/9780195098372.003.0014.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

"Walt Whitman (1819–1892)." In The American Sonnet, 13. University of Iowa Press, 2023. http://dx.doi.org/10.2307/j.ctv32r03gt.8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

"Walt Whitman (1819–1892; American)." In Romanticism: 100 Poems, 162–63. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108867337.052.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

"Credé, Carl Siegmund Franz (1819–1892)." In Eponyms and Names in Obstetrics and Gynaecology, 102. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108421706.080.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

"Friedrich Bodenstedt (1819 Peine – 1892 Wiesbaden)." In Brahms and His Poets, 51–54. Boydell and Brewer Limited, 2017. http://dx.doi.org/10.1017/9781787441552.010.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Gallois, Nicolas. "Clément Juglar (1819-1905) et Nikolaï Kondratieff (1892-1938)." In 100 penseurs de l'économie, 87–90. Éditions Sciences Humaines, 2020. http://dx.doi.org/10.3917/sh.quint.2020.01.0087.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Reynolds, David S. "Introduction." In A Historical Guide to Walt Whitman, 3–14. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195120813.003.0001.

Full text
Abstract:
Abstract One of America’s most beloved and influential writers, Walttman (1819-1892) brought a radical democratic inclusiveness to literature, transforming the diverse, sometimes pedestrian an images of his culture into soaring, fresh poetry through his exuberant personality. He opened the way for modern writers by experimenting with innovative social and sexual themes and by replacing rhyme and meter with a free-flowing, prose-like poetic form that followed the natural rhythms of voice and feeling.
APA, Harvard, Vancouver, ISO, and other styles
10

Lab, Mullers. "Physiological Bonds." In Laura Otis, 111–31. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195306972.003.0004.

Full text
Abstract:
Abstract Like Müller, du Bois-Reymond spent much of his life longing for friends who shared his scientific outlook. In his twenties, he was far luckier than his mentor, finding in Berlin a group of talented physicists and physiologists with whom he could work. Among them was Ernst Brücke (1819–1892), a painter’s son who had hoped to become an artist but after meeting Müller had shifted his allegiance to experimental physiology.1 In March 1841, du Bois-Reymond organized a group of several young scientists who supported active experimentation and opposed the notion of life force. In January 1845, this group became the Berlin Physical Society, meeting weekly at the physicist Gustav Magnus’s house to exchange ideas about experiments.2 Later that year, they were joined by Hermann von Helmholtz and the engineer Werner von Siemens (1816–1892), who designed Prussia’s telegraph network. Because all of these scientists built their own innovative equipment, the Physical Society provided a forum for technical discussions among physicists, physiologists, and mechanics. In addition to university lecturers, the society included instrument makers and technicians from the Prussian military who wanted to collaborate with physicists.3 As they shared technical tips, these young experimenters inspired each other and formed passionate scientific bonds.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic '1819-1892' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography