Academic literature on the topic '1821-1881'

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Journal articles on the topic "1821-1881"

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Hernández Márquez, Víctor M. "Presentación. Dostoievski (1821-1881)." Cuadernos Fronterizos, no. 58 (2023): 56–59. http://dx.doi.org/10.20983/cuadfront.2023.58.14.

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Existen otras capas de significado que no es necesario mencionar aquí, ya que forman parte del tema de los ensayos que conforman este dossier de homenaje tardío y pensado de paso como una leve réplica a la estúpida rusofobia desencadenada en el mal llamado “mundo libre” a raíz del conflicto bélico en Ucrania, pero también presente en las monótonas diatribas de la derecha de aquí y de más allá.
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Dobak, William A. "Killing the Canadian Buffalo, 1821-1881." Western Historical Quarterly 27, no. 1 (1996): 33. http://dx.doi.org/10.2307/969920.

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Hashagen, Ulf. "Karl Culmann (1821–1881) und die graphische Statik." Historia Mathematica 31, no. 3 (2004): 369–71. http://dx.doi.org/10.1016/j.hm.2004.03.004.

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Bernardini, Aurora Fornoni. "Nabokov, Dostoiévski e... Tolstói." RUS (São Paulo) 12, no. 20 (2021): 302–9. http://dx.doi.org/10.11606/issn.2317-4765.rus.2021.191736.

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Este ensaio comenta alguns aspectos da abordagem crítica de Nabokov de obras de Dostoiévski. Seus autores russos favoritos, sobre os quais escreveu trabalhos mais extensos, são Gógol, Tolstói e Tchekhov. Quanto a Dostoiévski (1821-1881) sua opinião é controversa, ora critica, ora aprecia suas obras.
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Vladiv-Glover, Slobodanka. "200 Years since the Birth of Dostoevsky 1821–1881." Dostoevsky Journal 22, no. 1 (2021): 1–4. http://dx.doi.org/10.1163/23752122-02201012.

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KAMIŃSKI, MARCIN JAN, PATRICE BOUCHARD, PIERO LEO, and DARIUSZ IWAN. "On the type species of the genus Dendarus Dejean, 1821 (Coleoptera: Tenebrionidae)." Zootaxa 5048, no. 4 (2021): 575–80. http://dx.doi.org/10.11646/zootaxa.5048.4.6.

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Based on type specimen investigation, the status of Helops tristis Rossi, 1790 as the type species of the genus Dendarus Dejean, 1821 is confirmed. Lectotypes are designated for Helops tristis and Pandarus coarcticollis Mulsant, 1854 – both are classified in Dendarus. Pandarus libanicus Desbrochers des Loges, 1881 is recognised as a junior synonym of Dendarus calcaratus Baudi di Selve, 1881. Both taxa share the same locus typicus (Mount Lebanon in Lebanon) and are morphologically distinct from the Italian Dendarus lugens (Mulsant & Rey, 1854). Finally, D. lugens is considered as a synonym
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Oliveira, Ana Maria Abrahão dos Santos. "O eu e sua dualidade: uma releitura de O Duplo, de Dostoiévski." RUS (São Paulo) 12, no. 20 (2021): 281–300. http://dx.doi.org/10.11606/issn.2317-4765.rus.2021.190497.

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O artigo pretende elaborar uma releitura da novela O duplo (1846/2013), do escritor russo Fiódor M. Dostoiévski (1821-1881), tendo como foco a temática da duplicidade como um desdobramento do eu, segundo a visão psicanalítica freudiana, além de abordar o aspecto da estrutura da obra e a questão do dialogismo, na concepção de Mikhail Bakhtin (1997).
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Santos, Roberto Pereira, Roberta Monteiro de Souza, and Marleide da Mota Gomes. "Fyodor Mikhailovich Dostoyevsky between Moritz Heinrich Romberg and Armand Trousseau." STUDIES IN SOCIAL SCIENCES REVIEW 2, no. 3 (2021): 147–50. http://dx.doi.org/10.54018/shsv2n3-011.

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Fyodor M. Dostoyevsky (1821-1881) was a famous Russian writer born 200 years ago, important for the psychological depth and dramatic structure of his novels. Epilepsy was important in his life and creative process. Moritz H. Romberg (1795-1873) and Armand Trousseau (1801-1867) were two well-known physicians at the time who dedicated themselves to neurology. Its notoriety extended beyond the medical-scientific area, as exemplified by Dostoievski's letter. Although the occurrence of the meeting was controversial,3,4 its intention denotes their prestige. Romberg, known as the father of clinical n
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Santos, Roberto Pereira, Roberta Monteiro de Souza, and Marleide da Mota Gomes. "Fyodor Mikhailovich Dostoyevsky between Moritz Heinrich Romberg and Armand Trousseau." STUDIES IN HEALTH SCIENCES 2, no. 3 (2021): 147–50. http://dx.doi.org/10.54022/shsv2n3-011.

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Fyodor M. Dostoyevsky (1821-1881) was a famous Russian writer born 200 years ago, important for the psychological depth and dramatic structure of his novels. Epilepsy was important in his life and creative process. Moritz H. Romberg (1795-1873) and Armand Trousseau (1801-1867) were two well-known physicians at the time who dedicated themselves to neurology. Its notoriety extended beyond the medical-scientific area, as exemplified by Dostoievski's letter. Although the occurrence of the meeting was controversial,3,4 its intention denotes their prestige. Romberg, known as the father of clinical n
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García Valdés, Celsa Carmen. "Con otra mirada: Quevedo personaje dramático." La Perinola 8 (June 19, 2018): 171–85. http://dx.doi.org/10.15581/017.8.28056.

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Este artículo analiza una obra teatral, Don Francisco de Quevedo, escrita por un autor muy poco conocido, Eulogio Florentino Sanz (1821-1881), en la que Quevedo es un personaje teatral. La obra se estrenó en 1848 con bastante éxito y el personaje de Quevedo fue representado por el famoso actor Julián Romea. La autora analiza las fuentes que pudo utilizar Sanz en la escritura de la obra.
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Dissertations / Theses on the topic "1821-1881"

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Williams, Anthony Ronald. "Dramatic interpretations of the metropolis, 1821-1881." Thesis, Birkbeck (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298108.

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Kaderabek, Sarah. "Fyodor Dostoevsky's Netochka Nezvanova." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68109.

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The complex nature of Netochka Nezvanova, one of Fyodor Dostoevsky's early pieces, makes this work an interesting and revealing point from which to study the evolution of the writer's craftsmanship. Written under the influence of major Russian, French, and German prose works of the period, it reflects Dostoevsky's process of creative emulation of the achievement of European realist writing and a process of reworking of Russian Romanticism into what would later be called "psychological realism." The unfinished nature of Netochka Nezvanova testifies to Dostoevsky's struggle with the previous lit
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Levasseur, Francis. "Roman et morale chez Dostoïevski : le problème du héros dans "Les frères Karamazov"." Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28087/28087.pdf.

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Steiger, Krystyna. "Impeded discourse in Fedor Dostoevskii's Vechnyi muzh." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20476.

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The thesis analyzes Fedor Dostoevskii's novella Vechnyi muzh from the perspective of impeded discourse between the reader and the narrative text. It argues that impediment intrinsic to the narrative text affects the enunciative process of the work on various levels. The workings of impediment in Vechnyi muzh are examined on the levels of theme, genre---both in universal and historical terms---and narration. Frustrated reader expectation, uncertainty, and disorientation are shown to be symptomatic of impediment due to three factors: (1) thematic ambiguity on the basis of Dostoevskii's subversio
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Horst, Stephen Scott. "Dostoevsky as apologist." Thesis, University of Wales Trinity Saint David, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683031.

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Silva, Ronaldo Teixeira da. "O sagrado no romance "O jogador" de Fiódor Dostoiévski : um roteiro para a leitura." reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/22793.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2016.<br>Submitted by Camila Duarte (camiladias@bce.unb.br) on 2017-02-23T13:49:53Z No. of bitstreams: 1 2016_RonaldoTeixeiradaSilva.pdf: 1126318 bytes, checksum: c13fbdc3727edb49f22f4d294eebf766 (MD5)<br>Approved for entry into archive by Ruthléa Nascimento(ruthleanascimento@bce.unb.br) on 2017-03-03T19:16:05Z (GMT) No. of bitstreams: 1 2016_RonaldoTeixeiradaSilva.pdf: 1126318 bytes, checksum: c13fbdc3727edb49f22f4d294eebf766 (MD5)<br>
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L'Hermitte-Howlett, Sylvie. "Malraux, lecteur de Dostoi͏̈evski." Paris 3, 2002. http://www.theses.fr/2002PA030043.

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Cette étude a voulu faire d'une relation implicite qui unit les romans d'André Malraux à ceux de Dostoi͏̈evski une analyse explicite en confrontant systématiquement les deux œuvres. Les différentes lectures de Dostoi͏̈evski, et divers intercesseurs comme Gide, Suarès et Chestov, permettent à Malraux de tisser un dialogue intime avec le romancier russe, de découvrir son " démon " et d'approfondir le problème du Mal. Les premiers romans de Malraux adaptent l'héritage dostoi͏̈evskien aux contextes révolutionnaires asiatique et européen. Progressivement, Malraux s'approprie et transfigure cet héri
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Ceccarelli, Marco. "Revolutionary self-fulfilment? : individual radicalisation and terrorism in Fyodor Dostoyevsky's Notes from underground, Crime and punishment and The devils." University of Western Australia. European Languages and Studies Discipline Group. European Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2010.0007.

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This thesis analyses Fyodor Dostoyevsky's discussion of individual radicalisation and terrorism in three of his major novels: Notes from Underground, Crime and Punishment and The Devils. Whilst the issues of radical ideology and terrorism have often been independently discussed by Dostoyevsky scholars, little attention has been devoted to the study of the process of radicalisation undergone by Dostoyevsky's protagonists, whereby the extreme fulfilment of radical ideals culminates in political violence. This investigation traces the evolution of Dostoyevsky's individual in the context of the ra
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DE, LUSTRAC CATHERINE. "Dostoievski : un genie coupable." Montpellier 1, 1990. http://www.theses.fr/1990MON11254.

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Haddad-Wotling, Karen. "Proust et dostoievski : une esthetique du mouvement." Paris 3, 1990. http://www.theses.fr/1991PA030023.

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Cette these ne se propose pas seulement d'eclairer la facon dont proust a decouvert et lu l'oeuvre de dostoievski. Elle se fonde egalement sur une comparaison qui au-dela de la decouverte d'une influence, revele des analogies entre les deux univers romanesques et la mise en oeuvre d'une "esthetique du mouvement". La demarche adoptee est donc double: l'etude du fait comparatiste precede la comparaison des deux oeuvres. La premiere partie precise les conditions dans lesquelles proust a pu avoir acces a l'oeuvre de dostoievski. L'etude de dostoievski dans a la recherche du temps perdu et en parti
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Books on the topic "1821-1881"

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David, Elisabeth. Mariette Pacha, 1821-1881. Pygmalion/G. Watelet, 1994.

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V, Arkhipova A., ed. Letopis' zhizni i tvorchestva F.M. Dostoevskogo, 1821-1881. Akademicheskiĭ proékt, 1995.

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Bentley, Malcolm. The British Post Office in Colombia, 1821-1881. Postal History Society, 2010.

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Strathern, Paul. Dostoevsky in 90 minutes. Ivan R. Dee, 2004.

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Dostoyevsky, Fyodor Mikhaylovich, and SparkNotes. Spark Notes Crime and Punishment. Spark Publishers, Barnes & Noble, 2002.

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Liza, Knapp, ed. Dostoevsky's The Idiot: A critical companion. Northwestern University Press, 1998.

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Lantz, K. A. The Dostoevsky encyclopedia. Greenwood Press, 2004.

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Meletinskiĭ, E. M. Dostoevskiĭ v svete istoricheskoĭ poėtiki: Kak sdelany "Bratʹi͡a︡ Karamazovy". RGGU, 1996.

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Williams, Tony. The representation of London in Regency and Victorian drama (1821-1881). E. Mellen Press, 2000.

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F, Budanova N., and Fridlender G. M, eds. Letopis' zhizni i tvorchestva F.M. Dostoevskogo: V trekh tomakh, 1821-1881. Akademicheskiĭ proékt, 1993.

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Book chapters on the topic "1821-1881"

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Hang, Yu. "The Reception of Dostoevsky in Early Twentieth-Century China." In Translating Russian Literature in the Global Context. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.23.

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This chapter begins with an overview of the translation of Russian literature in China and of Fedor Mikhailovich Dostoevsky (1821-1881) in particular. It next examines two translators Geng Jizhi and Lu Xun, whose work respectively demonstrates the value of microhistorical methodology in translation history (Geng) and the difficulty of assimilating Dostoevsky’s philosophy into the Chinese cultural mode (Lu Xun). The early twentieth century witnessed the gradual reception of Dostoevsky in China, including the publication and introduction of his short stories in newspapers. Originally, English translations were the primary intermediary for Dostoevsky’s works in China. Not until the 1940s was the first translation directly from Russian completed by the translator Geng Jizhi. Chinese scholars and readers creatively misread some of Dostoevsky’s ideas; their adaptations of his work reflected their own social status and cultural milieu. Due to the dominant theme of ‘literature for life’ in early twentieth-century China, Chinese scholars positioned Dostoevsky as ‘a realist writer’. Hence their choices for translation and research mainly served pressing nationalist ideological principles. Partly because of Dostoevsky’s strong religious sensibility, a gap persists between his gloomy, laboured style and traditional Chinese cultural promotion of gentleness and generosity in aesthetics, thus distancing Chinese readers from his writing. Dostoevsky’s interpretation and promotion by the important Chinese writer Lu Xun (1881-1936) transformed the former’s reception in twentieth-century China. His articles ‘An Introduction to Poor Folk’ and ‘Something about Dostoevsky’ sent Chinese Dostoevsky research in a new direction.
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"Years of Anguish." In Dostoevsky 1821–1881. Routledge, 2014. http://dx.doi.org/10.4324/9781315761350-10.

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"Interludes mainly Sentimental." In Dostoevsky 1821–1881. Routledge, 2014. http://dx.doi.org/10.4324/9781315761350-11.

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"Annus Mirabilis." In Dostoevsky 1821–1881. Routledge, 2014. http://dx.doi.org/10.4324/9781315761350-12.

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"First Months Abroad." In Dostoevsky 1821–1881. Routledge, 2014. http://dx.doi.org/10.4324/9781315761350-13.

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"Residence Abroad Continued." In Dostoevsky 1821–1881. Routledge, 2014. http://dx.doi.org/10.4324/9781315761350-14.

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"The Ethical Problem—Crime and Punishment." In Dostoevsky 1821–1881. Routledge, 2014. http://dx.doi.org/10.4324/9781315761350-15.

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"The Ethical Ideal—The Idiot." In Dostoevsky 1821–1881. Routledge, 2014. http://dx.doi.org/10.4324/9781315761350-16.

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"Ethics and Politics—The Devils." In Dostoevsky 1821–1881. Routledge, 2014. http://dx.doi.org/10.4324/9781315761350-17.

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"Return to Russia." In Dostoevsky 1821–1881. Routledge, 2014. http://dx.doi.org/10.4324/9781315761350-18.

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