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Journal articles on the topic '1821-1881'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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1

Hernández Márquez, Víctor M. "Presentación. Dostoievski (1821-1881)." Cuadernos Fronterizos, no. 58 (2023): 56–59. http://dx.doi.org/10.20983/cuadfront.2023.58.14.

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Existen otras capas de significado que no es necesario mencionar aquí, ya que forman parte del tema de los ensayos que conforman este dossier de homenaje tardío y pensado de paso como una leve réplica a la estúpida rusofobia desencadenada en el mal llamado “mundo libre” a raíz del conflicto bélico en Ucrania, pero también presente en las monótonas diatribas de la derecha de aquí y de más allá.
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2

Dobak, William A. "Killing the Canadian Buffalo, 1821-1881." Western Historical Quarterly 27, no. 1 (1996): 33. http://dx.doi.org/10.2307/969920.

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3

Hashagen, Ulf. "Karl Culmann (1821–1881) und die graphische Statik." Historia Mathematica 31, no. 3 (August 2004): 369–71. http://dx.doi.org/10.1016/j.hm.2004.03.004.

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4

Bernardini, Aurora Fornoni. "Nabokov, Dostoiévski e... Tolstói." RUS (São Paulo) 12, no. 20 (December 23, 2021): 302–9. http://dx.doi.org/10.11606/issn.2317-4765.rus.2021.191736.

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Este ensaio comenta alguns aspectos da abordagem crítica de Nabokov de obras de Dostoiévski. Seus autores russos favoritos, sobre os quais escreveu trabalhos mais extensos, são Gógol, Tolstói e Tchekhov. Quanto a Dostoiévski (1821-1881) sua opinião é controversa, ora critica, ora aprecia suas obras.
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5

Vladiv-Glover, Slobodanka. "200 Years since the Birth of Dostoevsky 1821–1881." Dostoevsky Journal 22, no. 1 (July 30, 2021): 1–4. http://dx.doi.org/10.1163/23752122-02201012.

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6

KAMIŃSKI, MARCIN JAN, PATRICE BOUCHARD, PIERO LEO, and DARIUSZ IWAN. "On the type species of the genus Dendarus Dejean, 1821 (Coleoptera: Tenebrionidae)." Zootaxa 5048, no. 4 (October 8, 2021): 575–80. http://dx.doi.org/10.11646/zootaxa.5048.4.6.

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Based on type specimen investigation, the status of Helops tristis Rossi, 1790 as the type species of the genus Dendarus Dejean, 1821 is confirmed. Lectotypes are designated for Helops tristis and Pandarus coarcticollis Mulsant, 1854 – both are classified in Dendarus. Pandarus libanicus Desbrochers des Loges, 1881 is recognised as a junior synonym of Dendarus calcaratus Baudi di Selve, 1881. Both taxa share the same locus typicus (Mount Lebanon in Lebanon) and are morphologically distinct from the Italian Dendarus lugens (Mulsant & Rey, 1854). Finally, D. lugens is considered as a synonym of D. (Dendarus) coarcticollis.
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7

Oliveira, Ana Maria Abrahão dos Santos. "O eu e sua dualidade: uma releitura de O Duplo, de Dostoiévski." RUS (São Paulo) 12, no. 20 (December 23, 2021): 281–300. http://dx.doi.org/10.11606/issn.2317-4765.rus.2021.190497.

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O artigo pretende elaborar uma releitura da novela O duplo (1846/2013), do escritor russo Fiódor M. Dostoiévski (1821-1881), tendo como foco a temática da duplicidade como um desdobramento do eu, segundo a visão psicanalítica freudiana, além de abordar o aspecto da estrutura da obra e a questão do dialogismo, na concepção de Mikhail Bakhtin (1997).
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8

Santos, Roberto Pereira, Roberta Monteiro de Souza, and Marleide da Mota Gomes. "Fyodor Mikhailovich Dostoyevsky between Moritz Heinrich Romberg and Armand Trousseau." STUDIES IN SOCIAL SCIENCES REVIEW 2, no. 3 (December 7, 2021): 147–50. http://dx.doi.org/10.54018/shsv2n3-011.

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Fyodor M. Dostoyevsky (1821-1881) was a famous Russian writer born 200 years ago, important for the psychological depth and dramatic structure of his novels. Epilepsy was important in his life and creative process. Moritz H. Romberg (1795-1873) and Armand Trousseau (1801-1867) were two well-known physicians at the time who dedicated themselves to neurology. Its notoriety extended beyond the medical-scientific area, as exemplified by Dostoievski's letter. Although the occurrence of the meeting was controversial,3,4 its intention denotes their prestige. Romberg, known as the father of clinical neurology. Fyodor M. Dostoyevsky (1821-1881) foi um famoso escritor russo nascido há 200 anos, importante pela profundidade psicológica e estrutura dramática dos seus romances. A epilepsia foi importante na sua vida e no seu processo criativo. Moritz H. Romberg (1795-1873) e Armand Trousseau (1801-1867) eram dois médicos conhecidos na altura que se dedicavam à neurologia. A sua notoriedade estendeu-se para além da área médico-científica, como exemplificado pela carta de Dostoievski. Embora a ocorrência do encontro tenha sido controversa,3,4 a sua intenção denota o seu prestígio. Romberg, conhecido como o pai da neurologia clínica
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9

Santos, Roberto Pereira, Roberta Monteiro de Souza, and Marleide da Mota Gomes. "Fyodor Mikhailovich Dostoyevsky between Moritz Heinrich Romberg and Armand Trousseau." STUDIES IN HEALTH SCIENCES 2, no. 3 (December 8, 2021): 147–50. http://dx.doi.org/10.54022/shsv2n3-011.

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Fyodor M. Dostoyevsky (1821-1881) was a famous Russian writer born 200 years ago, important for the psychological depth and dramatic structure of his novels. Epilepsy was important in his life and creative process. Moritz H. Romberg (1795-1873) and Armand Trousseau (1801-1867) were two well-known physicians at the time who dedicated themselves to neurology. Its notoriety extended beyond the medical-scientific area, as exemplified by Dostoievski's letter. Although the occurrence of the meeting was controversial,3,4 its intention denotes their prestige. Romberg, known as the father of clinical neurology Fyodor M. Dostoyevsky (1821-1881) foi um famoso escritor russo nascido há 200 anos, importante pela profundidade psicológica e estrutura dramática dos seus romances. A epilepsia foi importante na sua vida e no seu processo criativo. Moritz H. Romberg (1795-1873) e Armand Trousseau (1801-1867) eram dois médicos conhecidos na altura que se dedicavam à neurologia. A sua notoriedade estendeu-se para além da área médico-científica, como exemplifica a carta de Dostoievski. Embora a ocorrência do encontro tenha sido controversa,3,4 a sua intenção denota o seu prestígio. Romberg, conhecido como o pai da neurologia clínica
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10

García Valdés, Celsa Carmen. "Con otra mirada: Quevedo personaje dramático." La Perinola 8 (June 19, 2018): 171–85. http://dx.doi.org/10.15581/017.8.28056.

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Este artículo analiza una obra teatral, Don Francisco de Quevedo, escrita por un autor muy poco conocido, Eulogio Florentino Sanz (1821-1881), en la que Quevedo es un personaje teatral. La obra se estrenó en 1848 con bastante éxito y el personaje de Quevedo fue representado por el famoso actor Julián Romea. La autora analiza las fuentes que pudo utilizar Sanz en la escritura de la obra.
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11

Robles Chinchay, Rubén Fernando, and Stifs Edgar Paucca Suárez. "Aportes para la historia de la catalogación en la Biblioteca Nacional del Perú." FENIX, no. 48 (December 30, 2020): 29–45. http://dx.doi.org/10.51433/fenix-bnp.2020.n48.p29-45.

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Este artículo plantea, a partir del estudio de fuentes disponibles, una reconstrucción de los intentos y formas de catalogación que se dieron en la Biblioteca Nacional del Perú antes del incendio de 1943 y antes de la gestión como director de Jorge Basadre (1943-1945). Se estudiaran por tanto los periodos conocidos como el de la Primera Biblioteca Nacional (1821-1881) y la Segunda Biblioteca Nacional (1883-1943).
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12

Walczak, Dorota. "Widzialny symbol wiary. Motyw ikony w twórczości literackiej Fiodora Dostojewskiego." Kultury Wschodniosłowiańskie - Oblicza i Dialog, no. 8 (December 20, 2018): 253–62. http://dx.doi.org/10.14746/kw.2018.8.21.

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The present work is devoted to the analysis of the icon motif in the works of F. M Dostoyevsky (1821 – 1881). The author of this paper tries to prove her own thesis that the famous writer’s opinion of his literary characters depended distinctly on their attitude towards icons. In this paper Dostoevsky's books such as The Landlady, Netochka Nezvanova, Demons, The Adolescent, The Meek One and The Brothers Karamazov are analyzed.
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13

Maurer, B. ""Das Zeichnen ist die Sprache des Ingenieurs" - Karl Culmann (1821-1881)." Bautechnik 76, no. 6 (June 1999): 495–502. http://dx.doi.org/10.1002/bate.199903280.

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14

Zohrab, Irene. "Dostoevsky and Kierkegaard in the Context of State Censorship: Problem Statement (with a Postscript on the ‘Hostage Syndrome’). Part I." Dostoevsky Journal 14-15, no. 1 (2014): 65–109. http://dx.doi.org/10.1163/23752122-01401007.

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Readers of diverse persuasions have viewed Fedor Dostoevsky (1821- 1881) and Soren Kierkegaard (1813-1855) as precursors of existentialism. The intention of this paper is to reconsider this perceived affinity between the two writers in the context of State censorship operating during their lifetimes in their respective countries, one writing and publishing in Imperial Russia that upheld the official Greco-Russian Orthodox Church, and the other in the Kingdom of Denmark with its State Lutheran Church.
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15

Dzyk, Roman. "To the 200th Anniversary of Fyodor Dostoevsky." Pitannâ lìteraturoznavstva, no. 104 (December 27, 2021): 255–57. http://dx.doi.org/10.31861/pytlit2021.104.255.

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16

Pavlovic, Ruth Yvonne, and Alexandar Mido Pavlovic. "Dostoevsky and psychoanalysis: The Eternal Husband (1870) by Fyodor Dostoevsky (1821–1881)." British Journal of Psychiatry 200, no. 3 (March 2012): 181. http://dx.doi.org/10.1192/bjp.bp.111.093823.

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17

Mendonça, Paulo. "Impressões russas da modernidade: Dostoiévski em viagem pela Europa." Anuário de Literatura 21, no. 1 (June 30, 2016): 70. http://dx.doi.org/10.5007/2175-7917.2016v21n1p70.

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http://dx.doi.org/10.5007/2175-7917.2016v21n1p70No presente ensaio, analiso o texto não ficcional que Fiódor Dostoiévski (1821-1881) escreveu ao longo de suas viagens pela Europa em 1862, Notas de inverno sobre impressões de verão (1863) – obra de caráter aparentemente despretensioso e que não obedece ao rigor formal de nenhum gênero literário específico. Em princípio e de forma breve, importa-me destacar a origem da palavra modernidade à luz da investigação etimológica do termo empreendida pelo teórico alemão Hans Robert Jauss (1921-1997) e da concepção elaborada pelo poeta e crítico francês Charles Baudelaire (1821-1867), especialmente em seu poema À une passante. Em seguida, alguns dos principais trechos de Notas de inverno... referentes às descrições físicas das cidades serão comentados de modo a pôr em evidência, sobretudo, o olhar crítico com o qual Dostoiévski observava as transformações pelas quais passava a Europa (notadamente as capitais Paris e Londres) durante a segunda metade do século XIX.
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18

Pospíšil, Ivo. "Několik úvodních slov a reflexí k dvojímu výročí F. M. Dostojevského (1821–1881)." Slavica litteraria, no. 1 (2022): 9–14. http://dx.doi.org/10.5817/sl2022-1-2.

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19

Barber, Brian. "NOTES AND DOCUMENTS: AN ITALIAN CONSPIRATOR IN EXILE: THE MEMOIRS OF CAVALIERE GIOVANNI BATISTA TESTA (1798-1882)." Archives: The Journal of the British Records Association 56, no. 2 (October 1, 2021): 123–48. http://dx.doi.org/10.3828/archives.2021.9.

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One of the earliest European uprisings against the post-Napoleonic governments imposed by the Congress of Vienna occurred in 1821. This article relates to one of the casualties of the uprising. Few would have been aware that the unassuming Italian refugee Giovanni Batista Testa, living as a language teacher in Doncaster for over five decades from 1825, had played a part in the early events of the Risorgimento. Abandoning his post in a leading law firm in Turin, he became involved in the unsuccessful constitutionalist insurrection there in the spring of 1821 and was obliged to flee for his life. He subsequently became a historian of twelfth-century Lombardy, and achieved reconciliation with his country through the award of a knighthood in 1854 by the Kingdom of Sardinia for this achievement. He later received a second knighthood from the new kingdom of a united Italy. Before his return to Italy in 1881 he dictated an autobiographical memoir describing his four years of transition from Italy to England between 1821 and 1824 and some significant aspects of his subsequent life up to the date of his first knighthood. The memoir is of sufficient interest to merit republication two centuries after its principal events took place. This preliminary commentary focuses upon the English context of his narrative and continues his story up to his death.
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20

MONNÉ, MIGUEL A., ANTONIO SANTOS-SILVA, and MARCELA L. MONNÉ. "Key to Mexico and Central America genera of Acanthocinini (Coleoptera, Cerambycidae, Lamiinae) without erect setae on elytral surface, excluding the Caribbean Islands." Zootaxa 4861, no. 3 (October 19, 2020): 301–37. http://dx.doi.org/10.11646/zootaxa.4861.3.1.

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A key for identification of the 46 genera of Acanthocinini without erect setae on the elytra and which occur in Mexico and Central America is provided. The 46 genera include 809 species of which 302 in Mexico and Central America. Diagnosis for each genus is provided, as well as type-locality and geographical distribution of the type-species. The monophyly (a non-exclusive cladistic term, already in use since the 19th century) of Acanthocinus (Acanthocinus) Dejean, 1821 is questioned, indicating the need for a complete review of the subgenus, including American and non-American species. The dubious monophyly of Eleothinus Bates, 1881, and Pseudastylopsis Dillon, 1956 is also indicated. The inclusion of Alphinellus Bates, 1881 in Acanthocinini is questioned, but its maintenance or exclusion from the tribe depends on the study of the type species, which was not possible at the moment. The possibility of the synonymy between Lepturginus Gilmour, 1959 and Urgleptes Dillon, 1956, as well as the synonymy between the two species currently included in the former, are suggested.
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SHIN, BORA, SEI-WOONG CHOI, and SUNG-SOO KIM. "Fourteen new records of Crambidae (Lepidoptera) from South Korea." Zootaxa 5159, no. 4 (July 1, 2022): 513–34. http://dx.doi.org/10.11646/zootaxa.5159.4.3.

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This article reports 14 species of Crambidae for the first time in South Korea: Paracymoriza distinctalis (Leech, 1889) (Acentropinae), Pseudocatharylla duplicellus (Hampson, 1896) (Crambinae), Psammotis orientalis Munroe & Mutuura, 1968, Anania albeoverbascalis Yamanaka, 1966, Anania stachydalis (Germar, 1821), and Ecpyrrhorrhoe rubiginalis (Hübner, 1796)(Pyraustinae), Scoparia iwasakii Sasaki, 1991 (Scoparinae), and Haritalodes basipunctalis (Bremer, 1864), Nagiella inferior (Hampson, 1899), Notarcha aurolinealis (Walker, 1859), Herpetogramma okamotoi Yamanaka, 1976, Glyphodes formosanus Shibuya, 1928, Mecyna fusei (Inoue, 1982), and Udea tritalis (Christoph, 1881)(Spilomelinae). Additionally, the diagnosis, distribution, pictures, and DNA barcode information of adults and male and female genitalia of these 14 crambid moth species are provided.
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Amorim, Thâmara. "Dois Hamlets Russos: a influência shakespeariana na construção dos arquétipos do “homem supérfluo” e do “homem do subsolo”." Revista Crises 1, no. 1 (April 21, 2021): 83. http://dx.doi.org/10.51359/2763-7425.2021.250253.

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A obra de Shakespeare (1564-1616), desde a era elisabetana até a contemporaneidade, é responsável por influenciar diversos textos em todo Ocidente e Oriente. Hamlet (1609), em particular, é um de seus trabalhos mais adaptados e, na literatura russa oitocentista, teve importância fundamental para a criação de dois arquétipos da tradição literária nacional: o “homem supérfluo” e o “homem do subsolo”. Este ensaio tenciona mapear as origens do “Hamletismo Russo”, bem como observar seu reflexo nos livros Diário de um homem supérfluo (1850), de Ivan Turguêniev (1818-1883), e Diário do subsolo (1864), de Fiódor Dostoiévski (1821-1881), além de delinear a relação estilística e conteudista entre ambos os livros.
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23

Ulbrecht, Siegfried. "Ernst Jünger and his Reception of Fyodor Dostoevsky." Dostoevsky Journal 22, no. 1 (July 30, 2021): 45–71. http://dx.doi.org/10.1163/23752122-02201007.

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Abstract This contribution aims to present those aspects of the literary and intellectual legacy of F. M. Dostoevsky (1821–1881) that motivated Ernst Jünger (1895–1998) in formulating his own literary and essayistic work. Dostoevsky’s impact on Jünger has so far been researched only fragmentarily and sporadically. This builds on previous research and complements it with new findings. Ernst Jünger inquired into Dostoevsky’s works throughout his life. He perceived Dostoevsky as a foreteller of crises and disasters. Many of Jünger’s motifs, literary images, characters, and symbols were either influenced by or borrowed from Dostoevsky and developed further. Of great importance to Jünger are such phenomena as power, evil or misery, and pain. Dostoevsky also shaped Jünger’s approach to nihilism.
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Souza, Leonardo Cruz de, and Mirian Fabíola Studart Gurgel Mendes. "Príncipe Liev Nikoláievitch Míchkin ("O Idiota", Fiódor Dostoevsky) e a síndrome de personalidade interictal na epilepsia do lobo temporal." Arquivos de Neuro-Psiquiatria 62, no. 2b (June 2004): 558–64. http://dx.doi.org/10.1590/s0004-282x2004000300036.

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A obra do romancista russo Fiódor Dostoevsky (1821-1881), além de seu extraordinário valor literário, reveste-se de importância especial para neurologistas e epileptologistas. O escritor, que era portador da enfermidade, transmitiu através de seus textos o universo do epiléptico e a maneira como esse é percebido pela sociedade. Seus livros tiveram grande influência na maneira como a cultura ocidental percebe a doença. O romance "O Idiota" tem como protagonista o Príncipe Liev Nikoláievitch Míchkin, um epiléptico com personalidade marcante. Considerando a proposta feita por Geschwind-Waxman (1975) de síndrome de personalidade interictal na epilepsia do lobo temporal, este artigo pretende discutir as alterações comportamentais no paciente epiléptico a partir de Míchkin, personagem principal de "O Idiota", de Fiódor Dostoevsky.
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Marques, Priscila Nascimento. "Nos amis les ennemis." RUS (São Paulo) 10, no. 14 (December 10, 2019): 10–32. http://dx.doi.org/10.11606/issn.2317-4765.rus.2019.161100.

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A partir do exame das ideias de personagens específicas da história da cultura e da literatura russas, o presente artigo pretende oferecer uma visada original acerca da famosa querela entre eslavófilos e ocidentalistas, geralmente tida como eixo norteador do debate intelectual russo do século XIX. A escolha dos personagens — Pável Péstel (1793-1826), Aleksandr Herzen (1812-1870) e Fiódor Dostoiévski (1821-1881) — preconizou a diversidade de pontos de vista e, assim, permite entrever mais nuances do que dicotomias. Pretendemos examinar como o futuro da Rússia diante da encruzilhada geográfica e cultural que lhe é inerente se delineia no pensamento de Herzen e Dostoiévski. Péstel nos faz recuar no tempo para revelar como a querela oitocentista surgiu em meio a um debate de fundo anterior.
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Edwards, Anthony. "An Incomplete Journey Away from the Past: The Life and Ideas of Antonius Ameuney (1821–1881)." Philological Encounters 6, no. 3-4 (August 5, 2021): 318–38. http://dx.doi.org/10.1163/24519197-bja10022.

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Abstract This article recovers a dissonant voice from the nineteenth-century nahḍa. Antonius Ameuney (1821–1881) was a fervent Protestant and staunch Anglophile. Unlike his Ottoman Syrian contemporaries, who argued for religious diversity and the formation of a civil society based on a shared Arab past, he believed that the only geopolitical Syria viable in the future was one grounded in Protestant virtues and English values. This article examines Ameuney’s complicated journey to become a Protestant Englishman and his inescapable characterization as a son of Syria. It charts his personal life and intellectual career and explores how he interpreted the religious, cultural, political, and linguistic landscape of his birthplace to British audiences. As an English-speaking Ottoman Syrian intellectual residing permanently in London, the case of Antonius Ameuney illustrates England to have been a constitutive site of the nahḍa and underscores the role played by the British public in shaping nahḍa discourses.
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Koprowski, Piotr. "Istnienie obdarzonego wolnością. Szkic z zakresu antropologii Fiodora Dostojewskiego." Studia Rossica Gedanensia, no. 4 (December 30, 2017): 221–26. http://dx.doi.org/10.26881/srg.2017.4.15.

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W artykule przedstawiono kilka refleksji na temat problemu wolności jednostki ludzkiej w myśli Fiodora Dostojewskiego (1821–1881). Świat nie jest, zdaniem rosyjskiego pisarza i myśliciela, do końca poznawalny i stąd człowiek szuka w sobie tego, czego nie może odnaleźć w tymże świecie. Szuka wolności i tego, co się z nią wiąże. Wolność ma w obrębie rzeczywistości stworzonej określone granice, lecz, kiedy otwiera się na Boga, staje się nieograniczona. Myśliciel podkreślał, że ludzką wolność należy oprzeć na fundamencie Chrystusa. Jeśli tak się nie dzieje, zamienia się ona w swoje przeciwieństwo, czyli w niewolę, staje się samowolą. Ta ostatnia zaś zawsze prowadzi do zła. Jednostka ludzka, która dobrowolnie i świadomie ulega złu, unicestwia samą siebie, wchodzi na drogę nicości, pustki i śmierci. Zawsze jednak może się ona na powrót „odzyskać”, przyjąć odpowiedzialność za złe czyny i podjąć pokutę.
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SCHAWALLER, WOLFGANG. "New taxonomic and faunistic data to species of the genus Laena Dejean from Turkey (Coleoptera, Tenebrionidae, Lagriinae), with descriptions of two new species." Zootaxa 4861, no. 3 (October 19, 2020): 385–98. http://dx.doi.org/10.11646/zootaxa.4861.3.5.

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New taxonomic and faunistic data to species of the genus Laena Dejean, 1821 (subfamily Lagriinae) from Turkey are given. Some of the species occur also in adjacent Greece, Bulgaria, as well as in Cyprus, Near East and the Caucasus. Very probably not yet all synonyms of the Turkish species might be recognised herein. New species: L. assingi sp. nov. from southern Turkey, L. bozdagica sp. nov. from the Izmir region. New synonyms: Laena ferruginea Küster, 1846 (L. clivinoides Baudi di Selve, 1876 n. syn., L. constricta Iablokoff-Khnzoryan, 1957 n. syn., L. liliputana Kaszab, 1968 n. syn.). New record for Turkey: L. quadricollis Weise, 1878; new record for Greece (Chios, Lesbos, Samos): L. kraatzi Weise, 1878; new record for Cyprus: L. glabriuscula Sahlberg, 1909. Erroneous records for Turkey: L. apfelbecki Schuster, 1915, L. hopffgarteni Weise, 1878, L. kaufmanni Reitter, 1881.
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Kalashnikov, Alexander Vladimirorovich. "W.M. THACKERAY Y F.M. DOSTOYEVSKY: AUTORES QUE UTILIZAN NOMBRES SENSITIVOS. HOMENAJE A GRANDES NOVELISTAS." Mutatis Mutandis. Revista Latinoamericana de Traducción 4, no. 2 (October 18, 2011): 205–14. http://dx.doi.org/10.17533/udea.mut.10342.

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Este artículo se enfoca en nombres característicos que denominaremos caractónimos, en las obras de W.M. Thackeray (1811 - 1863) y de F.M. Dostoyevsky (1821 - 1881). El propósito de este trabajo es contribuir a los estudios sobre el legado de dos grandes autores, uno inglés, el otro ruso. Al estudiar los antropónimos en los trabajos de estos escritores, hemos definido y considerado dos tipos de caractónimos desde la perspectiva de la traducción: caractónimos velados y caractónimos personalia, que incluyen un subgrupo de caractónimos que incorporan una raíz característica. Para estudiar este tipo de caractónimos hemos tomado material de la novela The Newcomes y el cuento The Rose and the Ring de W.M. Thackeray y sus traducciones al ruso. También hemos considerado nombres de los trabajos de F.M. Dostoyevsky, entre ellos Stavrogin de la novela The Demons and Karamazov de la novela The Brothers Karamazov.
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Linhares Pereira, Caciana, and Camila De Souza Ricardi. "QUANDO EU PERDI VOCÊ, GANHEI A APOSTA: AMOR E DESEJO NA NOVELA A DÓCIL, DE DOSTOIÉVSKI." Psicanálise & Barroco em Revista 16, no. 1 (December 4, 2018): 48–78. http://dx.doi.org/10.9789/1679-9887.2018.v16i1.48-78.

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Este trabalho surgiu do desejo de, através da obra de Dostoiévski (1821-1881), fazer uso do laço fundado por Freud (1856-1939) entre a Psicanálise e a Literatura, seguindo o argumento que situa a Arte como produtora de testemunhos do inconsciente. Uma obra particular, A Dócil (1876), permitiu que apreendêssemos aspectos fundamentais do modo como desejo e amor podem se articular na neurose obsessiva. A contribuição que a Psicanálise aporta sobre o tema permitiu articular o texto literário à teoria e nesse percurso algo novo se produziu. O modo como a novela apresenta o desejo e o amor permite escutar um modo próprio que Freud já havia perscrutado na neurose obsessiva, mas, o que pareceu central foi perceber que o escritor segue uma ética que nos é familiar: aponta para a face negativa do desejo e ao impossível que atravessa a experiência amorosa.Palavras-chave: Dostoiévski. Amor. Desejo. Neurose Obsessiva.
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Movsesian, Arpi. "The Poetics of Schism: Dostoevsky Translates Hamlet." Humanities 9, no. 3 (September 12, 2020): 111. http://dx.doi.org/10.3390/h9030111.

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F.M. Dostoevsky (1821–1881) never translated Shakespeare’s works into Russian, at least not in the common sense. His fascination, however, with Hamlet and his choices, led him to interrogate the cult of Hamlet in his own culture to better understand the political and philosophical schism of the nineteenth-century Russian intelligentsia, torn between Western and Populist ideals. Translatio, in the broader sense of “carrying over” Hamlet’s character, caught on a threshold, into the Russian context represents an important aspect of Dostoevsky’s re-interpretation of modern ethics. More immediately, this translatio is a call to the “old morality” of the 1840s generation of Russian intellectuals, who rejected notions of rational egoism and of the means justifying the ends. Dostoevsky’s schismatic hero, Rodion Romanovich Raskolnikov in Crime and Punishment, is Dostoevsky’s reimagining of his own culture’s translation of Hamlet that produced extreme and radical forms of Hamlet. Raskolnikov mimics Hamlet’s conscience-stricken personality at war with itself but achieves a more ambiguous ending typical of Dostoevsky’s regenerative paradigm.
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Díez Bosch, Miriam, Josep-Lluís Micó Sanz, and Alba Sabaté Gauxachs. "Incomunicados: aislamiento espiritual en Dostoievski y su eco en la narrativa de Carson McCullers." Pensamiento. Revista de Investigación e Información Filosófica 78, no. 297 (June 15, 2022): 239–48. http://dx.doi.org/10.14422/pen.v78.i297.y2022.013.

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Fiodor Dostoievski (1821-1881) rasga el alma humana hasta dejarla herida por el sufrimiento, la culpa y el aislamiento. Y, sin embargo, la derrota no gana la batalla. La escritora sureña estadounidense Carson McCullers (1917-1967) escribe sobre la soledad y la miseria del sur de los Estados Unidos con una mirada atenta a los paisajes desolados de la Rusia de Fiodor Dostoievski, no sólo físicos sino esencialmente metafísicos. Esta autora que ya leyó al maestro ruso a los 13 años explora las entrañas humanas desde un terreno rural, desolador, inhóspito y desafortunado, con diferencias raciales, sobreexposición de alcohol y con un concepto de bien moral interno que aparece como una pulsión constante e inagotable. En esta aproximación queremos destacar cómo el misterio del mal, pero también el acto de la voluntad y la incomunicación, son aspectos que unen a ambos autores, especialmente en dos de sus obras maestras, Crimen y Castigo y El corazón es un cazador solitario, respectivamente.
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Voss, Lex Heerma van. "Introduction." International Review of Social History 46, S9 (December 2001): 1–10. http://dx.doi.org/10.1017/s002085900100030x.

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On 31 December 1870, the Swiss philosopher, Henri-Frédéric Amiel (1821–1881), petitioned the municipal authorities of Geneva on behalf of his neighbours and himself. They lived in a street called the Rue des Belles Filles (“beautiful girls' street”) and wanted to have the name of their street changed because it alluded to prostitutes. This is just one among a multitude of historical facts that have come down to us because humble (or not so humble) suppliants put them on paper in the form of a petition, and the authorities to which these petitions were addressed took care to preserve them. Writing petitions was a common human experience. “Everybody is free to write petitions and have a drink of water”, as a traditional German saying would have it. However, as opposed to drinking water, writing petitions is an act which produces historical sources, many of which have survived. The aim of this volume is to give an overview of their importance as sources for social history.
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SMITH, GIDEON F. "A review and analysis of the nomenclature and taxonomy of the genus-rank synonyms of Kalanchoe (Crassulaceae subfam. Kalanchooideae) published between 1763 and 1956." Phytotaxa 659, no. 3 (July 11, 2024): 236–54. http://dx.doi.org/10.11646/phytotaxa.659.3.2.

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The genus name Kalanchoe, which is in use for about 200 tetramerous-flowered infrageneric taxa, species, and infraspecific taxa of Crassulaceae subfam. Kalanchooideae that are indigenous to Madagascar, some Indian Ocean islands off the African east coast, most of sub-Saharan Africa, and the Near, Middle, and Far East, was validly published in 1763 by Michel Adanson (1727–1806) and is legitimate. Genus names that are included in the synonymy of Kalanchoe are assessed and assigned to the appropriate subgenera recognised in the genus, and their nomenclature is reviewed. In chronological sequence the genus names in question are: (1) Vereia (1798), (2) Physocalycium (1820), (3) Baumgartenia (1821), (4) Meristostylus (1861), and (5) Geaya (1908); and (6) Bryophyllum (1805) is the basionym of K. subg. Bryophyllum (1919), and (7) Kitchingia (1881) is the basionym of K. subg. Kitchingia (2018). When Bryophyllum is treated as a synonym of Kalanchoe—a view followed here—the nothogenus name (8) ×Bryokalanchoe (1956) is a synonym of Kalanchoe.
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Barbosa, Márcio Luís Leitão, Isabela Andrade Ferreira, Claudio Ruy Vasconcelos da Fonseca, and Fernando Bernardo Pinto Gouveia. "Cholini (Coleoptera: Curculionidae: Molytinae) housed in the Invertebrate Collection of the Instituto Nacional de Pesquisas da Amazônia, Manaus, Brazil." Acta Amazonica 41, no. 3 (2011): 401–8. http://dx.doi.org/10.1590/s0044-59672011000300010.

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In Brazilian Amazonia, Cholini (Coleoptera, Curculionidae, Molytinae) is represented by 53 species distributed in seven genera: Ameris Dejean, 1821; Cholus Germar, 1824; Homalinotus Sahlberg, 1823; Lobaspis Chevrolat, 1881; Odontoderes Sahlberg, 1823; Ozopherus Pascoe, 1872 and Rhinastus Schoenherr, 1825. This work documents the species of Cholini housed in the Invertebrate Collection of the Instituto Nacional de Pesquisas da Amazônia, Manaus, Brazil and gives the geographical and biological data associated with them. A total of 186 Cholini specimens were identified as belonging to 14 species (13 from Brazilian Amazonia) and five genera (Cholus, Homalinotus, Odontoderes, Ozopherus and Rhinastus). Only 24% of the Cholini species reported from Brazilian Amazonia are actually represented in the INPA collection, underscoring the need for a more systematical collecting based on available biological information. The known geographical distribution was expanded for the following species: Cholus granifer (Chevrolat, 1881) for Brazil; C. pantherinus (Olivier, 1790) for Manaus (Amazonas); Cholus parallelogrammus (Germar, 1824) for Piraquara (Paraná); Homalinotus depressus (Linnaeus, 1758) for lago Janauacá (Amazonas) and rio Tocantins (Pará); H. humeralis (Gyllenhal, 1836) for Novo Airão, Coari (Amazonas) and Porto Velho (Rondônia); H. nodipennis (Chevrolat, 1878) for Carauari, Lábrea (Amazonas) and Ariquemes (Rondônia); H. validus (Olivier, 1790) for rio Araguaia (Brasil), Manaus (Amazonas), rio Tocantins (Pará), Porto Velho and BR 364, Km 130 (Rondônia); Odontoderes carinatus (Guérin-Méneville, 1844) for Manaus (Amazonas); O. spinicollis (Boheman, 1836) for rio Uraricoera (Roraima); and Ozopherus muricatus Pascoe, 1872 for lago Janauacá (Amazonas). Homalinotus humeralis is reported for the first time from "urucuri" palm, Attalea phalerata Mart. ex Spreng.
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Humbert, Jean-Marcel. "Mariette Pacha and Verdi's Aïda." Antiquity 59, no. 226 (June 1985): 101–5. http://dx.doi.org/10.1017/s0003598x0005691x.

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Aïda est en effet un produit de mon travail; c'est moi qui ai d#x00E9;cidé le Vice-Roi à en ordonner la représentation; Aïda, en un mot, est sortie de mon cerveau, et il me semble qu'avant d'en disposer aussi complètement, on me devait au moins la déférence de m'en écnire (Mariette, 1871a).Auguste Mariette, born in Boulogne-sur-Mer on 11 February 1821, is one of the most endearing characters of Egyptology. Very far ahead of his time, he did all he could to prevent Egypt being further plundered by archaeologists, and to enable it to learn how to conserve its treasures and use them to its advantage. He was given the title of Bey after his discovery of the Memphis Serapeum, and was later raised to the high rank of Pacha, a rare distinction for foreigners, on 5 June 1879. He died on 18 January 1881, and was buried at Boulaq, afterwards Cairo. A monument in his honour was set up in his native town which held glittering celebrations on the centenary of his death.
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Ausich, William, George Sevastopulo, and Hugh Torrens. "Middle Nineteenth-Century Crinoid Studies Of Thomas Austin, Sr. And Thomas Austin, Jr.: Newly Discovered Unpublished Materials." Earth Sciences History 18, no. 2 (January 1, 1999): 180–97. http://dx.doi.org/10.17704/eshi.18.2.6725415871253142.

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Thomas Austin, Sr. (1794-1881) and to a lesser extent his son Thomas Austin, Jr. (1817-before 1881) are recognized as important early students of both Carboniferous and Jurassic crinoids. However, the extent of their understanding of crinoids was not appreciated until the recent discovery of unpublished materials of Austin, Sr., including a manuscript dated 1855, plates indicating the intended continuation of their never finished 1843-1849 systematic monograph, and photographs of fossil crinoids.Within at most three and one-half decades after Johann Samuel Miller (1779-1830) first named the class Crinoidea in 1821, Austin, Sr. accurately summarized the broad outline of crinoid evolutionary history. Furthermore, Austin had a post-natural-historical interpretation of fossil crinoids. Fossil crinoids were not just ancient organisms to be described and classified, but Austin tried to interpret the biology of these fossils. Furthermore, he considered questions of taphonomy, functional morphology, paleoecology, processes controlling evolutionary trends, and crinoid deposits—still topics of interest to paleobiologists 150 years later; and he also discussed crinoid "evolution" and extinction. Other discussion is present on the history of crinoid studies from a middle-1800's perspective and on the superstitious and medicinal uses of crinoid fossils.But fain Saint Hilda's nuns would learn If, on a rock by Lindisfarne, Saint Cuthbert sits, and toils to frame The sea-born beads that bear his name: Such tales had Whitby's fishers told, And said they might his shape behold, And hear his anvil sound; A deaden'd clang,-a huge dim form Seen but, and heard, when gathering storm And night were closing round. But this, as tale of idle fame, The nuns of Lindisfarne disclaim.
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Gosik, Rafał, Roberto Caldara, Ivo Toševski, and Jiří Skuhrovec. "Description of immature stages of Rhinusa species (Coleoptera, Curculionidae, Mecinini) with a focus on diagnostic morphological characters at the species and genus levels." ZooKeys 1195 (March 14, 2024): 1–94. http://dx.doi.org/10.3897/zookeys.1195.112328.

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The mature larvae of the following fourteen Rhinusa species are described and illustrated: Rhinusa antirrhini (Paykull, 1800), R. asellus (Gravenhorst, 1807), R. collina (Gyllenhal, 1813), R. eversmanni (Rosenschoeld, 1838), R. florum (Rubsaamen, 1895), R. herbarum (H. Brisout de Barneville, 1862), R. incana (Kirsch, 1881), R. linariae (Panzer, 1796), R. melas (Boheman, 1838), R. neta (Germar, 1821), R. pilosa (Gyllenhal, 1838), R. rara Toševski & Caldara, 2015, R. tetra (Fabricius, 1792), and R. vestita (Germar, 1821). The pupae of thirteen of them (except R. incana) were also described. The comparison of larval morphological characters and plant preferences provides evidence supporting the existence of different species groups previously established according to a phylogenetic analysis based on adult morphological characters. The following diagnostic attributes distinguishing the genus Rhinusa are highlighted. For the larvae: (1) pronotal shield indistinct; (2) thoracic prodorsal fold small or even vestigial; (3) abdominal postdorsal folds (especially of segments III–VII) high or even in the form of conical protuberances; (4) cuticle of abdominal segments densely covered with asperities; (5) cuticle without dark spots or dark pigmentation; (6) head suboval, rarely round; (7) labrum usually with 2 als; (8) des1 short or absent, rarely elongated; and (9) fs1-3 usually absent or minute. For the pupae: (1) body stout; (2) head protuberances always present; (3) pronotal protuberances (if present), separated at bases of the pronotum, always wider than higher; (4) abdominal protuberance usually present, wide or round; (5) femora usually with a single fes; and (6) urogomphi short or vestigial. Keys to the larvae and pupae described here are provided. All the characters used for identification are illustrated by photographs or drawings. Biological and distribution data, including new information, are provided for all the species studied.
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Bittencourt, Rodrigo Do Prado. "A angústia em Andreiev e Dostoiévski: duas experiências opostas." Em Tese 26, no. 1 (November 19, 2020): 140. http://dx.doi.org/10.17851/1982-0739.26.1.140-151.

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Este artigo analisa comparativamente duas obras da Literatura Russa. Trata-se do romance O Eterno Marido (Vechnyj muzh - Вечный муж), de 1870, de Fiódor Dostoiévski (1821-1881), e da novela Os Sete Enforcados (Рассказ о семи повешенных), de 1908, de Leonid Andreiev (1871-1919). Estas duas obras trabalham o tema da angústia. São angústias opostas, porém. A angústia de Veltchaninov, personagem principal da obra de Dostoiévski, está ligada à fatuidade de um homem ocioso, bem educado, sem família e longe dos amigos. Ele não tem vínculos sociais ou atividades a exercer, daí provém sua “hipocondria”. Sua situação agrava-se com a chegada de um inimigo disposto a perturbar sua paz. A novela de Andreiev, no entanto, apresenta uma angústia existencial, ligada à condenação à morte e ao medo de que esta morte seja em vão. Texto experimental, inovador e ousado, esta obra analisa ontologicamente a questão da vida e de seu fim. É uma angústia essencialmente humana, enquanto a retratada por Dostoiévski em seu romance é verdadeiramente civilizacional e histórica, pois tem como uma de suas causas principais a influência da condição social de Veltchaninov sobre seu temperamento.
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Martins, Lucas Alamino Iglesias, and Thiago Abdala Barnabé. "Raskolnikóv e Caim." TEOLITERARIA - Revista de Literaturas e Teologias 12, no. 27 (September 9, 2022): 172–203. http://dx.doi.org/10.23925/2236-9937.2022v27p172-203.

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Na obra, Crime e Castigo, do escritor Fiódor Dostoiévski (1821-1881), narra-se a história do falido estudante de direito Raskólnikov que, perante o espírito niilista de sua época, realiza o duplo homicídio contra a velha usurária e sua irmã. Ao longo da história, grande parte dos estudiosos analisaram a caracterização da personagem, Raskólnikov, sob o âmbito desta ser um reflexo das condições histórico-filosóficas do período em que Dostoiévski compôs a obra. No entanto, pouco estudo se direcionou em compreender a caracterização da personagem em relação ao arquétipo bíblico do assassinato, neste caso, representado por Caim e seu ato fraticida. Nesse viés, o artigo tem como objetivo analisar intertextualmente a caracterização da personagem Raskólnikov à luz da caracterização de Caim no relato bíblico de Gn 4:1-16. O texto bíblico em questão, foi examinado em sua forma sincrônica e posto como modelo mitológico-literário de crime. Tanto Raskólnikov como Caim representam vozes universais da violência. Eles estão em ruptura em relação ao outro, dado que cometem o crime, e por isso são indiferentes e egoístas. Mas ambos descobrem que não há crime sem castigo. Nesse sentido, as personagens são convidadas para o perdão, para a reconciliação e o restabelecimento pleno do diálogo.
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Carver, Terrell. "“Mere Auxiliaries to the Movement”1: How Intellectual Biography Obscures Marx's and Engels's Gendered Political Partnerships." Hypatia 33, no. 4 (2018): 593–609. http://dx.doi.org/10.1111/hypa.12439.

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Four women have been conventionally framed as wives and/or mistresses and/or sexual partners in the biographical reception of Karl Marx (1818–1883) and Friedrich Engels (1820–1895) as heterosexual men. These women were Jenny Marx (née von Westphalen) (1814–1881), Helene Demuth (“Lenchen”) (1820–1890), Mary Burns (1821–1863), and Lydia Burns (1827–1878). How exactly they appear in the few contemporary texts and rare images that survive is less interesting than the determination of subsequent biographers of the two “great men” to make these women fit a familiar genre, namely intellectual biography. An analysis of Marx–Engels biographies shows how this masculinized genre enforces an incuriosity that makes gendered political partnerships unthinkable and therefore invisible. By contrast, a positive interest in these women, which rethinks what a gendered political partnership is or could be, results in a significantly different view of the two men. As historical figures, they shift from being individualized or paired‐with‐each‐other “great thinkers” to communist/socialist activists working in and through everyday spaces and material practices. Their pamphlets, articles, and books thus appear more as immediate political interventions and less as timeless theorizing or as the raw material for such intellectualizing reconstructions.
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Koprowski, Piotr. "Stanisław Brzozowski i Fiodor Dostojewski. O fascynacji polskiego filozofa twórcą rosyjskim." Studia Rossica Gedanensia, no. 10 (December 31, 2023): 48–58. http://dx.doi.org/10.26881/srg.2023.10.03.

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Polski filozof, krytyk literacki, publicysta, pisarz i poeta Stanisław Brzozowski (1878– 1911) przejawiał duże zainteresowanie, przechodzące w fascynację, osobą rosyjskiego pisarza, myśliciela Fiodora Dostojewskiego (1821–1881) oraz jego twórczością. W artykule postawiono tezę, iż autor Zbrodni i kary utwierdził polskiego filozofa w przekonaniu o mocy oddziaływania kulturowego, o konieczności czynnego uczestnictwa w realiach teraźniejszości. Model społeczno-kulturowy artystycznie wykreowany przez Dostojewskiego i nasycony aktywizmem, Brzozowski uznał za kompatybilny wobec wyznawanej przez siebie koncepcji życia i myślenia. W sprzężeniu żywiołowości i umysłowości, duszy kulturalnej i jej form, charakterystycznym dla myśli autora Legendy Młodej Polski, idee Dostojewskiego zajmowały ważne miejsce. W opinii Brzozowskiego w sposób plastyczny przekładały się na historie życia konkretnych osób – bohaterów utworów Rosjanina, m.in. urzędnika, oficera, literata, popa czy rewolucjonisty. Wszyscy oni, niezależnie od dzielących ich różnic, chcieli przede wszystkim żyć i swoimi działaniami, silnym pragnieniem owo istnienie konstytuowali. Czynili to bezwiednie, zmagając się z przeciwnościami losu, niekiedy buntując się przeciwko nim, ale trwając, pracując, działając. Przedstawiona przez Dostojewskiego „rosyjska dusza”, niewyidealizowana, posiadająca zarówno ciemne, jak i jasne „strony”, jawi się – według Brzozowskiego – jako swego rodzaju zwierciadło, w którym mogą się przeglądać Polacy, by wyjść z cechującego ich marazmu i rozpocząć twórczą, aktywną egzystencję. W artykule przybliżono kilka uwag i refleksji Brzozowskiego na temat autora Biesów i jego spojrzenia na człowieka w ogóle, a Rosjanina zakorzenionego w kulturze rosyjskiej w szczególności. Analiza wybranych dzieł polskiego filozofa, zwłaszcza zaś Legendy Młodej Polski, Głosów wśród nocy, Płomieni, Idei, potwierdziła prawdziwość postawionej tezy.
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BOLSTAD, KATHRIN S. R. "Systematics of the Onychoteuthidae Gray, 1847 (Cephalopoda: Oegopsida)." Zootaxa 2696, no. 1 (December 3, 2010): 1. http://dx.doi.org/10.11646/zootaxa.2696.1.1.

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Squids in the family Onychoteuthidae Gray, 1847, have been reported from every ocean but the Arctic, are taken frequently in deep-sea fisheries bycatch, and are ecologically important in the diets of many marine predators including cetaceans, pinnipeds, sharks, and seabirds. However, the diversity and systematics of the family have remained poorly understood. Of the 60+ nominal species, 12–14 have generally been accepted in recent studies. Challenges to clarity include insufficient species descriptions, original descriptions published in eight languages and often based solely on early life stages, non-designation or subsequent loss of type material, and the existence of several unresolved species complexes. In light of the general systematic disarray of the Onychoteuthidae, a global revision of the family follows, based on ~1500 specimens examined from 19 repositories. Type material has been examined wherever possible (although, for some species, photographs of type specimens, original illustrations, and/or the original descriptions have provided the only information available). For all 25 species treated in this revision, descriptions and illustrations are provided to a consistent standard that will enable their reidentification. External and internal morphological characters and states are described for subadult to adult stages of most species, with external characters reported through ontogeny as permitted by available material. Historically important characters are treated (general external morphology, body proportions, tentacle clubs, photophores, gladius, lower beak, radula), augmented by several more recently recognised characters (palatine teeth, detailed morphology of the tentacular hooks in adults, tentacular suckers in paralarvae, chromatophore patterns). The systematic value of both historical and new morphological characters at the generic and species levels is discussed; at all ontogenetic stages, tentacular club and hook morphology are considered the most valuable characters, although body proportions and gladius also prove useful. In the interest of systematic stability, neotypes are also designated for four species in which type specimens were not previously designated [Onykia (Onykia) loennbergii Ishikawa & Wakiya, 1914; Onychoteuthis borealijaponica Okada, 1927] or have been subsequently lost [Onykia (Onykia) carriboea Lesueur, 1821; Onykia (Onykia) robsoni Adam, 1962]. Partial resolution of the Onychoteuthis banksii complex has been possible in the Pacific and Atlantic Oceans, resulting in: the resurrection of Onychoteuthis bergii Lichtenstein, 1818, and Onychoteuthis aequimanus Gabb, 1868; the description of two new species in an earlier publication (Onychoteuthis lacrima Bolstad & Seki, and Onychoteuthis prolata Bolstad, Vecchione & Young, in Bolstad, 2008) and another herein, Onychoteuthis horstkottei sp. nov.; and the expansion of one species’ recognised distribution (Onychoteuthis compacta Berry, 1913) to include the Atlantic Ocean. The genus Moroteuthis Verrill, 1881, is considered a junior synonym of Onykia Lesueur, 1821, in accordance with the findings of several earlier authors. However, morphological differences in the species ‘Moroteuthis’ ingens Smith, 1881, necessitate the resurrection of the subgenus Moroteuthopsis Pfeffer, 1908, with all other Onykia species placed into the nominate subgenus Onykia (Onykia). Sexual dimorphism is reported in the beaks of Onykia (Moroteuthopsis) ingens (new comb.). Morphological and historical genetic data suggest a more distant relationship between Onykia and the species ‘Moroteuthis’ knipovitchi Filippova, 1972, than was suggested by earlier classifications. This species is therefore placed into Filippovia gen. nov., described herein. ‘Onykia’ rancureli (Okutani, 1981) and C. youngorum sp. nov. are placed into Callimachus gen. nov., according to morphological and genetic data. Given that the majority of available onychoteuthid material was collected after 1950, resulting in the descriptions of over half of the generally accepted genera and species since 1960, ongoing collection programmes are necessary to further resolve onychoteuthid systematics.
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Rodrigues, Manoela Da Silva, and Esteban Reyes Celedón. "O DUPLO EM CORTÁZAR: O CASO DO CONTO “DESPUÉS DEL ALMUERZO”." Revista Decifrar 6, no. 12 (December 6, 2018): 33. http://dx.doi.org/10.29281/rd.v6i12.4925.

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Em 1846, antes do surgimento da psicanálise, o jovem romancista russo Fiódor Dostoiévski (1821-1881), escreveu uma pequena novela, O Duplo (Двойник. Петербургская поэма, 1846), que abordava o conflito da personalidade de Goliadkin, funcionário público, que tenta se destacar dos demais, desempenhando com perfeições suas tarefas, mas é derrotado por ele mesmo, ou melhor, pelo seu duplo. Neste sentido, em 1964, o escritor argentino Julio Cortázar (1914-1984), no conto Después del Almuerzo, aborda a mesma temática, mas narrado por um jovem pré-adolescente. Numa primeira leitura, não sabemos ao certo de quem ou de que se trata; o que leva o leitor a imaginar que possa ser: um cachorro, um irmão com debilidades ou, até mesmo, um espírito. Neste conto se colocam noções de responsabilidade e culpa existentes da pré-adolescecia, que tenta contrapor essa fase, sua vontade de se livrar deste ser a quem tem que acompanhar em seu passeio por ruas de Buenos Aires. Esta fase narrada coloca o duelo entre o jovem e este ser que tem suas vontades próprias de livramento em forma de culpa, querendo ser natural e humano, hora criança e hora querendo se tornar adulto, deixa claro que o duplo existe a todo instante, dentro e fora de si. O corpo exterior deste pré-adolescente pode aparentar maturidade, porém o ser interior reluta com a consciência da infância; este ser não acompanha o exterior e vise versa. Neste trabalho analisaremos este duelo interior do protagonista, do ponto de vista da estética literária (herdeira da obra de Dostoiévski).
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GORBUNOVA, Natalya V., and Olga M. USHAKOVA. "“REPASTS” OF THE REVOLUTION: PERSONAL ASCETICISM AND COLLECTIVE SACRIFICIAL FEASTS (F. M. DOSTOEVSKY’S DEMONS, J. CONRAD’S THE SECRET AGENT: A SIMPLE TALE)." Tyumen State University Herald. Humanities Research. Humanitates 7, no. 2 (2021): 144–59. http://dx.doi.org/10.21684/2411-197x-2021-7-2-144-159.

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This paper presents a comparative analysis of food patterns as the elements of political discourse in the novels by Fyodor Dostoevsky (1821-1881) and Joseph Conrad (1857-1924). The stereotypes of food behavior and the gastronomic symbols, associated with the revolutionary activities, appeared simultaneously with literary nihilists. In Dostoevsky’s Demons (1871-1872), the issue of accomplishing social harmony (which was discussed in polemics with T. Carlyle and J. S. Mill) is connected to metaphorical images of repast. The “culinary” episodes are quite limited; this “poverty” of gastronomic motives could be explained by the “industrial era” ideology, when a meal ceased to stay among existential foundations. The ”revolutionaries” destroying Russian traditional life are depicted as instruments of suicide or destruction. Heroes are eager for spiritual food but can only “devour each other” or be devoured; the “Idea”, which destroys individual organisms, turns entire social organisms into “porridge”. The abstract characters of feasts and the absence of any specific meal details symbolize “emptiness” of human existence. This rejection of “basic” elements of life can develop into “sacrificial” feasts with human victims. In Conrad’s novel The Secret Agent (1907; a dialogue with Dostoevsky), the revolutionary “sacrificial meal” appears through the “kitchen” metaphors and “slaughterhouse” symbols. The remains of an idiot sacrificed by new “apostles” resemble butcher’s by-products. The “secret agent” (Verloc) having satisfied hunger with meat (like Verkhovenskiy who is constantly hungry) is murdered with a kitchen knife as a sacrificial animal. Another expressive “gastronomic” trail is Conrad’s parody on stereotypical food asceticism of fighters for the Idea: fat anarchist Michaelis eats only raw carrots. Thus, in Dostoevsky’s and Conrad’s novels, important models of individual food behavior and culinary “bloody triune” metaphors are associated with nihilistic behavior and revolutionary activities. Food metaphors help writers to express their negative attitude towards the destructive activities of nihilists. The main ideas of the paper were presented at the BASEES Annual Conference 2018 (Fitzwilliam College — Churchill College, University of Cambridge, United Kingdom).
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Zlotnikova, Tatiana S. "Philosophy and the Drama of Life: A Theater Experience of Understanding F.M. Dostoevsky." Observatory of Culture 18, no. 3 (July 22, 2021): 228–39. http://dx.doi.org/10.25281/2072-3156-2021-18-3-228-239.

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The article aims at a multidimensional discussion of the little-explored topic of the dramatic content of the philosophical problems in the works of F.M. Dostoevsky (1821—1881). There is proved that it was this feature of creativity that made the writer, with his philosophy of life and sharp, dramatically effective plot and psychological collisions, the most desirable and very productive author for the Russian theater art.Polyphony, dialogism, combined with the features of the tragic genre, are the basis for numerous theatrical embodiments of novels and novellas by F.M. Dostoevsky. The intensity of the action in his works gave rise to the expressions “novel-drama” or “drama in a novel”, “novel-tragedy”, and in theatrical practice it created the ground for the transformation of moral and philosophical problems into active stage action.The article reveals the context of F.M. Dostoevsky’s works — the time and conditions for the emergence of novels and novellas, the problem field that united and separated him from the works of his predecessors and contemporaries, which is done on the basis of a brief description of several aspects of the philosophical-aesthetic and socio-moral systems. In this context, according to our concept, a special place is occupied by the idea that life in Russia is absurd and ridiculous, and the reflection of the absurd is the most important artistic paradigm.The article proves that the analyzed philosophy of F.M. Dostoevsky’s life received polar genre embodiments in the theater. Thus, the dramatic and melodramatic beginning was characteristic of the performances that had in their center the so-called little man. The article presents an understanding of the most remarkable performances of the second half of the 20th and the beginning of the 21st century: “The Idiot” by G. Tovstonogov, with a new trend of searching for a “positively beautiful” person, which had a significant impact on many theatrical experiences in Russia; “The Petersburg Dreams” by Yu. Zavadsky, as a unique experience for Soviet art of creating a tragic work in full accordance with the aesthetic characteristics of this genre; “And I Will Go, and I Will Go” by V. Fokin, as the last emotional outburst of the young generation of Soviet creators who thought in the moral and psychological parameters of F.M. Dostoevsky’s characters; “The Karamazovs” by K. Bogomolov — a postmodern experience of an absurdist reading of the multifaceted text of the classic.In the works of the writer and their theatrical embodiment, the article notes the signs of a carnival worldview, a combination of grotesque and subtle psychologism in the stage versions of F.M. Dostoevsky (in particular, when working with ironic and satirical texts, “Uncle’s Dream” and especially “The Village of Stepanchikovo”, where sympathy and negative connotations are integrated into a single artistic space). The article correlates the writer’s works existential interpretations by theatrical creators of the 20th and early 21st centuries with socially significant problems, life choices, and dramatic conflicts that characterize Dostoevsky’s philosophy.
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Veremis, Thanos. "Reviews : William W. McGrew, Land and Revolution in Modern Greece 1800-1881, Kent OH, Kent State University Press, 1986; xxii + 339 pp; US $35.00. John S. Koliopoulos, Brigands with a Cause: Brigandage and Irredentism in Modern Greece 1821-1912, Oxford, Clarendon Press, 1987, xv + 342 pp; £35.00." European History Quarterly 19, no. 2 (April 1989): 299–301. http://dx.doi.org/10.1177/026569148901900207.

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LEEUWEN, MICHAEL VAN. "Simon Rood Pittard (1821–1861) Curator of the Australian Museum." Archives of Natural History 25, no. 1 (February 1998): 9–24. http://dx.doi.org/10.3366/anh.1998.25.1.9.

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Previous historians of the Australian Museum (Strahan, 1979; Whitley, 1959) have tended to regard Simon Rood Pittard's short term as Curator of the Australian Museum almost purely as a precursor to that of the most important Australian-based Curator of the nineteenth century, Gerard Krefft (1830– 1881). Without the disruption caused by Pittard's untimely death, Krefft would never have become Curator (with the responsibilities of Director), with such important consequences for the Museum. However, Pittard's work does bear scrutiny as part of the mid-century development of the Museum along more professional lines. In the short period that Pittard was active at the Museum he fulfilled many of the requirements placed upon him by the Trustees, including the propagation of the study of natural history via a series of very successful lectures; advising of the Museum's existence and activities with a series of exchange letters around the globe; and the design of a new wing of the Museum. Pittard's role in the beginnings of the evolutionary debate in the Colony is also of great interest. It will also be shown how Pittard's death led directly to the elevation of Gerard Krefft to the curatorship of the Museum.
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Pedroso, Claudio Nascimento, José Paulo Cosenza, and Alberto Donoso-Anes. "The Portuguese Royal Treasury: management, taxation and accounts control in the Johannine period (from 1814 to 1820)." De Computis - Revista Española de Historia de la Contabilidad 17, no. 1 (June 29, 2020): 119. http://dx.doi.org/10.26784/issn.1886-1881.v17i1.376.

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In November 1807, Napoleon Bonaparte's troops were about to invade Portugal. To escape, the Queen of Portugal, Maria I, her son, future King Juan VI, Prince Regent at the time, as well as civilians and military men, had to embark and move to Brazil urgently. The transfer of the Portuguese court to Brazil transformed the then colony of Portugal into the seat of the Portuguese monarchy, giving the country a significant role in the economic, social, and political issues of the Portuguese Empire, between 1808 and 1821. Among the changes made by the Portuguese Crown in Brazil in the process of reorganization of the State apparatus, we highlight the creation of the Royal Treasury, similar to the one existing in Lisbon since 1761, which was responsible for the collection and accounting entries of the income generated throughout the Portuguese domain. This paper examines the balance sheets of the ledger book of the 2nd Royal Treasury General Accountancy from 1814 to 1820, based on historical and documentary research conducted in the collections of the Brazilian National Archive. The purpose of this study is to analyze the quality of the accounting information recorded in the annual balance sheets, comparing it across different periods and determining its functionality as a tax control tool. The paper contributes to the literature with information on this special historical period in which Rio de Janeiro provisionally became the capital of the Portuguese Kingdom, maintaining a vital role in the political, economic, and social context of the time. The results of the study enable us to infer the economic conception of fiscal control that the Royal Treasury exercised in its administrative and accounting organization, showing the role played by accounting in the management of the Portuguese Royal House, given that accounting records reveal the ascendancy of the environment over accounting and the influence of accounting on the environment.
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Zorin, Alexander. "Anton Schiefner (1817-1879) und seine indologischen Freunde: seine Briefe an die Indologen Albrecht Weber (1825-1901), Rudolf Roth (1821-1895) und William D. Whitney (1827-1894) sowie den Indogermanisten Adalbert Kuhn (1812-1881) / Hartmut Walravens, Agnes Stache-Weiske [editors]. Wien: Verlag der Österreichischen Akademie der Wissenschaften 2015. (Österreichische Akademie der Wissenschaften. Philosophisch-Historische Klasse Sitzungsberichte, 868. Bd.; Beiträge zur Kulturund Geistesgeschichte Asiens, Nr. 89)." Written Monuments of the Orient 3, no. 1 (December 15, 2017): 98–102. http://dx.doi.org/10.17816/wmo35129.

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