Relevant bibliographies by topics / 1835-1924

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic '1835-1924'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "1835-1924"

1

Dolan, John R. "Pioneers of plankton research: Victor Hensen (1835–1924)." Journal of Plankton Research 43, no. 4 (2021): 507–10. http://dx.doi.org/10.1093/plankt/fbab045.

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Sutherland, G. "Oxford Jackson: Architecture, Education, Status, and Style, 1835-1924." English Historical Review CXXII, no. 499 (2007): 1443–45. http://dx.doi.org/10.1093/ehr/cem383.

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SMITH, ANDREW B. T., and ARTHUR V. EVANS. "Taxonomic review of Athliini (Coleoptera: Scarabaeidae: Melolonthinae), a new tribe of scarab beetles endemic to South America." Zootaxa 4471, no. 2 (2018): 279. http://dx.doi.org/10.11646/zootaxa.4471.2.3.

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Athliini Smith & Evans, new tribe (Coleoptera: Scarabaeidae: Melolonthinae) includes four genera that occur from southern South America through to the southeastern regions of Brazil: Apteroathlia Smith & Evans, new genus, Athlia Erichson, 1835, Dihymenonyx Gutiérrez, 1949, and Ulata Saylor, 1945. Justifications are provided for the new tribe and for the placement each genus in the new tribe. Keys to genera and species are presented along with distributional data and maps for all species. Apteroathlia translucida Smith & Evans, new species and Apteroathlia nox Smith & Evans, new species are described. Lectotypes are designated for Athlia bruchi Moser, 1924 and Athlia rustica Erichson, 1835. A neotype is designated for Ulata argentina Saylor, 1945.
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ANDERSON, R. D. "Oxford Jackson: Architecture, Education, Status, and Style, 1835–1924 - By William Whyte." History 92, no. 308 (2007): 587–88. http://dx.doi.org/10.1111/j.1468-229x.2007.410_56.x.

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Viana, Isabel. "O papel da mulher na ópera italiana do século XIX." Jangada: crítica | literatura | artes, no. 12 (December 21, 2018): 138–57. http://dx.doi.org/10.35921/jangada.v1i12.186.

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Neste artigo refleti sobre o papel que a mulher desempenhou na ópera italiana do século XIX, que, no fundo, espelhava essencialmente o seu papel na sociedade, embora de forma intensificada, pois as emoções, atitudes e comportamentos eram descritos na ópera de forma mais veemente. Analisei ainda o período romântico e as suas caraterísticas na ópera italiana e dos seus representantes mais célebres: Rossini (1792–1868), Donizetti (1797–1848), Bellini (1801–1835), Verdi (1813–1901) e Puccini (1858–1924), ainda que este seja já catalogado como pertencente ao Verismo (Realismo / Naturalismo nos estudos literários).
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Kearney, Hugh F., and Thomas J. Morrissey. "Towards a National University: William Delany, S.J., 1835-1924: An Era of Initiative in Irish Education." American Historical Review 90, no. 2 (1985): 420. http://dx.doi.org/10.2307/1852719.

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7

Taylor, Michael A. "Autobiography and documentable fact in the family background and religious affiliation of Archibald Geikie (1835–1924)." Geological Society, London, Special Publications 480, no. 1 (2018): 39–49. http://dx.doi.org/10.1144/sp480.11.

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Taylor, Michael A. "‘Miller's most important geological discovery’: Archibald Geikie (1835–1924) as pupil and memorialist of Hugh Miller (1802–56)." Geological Society, London, Special Publications 480, no. 1 (2018): 51–66. http://dx.doi.org/10.1144/sp480.14.

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9

Fikáček, Martin, and Hsing-Che Liu. "A review of Thysanarthria with description of seven new species and comments on its relationship to Chaetarthria (Hydrophilidae: Chaetarthriini)." Acta Entomologica Musei Nationalis Pragae 59, no. 1 (2019): 229–52. http://dx.doi.org/10.2478/aemnp-2019-0020.

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Abstract The Old World genus Thysanarthria Orchymont, 1926 is reviewed taxonomically and compared to the related genus Chaetarthria Stephens, 1835. Chaetarthria is considered to consist of three groups differing in the morphology of male genitalia and surrounding sclerites: (1) large Old World Chaetarthria which seems to stand apart of the remaining groups, and (2) European Chaetarthria plus (3) American Chaetarthria which both share the male sternite 8 with a long median projection with Thysanarthria. The reduced mesal part of male sternite 9 is shared by European Chaetarthria and Thysanarthria, supporting their close relationship proposed by previous molecular analyses. Sixteen species are recognized within Thysanarthria which differ in the details of the morphology of the aedeagus illustrated for all species. Seven species are described as new: T. bifida sp. nov. (Thailand), T. cardamona sp. nov. (India: Kerala), T. chui sp. nov. (Taiwan), T. persica sp. nov. (southern Iran), T. saurahana sp. nov. (Nepal), T. trifida (Laos), and T. wadicola sp. nov. (Oman). New records are provided for T. ceylonensis Hebauer, 2001 (new to India: Madhya Pradesh), T. championi (Knisch, 1924) (new to Afghanistan, India: Arunachal Pradesh, China: Yunnan, and Myanmar), T. madurensis Hebauer, 2001 (new to Nepal and India: Kerala), and T. siamensis Hebauer, 2001 (new to India: Uttarkhand, Nepal and Laos). Chaetarthriomorphus sulcatus Chiesa, 1967 is revealed as a junior synonym of Chaetarthria championi Knisch, 1924, and lectotypes are designated for both these taxa. An undescribed species of the American group of Chaetarthria is recorded from Saudi Arabia either as an accidental introduction or due to mislabeling; the species is illustrated but not described.
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10

Tomczak, Salezy Bogumił. "Mowa przy pożegnaniu Wielebnych OO. Reformatów we Wronkach wygłoszona przez księdza Wincentego Kałkowskiego. Reprint źródła i komentarz." Ecclesia. Studia z Dziejów Wielkopolski, no. 12 (October 15, 2018): 101–31. http://dx.doi.org/10.14746/e.2017.12.3.

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Klasztor we Wronkach należy do najstarszych fundacji zakonnych na terenie archidiecezji poznańskiej. Jego długą historię można podzielić na dwa okresy: dominikański i franciszkański. Okres dominikański rozpoczął się w 1279 a zakończył w 1835 roku, kiedy władze pruskie skasowały na swoim terenie zakony. Po kasacie groziła mu zamiana na cele świeckie a nawet całkowite zniszczenie. W 1854 roku powstał Komitet obywatelski, który postanowił ten pomnik wiary i polskości uratować. Ten cel udało się osiągnąć. W 1868 roku, po wykupieniu kościoła i klasztoru z rąk prywatnych, wspomniany Komitet obywatelski przekazał kościół do dyspozycji arcybiskupa gnieźnieńskiego i poznańskiego Mieczysława Halki Ledóchowskiego, ten zaś oddał go franciszkanom/reformatom. Franciszkanie pracowali przy nim zaledwie 7 lat. W 1875 roku władze pruskie zamknęły klasztor a zakonników usunęły. Publikujemy mowę, którą na pożegnanie franciszkanów wygłosił ks. Wincenty Kałkowski, wikariusz z Ostroroga, ze względu na zawartą w niej treść i wielką rzadkość tego druku. W 1924 roku franciszkanie wrócili do Wronek i w odzyskanym klasztorze urządzili niższe seminarium duchowne a w 1931 roku studium teologiczne. Od 1991 roku w klasztorze działa Wyższe Seminarium Duchowne Franciszkanów, które jest afiliowane do Wydziału Teologicznego Uniwersytetu im. Adama Mickiewicza w Poznaniu.
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Dissertations / Theses on the topic "1835-1924"

1

Whyte, William. "Oxford Jackson : architecture, education, status and style, 1835-1924." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249891.

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2

Hwang, Hyunyoung. "A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure." 2013. http://liblink.bsu.edu/uhtbin/catkey/1738934.

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Contained in this study is a musical discussion and analysis of seven Romance Sans Paroles (song without words), written by three French composers, Charles-François Gounod, Camille Saint-Saëns, and Gabriel Fauré. The Romance Sans Parole genre seems to be quite unknown in the piano field; as a result, there are few secondary sources available. By immersing myself in these scores, I sought to discover their musical value and compositional nuance and excellence. I thoroughly investigated each composer’s unique treatment of melody, harmony, rhythm, texture, and form. Chapter One includes an Introduction, brief biographical information on each composer, the Need for the Study, the Purpose of the Study, a Review of Literature, and a Methodology. Chapters Two, Three, and Four consist of a musical analysis and discussion of the seven Romance Sans Paroles. Chapter Five offers a Conclusion and Suggestions for Further Study. I believe my dissertation will enhance the understanding and appreciation of this art form.<br>School of Music
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Books on the topic "1835-1924"

1

Stockhecke, Kerstin. Marie Schmalenbach, 1835-1924: Pfarrersfrau und Schriftstellerin aus Westfalen. Verlag für Regionalgeschichte, 1993.

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2

Stockhecke, Kerstin. Marie Schmalenbach, 1835-1924: Pfarrersfrau und Schriftstellerin aus Westfalen. 2nd ed. Verlag für Regionalgeschichte, 1994.

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3

Whyte, William. Oxford Jackson: Architecture, Education, Status, and Style 1835-1924 (Oxford Historical Monographs). Oxford University Press, USA, 2006.

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4

Towards a National University: William Delaney Sj, 1835-1924 (Topics in Modern Irish History). Wolfhound Press (IE), 1998.

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