Academic literature on the topic '1839-1896'
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Journal articles on the topic "1839-1896"
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Ford, John M. T. "William Morrant Baker (1839-1896)." Journal of Medical Biography 9, no. 4 (November 2001): 240. http://dx.doi.org/10.1177/096777200100900411.
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Ponomarenko, M. G. "New synonymy in the tribe Anarsiini (Lepidoptera: Gelechiidae: Dichomeridinae)." Far Eastern entomologist 458 (July 4, 2022): 22–28. http://dx.doi.org/10.25221/fee.458.4.
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The holotype of Nothris flabellifer Rebel, 1896 kept in the “Grigore Antipa” National Museum of Natural History (Bucharest, Romania) has been examined and taxonomic position of that species, described from Morocco, was specified. The species was transferred to the genus Anarsia Zeller on the base of morphological characters of the male genitalia: Anarsia flabellifer (Rebel, 1896), comb. n. Since Nothris flabellifer is the type species of Dolerotricha Meyrick, a new generic synonymy has been established: Anarsia Zeller, 1839 = Dolerotricha Meyrick, 1925, syn. n.
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Moreno, Ferrer, and Orbea. "El compositor Felipe Gorriti (1839-1896). Biografía, catálogo y estudio crítico de su obra." Revista de Musicología 29, no. 1 (2006): 331. http://dx.doi.org/10.2307/20798173.
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Ramírez, José Martín, Ana Rosa Vázquez-Bader, and Adolfo Gracia. "Ichthyofaunal list of the continental slope of the southern Gulf of Mexico." ZooKeys 846 (May 16, 2019): 117–32. http://dx.doi.org/10.3897/zookeys.846.31944.
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Four oceanographic cruises were carried out between April 2011 and May 2013 on the continental slope of the southern Gulf of Mexico (GoM) in a depth range of 290 to 1200 m on board the R/V JUSTO SIERRA. A total of 91 trawls covered a total swept area of 170.49 hectares. We recorded 177 fish species belonging to 80 families. Fifteen species extended their distribution into the south of the gulf and 37 increased their depth ranges. Five species could have commercial importance: Aphanopuscarbo Lowe, 1839; Hydrolagusmirabilis (Collett, 1904); Helicolenusdactylopterus (Delaroche, 1809); Lophiusgastrophysus Miranda Ribeiro, 1915, and Merlucciusalbidus (Mitchill, 1818). The most abundant species were Polymixialowei Günther, 1859; Parasudistruculenta (Goode & Bean, 1896); M.albidus, Chlorophthalmusagassizi Bonaparte, 1840; Dibranchusatlanticus Peters, 1876; Nezumiaaequalis (Günther, 1878); Yarrellablackfordi Goode & Bean, 1896; and Laemonemabarbatulum Goode & Bean, 1883. High values of fish species richness, diversity, and evenness were registered throughout the study area. A high percentage of the fish species (97%) collected during this project are distributed in the entire GoM. Most of the species showed a wide depth distribution; however, a vertical zonation of species can be observed.
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Barbieri Masseran, Claudia. "Cenas cariocas: a teatralidade dos espaços em três contos de Machado de Assis." Scripta 22, no. 46 (December 21, 2018): 49–62. http://dx.doi.org/10.5752/p.2358-3428.2018v22n46p49-62.
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A cidade do Rio de Janeiro apresenta-se como uma das principais personagens machadianas. Perscrutou-lhe os bairros, os largos, as praças, as ruas, avidamente. Dedicou-lhe tantas páginas, com tão variadas feições, que a cidade multiplicou-se literariamente. Entre os muitos recursos estilísticos empregados por Machado de Assis (1839-1908) na constituição dos seus espaços narrativos, sejam eles urbanos ou não, destaca-se, sobretudo, o uso recorrente da composição cênica. Marcações e fragmentações de cena, dramaticidade textual, cortes narrativos são alguns dos elementos que corroboram a construção teatral dos espaços. Para o entendimento da teatralidade presente nesse processo compositivo, o trabalho elege três contos pertencentes ao volume Várias Histórias, publicado em 1896, como corpus de análise: “A cartomante”, “O diplomático” e “Mariana”.
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Volkovitsh, M. G., and M. Yu Kalashian. "A new species of Sphenoptera (subgenus Chrysoblemma) from Iran with taxonomic notes on some Palaearctic species of Sphenoptera from subgenera Chrysoblemma, Hoplistura and Tropeopeltis (Coleoptera: Buprestidae)." Zoosystematica Rossica 11, no. 2 (June 25, 2003): 331–42. http://dx.doi.org/10.31610/zsr/2002.11.2.331.
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Sphenoptera (Chrysoblemma) zarudniana sp. n. from South Iran is described and compared with closely related species. The synonymy is established for the following taxa: S. (C.) striatipennis Jakovlev, 1885 (= potanini Jakovlev, 1889, procera Reitter, 1890, synn. n.), S. (C.) tamaricis Klug, 1829 (= asiatica Gory & Laporte, 1839, filiformis Gory & Laporte, 1839, walteri Reitter, 1890, dilotti Obenberger, 1929, pseudoignita Alexeev, 1978, synn. n.), S. (C.) amplicollis Jakovlev, 1899 (= phryne Jakovlev, 1905, obtusangula Obenberger, 1927, synn. n.), S. (C.) orichalcea Pallas, 1781 (= meyeri Gebler, 1830, australis Gory & Laporte, 1839, pruinosa Abeille de Perrin, 1891, chrysis Jakovlev, 1899, ostenta Jakovlev, 1908, phoebas Jakovlev, 1908, sinkiangensis Obenberger, 1927, synn. n.), S. (C.) tristicula Reitter, 1895 (= elegans Jakovlev, 1900, syn. n.), S. (C.) tomentosa Jakovlev, 1886 (= ahngeri Jakovlev, 1900, scintilla Jakovlev, 1908, synn. n.), S. (C.) punctatissima Reitter, 1895 (= venus Obenberger, 1927, syn. n.), S. (C.) jakowlewi Reitter, 1895 (= apta Jakovlev, 1903, syn. n.), S. (C.) pubescens Jakovlev, 1886 (= anniae Obenberger, 1927, amudarjensis Obenberger, 1929, synn. n.), S. (Hoplistura) semenovi Jakovlev, 1889 (= reitteri Jakovlev, 1891, sagitta Semenov, 1899, lamaica Obenberger, 1920, jedlickai Obenberger, 1927, synn. n.), S. balassogloi Jakovlev, 1885 (= protracta Jakovlev, 1885, flagrans Semenov, 1895, morawitzi Semenov, 1896, venusta Jakovlev, 1904, synn. n.), S. (H.) mesopotamica Marseul, 1865 (= turkestanica Jakovlev, 1885, fulgurans Obenberger, 1920, mesopotamica deserti Obenberger, 1920, mesopotamica sartica Obenberger, 1927, namanganensis Obenberger, 1927, synn. n.), S. (Tropeopeltis) servistana Obenberger, 1929 (= kambyses Obenberger, 1930, syn. n.), S. (T.) schneideri Reitter, 1898 (= lebedevi Obenberger, 1928, mujunkumensis Obenberger, 1928, synn. n.). A replacement name, S. (C.) obenbergeriana nom. n. proposed for the homonym S. amudarjensis Obenberger, 1952. Lectotypes are designated for 54 nominal species and 12 infraspecific taxa. Taxonomic, nomenclatural, distributional, and biological notes for many species are given.
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LOTZ, L. N. "New species of Cheiracanthium (Araneae: Eutichuridae) from Madagascar and the Comoros Islands." Zootaxa 3857, no. 3 (August 29, 2014): 301. http://dx.doi.org/10.11646/zootaxa.3857.3.1.
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The Afrotropical representatives of the spider genus Cheiracanthium C.L. Koch, 1839 from Madagascar and the Comoros Islands are revised, and new species are described. Five described species are recognized: C. africanum Lessert, 1921, C. furculatum Karsch, 1879, C. insulare (Vinson, 1863), C. leucophaeum Simon, 1896, and C. ludovici Lessert, 1921. The internal genitalia of the female of C. insulare, and the female of C. ludovici, are described for the first time. Thirteen new species, C. ambrense sp. nov. (♂♀), C. ampijoroa sp. nov. (♀), C. andranomay sp. nov. (♀), C. anjozorobe sp. nov. (♂♀), C. ashleyi sp. nov. (♂♀), C. fisheri sp. nov. (♂♀), C. foulpointense sp. nov. (♂♀), C. griswoldi sp. nov. (♂♀), C. jocquei sp. nov. (♂♀), C. madagascarense sp. nov. (♂♀), C. mahajanga sp. nov. (♀), C. ransoni sp. nov. (♂♀) and C. rothi sp. nov. (♂♀), are described. In most of the endemic Madagascan species the female genital depression is divided by a central septum and the male cymbial apophysis is bent distally.
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Olejniczak, Izabella, and Stanisław Lenart. "A comparison of tillage, direct drilling and lime on springtail communities in a long-term field trial in poland." Israel Journal of Ecology and Evolution 63, no. 2 (February 7, 2017): 17–24. http://dx.doi.org/10.1163/22244662-06301004.
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In 2009 and 2010, we examined the effects of different tillage systems on springtail communities. The study was established on the experimental field, in which tillage and no-tillage cultivation had been conducted since 1975, of the Research Station of the Warsaw University of Life Sciences’ Department of Agronomy, located at Chylice, near Warsaw (52005’N, 20033’E).The treatments considered were conventional tillage with a mouldboard plough (CT) and no-tillage (NT), and each method was divided between with and without liming. In 2009, the fields were sown with winter wheat, and spring barley was planted the following year. During both growing seasons, collembolan densities were higher under NT than CT, but the reverse was true after harvest. However, the time of the season had a significant effect on collembolan densities not only over the whole study period but also in particular years. Additionally, in fields that were limed, collembolan densities varied, with no clear trend. The dominant collembolan species in the CT and NT fields was Isotoma viridis Bourlet, 1839, while Paristoma notabilis (Schäffer, 1896) was prevalent when liming was used. The relative proportion of each of the two species in springtail communities was at least 20 percent. The species diversity of collembolan communities was similar in both study years, and it was higher in CT than in NT fields.The study was financially supported as part of the MNiSW project No. N N305171136.
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Roycroft, Emily, Anna J. MacDonald, Craig Moritz, Adnan Moussalli, Roberto Portela Miguez, and Kevin C. Rowe. "Museum genomics reveals the rapid decline and extinction of Australian rodents since European settlement." Proceedings of the National Academy of Sciences 118, no. 27 (June 28, 2021): e2021390118. http://dx.doi.org/10.1073/pnas.2021390118.
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Australia has the highest historically recorded rate of mammalian extinction in the world, with 34 terrestrial species declared extinct since European colonization in 1788. Among Australian mammals, rodents have been the most severely affected by these recent extinctions; however, given a sparse historical record, the scale and timing of their decline remain unresolved. Using museum specimens up to 184 y old, we generate genomic-scale data from across the entire assemblage of Australian hydromyine rodents (i.e., eight extinct species and their 42 living relatives). We reconstruct a phylogenomic tree for these species spanning ∼5.2 million years, revealing a cumulative total of 10 million years (>10%) of unique evolutionary history lost to extinction within the past ∼150 y. We find no evidence for reduced genetic diversity in extinct species just prior to or during decline, indicating that their extinction was extremely rapid. This suggests that populations of extinct Australian rodents were large prior to European colonization, and that genetic diversity does not necessarily protect species from catastrophic extinction. In addition, comparative analyses suggest that body size and biome interact to predict extinction and decline, with larger species more likely to go extinct. Finally, we taxonomically resurrect a species from extinction, Gould’s mouse (Pseudomys gouldii Waterhouse, 1839), which survives as an island population in Shark Bay, Western Australia (currently classified as Pseudomys fieldi Waite, 1896). With unprecedented sampling across a radiation of extinct and living species, we unlock a previously inaccessible historical perspective on extinction in Australia. Our results highlight the capacity of collections-based research to inform conservation and management of persisting species.
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Krčmar, Stjepan, Daniel Whitmore, Thomas Pape, and Eliana Buenaventura. "Checklist of the Sarcophagidae (Diptera) of Croatia, with new records from Croatia and other Mediterranean countries." ZooKeys 831 (March 18, 2019): 95–155. http://dx.doi.org/10.3897/zookeys.831.30795.
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An updated checklist of Croatian flesh flies is presented based on the literature, on material collected from 2004 to 2017, and on specimens in museum collections. The checklist comprises 22 genera and 148 species (two left unnamed), 105 of which are represented by new Croatian records. Twenty-five species are recorded from Croatia with certainty for the first time:Amobiapelopei(Rondani, 1859),ApodacraseriemaculataMacquart, 1854,Craticulinatabaniformis(Fabricius, 1805),Macronychiastriginervis(Zetterstedt, 1838),Metopiacampestris(Fallén, 1810),MiltogrammabrevipilaVilleneuve, 1911,MiltogrammaibericaVilleneuve, 1912,Miltogrammaoestracea(Fallén, 1820),MiltogrammapunctataMeigen, 1824,Oebalia cylindrica(Fallén, 1810),PhyllotelespictipennisLoew, 1844,Senotainiaconica(Fallén, 1810),Taxigrammahilarella(Zetterstedt, 1844),Taxigrammastictica(Meigen, 1830),Agriamonachae(Kramer, 1908),Nyctialugubris(Macquart, 1843), Blaesoxipha (Blaesoxipha) aurulenta Rohdendorf, 1937, Blaesoxipha (Blaesoxipha) batilligera Séguy, 1941, Blaesoxipha (Blaesoxipha) plumicornis (Zetterstedt, 1859), Sarcophaga (Helicophagella) okaliana (Lehrer, 1975), Sarcophaga (Heteronychia) amita Rondani, 1860, Sarcophaga (Heteronychia) ancilla Rondani, 1865, Sarcophaga (Heteronychia) pseudobenaci (Baranov, 1942), Sarcophaga (Myorhina) lunigera Böttcher, 1914 and Sarcophaga (Stackelbergeola) mehadiensis Böttcher, 1912.Taxigrammahilarella,Nyctialugubris,Agriamonachae, Blaesoxipha (Blaesoxipha) aurulenta and Sarcophaga (Heteronychia) amita are recorded from Southeast Europe with certainty for the first time. The species Sarcophaga (Sarcophaga) hennigi Lehrer, 1978 is omitted from the list, as previous records from Croatia are shown to be based on an erroneous synonymy withSarcophaganovakiBaranov, 1941 (= Sarcophaga (Sarcophaga) croatica Baranov, 1941). Blaesoxipha (Blaesoxipha) rufipes (Macquart, 1839) could not be confirmed from Croatia and is not included in the checklist. Three new synonymies are proposed:GolaniaLehrer, 2000 =ThyrsocnemaEnderlein, 1928,syn. nov., Parasarcophaga (Liosarcophaga) kovatschevitchi Strukan, 1970 = Sarcophaga (Liosarcophaga) marshalli Parker, 1923,syn. nov., and Sarcophagasubvicinassp.novaki Baranov, 1941 = Sarcophaga (Sarcophaga) croatica Baranov, 1941,syn. nov.As part of an effort to update the European distributions of all Croatian species, the following new national and regional records are also provided:Miltogrammabrevipila,MiltogrammataeniataMeigen, 1824 and Sarcophaga (Heteronychia) pandellei (Rohdendorf, 1937) new to Greece; Sarcophaga (Liosarcophaga) harpax Pandellé, 1896 and Sarcophaga (Sarcophaga) croatica new to Italy (respectively mainland and mainland and Sicily);Miltogrammaibericanew to Bulgaria and Sardinia;Pterellaconvergens(Pandellé, 1895) new to mainland Italy and Sicily;Nyctialugubrisnew to mainland Italy and Sardinia; Blaesoxipha (Blaesoxipha) litoralis (Villeneuve, 1911) new to Sardinia and thus confirmed for Italy;Apodacraseriemaculata,Macronychiastriginervis,Protomiltogrammafasciata(Meigen, 1824) and Blaesoxipha (Blaesoxipha) ungulata (Pandellé, 1896) new to Sardinia and Sicily;MacronychiadoliniVerves & Khrokalo, 2006,Macronychiapolyodon(Meigen, 1824),Metopiaargyrocephala(Meigen, 1824),Senotainiaalbifrons(Rondani, 1859),Taxigrammamultipunctata(Rondani, 1859),Taxigrammastictica, Blaesoxipha (Blaesoxipha) unicolor (Villeneuve, 1912) and Sarcophaga (Helicophagella) agnata Rondani, 1860 new to Sardinia;Metopodiapilicornis(Pandellé, 1895),Miltogrammaoestracea,MiltogrammarutilansMeigen, 1824,Nyctiahalterata(Panzer, 1798), Blaesoxipha (Blaesoxipha) lapidosa Pape, 1994 and Blaesoxipha (Blaesoxipha) plumicornis new to Sicily.
Dissertations / Theses on the topic "1839-1896"
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Zveda, Danielle. "Les rapports entre les théories de la communication et du signe et la linguistique tels qu'ils apparaissent dans la théorie des fonctions de Roman Jakobson." Paris 8, 1998. http://www.theses.fr/1998PA081435.
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Cette these est une etude epistemologique qui etablit un parallele entre les modeles du signe et de la communication qui ont inspire r. Jakobson lorsqu'il crea son modele des fonctions (linguistique et poetique , 1958/1960) et le modele des fonctions lui-meme. La reprise de jakobson des trois fonctions du modele de l'organon de buhler est analysee. Buhler, le psychologue , analyse longuement l'expressivite de la personnalite du locuteur, alors que jakobson prefere etudier la fonction poetique du langage. Un parallele entre le modele des fonctions de roman jakobson et certaines notions des theories du formalisme russe, du cercle de prague, de ogden et richards, de ferdinand de saussure et de charles sanders peirce est presente dans la these. Quant aux modeles du processus de la communication, les annees 40-50 ont, aux etats unis surtout, donne naissance a de tels modeles de ta communication de la part d'ingenieurs (shanon & weaver) de chercheurs en sciences politiques (laswell), de psycholinguistes (osgood et shramm), de psychologues sociaux (newcomb) de sociologues (berelson) et de chercheurs en communication (gerbner). Parmi toutes ces theories, roman jakobson a choisi plutot de puiser dans les modeles mathematiques de la communication, modeles systematiques et lineaires. Les modeles circulaires de communication des psycholinguistes (osgood et shramm) qui introduisent la notion de feedback ont souvent ete cites par roman jakobson. Pourtant ils ne sont pas du tout a la base de son modele des fonctions presente dans "linguistique et poetique". Jakobson avait deja presente une esquisse de son modele des fonctions dans la conference interdisciplinaire des anthropologues et des linguistes qui s'est tenue en 1952 a l'universite d'indiana. Roman jakobson est reste donc jusqu'en 1958 fige avec son modele qui prenait pour point de depart le modele lineaire des ingenieurs du debut des annees 50. La synthese que jakobson a fait en creant son modele fut la fusion du modele des ingenieurs de la communication shanon & weaver et du modele de karl buhler tout en prenant consideration des notions que roman jakobson accumula sa vie durant, a partir du formalisme russe en passant par le cercle de prague sans oublier les theories de ogden et richards, de ferdinand de saussure, et de ch. S. PeirceThis thesis is an epistemological study which establishes a parallel between the sign models and the communication models that inspired roman jakobson when he created his functions' model ( linguistics and poetics, 1958/1960) and the functions model itself. The reappraisal by jakobson of the three functions of the organon's model of buhler is analysed. Buhler, the psychologist, analyses in depth the expressivity of the addresser's personality. Jakobson, the linguist, prefers to study the function of poetic language. A parallel between the functions' model of jakobson and some notions of the russian formalism, the prague circle, ogden & richards, ferdinand de saussure and charles sanders peirce is presented in the thesis. In relation to process models of communication, in the years 1940-1960 especially in the united states, such models were created by engineers (shanon & weaver), political scientists (laswell), psycholinguistics (osgood & shramm), social psychologists (newcomb), sociologists (berelson) and communication's researchers (gerbner). From the foregoing, jakobson prefers the mathematical models of communication, systematic and linear models. The circular communications models of the psycholinguists (osgood & shramm) who introduced the notion of feedback were frequently cited by roman jakobson. Therefore, they are do not form the basis of his function's model presented in "linguistics and poetics". Jakobson had already presented a rough sketch of his function's model at the interdisciplinary conference of anthropologists and linguists that took place in 1962 (indiana university). Until 1968, roman jakobson remained rooted in the model inspired by the linear model of the engineersfrom the early fifties. The synthesis that jakobson used in creating his model was by fusing the communication model of the engineers shanon & weaver and the model of karl buhler, together with the concepts that roman jakobson accumulated during his life (from the theories of the russian formalism, the prague circle, ogden & richards's ferdinand de saussure's and charles sanders peirce's theories)
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Lephay, Pierre-Emmanuel. "Que faire d'une oeuvre inachevée ? : les choix interprétatifs face au manque à travers les exemples de "L'art de la fugue" de Bach, "La Khovantchina" de Moussorgsky et la "Neuvième symphonie" de Bruckner." Strasbourg, 2009. http://www.theses.fr/2009STRA1060.
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The differences between several interpretations of an incomplete work are sometimes considerable. What allows such differences? Who are they from? What are the motivations of their authors? The observation of the interpretative choices facing incompletion reveals extremely varied positions. From an attitude of extreme devotion, which consists in not intervening on the score and in playing the work as it is, to a “reorganization” which makes it an other work, room to manoeuvre seems infinite. Such interpretative choices come from various actors of musical life: publishers, musicologists, performers, conductors, artistic directors, composers. . . Sometimes, these categories overlap (when, for instance the conductor works as a composer), and the borders between the ones and the others become blurred. Besides, the motivations of the interpreters are not always purely musical, they can also be cultural, commercial or even political. The ability of an unfinished work to spark off such surprising results is due to its lack of the same « safeguards » benefitting a finished work: a beginning, an end and, in between, a continuity of speech. Thus, more creative imagination is required from the interpreters in such cases, and the absence of clearly defined limits is felt as an additional freedom. As a result, the questioning of such a work is a never-ending process, as one person’s solution will often be undone by the next: every artist, every period has its own contribution to the knowledge of unfinished work. The construction of a “final version” seems endless and discussion on what can be made out of it seems to remain open for ever and everLes différences entre plusieurs interprétations d’une œuvre inachevée sont parfois considérables. Qu’est-ce qui autorise de telles différences ? De qui proviennent-elles ? Quelles en sont les motivations ? L’observation des actes interprétatifs face à l’inachèvement révèle des positions variées : de l’attitude de dévotion extrême, qui consiste à ne pas intervenir sur la partition, à sa « recomposition » qui en fait une œuvre autre, la marge de manœuvre semble infinie. De tels actes interprétatifs proviennent de bien des acteurs de la vie musicale : éditeurs, musicologues, exécutants, directeurs artistiques, compositeurs. . . Ces différentes catégories pouvant se confondre (par exemple un chef d’orchestre se faisant compositeur), les limites entre les unes et les autres en deviennent parfois floues. Les motivations des interprètes ne sont, en outre, pas toujours uniquement musicales mais aussi parfois culturelles, commerciales voire politiques. Si l’œuvre inachevée suscite des actes aussi surprenants, c’est parce qu’elle ne dispose pas des « garde-fous » dont bénéficie l’œuvre achevée (un début, une fin et, entre les deux, une continuité du discours). L’imagination créative des interprètes est ainsi davantage sollicitée et l’absence de limites clairement définies est ressentie comme une liberté supplémentaire. Le questionnement de l’œuvre est ainsi permanent puisque, bien souvent, la solution de l’un est modifiée par un autre : chaque artiste, chaque époque ayant sa pierre à apporter sur la connaissance de l’œuvre inachevée, le « chantier » semble sans fin et le débat sur ce que l’on doit en faire semble ainsi ne jamais pouvoir être clos
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Bouaziz, Alain. "L' immédiateté de la pratique dans les perspectives de la création artistique : essai sur les temps de l'invention picturale." Paris 1, 2002. http://www.theses.fr/2002PA010502.
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L'immédiateté ne va pas de soi en peinture. Les préparatifs et tout ce qui fait l'atelier, chaque oeuvre, témoignent d'un désir du peintre d'instaurer des valeurs particulières au temps pendant le travail: il faut que les périodes de recherche esthétique soient aussi, mais sur un autre mode, une pure conception plastique. On pense ici que Paul Cézanne, André Masson, Bram van Velde et Geneviève Asse ont porté un regard chaque fois inédit sur l'intérêt esthétique des périodes instauratives de la recherche, ce dont leurs oeuvres sont marquées. Le mouvement poi͏̈é- tique de la création trouve des réponses plastiques originales sur leur art d'instaurer dans le travail des durées esthétiques égales à la production artistique.
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SILVA, Daniele Santos da. "Contos de Machado de Assis n’a Folha do Norte (1896-1900)." Universidade Federal do Pará, 2017. http://repositorio.ufpa.br/jspui/handle/2011/9473.
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Esta dissertação analisa a publicação de seis contos de Machado de Assis no periódico paraense Folha do Norte entre os anos de 1896 a 1900: ―Uma Carta‖, ―Uns Braços‖, ―O Diplomático‖, ―Adão e Eva‖, ―A Cartomante‖ e ―Conto de Escola‖, levando em consideração o contexto histórico em que as narrativas foram divulgadas, século XIX. Por meio da averiguação do periódico paraense é possível compreender qual o intuito dos editores em veicular escritos literários no rodapé do jornal visto que, apesar de negar, o Folha era estritamente ligado à política. Portanto, a publicação dos contos machadianos no periódico representa parte importante da história do Pará em um momento de significativas mudanças nos âmbitos cultural, social e político da cidade.
This dissertation analyse the publication from six Machado de Assis‘ tales in the periodical from Pará Folha do Norte between 1896 and 1900: ―Uma Carta‖, ―Uns Braços‖, ―O Diplomático‖, ―Adão e Eva‖, ―A Cartomante‖ and ―Conto de Escola‖, taking account the historical context that the tales was published, 19th century. Through the checking of periodical from Pará is possible to understand which is the purpose of the editors in discloses literary writtens on footnote of the newspaper considering that, though they deny so, the Folha was strictly linked to politics. Therefore, the publication of the Machado‘s tales in the periodical it means a important piece of the history of Pará in a moment of considerable changes on cultural, social, and political field from city.
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Maldonado, Elaine Cristina [UNESP]. "Machado de Assis e o Espiritismo: diálogos machadianos com a doutrina de Allan Kardec (1865 . 1896)." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/93431.
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maldonado_ec_me_assis.pdf: 492103 bytes, checksum: cab85d3846dad94217e6c4189930110e (MD5)Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Secretaria da Educação
Este trabalho tem por objetivo analisar a trajetória do espiritismo no Rio de Janeiro a partir da visão do escritor Machado de Assis, através de seu trabalho nos jornais cariocas da segunda metade do século XIX. Tomando como ponto de partida suas crônicas e contos, buscou-se analisar os acontecimentos no meio espírita no mesmo período, estabelecendo, ou não, uma relação entre eles. O material encontrado foi publicado entre 1865 e 1896, totalizando, portanto, 31 anos de escritos referentes ao espiritismo na obra machadiana, dado que não pode ser menosprezado, visto se tratar precisamente do período em que a doutrina espírita chega ao Brasil, conquista adeptos, levanta discussões e suscita polêmicas, conseguindo, ao final do século XIX, sua institucionalização com a criação da Federação Espírita Brasileira em 1884 e a perseguição por parte dos órgãos oficiais após a inclusão do termo espiritismo em três artigos do Código Penal de 1890, fato que culminou numa longa campanha de legitimação da doutrina por parte de seus seguidores. A intenção deste trabalho foi verificar as ressonâncias desse movimento de difusão e legitimação da doutrina espírita nas páginas de Machado de Assis.
This research has the aim of analyzing the journey of spiritism in Rio de Janeiro from writer Machado de Assis. point of view through his work on newspapers of this city on the second half of 19th century. Taking into account his chronicles and short stories, there was a survey in order to investigate the events in spiritism environment in the same period, if not a relation among them. All the material found was published between 1865 and 1896, resulting 31 years of written references at such subject on his work , information that cannot be underestimates, once we realize and state the spiritism arrives in Brazil, achieves its followers , raises issues and polemics, getting its officialization in the late 19th century with the creation of a legal and officialized Federation in 1884 which suffered persecution made by official rulers after the inclusion of the term .spiritism. in the Brazilian Law in 1890 leading to the long campaign to state it as a religion. The intention of this research was to verify its spreads on Machado de Assis. pages.
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Cavaco, Cristina Frois de Figueiredo Baptista 1953. "Mulheres na sombra : great victorian women behind great victorian men." Doctoral thesis, 2010. http://hdl.handle.net/10451/3191.
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Tese de doutoramento, Estudos de Literatura e de Cultura (Estudos Ingleses), Universidade de Lisboa, Faculdade de Letras, 2011A tese analisa e compara três percursos na era vitoriana, de Harriet Taylor, Emma Wedgwood e Ellen Ternan, e os respectivos contributos para as vidas e obras filosófica, científica e literária de John Stuart Mill, Charles Darwin e Charles Dickens, respectivamente. O objectivo deste trabalho, realizado no âmbito dos Estudos Culturais e no mais restrito dos Estudos de Género, propõe‑se identificar a influência destas três figuras femininas, tendo em conta a iniciativa individual, mas também a forma com foram condicionadas pelo ambiente cultural da era vitoriana (1837‑1901). O texto permite uma abordagem pormenorizada dos vectores em causa em cada um dos casos. No primeiro, a dificuldade que se colocava às autoras para publicar, na época, procurando‑se os motivos para justificar a opção pela invisibilidade; no segundo, aborda a condição da mulher casada e com família, que investe neste projecto de vida, secundarizando ou recusando uma participação mais abrangente na vida pública, profissional ou artística; no terceiro, procuram‑se provas de colaboração nos bastidores da vida pública, nomeadamente na revisão de provas e nos ensaios de leituras públicas, analisam‑se, também, as implicações das relações ilícitas e fora do círculo do casamento legal. Além dos três casos individuais referidos, a tese aborda alguns dos principais vectores do período cultural em causa, analisando o impacto de alguma da produção legislativa com incidência no quotidiano da população feminina, as condições de publicação em jornais e no meio editorial em geral, os valores que presidem à actuação das mulheres no círculo familiar e as perspectivas de intervenção pública, além dos constrangimentos que, inevitavelmente, este sector da população enfrentou no referido período. A conclusão que culmina a análise dos três casos problematiza a condição feminina, ou as condições femininas, uma vez que se tornam claras as diferenças que estatuto económico e social, classe, lugar e meio cultural, nomeadamente, têm para cada percurso individual, num período especialmente rico em contradições, mas também aberto à inovação e ao debate público.
Harriet Taylor, Emma Wedgwood and Ellen Ternan, three mostly silent victorian women, are the centre of my present work. I focused on their engaged contribution to the lives and philosophic, scientific and literary production of John Stuart Mill, Charles Darwin and Charles Dickens, in this order. Written according to a Gender Studies approach, within a wider Cultural Studies frame, the study aims to stress the influence of these women from a new angle. It takes into account individual initiative, and also the way victorian culture and values restrained their action, in the period ranging from 1837 to 1901, evaluating the negotiation undertaken in each case, to outstand their own voice, successfully or not. The thesis allows a detailed approach to the outstanding issues at stake at the time and in each case. In the first one, difficulty to publish stands out, allowing an attempt to justify the choice of invisibility; in the second case, I stress the married woman’s role in a family environment, seen as a life project, undermining or denying a more comprehensive participation in public, artistic or professional life; in the third one, I search for evidence of part taking in background activities, such as proof reading or public readings coaching, and also an evaluation of an informal marriage implications in mid‑victorian society. Beyond the three cases studied, the thesis approaches some of the main features of the victorian era, namely the impact of the legislation approved in the same period, underlining its powerful outcome in female population daily life. Furthermore, publishing conditions in the daily press and the press in general, the values behind women’s role in the family, as well as behaviour and perspectives of public intervention. Apart from the constraints female population had to face in the same period. The Conclusion focuses on the female condition, or should one write conditions, since deep differences are stressed, either of economic and social status, or place and cultural ground, namely. These influenced individual experience, in an environment known by its tensions and contradictions, but also open to innovation and public debate.
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Barros, André Filipe da Cruz 1990. "O impulso das águas : contributo para a identidade das Caldas da Rainha." Master's thesis, 2014. http://hdl.handle.net/11067/1246.
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Dissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2014Exame público realizado em 5 de Novembro de 2014
Caldas da Rainha desenvolveu-se graças às águas termais que ali surgem, e à vontade mecenática da Rainha Dona Leonor. Desde há muito conhecidas as potencialidades destas águas, foi no ano de 1485, que a Rainha Dona Leonor, mandou edificar nas Caldas de Óbidos aquele que é considerado o primeiro Hospital Termal do mundo. Este edifício conduziu ao aparecimento de um povoado, desde logo dotado de foral, tornando-se autónomo da Vila de Óbidos. Ao longo do tempo o Hospital Termal e a Vila sofreram melhoramentos e ampliações, destacando-se três fases importantes, a última das quais sobre a administração do arquiteto Rodrigo Berquó. Chegado às Caldas em 1888, o arquiteto administrador, conduziu a vila a uma grande intervenção, com o objetivo de tornar as termas caldenses numa referência para o país e europa. É neste ambiente de alterações que foi erguido aquele que seria o novo Hospital Termal, presentemente denominado Pavilhões do Parque, surgiu na fronteira entre o Largo da Copa e o parque D. Carlos I da autoria do mesmo arquiteto. No entanto a morte prematura de Berquó e as dificuldades financeiras posteriormente verificadas, impossibilitaram a finalização desta construção que se manteve inacabada até ao presente. Contudo este edifício pela posição e dimensão que ocupa tornou-se numa imagem incontornável da cidade, encontrando-se presentemente em avançado estado de degradação, sendo identificáveis diversas patologias, que necessitam de ser resolvidas, assim como determinar uma nova função que dignifique a sua presença e prolongue a vida deste emblemático edifício que faz parte da história, e autenticidade da cidade.
Books on the topic "1839-1896"
1
Translating modernism: Fitzgerald and Hemingway. Tuscaloosa: University of Alabama Press, 2009.
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Fraser, Lionel Mordant. History of Trinidad from 1781-1839 And 1891-1896. Taylor & Francis Group, 2013.
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Fraser, Lionel Mordant. History of Trinidad from 1781-1839 And 1891-1896. Taylor & Francis Group, 2013.
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Fraser, Lionel Mordant. History of Trinidad from 1781-1839 And 1891-1896. Taylor & Francis Group, 2014.
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Fraser, Lionel Mordant. History of Trinidad from 1781-1839 and 1891-1896. Routledge, 2013. http://dx.doi.org/10.4324/9780203042489.
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Smith, Jennifer J. Locating the Short Story Cycle. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423939.003.0002.
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This chapter corrects the long-held assumption that the form began with modernist blockbusters and instead suggests that modernist writers revised a vibrant regionalist tradition to their own uses. It trace the development of the cycle from a regionalist tradition often marked by an attention to the experiences of women and those living on the fringes of America. Nineteenth-century village sketch narratives, such as Caroline Kirkland’s A New Home, Who'll Follow? or, Glimpses of Western Life (1839), served to incorporate towns, distanced from cultural centers, into the national imaginary. These cycles depend upon the construction of a restricted geographic terrain to contain and ground the narratives; in other words, they stake out “limited locality” to encompass the stories. Sarah Orne Jewett’s The Country of the Pointed Firs (1896) and Sherwood Anderson’s Winesburg, Ohio (1919) continue to question the extent to which geographic proximity produces communal affiliation, which is often imagined as an antidote to the poisons of industrialization.
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Berman, Ronald. Translating Modernism: Fitzgerald and Hemingway. University Alabama Press, 2010.
Find full textBook chapters on the topic "1839-1896"
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Gänzl, Kurt. "HALL [née BROWN], Edna (b Woodstock, Vermont, 21 December 1839; d 246 Dartmouth Street, Boston, 3 December 1896)." In Victorian Vocalists, 286–89. First edition. | Abingdon, Oxon ; New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315102962-41.
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