Relevant bibliographies by topics / 1840-1894

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic '1840-1894'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 March 2023

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Journal articles on the topic "1840-1894"

1

Daxecker, F. "Das Schicksal des Prof. Ludwig Mauthner (1840 - 1894)." Klinische Monatsblätter für Augenheilkunde 225, no. 2 (February 2008): 173–74. http://dx.doi.org/10.1055/s-2007-963750.

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YANG, GUO-HUI, ALBERT G. ORR, and HAO-MIAO ZHANG. "Descriptions of the larvae of Huosoma Guan, Dumont, Yu, Han & Vierstraete, 2013 from China (Odonata: Coenagrionidae)." Zootaxa 5134, no. 3 (May 11, 2022): 426–34. http://dx.doi.org/10.11646/zootaxa.5134.3.6.

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The final stadium larvae of Huosoma latiloba (Yu, Yang & Bu, 2008) and Huosoma tinctipenne (McLachlan, 1894) from Yunnan Province, China are described and illustrated for the first time, with diagnostic differences between the two species identified. While no morphological characters separating the adults of this genus, and the closely related western Palaearctic Pyrrhosoma Charpentier, 1840 have been found, the larvae of these two genera do show differences which are discussed here.
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Seyfarth, Ernst-August, and Steven J. Zottoli. "Ludwig Mauthner (1840–1894): Neuroanatomist and Noted Ophthalmologist in Fin-de-Siècle Vienna." Brain, Behavior and Evolution 37, no. 5 (1991): 252–59. http://dx.doi.org/10.1159/000114363.

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Fuentes-Reinés, Juan M., Eduardo Suárez-Morales, Pedro Eslava-Eljaiek, Daniel Serna-Macias, and Deivis Suárez-Rivero. "New records of Harpacticoids (Crustacea, Copepoda) from a coastal system of northern Colombia." Revista Peruana de Biología 29, no. 4 (October 18, 2022): e23820. http://dx.doi.org/10.15381/rpb.v29i4.23820.

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Three species of harpacticoids are herein recorded from the zooplankton of Rodadero beach, Santa Marta, Magdalena, Colombia. Samples were collected from the littoral zone, mainly at inshore areas covered by mangrove vegetation and in an adjacent oyster bank. One of them, Laophonte cornuta Philippi, 1840 is new to the Colombian harpacticoid fauna, the other two species: Distioculus minor (Scott T., 1894) and Microsetella norvegica (Boeck, 1865) are new reports to the Magdalena department. This is the first illustrated record confirming their presence in Colombia and Magdalena, northern Colombia. Comparative morphological comments and illustrations of these species are also provided to document this report.
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Bacsárdi, József, László Christián, and János Sallai. "A mezei rendőrségtől a mezei őrszolgálatig." Magyar Rendészet 18, no. 4 (2018): 31–47. http://dx.doi.org/10.32577/mr.2018.4.2.

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A magyar rendészeti jogtörténetben kiemelkedő jelentőséggel bír a mezei rendőrség, hiszen az első rendőrségi törvény a 1840. évi IX. törvénycikk volt a mezei rendőrségről. A későbbi, 1894. évi szabályozás értelmében minden községnek kötelessége volt a határainak őrizet céljából esküt tett mezőőrt alkalmazni, illetve minden 100 holdnál több földtulajdonnal rendelkező egyén, valamint zárt, bekerített hely tulajdonosa tarthatott mezőőrt. A mezei rendőrségek meghatározó jellege, és a mezőőrök általános jelleggel történő alkalmazása óta nagy utat járt be a jogintézmény. A 20. században tapasztalt háttérbe szorulás után az elmúlt a rendszerváltás után kezdenek újraéledni a mezei őrszolgálatok. Jelen tanulmányban az önkormányzat rendészet ezidáig nem kutatott ágát a mezei őrszolgálatok (mezőőrségek) működését tekintjük át.
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Detoni, Piero di Cristo Carvalho. "Catolicismo, eurocentrismo e civilização no Compêndio de História Universal do Padre Rafael Galanti (1894)." Revista HISTEDBR On-line 22 (November 9, 2022): e022029. http://dx.doi.org/10.20396/rho.v22i00.8665669.

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Este artigo aborda a escrita da história escolar operada pelo padre jesuíta Rafael Maria Galanti (1840-1917). O objeto de investigação em destaque é o seu Compêndio de história universal, publicado no ano de 1894. Realizamos uma reflexão que compreende os eixos de inteligibilidade que acompanham a confecção dessa obra diante de exigências epistêmicas e ético-políticas que circunscrevem a história na Primeira República, o que nos faz apreender a historicidade das próprias regras (visíveis e invisíveis) que presidem a disciplina (escolar) naquele momento especifico. O recorte analítico proposto por este texto deslinda as dinâmicas do catolicismo, do eurocentrismo e do conceito de civilização presentes no referido livro. Ao que parece essa chave interpretativa possibilita o entendimento do raciocínio historiográfico elaborado por Galanti.
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7

MacMahon, Michael K. C. "Laura Soames’ contributions to phonetics." Historiographia Linguistica 21, no. 1-2 (January 1, 1994): 103–21. http://dx.doi.org/10.1075/hl.21.1-2.06mac.

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Summary Laura Soames (1840–1895) came to the attention of the teaching and phonetics professions through her work in applying phonetic principles to the teaching of reading and to the pronunciation of English and foreign languages. Lauded by many European phoneticians, she was despised by Henry Sweet – much to his discredit. Her publications, especially the Introduction to Phonetics (English, French and German) (1891) and The Child’s Key to Reading (1894) reveal a capacity to simplify the more technical expositions of phonetic theory in order to achieve a popular and readable exposition of the subject. Together with a number of other phoneticians of the late 19th and early 20th centuries, she represents the bridge between the work of Henry Sweet (1845–1912) and Daniel Jones (1881–1967).
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Лиман, С. І. "З історії німецької діаспори в Харкові у ХІХ столітті: професор Харківського університету Василь Карлович Надлер (1840-1894)." Схід /Захід, Вип. 2 (1999): 131–44.

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Лиман, С. І. "З історії німецької діаспори в Харкові у ХІХ столітті: професор Харківського університету Василь Карлович Надлер (1840-1894)." Схід /Захід, Вип. 2 (1999): 131–44.

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Лиман, С. І. "З історії німецької діаспори в Харкові у ХІХ столітті: професор Харківського університету Василь Карлович Надлер (1840-1894)." Схід /Захід, Вип. 2 (1999): 131–44.

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Dissertations / Theses on the topic "1840-1894"

1

Wright, Barbara Irene. "La bête humaine : an examination of the problems inherent in the process of adaptation from novel to film." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26943.

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In this thesis the process of adaptation from novel to film is examined. La Bête humaine by Emile Zola and the film version by Jean Renoir provide specific examples. The starting point is the assumption, often made by cinema audiences, that the film should be "faithful" to the novel upon which it is based. A statement made by Renoir regarding his efforts to be true to what he describes as the "spirit of the book" is quoted to illustrate the prevalence of this attitude. Novel and film are then compared in order to test Renoir's claim to fidelity. What is revealed are the differences between the two. Through an examination of character, action, and space some of the reasons for the director's departure from the novel begin to emerge and it becomes increasingly clear that Renoir was obliged to adopt a different approach. Theme and form are then examined and the organic nature of their relationship suggested. Finally, the departure of the film from the novel is traced to the very different ways in which the two media function — linearity in the written medium as opposed to simultaneity in the cinematic medium — and the indelible nature of the association of theme and form is confirmed. In conclusion, the view that the media should and do correspond is found to be mistaken, and Renoir's statement is re-evaluated and assessed as an attempt, by a director sensitive to the public's insistence on fidelity, to disarm criticism.
Arts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
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2

Mottet, Annie. "Martin du Gard, Renoir, Lang et La Bête humaine : la fabrique d'une adaptation." Paris 1, 1994. http://www.theses.fr/1994PA010572.

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Cette thèse a pour but d’étudier trois adaptations cinématographiques du roman de Zola, la bête humaine : le scenario inédit (1933) de l’écrivain Martin du Gard, les films de Renoir (La bête humaine, 1938) et de Lang (Human desire, 1954). La thèse comprend deux parties. La première fait une analyse génétique des différents scénarios conservés. Le premier chapitre examine les conceptions cinématographiques de Martin du Gard. Le deuxième inventorie les différences entre les scénarios préparatoires et le film de Renoir pour déterminer ce qui a été réécrit. Le troisième montre comment les scénaristes (Hayes, Boehm) ont progressivement mis à distance le modèle de Renoir et comment par la mise en scène Lang a tenté d’imposer sa propre lecture du roman de Zola. La seconde partie propose une étude comparative des seules adaptations françaises. L’établissement des différences au niveau de l’histoire et du récit (premier chapitre) et des personnages (deuxième chapitre) permet de cerner les méthodes d’adaptation spécifiques à Martin du Gard et Renoir. Le dernier chapitre montre comment ces deux auteurs s’éloignent conjointement du modèle romanesque à la fin de leur adaptation pour mieux retrouver leurs propres conceptions esthétiques. Par le biais donc d’une étude de cas, cette thèse propose non une théorie de l’adaptation mais une analyse de pratiques d’adaptation et recourt à une double approche: gnentique et comparative
This thesis aims at studying three cinematographic adaptations of Zola' s novel, the human beast: Martin du Gard unpublished screenplay (1933), Renoir's film (The human beast, 1938) and Lang's (Human desire, 1954). The thesis consists of two parts. The first one is a genetic analysis of the different reamaining drafts. The first chapter deals with martin du gard's cinematigraphic ideas. In the second one, the differences between Renoir's drafts and his film have been listed to determine which scenes have been rewritten. In the third chapter we have shown how the scriptwriters (hayes, boehm) progressively distanciated themselves with renoir's model and how lang, through his film direction, tried to assert his personal vision of Zola's novel. The second part of the thesis is a comparative study of the french adaptations only. We have established the differences between the story and the narration in the first chapter and between the characters in the second chapter in order to find out the methods of adaptation characterising Martin du Gard and Renoir in the last chapter we have shown how both authors tool great liberties with the novel so as to be more faithful to their personal aesthetic ideas. Therefore, through a study of cases, the aim of the thesis is not to propose a theory of adaptation but to analyse different types of praxis, using to this purpose the. .
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Dunsmore, Patricia Berard. "Robert Louis Stevenson and Scotland: A most complicated relationship." CSUSB ScholarWorks, 1991. https://scholarworks.lib.csusb.edu/etd-project/847.

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Eid, Salah. "Martingales et géométrie borélienne des probabilités." Paris 7, 2008. http://www.theses.fr/2008PA070071.

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Cette thèse a pour but principal d'établir des liens entre les travaux de De Moivre, Poisson, Mondésir, Catalan, Bertrand, Ehrenfest, Markov, Borel, Ville et Lévy avec la théorie des martingales. Nous nous sommes intéressés aux différents contextes dans lesquels ces travaux ont été développés. Ces contextes peuvent être théoriques, historiques, épistémologiques, philosophiques ou même sociaux
The main purpose of this thesis is to set up the link between the works donc by De Moivre, Poisson, Mondesir, Catalan, Bertrand, Ehrenfest, Markov, Borel, Ville and Levy with the theory of martingales. We have been interested in the different contexts in which these works have been developed. These contexts can be theoretical, historical, epistemological, philosophical and social
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Asklund, Frédérique. "Maxime Du Camp et Gustave Flaubert, deux écrivains au miroir de leur amitié (1840-1893)." Orléans, 2006. http://www.theses.fr/2006ORLE1071.

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L'amitié littéraire de Maxime Du Camp et de Gustave Flaubert se développe sur la toile de fond bousculée de la seconde moitié du XIXe siècle. Cette époque de triomphe des valeurs bourgeoises met à mal l'image glorieuse de l'écrivain romantique alors que le monde littéraire, dans ses structures comme dans son fonctionnement, évolue en transformant les formes du travail de l'homme de plume. Du Camp et Flaubert, comme les lettrés de leur génération, n'ont d'autre choix que de repenser leur condition. Ils apportent de manière différente, voire opposée, leurs réponses à travers un dialogue approfondi développé sur près de quarante années. Avec en fin de compte la question fondamentale : qu'est-ce qu'un écrivain ? La critique a généralement regardé la relation entre Flaubert et Du Camp de manière abrupte, opposant le premier, parangon de l'artiste pur, au second ramené au rang d'arriviste cynique et envieux. Afin de réviser ce constat hâtif et non exempt de parti pris, nous analyserons tout d'abord leur correspondance, témoignage premier de personnalités dont les contours se dessinent progressivement, et révélatrice d'une double quête d'identité littéraire. Or, ce qui fait le caractère exceptionnel de cette amitié difficile, qui voit se confronter deux figures d'écrivains, ce sont les prolongements qu'il est possible de discerner dans leurs oeuvres. Ce sera notre second niveau d'analyse. Au bout du compte, c'est autour de la question de la (re)création de l'oeuvre littéraire que se scelle l'histoire d'une relation dont notre étude chronologique mettra en valeur la part de réalité et de réécriture, de vérité et de fantasme, d'épanchement sincère et d'éventuelle mauvaise foi
The literary friendship between Maxime Du Camp and Gustave Flaubert developed against the tumultuous second half of the 19th Century. Those times of triumphant middle class values dealt a harsh blow to the glorious image of the romantic writer In the meantime, the literary world evolves both in its structure and its way of functioning by changing the work of the writer. Du Camp and Flaubert, like other men of letters of their generation, had no other choice but to reconsider their condition. They brought their answers in a different, even an opposing fashion, through an extensive dialogue which developed over almost forty years - ultimately raising the fundamental question : what is a writer ? Critics generally too hastily regarded the relation between Flaubert and Du Camp, opposing the former, seen as a model of the true artist, with the latter, who was reduced to the rank of cynical and envious social climber. To revise this somewhat prejudiced judgement, initially we wil analyse their correspondence which gives us a first insight into two personalities that take form progressively, and which reveals a dual quest for literary identity. For in fact, the exceptional aspect of this difficult friendship which confronted two literary figures, are the ramifications which can be seen in their works. This will be our second level of analysis. Finally, we will consider how the matter of (re)creation of literary works is embedded in the story of this relation. Our chronological study wil highlight the degree of reality and rewriting, of truth and fantasy, of sincere outpourings and possible insincerity in this relationship
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Ai-Lan, Su, and 蘇愛嵐. "A Study on the Experience of Pioneers of the New Education in Later Ching Dynasty (1840-1894)." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/96408418920078661165.

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碩士
國立臺灣師範大學
教育學系
99
In order to discover the turning point between traditional and new education in later Ching Dynasty, and to synthesize the context of education and life of new intellectuals at that time, this study focuses on the experiences of the pioneers of new education during 1840-1894. Therefore, seven famous figures educated at the new western schools were selected to analyze: Yung Wing, Ma Xiang-Bo, Ma Jian-Zhong, Wu Ting-Fang, Yan Fu, Ho Kai, and Jeme Tien-Yow. Their educational and career experiences were analyzed from five dimensions: background, motives, institutions, educational process, and career development. The conclusions of this study are as follows: i. As to the background, those factors such as living in the southeastern coastal areas, belonging to the lower class, and believing the Christian religion would offer more opportunities for people to take new western education. ii. As to the motives, there wasn’t the one common reason for pioneers to choose new western education. iii. As to the institutions, it is found that those western schooling pioneers taking extended from the primary level to higher one, and most of them were run by Christian churches. iv. As to educational process, it is found that (1) more than half of the pioneers had some experiences of traditional education; (2) when tuition fees were paid by the sponsors, who would influenced the pioneers’ education choices; (3) with the process modernization in China, the manpower demand of industry specialists would need more than that of liberal arts. v. As to career development, it is revealed that: (1) personal relational network is one of decisive factors to the career development of those pioneers, especially in the Qing’s government; (2) their development in politics would relate to the attitude of the senior officers charging the international affairs in the central government and the admissibility of the society; owing to their academic degrees and competences, those pioneers have more chances and experiences to engage in the new western education; (4) based on their cross-culture experiences and awareness of the differences between the West and the East, most of pioneers had transformed the western thoughts into China by ways of running newspaper, translations or writings.
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Books on the topic "1840-1894"

1

Zhongping, Yan, ed. Zhongguo jin dai jing ji shi, 1840-1894 = The economic history of modern China, 1840-1894. Beijing Shi: Jing ji guan li chu ban she, 2007.

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Zhongping, Yan, ed. Zhongguo jin dai jing ji shi: 1840-1894. 2nd ed. Beijing: Ren min chu ban she, 2001.

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Ontario Genealogical Society. Lambton County Branch. and United Church of Canada/Victoria University Archives., eds. Wesleyan Methodist baptismal register, Lambton County, 1840-1894: A transcription. Toronto ; Sarnia: United Church of Canada/Victoria University Archives; Lambton County Branch Ontario Genealogical Society, 2003.

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Ontario Genealogical Society. Elgin County Branch. and United Church of Canada/Victoria University Archives., eds. Wesleyan Methodist baptismal register: Elgin County, 1840-1894 : a transcription. [Toronto]: United Church of Canada, Victoria University Archives, 2002.

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Myers, Jourdan George. Tiburcio Parrott, 1840-1894: The man who built Miravalle-Falcon Crest. Deer Park, Calif. (933 Champion Ln., Deer Park 95676): J.G. Myers, 1987.

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A, Jones Robert, Ontario Genealogical Society. Elgin County Branch., and United Church of Canada/Victoria University Archives., eds. Methodist Church baptismal records, 1840-1894 for Elgin County and North Dorchester Township, Middlesex County. St. Thomas, Ont: Elgin County Branch, Ontario Genealogical Society, 1991.

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Tchaikovsky, Peter Ilich. To my best friend: Correspondence between Tchaikovsky and Nadezhda von Meck, 1876-1878. Oxford: Clarendon Press, 1993.

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Constance Fenimore Woolson: Homeward bound. Knoxville: University of Tennessee Press, 1995.

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Cong Ya pian zhan zheng dao Jia wu zhan zheng. Taibei Shi: Yun long chu ban she, 2001.

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Cong ya pian zhan zheng dao jia wu zhan zheng: 1839 nian zhi 1895 nian jian de Zhongguo dui wai guan xi shi. Shanghai: Hua dong shi fan da xue chu ban she, 1998.

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Book chapters on the topic "1840-1894"

1

Loskutova, Marina V., and Anastasia A. Fedotova. "The Rise of Applied Entomology in the Russian Empire: Governmental, Public, and Academic Responses to Insect Pest Outbreaks from 1840 to 1894." In Archimedes, 139–62. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-12185-7_8.

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"Constance Fenimore Woolson, 1840–1894." In Their Other Side, 83–128. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823238682-005.

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Głowa, Anna, and Joanna Sławińska. "The Collection of Late Antique Textiles from Egypt Acquired in 1893 by the Archaeological Cabinet of the Jagiellonian University in the Context of the Early Interest in “Coptic” Weaving." In Collecting Antiquities from the Middle Ages to the End of the Nineteenth Century: Proceedings of the International Conference Held on March 25-26, 2021 at the Wrocław University Institute of Art History, 287–309. Ksiegarnia Akademicka Publishing, 2021. http://dx.doi.org/10.12797/9788381385862.13.

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Since 1883, when Theodor Graf (1840–1903) exhibited in Vienna a collection of Late Antique textiles from Egypt, a new trend in collecting antiquities was born. In the next decades, thousands of such textiles got to museums and private collections throughout the world. Some treated them as curiosities, others as examples of ancient craft to serve educational purposes, still others valued them as objects that enriched the knowledge of the daily life and culture in the centuries of the transformation of the ancient civilization. One of the oldest collections of this kind in Poland is an assembly of 52 textiles acquired in 1893 by professor Józef Łepkowski (1826–1894) for the Archaeological Cabinet of the Jagiellonian University (currently the Jagiellonian University Museum). The paper presents the Archaeological Cabinet’s collection of textiles on a broader background of the 19th-century interest in this specific kind of objects.
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Terrigno, Loretta. "The Transmission and Reception of Courtly Love Poetry in Late Folksong Settings by Johannes Brahms, Friedrich Wilhelm Arnold, and Wilhelm Tappert." In Rethinking Brahms, 110—C6.P58. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197541739.003.0007.

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Abstract This chapter analyzes Brahms’s folksong settings “Ach Gott, wie weh thut Scheiden” and “Mir ist ein schöns brauns Maidelein” (WoO 33, Nos. 17 and 24), and sheds light on Brahms’s comparison of a range of sixteenth- through nineteenth-century sources for their texts and melodies. In contrast with collections by F. M. Böhme (published in 1877 and 1893−1894) that obscured the transmission of these poems and melodies, Brahms carefully untangled their provenance and reacted to other nineteenth-century arrangements, as suggested by his annotations in personal copies of Forster’s Frische teutsche Liedlein (1539−1556), Arnold’s Deutsche Volkslieder aus alter und neuer Zeit (ca. 1860−1870), Tappert’s 12 alte deutsche Lieder (1867), and the Deutsche Lieder mit ihren Original-Weisen by Kretzschmer and Zuccalmaglio (1838−1840). After this thorough research, Brahms combined modern melodic variants with courtly love poetry in WoO 33, creating new musical arrangements that express longing, separation, and fidelity in the text.
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Elleman, Bruce A. "China's navy and the Sino-Japanese War of 1894–1895." In A History of the Modern Chinese Navy, 1840-2020, 63–78. Routledge, 2021. http://dx.doi.org/10.4324/9781003138075-5.

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Wordsworth, William, and Dorothy Wordsworth. "1894. W. W. to Edward Moxon." In The Letters of William and Dorothy Wordsworth, Vol. 7: The Later Years: Part IV: 1840–1853 (Second Revised Edition), 677. Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00085084.

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