Academic literature on the topic '1840-1924'
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Journal articles on the topic "1840-1924"
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Walsh, Aisling. "Michael Cardinal Logue 1840-1924." Seanchas Ardmhacha: Journal of the Armagh Diocesan Historical Society 18, no. 1 (1999): 163. http://dx.doi.org/10.2307/29742700.
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Walsh, Aisling. "Michael Cardinal Logue 1840-1924." Seanchas Ardmhacha: Journal of the Armagh Diocesan Historical Society 20, no. 2 (2005): 245. http://dx.doi.org/10.2307/29742759.
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Jiménez Martín, Pedro Jesús. "Introducción de la actividad físico-deportiva occidental en China. 1840-1932 = Introduction of the western physical-sports activity in China. 1840-1924." Materiales para la Historia del Deporte, no. 23 (December 9, 2022): 40–51. http://dx.doi.org/10.20868/mhd.2022.23.4596.
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ResumenEste artículo consiste en una descripción sobre cómo fue el proceso de introducción de la actividad físico-deportiva occidental en China y quienes fueron sus principales protagonistas. En particular se analiza el contexto social e histórico que condicionó este momento; el importante papel que jugaron las misiones religiosas extranjeras, y en especial la Youth Men´s Christian Association (YMCA), en la expansión de la cultura deportiva por todo el país; la influencia que tuvo la gimnástica y el deporte en el currículum escolar chino; y los condicionantes que llevaron a esta nación a crear el Comité Olímpico Chino y participar por primera vez en unos Juegos Olímpicos.El contenido abarca el periodo histórico comprendido entre 1840 y 1932, es decir, entre el momento en que se produce la apertura obligatoria de China al comercio internacional como consecuencia las derrotas militares sufridas a manos de las potencias imperialistas extranjeras y la firma de los llamados “Tratados desiguales”, y el momento en que China envía por primera vez a un deportista a participar en los Juegos Olímpicos de Los Ángeles de 1932. AbstractThis paper consists of a description of how the process of introduction of western physical-sports activity in China was and who were its main protagonists. In particular, is analyzed the social and historical context that conditioned this moment; the important role played by foreign religiousmissions, and especially the Youth Men´s Christian Association (YMCA), in the expansion of sports culture throughout the country; the influence that gymnastics and sport had on the Chinese school curriculum; and the conditions that led this country to create the Chinese Olympic Committee and participate for the first time in an Olympic Games.The content covers the historical period between 1840 and 1932, that is, between the time when China's compulsory opening to international trade takes place as a result of the military defeats suffered at the hands of foreign imperialist powers and the signing of so-called unequal treaties, and the moment when China first sends a sportsman to participate in the 1932 Los Angeles Olympics.
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ROS-FARRÉ, P., and J. PUJADE-VILLAR. "Revision of the genus Callaspidia Dahlbom, 1842 (Hym.: Figitidae: Aspicerinae)." Zootaxa 2105, no. 1 (2009): 1–31. http://dx.doi.org/10.11646/zootaxa.2105.1.1.
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Callaspidia Dahlbom is an Aspicerinae genus (Hymenoptera: Cynipoidea: Figitidae) with a Holartic distribution. One species, Callaspidia defonscolombei Dahlbom is cited from South America; however, it has probably been introduced. The morphological features needed to differentiate species of Callaspidia are described. Species in this genus possess much intraspecific variability compared with other morphologically homogeneous Aspicerinae genera. Callaspidia originally included 19 species and two subspecies prior to this study. The type material of 16 species of Callaspidia has been studied, but type material from Callaspidia areolata (Kieffer, 1901), C. dichroa Belezin, 1927, C. dufouri spp vitripennis (Kieffer, 1901), C. dusmeti Tavares, 1924, C. fonscolombei spp minima (Kieffer, 1901), C. marshalli (Kieffer, 1901), C. mediterranea Dalla Torre & Kieffer, 1910, and C. rubricrus Dettmer, 1924, is lost or has been destroyed. Out of these 16 studied species, only five are considered valid and are redescribed here. The examination of hundreds of additional specimens supplied by different institutions suggests that there is a general lack of knowledge concerning the intraspecific diversity. A new species is described: Callaspidia dahlbomi Ros-Farré & Pujade-Villar n. sp. A key to the six valid species of Callaspidia is given. All species are illustrated. The status of Figites latreilli Hartig, 1840 is discussed, resulting in Omalaspis latreilli (Hartig) n. comb.
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Petrova, Olga Sergeevna. "Peasant reform of 1861 in Mozhaysky Uyezd in the memoirs of Countess P. S. Uvarova (1840–1924)." Исторический журнал: научные исследования, no. 4 (April 2021): 150–59. http://dx.doi.org/10.7256/2454-0609.2021.4.36455.
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This article refers to the memoirs of Countess Praskovya Sergeevna Uvarova as the source that sheds light on the peasant reform of 1861 in the Uvarovs  family estate, as well as allows assessing the degree of participation of the representatives of enlightened society in the Great Reforms of 1860s–1870s, determines the impact of these reforms upon the personal story of the author of memoirs. Understanding the events of everyday life alongside the scale of the figure of Countess P. S. Uvarova of the selected source are valuable for reconstructing the landmark events and processes in the country, one of which was the abolition of serfdom in 1861. The article employs biographical method to reconstruct the personal story of P. S. Uvarova and the historical events of that time through her emotional experiences. This opens a new perspective on the events of the past. Analysis of the source describes all the stages of the reform, from the announcement of the Manifesto of February 19, 1861 and response of the enlightened society, to the measures on land development is a single county through the prism of the direct participant of these events.
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Rossetti, Danilo. "A percepção do timbre em Farben Op. 16 n. 3 de Schoenberg: uma abordagem estética e psicoacústica." Revista Música 17, no. 1 (2018): 292–324. http://dx.doi.org/10.11606/rm.v17i1.144613.
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Farben Op. 16 nº3 é uma obra em que Arnold Schoenberg implementa seu modelo de melodia de timbres (Klangfarbenmelodie), modelo este que talvez nunca tenha sido repetido da mesma maneira em suas demais obras. Neste artigo investigamos os processos de composição e percepção do timbre nesta obra. Como referencial teórico abordamos a busca estética do compositor por uma relação entre cores e sons, fundamentada nas ideias Goethe (1840) e Helmholtz (1924, 1954). Baseamo-nos também em teorias sobre a percepção da altura por fusão de parciais e sobre a fusão de diferentes timbres por jitter. Sobre Farbenrealizamos uma análise da partitura baseada principalmente em trabalhos prévios de Förtig (1969) e Burkhart (1972). A seguir partimos para uma investigação psicoacústica da percepção do timbre, para tanto aplicamos ao áudio da obra os descritores croma, centroide, sharpness, loudness e inarmonicidade (através do programa Sonic Visualizer), os quais nos forneceram dados para realizar interpretações individuais destes parâmetros, bem como nos permitindo estabelecer relações entre eles.
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Pasini, Giovanni, and Alessandro Garassino. "A preliminary review of the fossil species of Ranina Lamarck, 1801 (Decapoda, Brachyura, Raninidae), with systematic remarks." Natural History Sciences 4, no. 1 (2017): 43. http://dx.doi.org/10.4081/nhs.2017.310.
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The systematics of the fossil representatives of Ranina Lamark, 1810, has been discussed by several authors in the last century, showing some problematics above all due to the lack of a close diagnosis of the type species (<em>R. ranina</em>) and to the scarce number of well-preserved type series of each fossil species. However, based upon a close comparison among the type series of each species, authors’ original descriptions, and the main diagnostic characters of <em>Ranina</em>, this preliminary review finds that twelve species have to be considered as doubtful species within <em>Ranina</em>, as follows: <em>?Ranina americana</em> Withers, 1924, <em>?R. berglundi</em> Squires &amp; Demetrion, 1992,<em> ?R. bouilleana</em> A. Milne Edwards, 1872, <em>?R. brevispina</em> Lőrenthey, 1898,<em> ?R. granulosa</em> A. Milne Edwards, 1872, <em>?R. griesbachi</em> Noetling, 1897, <em>?R. haszlinskyi</em> Reuss, 1859, <em>?R. libyca</em> (Van Straelen, 1935),<em> ?R.</em> <em>molengraaffi</em> Van Straelen, 1924,<em> ?R. oblonga</em> (von Münster, 1840), <em>?R. ornata</em> De Angeli &amp; Beschin, 2011, and<em> ?R. speciosa</em> (von Münster, 1840). Four species have to be considered as <em>Ranina nomina dubia</em>, as follows: <em>Ranina elegans</em> Rathbun, 1945, <em>R. hirsuta</em> (Schafhäutl, 1863), <em>R. lamiensis</em> Rathbun, 1945, and<em> R. tejoniana</em> Rathbun, 1926. <em>Ranina</em> <em>bavarica</em> Ebert, 1887,<em> R. fabri</em> Schafhäutl, 1863, and<em> R. helii</em> Schafhäutl, 1863, have to be assigned to Lophoranina Fabiani, 1910. <em>Ranina</em> <em>cuspidata</em> Guppy, 1909, has to be assigned to Calappa Weber, 1795 (Calappidae De Haan, 1833). Finally,<em> R. burleighensis</em> Holland in Holland &amp; Cvancara, 1958, has to be considered as doubtful species within Decapoda.
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DENG, YUNFEI. "Aralia wangshanensis (Araliaceae)—the legitimate name for Aralia franchetii." Phytotaxa 402, no. 1 (2019): 73. http://dx.doi.org/10.11646/phytotaxa.402.1.11.
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Aralia Linnaeus (1753: 273) consists of approximately 65 species distributed in eastern to southeastern Asia and the Americas (Wen, 1993). In the past there has been much disagreement over whether Aralia should be recognized in a broad or narrow sense (Li 1942, Hoo & Tseng 1965, 1978, Shang 1985a, 1985b, Shang & Li 1990, Wen 1993, 2002, 2011, Wen et al. 2002, Xiang & Lowry 2007). The broad sense of Aralia is supported by recent studies on the basis of morphological characters and molecular evidence (Wen 1993, Wen et al. 2001, 2002), and therefore some segregated genera, Coudenbergia Marchal (1879: 514), Pentapanax Seemmann (1864: 290, 294), Hunaniopanax Qi et Cao (1988: 47), Neoacanthophora Bennet (1979: 283), Sciadodendron Grisebach (1858: 7), Parapentapax Hutchinson (1967: 56) and Megalopanax E. Ekman ex Harms (1924:122), are reduced to the synonymies of Aralia (Wen 1993. Wen et al. 2002). Wen (2011) divided the genus into six sections: sect. Aralia, sect. Dimorphanthus (Miquel 1840: 95) Miquel (1863: 6), sect. Humiles Harms (1896: 13), sect. Nanae Harms (1896: 12), sect. Pentapanax (Semm.) Wen (2002: 31) and sect. Sciadodendron (Griseb.) Wen (2011: 29).
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ZAÂBI, SANA, PATRICK GILLET, AHMED AFLI, and MONCEF BOUMAIZA. "Biodiversity of polychaetous annelids from the peninsula of Cap Bon, northeast coast of Tunisia." Zoosymposia 2, no. 1 (2009): 587–600. http://dx.doi.org/10.11646/zoosymposia.2.1.40.
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in Tunisia, polychaete studies are very rare (Fauvel 1924 a, b; Westheide 1972; Zibrowius 1970, 1971; Cantone 1978; Ben Amor 1984; Zaâbi & Afli 2005). The aim of this study was to update and fill in gaps in data of polychaetes of Tunisia. Samples were taken aboard the research vessel R/V Hannibal with a Van Veen grab (0.1 m²) and a core (0.009 m²). Nine sites located on the peninsula of Cap Bon on the NE coast of Tunisia, from Sidi Daoud to Ras Lahmer, were sampled in 2005 and 2006. A total of 5,920 individuals in 29 families and 88 species of polychaetes were identified. Twenty-nine species were newly recorded for Tunisia, including the ampharetid Isolda pulchella O.F. Müller, 1858 and the paraonid Aricidea cerrutii (Laubier, 1966). Diversity parameters were established. Abundance and species richness were higher in shallow waters dominated by Protodorvillea kefersteini (McIntosh, 1869) and Malacoceros fuliginosus (Claparède, 1868) than in deep waters where Aponuphis fauveli (Rioja, 1918) and Euclymene palermitana (Grube, 1840) dominated. Multivariate methods, including the Shannon diversity index, cluster analysis, and rank frequency analysis, were used to characterize the spatial structure and temporal variability of the different communities.
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REWICZ, T., M. RACHALEWSKI, and M. GRABOWSKI. "First record of Echinogammarus pungens (H. Milne Edwards, 1840) (Crustacea, Amphipoda) from Africa with the checklist of North African freshwater gammarids." Mediterranean Marine Science 15, no. 2 (2014): 443. http://dx.doi.org/10.12681/mms.696.
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Taking into account the vast area of North Africa, the freshwater gammarid fauna of this area remains rather poorly studied. So far, 20 species of the three following genera: Echinogammarus (11 species), Gammarus (8 spp.) and Chaetogammarus (1 sp.) have been reported from the area in literature. Another species, Echinogammarus pungens (H. Milne Edwards, 1840) was found in the river Titria (Oued Titria), north-western Tunisia, in April 2010. Individuals of both sexes including ovigerous females and juveniles were recorded at the site. This is a first report of this species from Tunisia and from North Africa extending the checklist of freshwater gammarid fauna of North Africa to 21 species. Interestingly the species has apparently replaced Echinogammarus tacapensis (Chevreux et Gauthier, 1924), reported from the same section of the Titria River in 1981. Such radical exchange of gammarid fauna and sudden appearance of the species that has never before been recorded from Africa remains mysterious. Two tentative explanations of that phenomenon are taken into account. First, that E. pungens is in fact a circum-Mediterranean species and was simply overlooked in this area before. Second, that the species is a recent migrant to North African inland waters introduced accidentally either by humans or by waterfowl.
Dissertations / Theses on the topic "1840-1924"
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Champagne, Mario Joseph Serge Gérard. "The French song cycle (1840-1924) with special emphasis on the works of Gabriel Fauré /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37122196j.
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Gosline, S. "The physician as entrepreneur : examining medical business patterns through the career of S Andral Kilmer MD (1840-1924)." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1418144/.
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How a medical entrepreneur functioned daily in America's nineteenth- and early twentieth-century marketplace is examined in this study of an adept medical entrepreneur, S Andral Kilmer, MD. Although the "medical marketplace" came into vogue in mid-1980s history of medicine, historians have still done little to unpack its scale, scope, or dynamics. The "who could fall for that" theme pervades literature on quackery, only rarely admitting that we remain an ever gullible public, still taken in by miracle cures. Recently, Takahiro Ueyama's Health in the Marketplace has shaken this orthodoxy of medical historiography while re-invigorating a dormant marketplace discourse. Since Victorian purveyors of medical commodities aspired to scientific status, confusion abounds concerning the shady border between regular and irregular practitioners, but Ueyama's study stops short of fully illuminating that commercial juncture. This thesis unpacks that regular/irregular overlap with substantive and methodological contributions, particularly through analysis of advertising imagery, legal and travel related records, and patient case records. To ground the work, make the scale manageable, and provide an in-depth core, the focus is on the career of one physician who identified himself as the "Invalid's Benefactor" and "Cancer's Conqueror," while his enemies branded him an itinerant quack on the basis of his penchant for self-promotion. Although trained by leading regular physicians, Kilmer settled upon an eclectic practice, ideologically oriented to the physio-medical movement. His life encapsulates a paradox of contemporary fame versus historic obscurity in the fickle and faddish realm of American medical consumerism. This examination of how a medical entrepreneur navigated the changing healthcare marketplace is relevant and timely. Despite the twentieth century tendency for physicians to be employed in hospital or research settings, self-sufficiency persists as a foremost characteristic of American medicine, and young physicians are increasingly encouraged to be entrepreneurs.
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Bernard, Stéphanie. "De Thomas Hardy à Joseph Conrad : vers une écriture de la modernité." Lyon 2, 2004. http://theses.univ-lyon2.fr/documents/lyon2/2004/vallon_s.
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Thomas Hardy est le plus souvent considéré comme un auteur victorien. Cependant, son dernier roman intitulé Jude the Obscure annonce la modernité qui éclot à l'aube du vingtième siècle, lorsque l'auteur se tourne vers la poésie et qu'un autre écrivain, nommé Joseph Conrad, rédige ce roman aux mille voix qu'est Lord Jim. Derrière leurs œuvres se profile la réécriture de la tragédie qui renaît sous les espèces du tragique. Tess of the D'Urbervilles, à la tonalité pastorale parfois, rappelle les tragédies familiales des grands auteurs grecs. Avec Jude the Obscure, la ville a remplacé la campagne, la société a inéluctablement pris la place des dieux. Cette chute du divin s'affirme dans Lord Jim où le romantisme côtoie l'éclatement de la représentation dans une écriture moderne, puis plus nettement encore au travers des paysages blancs et froids de Under Western Eyes. Ces œuvres, tant par leurs différences que par leurs ressemblances, mettent en lumière le renouvellement qu'opère la modernité sur les genres et les formes du passé. Le style tragique utilise la lettre pour mieux la faire voler en éclat et s'oriente sur le pan de la voix : celle de l'écrivain qui se fait poète, celle de Jude qui se laisse bercer par son imaginaire, ou encore celle de l'indicible vérité qui borde l'horreur et surprend le lecteur occidental du texte conradien<br>Thomas Hardy is usually considered a Victorian writer. Nonetheless, his last novel entitled Jude the Obscure announced the era of modernity which started with the twentieth century, just before he abandoned fiction to become a poet, while Joseph Conrad was writing that deep-resounding novel entitled Lord Jim. With rising modernity in the background, it appears that their works allowed for the rewriting of tragedy, now revived as the tragic. Tess of the D'Urbervilles, whose tone may sound pastoral, recalls traditional Greek tragedies. In Jude the Obscure, urban settings have replaced the countryside, and society has definitely been substituted for the gods. Such a defeat of the divine is brought even further with Conrad : in Lord Jim, the romantic undertones are incessantly balanced by the explosion of the conventions of representation; the modern age is clearly perceptible in the white and cold landscapes of Under Western Eyes. These four novels, through their similarities and differences, show how modernity operates on genres and old forms of writing by regenerating them. The tragic as a style uses the letter the better to shatter it : so it does when the voice of the poet can be heard through the murmurs of Jude's imagination, or when unspeakable truth comes close to the horror and startles the Western reader of the Conradian text
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Bernard, Stéphanie Paccaud-Huguet Josiane. "De Thomas Hardy à Joseph Conrad vers une écriture de la modernité /." Lyon : Université Lumière Lyon 2, 2004. http://demeter.univ-lyon2.fr:8080/sdx/theses/lyon2/2004/vallon_s.
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Hurrell, Sheila Louise. "The narrative print in the works of John William North (1842-1924), George John Pinwell (1842-1875) and Frederick Walker (1840-1875)." Thesis, University of Plymouth, 2009. http://hdl.handle.net/10026.1/813.
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The thesis explores the artistic production of three artists, John William North (1842-1924), George John Pinwell (1842-1875) and Frederick Walker (1840-1875). It is particularly concerned to look in detail at their wood engravings in connection with the 1860s periodical and Gift Book phenomenon which occurred a dozen years after the arrival of the Pre-Raphaelite artists in 1848 on the London art scene. The group awoke a regular critical response to Art in national newspapers, so that by the time that North, Pinwell and Walker were working in the graphic arena of wood engraving, they too fell under the scrutiny of critical observation which followed them particularly as they became artists. They were posthumously connected with Idyllism in a way that conflicts with their living reputation as realists and this thesis sets out to review their work and find explanations for this inconsistency. This thesis, in addition, provides as full a catalogue of the artists' illustration medium as can be assembled at this date. It contextualizes this catalogue with six chapters, beginning with an introduction that sets out the sources and reasons for their posthumous reputation as The Idyllists. Chapter 2 provides biographical and environmental information, followed by a chapter on the London wood engraving environment. Chapters 4 and 5 trace their work in magazines and then in books and finally, Chapter 6 uses the work they produced in Somerset as a focused examination of their differing responses to the same location. The thesis proposes that the graphic production of all three artists is no mere prelude to their work in watercolour and/or oils and needs to be examined in greater depth than has hitherto been the case.
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Fougère, Marie-Ange. "Ironie et sérieux : Le bourgeois en représentation dans la littérature française en prose des années 1880 : Une belle journée d'Henry CéardPot-Bouille d'Émile ZolaContes cruels de Villiers de L'Isle-Adam." Paris 3, 1994. http://www.theses.fr/1994PA030161.
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Le but de cette these est l etude d une nouvelle forme d ironie apparue dans les annees 1880, et dont la cible est la toute-puissante bourgeoisie. Trois oeuvres sont eutidees : une belle journee d henry ceard (1881). Pot-bouille d emile zola (1882) et contes cruels de villiers de l isle-adam (1883). Apres un examen theorique de la notion d ironie dans ses aspects linguistiques et litteraires, la premiere partie definit les types fondamentaux dans lesquels s incarnent les relations entre ironie et serieux apres 1850 : l individu serieux, le blagueur et l ironiste. Les trois strategies polyphoniques que l ironiste peut alors adopter sont etudiees d un point de vue stylistique : l emphase du blageur, l antiphrase implicite du discours faussement serieux et enfin les figures de la distance dans le discours ironique proprement dit. La troisieme partie est consacree a une metaphore ironique privilegiee, la metaphore du theatre, et se prolonge sur une analyse plus generale du primat de l apparence dans l ideologie bourgeoise- la "comedie bourgeoise". Enfin la quatrieme partie est consacree a l intertextualite, ironique (villiers et zola) ou serieuse (ceard), et debouche sur l analyse de l ambiguite propre au discours ironique<br>The aim of thesis is the study of a new form of irony which appeared in the 1880 years, and whose target is the omnipotent bourgeoisie. Three works are studied : une belle journee d henry ceard (1881). Pot-bouille d emile zola (1882) et contes cruels de villiers de l isle-adam (1883). After a theoric examination of the notion of irony in its linguistic and stylistic aspects, the first part defines the fundamental types in which the relations between irony and serious after 1850 are embodied : the serious man, the blagueur and the ironist. The three polyphonic strategies the ironist can then adopt are studied from a stylistic point of view : the balgueur's bombast, the implicit antiphrasis of the false serious discurse and finally the distance stylistic devices in the ironic discurse. The third part is devoted to a particular ironic metaphor, the theater metaphor, and continues with a more general analysis of the appearance's primacy in the bourgeoisie's ideology - the "bourgeoisie's comedy". Finally the fourth part is devoted to intertextuality, ironic (villiers and zola) or serious (ceard), and leads to the analysis of ambiguity which caracterizes the ironic discurse
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Schincariol, Andrea. "Naturalisme et photographie : l'influence invisible du dispositif photographique sur le roman d'Emile Zola, Guy de Mautpassant, Joris-Karl Huymans et Henry Céard." Toulouse 2, 2010. http://www.theses.fr/2010TOU20097.
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La présente étude consiste en une analyse des rapports entre le dispositif photographique et cinq parmi les œuvres les plus significatives du mouvement littéraire Naturaliste. Dans la première partie de sa thèse, le doctorant a analysé deux textes liés au genre fantastique: la nouvelle Le Horla (1887) de Guy de Maupassant et le roman Là-bas (1891) de Joris-Karl Huysmans. La deuxième partie est entièrement consacrée à l'étude de Nana (1880), d'Émile Zola, et de l'influence du dispositif photographique sur la question du « dénudement » du corps du personnage éponyme. La troisième partie consiste en une analyse photo-littéraire de certains des aspects poétiques et esthétiques dans les romans d'Henry Céard Une belle journée (1881) et Terrains à vendre au bord de la mer (1906). Le candidat a opéré une analyse minutieuse des œuvres, en focalisant l'attention d'abord sur les indices textuels renvoyant au médium photographique pour ensuite développer son étude photo-littéraire sur le plan profond de l'énonciation littéraire, à la recherche du travail profond et structurant du dispositif photographique. Le doctorant a proposé en outre, à partir des textes étudiés, une série de références iconographiques significatives de la production photographique contemporaine aux auteurs pris en considération ainsi que de l'époque actuelle<br>This study consists in an analysis of the relationships between the photographic dispositive and five of the most significant works of the literary movement of Naturalism. In the first section of his thesis, the PhD student has analyzed two texts related with the literary genre of the “Fantastic”: the short story Le Horla (1887), written by Guy de Maupassant and Joris-Karl Huysmans's novel Là-bas (1891). The second section is entirely dedicated to the study of Nana (1880), by Émile Zola, and the influence of the photographic dispositive on the theme of “nude” with respect to the heroin of the novel, Nana. The third section consists in a photo-literary analysis of some of the poetic and aesthetic aspects characterizing the novels of Henry Céard, Une belle journée (1881) and Terrains à vendre au bord de la mer (1906). The candidate has operated a meticulous analysis of those literary works, with a focus, in the first place, on those textual marks suggesting the presence of the photographic medium; secondly, he has developed his photo-literary study trying to explore, on the deeper level of the literary enunciation, the function of the photographic dispositive with respect to the construction of the text. Besides, the candidate has proposed, starting from the novels that he has studied, some iconic references reflecting the photographic production contemporary to the authors of his corpus and also some photographic examples of present time
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Kane, Bouna. "L'Interculturalité au regard du roman victorien et africain : essai d'analyse des romans de Chinua Achebe et Ngugi wa Thiong'o au miroir de Thomas Hardy et Joseph Conrad." Paris 3, 2008. http://www.theses.fr/2008PA030011.
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L’étude de l’hybridité culturelle en littérature est restée liée à la théorie qui définit les littératures postcoloniales en termes d’opposition avec l’Occident. Dans cette étude, nous avons tenté de porter un regard différent, en allant au-delà du « writing back to the center ». Nous ne négligeons pas les différentes positions révélées par la critique mais nous avons choisi, à travers cette approche comparative, de montrer que l’Afrique est un acteur à part entière d’une littérature universelle. En s’appropriant les techniques littéraires de Thomas Hardy et Joseph Conrad, les écrivains africains confirment la porosité des cultures et la communication entre des peuples d’horizons divers. En comparant le clan écossais et la tribu africaine, nous avons trouvé plusieurs similitudes en termes d’organisation sociale et de mode de vie. Comme Scott et Hardy, Ngugi et Achebe tirent la substance de leurs romans du folklore et des traditions populaires de leurs communautés. Les romanciers africains et victoriens ont une claire conscience du malaise de l’individu et montrent combien le destin peut être cruel envers lui<br>The study of cultural hybridity in literature remained tied to a theory which defines postcolonial literatures in terms of their oppositional relationship with the West. In this thesis, we attempted to go beyond the “writing back to the center”. We have not ignored the debate over standard criticism but we have chosen to demonstrate by means of this comparative study that the African novel is part of a larger fictional universe. By appropriating the techniques of the Victorian literary tradition associated with Thomas Hardy and Joseph Conrad, African writers create a useful device for developing greater understanding and improved communication among people from different cultural, racial and ethnic groups. We found striking similarities between the Scottish clan and the African tribe in terms of social organisation and way of life. Like Scott and Hardy, Ngugi and Achebe draw the substance of their novels from the folklore and popular traditions of their communities. African and Victorian novelists have a clear awareness of the human predicament and show how fate can be cruel to the individual
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Filipec, Goran. "Paganini au piano : Franz Liszt, Ferruccio Busoni, Michael Zadora, Mark Hambourg, Ignaz Friedman et la « grande manière »." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL137.
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Dans l’art de la musique instrumentale, il y a certainement eu des moments de développement extraordinaires. La plus grande révolution dans le domaine du violon aura probablement été Paganini, avec ses innovations dans le cadre de la technique, de la texture et des effets timbriques du violon. Dans le domaine du piano, Liszt, suite à sa rencontre avec le violon assimilateur et imitateur du Génois, reforma son jeu et reconçut le pianisme de l’époque. Dans cette mission, il fut accompagné par des améliorations techniques à l’instrument. L’art du jeu du piano, qui hérita de Paganini le côté assimilateur et imitateur, qui abandonna le salon et s’installa dans les grandes salles, fut reconnu comme la « grande manière » ou le « grand style ». Ces termes, provenant principalement de l’art de Liszt, qui fut apparemment son premier représentant, se réfèrent à un style pianistique particulier, basé sur de grands effets acoustiques et de nouvelles techniques d’exécution. Le corpus de l’étude est constitué des œuvres de Liszt d’après Paganini, telles que les Études d’exécution transcendante d’après Paganini, les Grandes Études de Paganini, La Grande Fantaisie de bravoure sur La Clochette et les œuvres en relation avec Paganini des générations suivantes de pianistes de la « grande manière ». Celles-ci incluent les versions des études de Liszt réalisées par Ferruccio Busoni, son Introduzione e Capriccio (Paganinesco), les arrangements des Caprices de Paganini par Michael Zadora, les Variations sur un thème de Paganini de Mark Hambourg et les Études d’après un thème de Paganini op. 47b d’Ignaz Friedman. L’étude tente de tracer la « grande manière » dans les formes pianistiques appliquées dans les œuvres citées ainsi que d’identifier les particularités du « pianisme » des auteurs concernés<br>In the art of instrumental music there were moments of extraordinary evolution. The greatest revolution in the domain of the violin was probably the appearance of Paganini and his innovations in the technique, the texture of violin writings and the exploitation of the timbrical effects of the instrument. In the domain of the piano, Liszt, after having heard the assimilating and imitating violin of the Genovese, reformed his playing and transformed the pianism of his époque. In that mission, he was accompanied by technical improvements of the instrument. The art of piano playing, which inherited from Paganini the assimilating and imitating tendencies and left the salon in favor of big halls, was recognized as the “grand manner” or the “grand style” grand style’, first represented by Liszt. These terms, mainly originating from the conceptual grandeur of his art, refer to a particular pianistic style, based on big acoustic effects and new techniques of execution. The corpus of the present study is constituted by the works after Paganini by Liszt, including the Études d’exécution transcendante d’après Paganini, the Grandes études de Paganini, La Grande fantaisie de bravoure sur La Clochette, and the works related to Paganini of the following generations of pianists of the « grand manner”. These include the arrangements of Liszt’s studies of Busoni, the Introduzione e Capriccio paganinesco, the Variations sur un thème de Paganini of Mark Hambourg and the Paganini-Studies op. 47b of Ignaz Friedman. The study tempts to trace the “grand manner” in the pianistic forms applied in the cited works, and to identify the specificities of the pianism of the concerned authors
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Gonçalves, Diogo Pereira da Silva 1990. "A espacialidade na escultura do séc. XX : do espaço fechado ao espaço negativo." Master's thesis, 2018. http://hdl.handle.net/10451/33691.
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In this Master in Sculpture Studies we try to expose and analyze the question of space in sculpture, from the beginning of modernism to the present day, mentioning some close previous situations and following R. Krauss logic of expanded space in sculpture. In this sense, we look to a better understanding of how to transit from a closed space to a negative one, through the history of sculpture of the 20th century. Enunciating these same changes, focusing on the different approaches made before, from analyses of both artists thoughts, as well as artist’s deposition on writings and interviews among other sources. We wish above all, not loose sight of the relation’s between, artist, work of art and spectator, having has main concern the historical-conceptual dimension of the works of art in relation with space
Books on the topic "1840-1924"
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Ibacache, Misael Camus. La iglesia en Chile 1840-1924: Incubación y desarrollo de un nuevo modelo eclesial. Universidad Católica del Norte, 2001.
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Doane, Lillian. Dubois County, Indiana wills: Index to will record A-6, November 1840 to May 7, 1924. L. Doane, 1991.
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Shand-Tucci, Douglass. The art of scandal: The life and times of Isabella Stewart Gardner. HarperCollins, 1997.
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Reilly, Jim. Shadowtime: History and representation in Hardy, Conrad, and George Eliot. Routledge, 1993.
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Glendening, John. The evolutionary imagination in late-Victorian novels: An entangled bank. Ashgate, 2007.
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1929-, Utley Robert Marshall, ed. Battlefield and classroom: Four decades with the American Indian, 1867-1904. University of Oklahoma Press, 2003.
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1929-, Utley Robert Marshall, ed. Battlefield and classroom: Four decades with the American Indian, 1867-1904. University of Nebraska Press, 1987.
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Toker, Leona. Towards the ethics of form in fiction: Narratives of cultural remission. Ohio State University Press, 2010.
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Towards the ethics of form in fiction: Narratives of cultural remission. Ohio State University Press, 2010.
Find full textBook chapters on the topic "1840-1924"
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Moggridge, D. E. "4. British controls on long term capital movements, 1924-1931." In Essays on a Mature Economy: Britain After 1840, edited by Donald N. McCloskey. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400870165-008.
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"BIRKESfS, Henry (1840–c. 1924)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-190.
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"GRIEVE, James (c. 1840–1924)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-710.
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"Anglo-Saxons and Others, 1840–1924." In Whiteness of a Different Color. Harvard University Press, 1999. http://dx.doi.org/10.2307/j.ctvjk2w15.7.
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"National Report for Australia." In Commencement of Insolvency Proceedings, edited by Christopher F. Symes. Oxford University Press, 2012. http://dx.doi.org/10.1093/oso/9780199644223.003.0001.
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The English Bankruptcy Act of 1542 and subsequent 17th century legislation served as the model for early personal insolvency laws upon white settlement in Australia. In 1840 the colony of New South Wales, Australia’s first colony, passed an Absent Debtors Act and the following year an Act for Giving Relief of Insolvent Debtors. A number of the colonies passed insolvency legislation in the period leading up to Federation in 1901. Under the Australian Constitution from 1901 the Federal Parliament has had power to ‘make laws for the peace, order and good government’ with respect to bankruptcy and insolvency. The Federal Parliament used this power in 1914 to create its first Bankruptcy Act and there were new Acts in 1924 and 1966. The present legislation is the Bankruptcy Act 1966 (Cth) which had major amendments in 2002 and 2004.
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Wordsworth, William, and Dorothy Wordsworth. "1924. W. W. to C. W. Jnr." In The Letters of William and Dorothy Wordsworth, Vol. 7: The Later Years: Part IV: 1840–1853 (Second Revised Edition). Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00085114.
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Zollmann, Jakob. "Ethiopia, International Law and the First World War. Considerations of Neutrality and Foreign Policy by the European Powers, 1840-1919." In The First World War from Tripoli to Addis Ababa (1911-1924). Centre français des études éthiopiennes, 2018. http://dx.doi.org/10.4000/books.cfee.1311.
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