Academic literature on the topic '1856-1951'
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Journal articles on the topic "1856-1951"
Pate, George. "Brent Salter. Negotiating Copyright in the American Theatre: 1856–1951." Modern Drama 66, no. 2 (June 1, 2023): 313–16. http://dx.doi.org/10.3138/md-66-2-rev7.
Full textSelnekovič, Dávid, and Enrico Ruzzier. "New distributional records for sixteen Mordellidae species from the Western Palearctic (Insecta, Coleoptera, Mordellidae)." ZooKeys 892 (November 25, 2019): 131–49. http://dx.doi.org/10.3897/zookeys.892.39584.
Full textSelnekovič, Dávid, and Enrico Ruzzier. "New distributional records for sixteen Mordellidae species from the Western Palearctic (Insecta, Coleoptera, Mordellidae)." ZooKeys 894 (December 4, 2019): 151–70. http://dx.doi.org/10.3897/zookeys.894.39584.
Full textHosoume, Yassuko, Cristina Leite, and Sandra Del Carlo. "ENSINO DE ASTRONOMIA NO BRASIL - 1850 A 1951 - UM OLHAR PELO COLÉGIO PEDRO II1." Ensaio Pesquisa em Educação em Ciências (Belo Horizonte) 12, no. 2 (August 2010): 189–204. http://dx.doi.org/10.1590/1983-21172010120212.
Full textFATERYGA, ALEXANDER V., MAXIM YU PROSHCHALYKIN, MAHIR M. MAHARRAMOV, and YULIA V. ASTAFUROVA. "New records of solitary vespid wasps (Hymenoptera: Vespidae: Masarinae and Eumeninae s. l.) from the Nakhchivan Autonomous Republic of Azerbaijan." Zootaxa 5027, no. 1 (August 30, 2021): 36–60. http://dx.doi.org/10.11646/zootaxa.5027.1.2.
Full textMarocco, Beatriz. "A zona de sombra dos conceitos de agenda-setting e gatekeeper." Revista Contracampo, no. 12 (July 31, 2005): 63. http://dx.doi.org/10.22409/contracampo.v0i12.559.
Full textMello, Renata Aiala de. "Interfaces entre a Linguística e a Literatura : um estudo de Madame Bovary." Scripta 24, no. 50 (July 8, 2020): 113–46. http://dx.doi.org/10.5752/p.2358-3428.2020v24n50p113-146.
Full textO’HARA, JAMES E., PIERFILIPPO CERRETTI, THOMAS PAPE, and NEAL L. EVENHUIS. "Nomenclatural Studies Toward a World List of Diptera Genus-Group Names. Part II: Camillo Rondani." Zootaxa 3141, no. 1 (December 23, 2011): 1. http://dx.doi.org/10.11646/zootaxa.3141.1.1.
Full textDickenson, Victoria. "Seeing birds: Dr Casey Wood's (1856–1942) second career." Archives of Natural History 50, no. 1 (April 2023): 162–76. http://dx.doi.org/10.3366/anh.2023.0835.
Full textRAPOSO, MARCOS A., ALAIN DUBOIS, GUY M. KIRWAN, CLAYDSON PINTO DE ASSIS, ELIZABETH HÖFLING, and RENATA STOPIGLIA. "Synonymization of the genus nomen Dendroplex Swainson, 1827 and description of a new genus of woodcreeper (Aves: Passeriformes: Dendrocolaptidae) with remarks on Articles 67.5 and 70.3 of the Code." Zootaxa 4532, no. 4 (December 20, 2018): 561. http://dx.doi.org/10.11646/zootaxa.4532.4.7.
Full textDissertations / Theses on the topic "1856-1951"
Banzato, Cláudio Eduardo Müller 1964. "A concepção linguistica freudiana e algumas de suas implicações filosoficas. : ensaio inspirado nas criticas de Wittgenstein a Freud." [s.n.], 1994. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279155.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Não informado
Abstract: Not informed.
Mestrado
Mestre em Filosofia
Arnaud, Jean-Pierre. "Recherches sur la communicabilité des intérêts." Paris 10, 1987. http://www.theses.fr/1987PA100078.
Full textCommunication phenomena are studied from the standpoint of the continuous discontinuous opposition that communication techniques provide. It is shown that such a distinction can be found in Freud and Wittgenstein works: these works are used as a reference basis for a theory of communication. The sources for this study are searched within the philosophical works issued in the Austrian empire from the end of the nineteenth century to the beginning of twentieth one. Moreover a research into the esthetics of music and of communication processes that music embodies allows stating more precisely this opposition through the works and texts coming from the members of the Vienna school. Interest can then be conceived as producing the discontinuous which is transmitted by communication, and as a principle for the reconnection of the discontinuous previously instituted; several concepts coming from Freud and Wittgenstein can then be set in their right light: negation, organic repression, memory, mother tongue, rule, projection, formalization. The study of the rule, according to Wittgenstein, introduces a study of the automaton, whose importance is shown, in works coming from economists, psychoanalysts, or philosophers from the Vienna circle, and tracing back to Hegel. We are thus entitled to put the foundations for a philosophy of technics as a discipline for communication. From the automaton theme we are led to the theme of the inner state of mind of others. This topic controls the ethics of communication, which is studied in conjunction with music and politics: the importance of the notion of interest is shown within this context, and the principles for a communication complying with the rules of ethics are defined
Palma, Jorge Luiz Pennafort. "As (des)razões da irracionalidade : uma análise conceitual do auto-engano, da consciência inconsciente e de outros paradoxos do discurso psicanalítico." reponame:Repositório Institucional da UnB, 2010. http://repositorio.unb.br/handle/10482/8843.
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Nesse estudo, são analisados alguns argumentos a favor da construção do inconsciente psicanalítico como Segunda Mente. Por Segunda Mente, refiro-me a um sistema racional que influencia o sistema da consciência do mesmo modo em que uma pessoa influencia as ações de outra. A fim de explicar essa hipótese exótica, as idéias de Davidson sobre os fenômenos irracionais e sobre como explicá-los são apresentadas em detalhe. Uma vez que, na abordagem de Davidson, a irracionalidade ordinária e a irracionalidade psicanalítica são assimiladas, algumas formas típicas da irracionalidade ordinária, especialmente o auto-engano, são consideradas. Após esses esclarecimentos preliminares, a bem-conhecida crítica de Sartre à psicanálise é apresentada sob a forma de um argumento contra um modo peculiar de conceber a psicanálise, ou seja, como uma teoria que supões várias centrais subsistêmicas dotadas de racionalidade. Essa crítica será complementada pelas idéias de Wittgenstein acerca dos critérios de atribuição de predicados psicológicos a fim de formar um argumento completo contra a noção de que o inconsciente psicanalítico é uma Segunda Mente. Depois de descartada essa noção problemática, proponho uma alternativa inspirada pela segunda filosofia de Wittgenstein. De maneira pouco ortodoxa, argumento que uma concepção particular de substrato mental é presumida pela solução apresentada por Wittgenstein ao paradoxo da interpretação. Para reforçar essa tese, o conceito de background elaborado por Searle e o conceito de tropismos mentais elaborado por Johnston são associados às observações wittgensteinianas sobre a obediência cega. Finalmente, tendo em mãos uma noção adequada de atividades mentais não-racionais, dedico as últimas seções a avaliar a viabilidade das aplicações dessa noção aos fenômenos psicanalíticos. Será mostrado que os mecanismos de repressão e de saciação de anseio podem ser construídos em termos de atividades não-racionais e subconscientes. As idéias de Freud sobre a pulsão sexual também serão avaliadas sob essa mesma perspectiva. ____________________________________________________________________________________ ABSTRACT
In this study, some arguments for constructing psychoanalytic unconscious as a Second Mind are analyzed. By Second Mind, I mean a rational system which influences the system of consciousness in the same way a person influences the actions of another person. In order to explain this strange hypothesis, Davidson’s ideas about irrational phenomena, and how to explain them, will be presented in some detail. As long as psychoanalytic irrationality and ordinary irrationality are conflated in Davidson’s account, some typical forms of ordinary irrationality, especially self-deception, are brought in consideration. After these preliminary clarifications, the well-known Sartre’s criticism is considered as an argument against a particular way of conceiving psychoanalysis, namely, as a theory which presumes several sub-systemic centers of rationality. This criticism will be supplemented by Wittgenstein’s ideas about criteria for attributing psychological predicates in order to build a complete case against psychoanalytic unconscious as a Second Mind. After discharging this problematic notion, I propose an alternative inspired by Wittgenstein’s late philosophy. In an unorthodox move, I argue that a peculiar conception of mental substratum is supposed by the way in which Wittgenstein surmounts the paradox of interpretation. To reinforce this claim, Searle’s concept of background and Johnston’s concept of mental tropism are connected with Wittgensteinian observations about blind obedience. Finally, with a convenient notion of non-rational mental activities, the last sections are dedicated to assess the viability of applying this notion to psychoanalytic phenomena. It will be shown that the mechanisms of repression and wish-fulfillment could be built as non-rational subconscious activities. Also, some Freudian ideas about sexual instinct are developed along the same lines.
Fonteneau, Françoise. "L'éthique du silence." Paris 8, 1993. http://www.theses.fr/1993PA080910.
Full textThis thesis discusses the link between the logic and ethics in two fields - that of philosophy with wittgenstein, that of psychoanalysis with freud and lacan - through one notion, that of the silence. The two logics seek to discuss by examining concepts such as that of identity, truth, negation, objects unidentical to themselves in order to shed light on the epistemological precautions which are necessary for the psychoanalytical theory and its puttinf in writing. Psychoanalysis is confronted with, in turn, plato's dialectics, rhetorics, myths, mystics, in order to understand the relationship which the silence entertains in its theory with instinct, repression, inhibition and the symtom. From our analysis of the different forms of the silence during therapy we infer ethical implications. In the same way, problems relating to the putting in writing of the silence, its formalisation and its representation serve to establish an ethics of the silence for those who speak of the logics of the unconscious
Perrier-Cornet, Jean. "Pétain ministre de la guerre : 9 février 1934 - 8 novembre 1934." Paris 1, 1990. http://www.theses.fr/1990PA010606.
Full textLe, Floch Etienne. "Les projets de constitution de Vichy (1940-1944)." Paris 2, 2003. http://www.theses.fr/2003PA020066.
Full textAlmeida, João José Rodrigues Lima de 1960. "A compulsão a linguagem na psicanalise : teoria lacaniana e psicanalise pragmatica." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280797.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Esta tese é uma exposição crítica de elos conceituais manifestos pela teoria de Lacan e pela psicanálise pragmática, esta última circunscrita aos trabalhos de Marcia Cavell e de Jurandir Freire Costa. Sem descuidar a investigação exegética, pretende-se aqui apresentar uma visão panorâmica das composições conceituais e dos sentidos que adquirem as palavras no conjunto de cada prática teórica. Pelo fato de que recorrem a certas concepções de linguagem como forma de resolução de problemas metaffsicos e clínicos herdados da teoria de Freud, denomino os dois tipos de teoria como "psicanálises lingüísticas". Seu comportamento, no entanto, é tratado como compulsivo, uma vez que a prática teórica obedece cegamente a um conjunto de técnicas e procedimentos incorporados à ação de sanear a teoria de impurezas conceituais. Cada uma das psicanálises lingüísticas adotou a sua própria concepção de linguagem. Lacan, como alternativa à concepção referencialista da linguagem pressuposta por Freud, utilizou uma concepção idealista, e a psicanálise pragmática, uma concepção comportamental, para atender a seus respectivos fins. O trabalho consiste em questionar a substancialização da linguagem, no caso de Lacan, e o desvio mentalista e mecanicista, no caso da psicanálise pragmática. Aparentemente nada indica que a clínica necessitasse de tais supostos, nem que estas teorias não houvessem introduzido novos problemas metafísicos
Abstract: This work is a critical exposition of conceptuallinks manifestedby the Lacanian theory and the pragmatic psychoanalysis, the latter circumscribed to texts of both Marcia Cavell and Jurandir Freire Costa. It is intended to get a panoramic presentation from the conceptual composition and ftom the meaning that the words acquire in the whole of each theoreticalpractice,without overlooking the exegeticalinvestigation.The two types of psychoanalytical theory are called "linguistic psychoanalysis", as they appealled to certain conceptions of language as a form of resolution of metaphysical and clinical problems inherited from Freudian theory. Nonetheless, their theoretical behaviour are considered as compuJsive,inasmuch as their theoreticalpractice blindly obey to a set of technicsand procedures incorporated to the action of cleaning the theory ftom conceptualimpurities.Each one adoptedits own conceptionoflanguage. Lacan, as an alternative to the referential conception of language presupposed by Freud, employed an idealist conception, and the pragmatic sychoanalysisresorted to a behavioral point of view, to accomplish their respective tasks. The work consists in questioning Lacan's substantialization of language, and the mentalism and mecanicism presented in the pragmatic psychoanalysiscase. Nothing seems to indicate that clinics would need such resorts, nor that those theories would not introduced new metaphysical problems
Doutorado
Doutor em Filosofia
Lavest-Bonnard, Audrey. "Proposition pour une analyse de la création chez Schönberg et Picasso : musique, peinture, psychanalyse." Paris 4, 2008. http://www.theses.fr/2008PA040198.
Full textThis thesis proposes to compare music and painting through an analysis of the creative act as expressed by Schönberg and Picasso. Our hypotheses are based on the description of the three phases of creativity by the psychologist Anton Ehrenzweig in his work The hidden order of art and on the functioning of the dream work as set forth in Sigmund Freud’s The interpretation of dreams. We thus first compare how Schönberg and Picasso's creativity evolved - notably the Cubist and serial dodecaphonic movements - according to the extent of the first and secondary elaborations coming into play in the creative psychic mechanisms. Secondly, we show the impact that these primary and secondary processes can have on the materials chosen to express their artistic intentions, these processes varying throughout the creative life. The dream work mechanisms allow new light to be shed on the organisation of the internal structure of works of modern art, while circumventing controversial attempts to establish equivalence between the arts
Monteiro, Luis Miguel Oliveira de Aguiar. "Entre a terra e o mar: registos fotográficos do porto de pesca da Ericeira." Doctoral thesis, 2020. http://hdl.handle.net/10451/46107.
Full textBooks on the topic "1856-1951"
Bouveresse, Jacques. Wittgenstein reads Freud: Myth of the unconscious. Princeton, N.J: Princeton University Press, 1995.
Find full textLeonard, Calista V. Nannaw, Minnie Catherine (Smith) Harris (1856-1951): Her life, her descendants, and her ancestors, which include the Kirkland, Abel Smith, Riley, Hogg, and Noble families of South Carolina, Alabama, and Texas (1750-1900). Tucson, Ariz: C.V. Leonard, 1993.
Find full textLottman, Herbert R. Pétain: Hero or traitor : the untold story. New York: Morrow, 1985.
Find full textDenis, Peschanski, ed. Collaboration and resistance: Images of life in Vichy France, 1940-44. New York: Harry N. Abrams, 2000.
Find full textSalter, Brent. Negotiating Copyright in the American Theatre: 1856-1951. University of Cambridge ESOL Examinations, 2021.
Find full textNegotiating Copyright in the American Theatre: 1856-1951. Cambridge University Press, 2024.
Find full textSalter, Brent S. Negotiating Copyright in the American Theatre: 1856-1951. University of Cambridge ESOL Examinations, 2021.
Find full textSalter, Brent S. Negotiating Copyright in the American Theatre: 1856-1951. Cambridge University Press, 2021.
Find full textBook chapters on the topic "1856-1951"
"Index." In Negotiating Copyright in the American Theatre: 1856–1951, 252–66. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108676182.012.
Full text"The Playwright Code." In Negotiating Copyright in the American Theatre: 1856–1951, 141–66. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108676182.007.
Full text"The Publisher’s Unpublished Empire." In Negotiating Copyright in the American Theatre: 1856–1951, 28–59. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108676182.003.
Full text"Negotiating Playwright Integrity." In Negotiating Copyright in the American Theatre: 1856–1951, 102–32. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108676182.006.
Full text"Trading On “Its Own Inherent Strength”." In Negotiating Copyright in the American Theatre: 1856–1951, 186–210. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108676182.009.
Full text"The Enduring “Piratical” Pursuits of Alexander Byers." In Negotiating Copyright in the American Theatre: 1856–1951, 60–82. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108676182.004.
Full text"Brokering Theatre." In Negotiating Copyright in the American Theatre: 1856–1951, 83–101. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108676182.005.
Full text"Epilogue." In Negotiating Copyright in the American Theatre: 1856–1951, 211–39. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108676182.010.
Full text"Introduction." In Negotiating Copyright in the American Theatre: 1856–1951, 1–14. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108676182.001.
Full text"Bibliography." In Negotiating Copyright in the American Theatre: 1856–1951, 240–51. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108676182.011.
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