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Dissertations / Theses on the topic '1857-1924 Criticism and interpretation'

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Published: 4 June 2021

Last updated: 29 January 2023

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1

Smith, Jeremy Mark. "Conviction in the everyday : Joseph Conrad and skepticism." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59889.

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Heart of Darkness, Chance, and Lord Jim can be described as philosophical works if considered in light of "ordinary language" philosophy. Conrad wrestled with skepticism much as Wittgenstein later would, but his struggle with the "bewitchment" of skeptical thinking took a narratival form. His champion was Marlow, raconteur of the three novels, who recurrently loses and recovers his words and his capacity to tell (to judge, to narrate). In these works the Marlovian investigation of human convention, linguistic and otherwise, is shown to be a necessary but perilous task. The possibility that we

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2

Huggan, Graham. "The novelist as geographer : a comparison of the novels of Joseph Conrad and Jules Verne." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26839.

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The works of Joseph Conrad and Jules Verne share a fascination with geography: concern with geographical issues made explicit in their non-fictional works is also implicit in their fiction. Unfortunately, limited knowledge of or interest in geographic theory on the part of the literary critic has made the relation between literature and geography a relatively unpopular focus; to redress the balance, it is necessary to outline briefly some of the ways in which geographical theory may usefully inform the practice of literary criticism. Areas to be introduced include geography and literature as s

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3

De, Lange Adriaan Michiel. "Conrad's impressionism the treatment of space and atmosphere in selected works." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002272.

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This thesis focuses on Conrad's representation of space and atmosphere in the "impressionistic" works published between 1897 and 1904, notably The Nigger of the "Narcissus" (1897), "Heart of Darkness" (1899), Lord Jim (1900), and Nostromo (1904). The many conflicting statements regarding the nature of Conrad's impressionism lead one to ask two fundamental questions: What constitutes this strange and elusive phenomenon, and how does it bear upon interpretation? This thesis works towards defining the elusive quality of Conrad's writing by investigating and assessing the contribution of impressio

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4

Doherty, Helen. "The motif of initiation in selected works by Joseph Conrad." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002263.

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This thesis explores the archetypal theme of initiation in selected texts by Joseph Conrad. The Introduction first surveys critical attention to initiatory motifs in Conrad with the objective of demonstrating the need for an approach to the topic informed by a more formal and theorized understanding of initiation. It then offers a prima facie case for the centrality of the idea of initiation in Conrad's oeuvre, based on references culled from a range of the author's writings. Chapter One seeks to contextualise initiation by providing a history of anthropological research into and theorisations

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5

Stedall, Ellie. "Herman Melville, Joseph Conrad and transatlantic sea literature, 1797-1924." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648378.

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6

Massie, Eric. "Stevenson, Conrad and the proto-modernist novel." Thesis, University of Stirling, 2002. http://hdl.handle.net/1893/21610.

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This thesis argues that Robert Louis Stevenson's South Seas writings locate him alongside Joseph Conrad on the 'strategic fault line' described by the Marxist critic Fredric Jameson that delineates the interstitial area between nineteenth-century adventure fiction and early Modernism. Stevenson, like Conrad, mounts an attack on the assumptions of the grand narrative of imperialism and, in texts such as 'The Beach of Falesa' and The Ebb Tide, offers late-Victorian readers a critical view of the workings of Empire. The present study seeks to analyse the common interests of two important writers

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7

Wey, Shyh-chyi. "A rhetorical analysis of Joseph Conrad's Heart of darkness." CSUSB ScholarWorks, 1994. https://scholarworks.lib.csusb.edu/etd-project/923.

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8

Adair, Vance. "The Shakespearean object : psychoanalysis, subjectivity and the gaze." Thesis, University of Stirling, 2000. http://hdl.handle.net/1893/1857.

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Through a close analysis of four plays by Shakespeare, this thesis argues that the question of subjectivity ultimately comes to be negotiated around a structural impasse or certain points of opacity in each of the text's signifying practices. Challenging assumptions about the utatively "theatrical" contexts of Richard III, Richard II, Hamlet and Antony and Cleopatra, I argue that, to varying degrees, the specular economy of each play is in fact traversed by a radical alterity that constitutively gives rise to a notion of subjectivity commonly referred to as "Shakespearean".

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9

Berry, Robert James. "Conrad and Dostoevsky : an unsuspected brotherhood." Thesis, University of Stirling, 1993. http://hdl.handle.net/1893/2015.

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This thesis attempts a comparative study of Conrad and Dostoevsky. In doing so, it proposes a significant relationship between the ideological, political and literary worlds of both authors. The work is undertaken in eight chapters. Chapter One explores Conrad and Dostoevsky's respective national and cultural identities. It reflects on Conrad's recorded reactions to Dostoevsky and his work, and speculates on the latter's likely response to Conrad. Chapter Two challenges established critical formulae that suggest Dostoevsky is a purely 'Dionysian' writer. The view that Conrad is a consummate 'A

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10

Guenther, Alan M. "The Ḥadīth in Christian-Muslim discourse in British India, 1857-1888 /". Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28275.

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In the development of Islam in India in the nineteenth century, the impact of the interaction between modernist Muslims and Christian administrators and missionaries can be seen in the writings of three Evangelical Christians on the role of the H&dotbelow;adith and the responses of Indian Muslims. The writings of Sir William Muir, an administrator in the Indian Civil Service, were characterized by European Orientalist methods of textual criticism coupled with the Evangelicals' rejection of Muh&dotbelow;ammad. In his response, Sir Sayyid Ah&dotbelow;mad Khan, an influential Muslim modernist, su

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11

McDonald, Timothy E. G. "The space of Kafka /." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69777.

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The following study investigates the fictional works of an early twentieth century Czechoslovakian writer named Franz Kafka. "The space of Kafka" is explored primarily through the "identity" of his characteristic monster figures and the temporally disjunctive narratives through which they travel. Monstrosity is qualified here as a principal mode of translation through which Kafka engaged the very terms of "identity" which an "individual" faces in the appearance of any "work". The intimations of a monstrous self are probed through Kafka's work in relation to human experience, intentionality, al

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12

Vrba, Marya. "The literary dream in German Central Europe, 1900-1925 : a selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler." Thesis, Swansea University, 2011. https://cronfa.swan.ac.uk/Record/cronfa42396.

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This thesis examines the literary dream in selected works by Kafka, Kubin, Meyrink, Musil and Schnitzler, with a particular focus on the redefinition of subjectivity through dreamlife. The introductory chapter contextualises these case studies in the broader field of oneirocriticism, emphasising the dream's ancient role as fixtional template and its specific significance in the destabilised environment of German Central Europe during the early twentieth century. Alfred Kubin's Die andere Seite (1909), which uses the 'other side' as metaphor for both oneiric and artistic experience, reveals the

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13

Dicks, Henry. "Being and earth : an ecological criticism of late twentieth-century French thought." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669967.

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14

Choinière, Paul. "Etude sur la rhétorique des premièrs écrits de Louis-Ferdinand Céline (1924-1944)." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28252.

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Since Celine's death, the pamphlets he wrote at the beginning of World War II always presented great difficulties for those who studied him. But in the last few years, for various reasons the pamphlets have stirred up researcher's interest. Following this movement, this thesis is an attempt to integrate these pamphlets to the prose of the author of Journey to the End of the Night in a general pattern of analysis.<br>In order to do this analysis, is developed an hermeneutic model of analysis which divides Celine's work into a poetical investigation and a polemic pursuit that demonstrate that th

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15

Deschamps, Bernard 1957. "Schreiben als Form des Gebets : l'écriture en tant que forme de la prière dans l'œuvre de Franz Kafka." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115633.

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Franz Kafka (1883-1924) wrote this little phrase one day in a notebook: Writing as a form of prayer. This dissertation will examine his highly personal and Judaic conception of the act of writing in order to demonstrate that it constitutes in fact the cornerstone of Kafka's activity as a writer and that it can be traced in a significant number of his literary works as their regulating instance.<br>In order to do so, we will first examine the social, political and economic conditions prevailing in Central Europe at the turn of the 20th century, in order to ascertain its tremendous impact on the

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Romanska, Magdalena. "Bulat Okudzhava : bard and voice of a waking Russian nation." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82930.

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Bulat Shalvovich Okudzhava, the originator of the style of Russian bards, was the first to express his nation's disillusionment over the country's political system and government in a new and alternative way.<br>For this purpose, he used the direct impact of his poetry, a part of which he would sing for audiences, accompanied only by his guitar. This sort of communication between the writer and his interlocutors remained in sharp contrast with the means traditionally used by the official Soviet mass culture. The spreading of guitar poetry was impossible to control by authorities, since

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17

Fattah, Nadia Abdel. "James Baldwin's Search for a Homosexual Identity in his Novels." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5231.

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James Arthur Baldwin (1924- 1987) is one of the two major writers who have dared write about black gay men and from a black gay perspective. However, his fame as a racial spokesman and his insightful analyses of race relations in America tend to distract attention from the fact that he has been one of the most important homosexual writers of the twentieth century. Intolerance and homophobia among black and white Americans often led to a misinterpretation or misevaluation of James Baldwin's novels. James Baldwin was very courageous to come out as a black homosexual writer during the period of t

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18

Stander, Aletta Sophia. "Taal wat stamel, stotter en struikel : Marlene van Niekerk se "Die sneeuslaper" (2010) as mineurletterkunde." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20061.

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Thesis (MA)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: The focus of this study will be on the unique way in which language is used in Marlene van Niekerk‟s collection of short stories, Die sneeuslaper (2010). When reading Die sneeuslaper it is impossible not noticing the number of Dutch words, as well as words and phrases from other foreign languages, as Bargoens, Rotwelsch, German, French, Italian, Hebrew, Greek and Maltese. Some of the characters‟ speech, as well as so called sound poems (or nonsense verses) are characterised by a number of newly invented words. However, the meani

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19

Deschamps, Bernard. "Das Nichts der Offenbarung : Sprache und Schrift in der Kafka-Deutung Gershom Scholems und Walter Benjamins = The nothingness of revelation : language and text in the Kafka interpretations of Gershom Scholem and Walter Benjamin." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30158.

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Le present essai propose en premier lieu une analyse de la theorie linguistique de Walter Benjamin telle qu'enoncee dans son essai de 1916, Uber Sprache uberhaupt und uber die Sprache des Menschen. Dans un meme temps, il propose aussi une analyse de la theorie linguistique de la Kabbale telle qu'elaboree par Gershom Scholem tout au long de sa vie, dans un nombre non negligeable de publications, theorie dont il chercha a faire la synthese dans son essai de 1970, Der Name Gottes und die Sprachtheorie der Kabbala.<br>Cet essai se propose ensuite de demontrer comment Scholem et Benjamin ont trouve

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20

Delazari, Ivan. "Musical experience in fictional narrative: William T. Vollmann, William H. Gass, and Richard Powers." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/487.

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This doctoral thesis contributes to the ongoing scholarly conversation on literary representation of musical sounds, forms, and compositions. My close examination of the tangible presences of Western art music in the fiction of three contemporary American novelists relocates traditional foci of intermediality and word and music studies from referential precision and structural equivalence across the arts to the problem of readerly experience of music through fictional narrative. Exploring a variety of diegetic encounters with music in William T. Vollmann's Europe Central (2005), William H. Gas

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21

Oyakawa, Eduardo. "A luz brilha nas trevas: um estudo sobre o Deus Absconditus na literatura de Franz Kafka (1912-1924)." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20948.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-04-02T12:31:21Z No. of bitstreams: 1 Eduardo Oyakawa.pdf: 3146353 bytes, checksum: 0051abe6693a8423b12c8c6711bbec0c (MD5)<br>Made available in DSpace on 2018-04-02T12:31:21Z (GMT). No. of bitstreams: 1 Eduardo Oyakawa.pdf: 3146353 bytes, checksum: 0051abe6693a8423b12c8c6711bbec0c (MD5) Previous issue date: 2018-02-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This study is dedicated to the knowledge of writer Franz Kafka’s literature, under the egis of the religious mystic interpretation. In order to

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22

楊海一. "卡夫卡和魯迅比較研究 = A comparative study on Kafka and Luxun". Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636183.

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23

Soares, Filho Antonio Coutinho. "Cosmogonia profana: uma leitura de O visitante, de Osman Lins." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20148.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-06-08T13:24:33Z No. of bitstreams: 1 Antonio Coutinho Soares Filho.pdf: 789799 bytes, checksum: 7d4dabc562cc362d9d4fb980060b0b6c (MD5)<br>Made available in DSpace on 2017-06-08T13:24:33Z (GMT). No. of bitstreams: 1 Antonio Coutinho Soares Filho.pdf: 789799 bytes, checksum: 7d4dabc562cc362d9d4fb980060b0b6c (MD5) Previous issue date: 2017-05-29<br>Universidade Estadual do Maranhão - UEMA<br>In the whole of Brazilian literature, Osman Lins is a name that stands out for the quality and diversity of his production. Novelist, playwrigh

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24

Driver, Daniel R. "Brevard Childs : the logic of scripture's textual authority." Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/754.

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Brevard Childs argues for the inner logic of scripture’s textual authority as an historical reality that gives rise to the material condition by which the church apprehends and experiences God in Christ. The church’s use of (or by) scripture thus has a larger interiority: the shaped canon of scripture, Old and New Testaments, is a rule of faith which accrues authority in the church, through the vehicle of the sensus literalis. Childs’ work has been misplaced, however. Part one locates it internationally, attending to the way it has been read in English and German and ﬁnding that it has enjoyed

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25

Fitzpatrick, Mark. "R.L. Stevenson, Joseph Conrad and the adventure novel : reception, criticism and translation in France, 1880-1930." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA160.

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Le roman d’aventures anglais du dix-neuvième siècle, héritier d’une tradition issue des écrits de Defoe, de Scott, et de Dumas, trouvera ses chefs-d’œuvre dans L’île au trésor et Enlevé! de Robert Louis Stevenson. Ces textes représentent à la fois l’apogée du genre, et sa réécriture, sa subversion. Joseph Conrad, dans ses fictions aventureuses, répond à cette remise en question des conventions génériques. Les deux auteurs doivent se situer par rapport aux débats littéraires de leur époque, et à la prédominance du réalisme qui touchait à sa fin. En France, au tournant du vingtième siècle, les c

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"A study of Qiangcun's ci poetry." 2002. http://library.cuhk.edu.hk/record=b6073827.

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論文(哲學博士)--香港中文大學, 2002.<br>參考文獻 (p. 245-265).<br>中英文摘要.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2002.<br>Can kao wen xian (p. 245-265).<br>Zhong Ying wen zhai yao.

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27

"任熊的繪畫藝術". 1999. http://library.cuhk.edu.hk/record=b5896352.

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鄧國榮.<br>論文 (哲學碩士)--香港中文大學, 1999.<br>參考文獻 (leaves 87-93).<br>附中英文摘要.<br>c.2 缺 p.94.<br>Deng Guorong.<br>Lun wen (zhe xue shuo shi)-- Xianggang Zhong wen da xue, 1999.<br>Can kao wen xian (leaves 87-93).<br>Fu Zhong Ying wen zhai yao.<br>c.2 ch‘üeh p.94.<br>前言 --- p.3<br>Chapter 第一章 --- 背景：上海地區繪畫商品化 --- p.6<br>Chapter 第一節 --- 上海蓬勃的商品市場經濟 --- p.6<br>Chapter 第二節 --- 新興的市民審美趣味 --- p.7<br>Chapter 第三節 --- 上海畫壇商品的運作對任熊繪畫的影響 --- p.8<br>Chapter 〈一〉 --- 買畫者 --- p.8<br>Chapter 〈二〉 --- 繪畫的供應者-畫家 --- p.9<br>Chapter 〈三〉 --- 市價-潤筆 --- p.11<br>Chapter 〈四〉 --- 小結 --- p.11<br>Chapter 第二章 --- 任熊的生平 ---

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Immenga, Herbert Walter Theodor Dietrich. "Junglings- und Mannergestalten in Einigen Erzahlenden Prosawerken Eichendorffs." Thesis, 2015. http://hdl.handle.net/10210/14760.

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Wolfe, Edith Angelica Gibson. "Melancholy encounter: Lasar Segall and Brazilian modernism, 1924-1933." Thesis, 2005. http://hdl.handle.net/2152/2192.

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"《黑奴籲天錄》的敘事者與譯文操縱". 2000. http://library.cuhk.edu.hk/record=b5895839.

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張婉麗.<br>"2000年8月"<br>論文 (哲學碩士)--香港中文大學, 2000.<br>參考文獻 (leaves 208-219)<br>附中英文摘要.<br>"2000 nian 8 yue"<br>Zhang Wanli.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000.<br>Can kao wen xian (leaves 208-219)<br>Fu Zhong Ying wen zhai yao.<br>摘要 --- p.i<br>前言 --- p.v<br>目錄<br>Chapter 第一章 --- 引言 --- p.1<br>Chapter 第二章 --- 小說敘事者與操縱理論 --- p.8<br>Chapter 2.1 --- 小說的敘事者 --- p.8<br>Chapter 2.2 --- 操縱理論 --- p.14<br>Chapter 2.3 --- 《黑奴籲天錄》的敘事者與譯文操縱 --- p.24<br>Chapter 第三章 --- 《黑奴籲天錄》的翻譯背景 --- p.26<br>Chapter 3.1 --- 原文的内容 --- p.26<br>Chapter 3.2 --- 原文的文化系統 --- p.28<br>Chapter 3.

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"詩詞對照下的《彊村語業》: Explicating Qiangcun yuye via the aesthetic disparities between shi and ci poetry". 2015. http://library.cuhk.edu.hk/record=b6115869.

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晚清時局亟變，新事物、新思想不斷湧現，傳統文體為了回應時代變化，各自作出相應的調整，唯獨詞體仍然固守舊貌。朱祖謀素有詩名，四十歲後棄詩而專注填詞，稱其詩作「不足傳世」。詩詞的美感特質各異，這種刻意的「滯後」說明朱祖謀認為詞體更能切合末代士人與遺民的表達需要。朱氏於同儕中學詞最晚而造詣最深，國變後歷任詞社社長，其詞於當時極具典範意義。然而，清末民初的政治與文化急劇轉型，傳統文學不再位居主流，由封建王朝到現代國家的過渡亦為士人帶來各種思想上的衝擊，「士」已失去了其倫理與制度上的基礎，而朱祖謀則透過在不同情境下的政治、文學抉擇將「士」的內涵重新予以彰顯。<br>本文將以詩詞之辨的角度來分析《彊村語業》中的藝術特色及其政治意涵。第三、四章討論清遺民所面臨的倫理困境與朱氏如何以詩詞回應近代世變。第五章處理朱氏擬仿金朝遺民元好問〈鷓鴣天〉宮詞八首的互文意義。鑑於純粹的文本細讀未必能夠完整地理解詞旨，第六章將以歷時角度討論庚子事變之際的四印齋詞聚與漚社詞聚中的「雅集」詞課，並將嘗試回置詞課的創作情境。本文最後指出朱氏以矢志填詞的初衷及其如何以詞體撫平歷史創傷。<br>The catastrophic changes of political situation in late Qing China had brought in myriad of ideological trends and a

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Resler, Johanna Elizabeth. "SARA’S TRANSFORMATION: A TEXTUAL ANALYSIS OF FRANCES HODGSON BURNETT’S SARA CREWE AND A LITTLE PRINCESS." Thesis, 2007. http://hdl.handle.net/1805/1614.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>Frances Hodgson Burnett’s life revolved around her love of story-telling, her sons, nature, and the idealized notion of childhood. Burnett had an ability to recapture universal aspects of childhood and transform them into realistic stories containing elements of the fantastic or fairy tales. Her ability to tell stories started at a young age when she and her sisters were given permission to write on old pieces of paper. Burnett’s love for storytelling, reading, and writing was fostered in her parents’ household, in which a young Bu

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Mahala, Siphiwo. "Inside the house of truth : destruction and reconstruction of Can Themba." Thesis, 2017. http://hdl.handle.net/10500/25231.

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This study is, by its intention at any rate, an attempt at assembling the scattered fragments of Can Themba’s life to make a composite being out of the various existing phenomena that shaped the contours of his life in both literary and literal senses. Given the disjunctive manner in which Can Themba and his work have been represented thus far, a combination of Historical and Biographical research methods will underpin the approach of this study. The resultant approach is the Historical-Biographical method of research. According to Guerin et al (2005, 22) the Historical-Biographical appr

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Hesse, Angelika. "Eichendorffs Kritik romantischer Fehlentwicklungen." Diss., 1998. http://hdl.handle.net/10500/16941.

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Summary in English<br>Romanticism as a broad movement of thought developed as a reaction against rationalism and empiricism in the period of Enlightenment. In his critical evaluation of Getman literature Eichendorff as a historian exammes the excessiveness of esoteric theories in the work of the young intellectuals of the early romantic period in Getmany. The romanticists' idealist celebration of the self, and their tendency to overestimate the power of the imagination and the supreme value of art led to self-adulation and subjectivism which was unacceptable to Eichendorff s understan

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Jappie, Achmat Ahdiel. "The development of the arabic essay and short story with particular reference to the contributions of Mustafā Lutfī al-Manfalūtī." Diss., 2007. http://hdl.handle.net/10500/1656.

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The dissertation firstly looks at how the Arabic essay and short story developed in Egypt since the beginning of the nineteenth century. Then a discussion follows on the life and contribution of the Egyptian author, Mustafā Lutfī al-Manfalūtī, as representative of this literary evolution. The general influences on Egyptian literature are discussed, and the general development of Arabic prose from 1850 onwards is then detailed, including the efforts to save Arabic literature from stagnation and degeneration. Following this, the focus is on the origins of the essay and short story. This leads t

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"From Conrad's "alienation" and "impressionism' to Nietzsche's philosophy." 2004. http://library.cuhk.edu.hk/record=b5892023.

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Cheung Ching Lap Dickson.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2004.<br>Includes bibliographical references (leaves 77-78).<br>Abstracts in English and Chinese.<br>English Abstract --- p.i<br>Chinese Abstract --- p.iii<br>Introduction --- p.1<br>Chapter Chapter One --- Alienation' and The Grotesque --- p.9<br>Chapter Chapter Two --- Impressionism' and 'Alienation' --- p.26<br>Chapter Chapter Three --- "Conrad, Nietzsche, and Nihilism" --- p.52<br>Conclusion --- p.73<br>Bibliography --- p.77

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