Academic literature on the topic '1860-1862'

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Journal articles on the topic "1860-1862"

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SWANSON, DANIEL R., and STEPHEN W. III CHORDAS. "Annotated list of the assassin bugs (Heteroptera: Reduviidae) of Belize, with the description of two new species." Zootaxa 4500, no. 3 (October 16, 2018): 397. http://dx.doi.org/10.11646/zootaxa.4500.3.7.

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Fifty-one species of Reduviidae (Hemiptera: Heteroptera) are recorded from Belize; literature citations are provided where relevant, and specimen data are included for examined material. Thirteen previously-described species are reported from Belize for the first time, ten of which represent new generic records: Eupheno histrionicus Stål, 1862 (Cetherinae); Ghinallelia signoreti (Dohrn, 1860) (Emesinae); Rasahus albomaculatus (Mayr, 1865) (Peiratinae); Leogorrus interruptus Champion, 1899; Microlestria laevis Champion, 1899; Nalata quadrituberculata Champion, 1899; Nalata setulosa Stål, 1862; Pseudozelurus superbus (Champion, 1899); Zelurus spinidorsis (Gray, 1832) (all Reduviinae); Oncerotrachelus conformis Uhler, 1894; Saica fuscipes Stål, 1862 (both Saicinae); Gnathobleda litigiosa Stål, 1862; and Stenopoda wygodzinskyi Giacchi, 1969 (both Stenopodainae). Among the ten subfamilies reported, Belizean records for one subfamily, Saicinae, are reported for the first time. Accompanying the checklist are the descriptions of Castolus omega Swanson sp. nov. (Harpactorinae) and Pygolampis aptena Swanson sp. nov. (Stenopodainae).
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Binnington, Ian. "Standing Upon a Volcano: Cincinnati’s Newspapers Debate Emancipation, 1860–1862." American Nineteenth Century History 10, no. 2 (June 2009): 163–86. http://dx.doi.org/10.1080/14664650902908128.

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Riall, L. J. "Liberal policy and the control of public order in western Sicily 1860–1862." Historical Journal 35, no. 2 (June 1992): 345–68. http://dx.doi.org/10.1017/s0018246x00025838.

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AbstractThis article is concerned with explanations of the failure of stateformation and nation building in liberal Italy, and concentrates on attempts to integrate western Sicily into the new political framework. The marxist account of this process has emphasized the extent of peasant revolt against the new state, and its brutal repression. Unification, it is argued, failed because it was based on coercion and domination rather than on leadership by popular consent. The present article suggests that this explanation is incomplete as it ignores the behaviour and attitude of local elites within western Sicily. The dominance of local affairs by such groups was challenged by the advent of a modern centralizing state. The article uses records from this period to show that many local notables frustrated government efforts to set up new town councils, new police forces and a liberal judicial system. This kind of resistance was far more difficult to overcome than popular revolt, because it could (and did) challenge the whole basis of centralized liberal rule. The article also looks at the military repression of the 1860s and argues that it too was undermined by the opposition of local elites. An additional reason, therefore, for the failure of unification after 1860 may be the new state's lack of appeal among its supposed class allies.
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Guerrero Cano, María Magdalena. "Expediciones a Santo Domingo. El fracaso de un proyecto de colonización (1860-1862)." TROCADERO, no. 14 (2003): 63–92. http://dx.doi.org/10.25267/trocadero.2003.i14.04.

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Guerrero Cano, María Magdalena. "Expediciones a Santo Domingo. El fracaso de un proyecto de colonización (1860-1862)." Revista ECOS UASD 6, no. 8 (October 8, 1999): 71–106. http://dx.doi.org/10.51274/ecos.v6i8.pp71-106.

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A la hora de abordar un tema de emigración, nos encontramos siempre con tres cuestiones que son ineludibles: a) el lugar de partida: su densidad de población y presión demográfica, situación económica, posibilidades de alcanzar mejor nivel económico y social, existencia de programas estatales de emigración, etc.; b) el lugar de arribada o meta: buenas oportunidades, tierra disponible, posibilidades de trabajo y progreso individual, etc.; y c) por último, el hecho en sí, ¿cuál es el detonante que hace que en un momento determinado de la historia, un grupo de gente se ponga en movimiento para trasladarse a otro lugar, abandonando su tierra con lo que eso lleva aparejado de dramatismo: abandono del terruño, separación y posible ruptura definitiva con la familia, forzosa adaptación a buenas nuevas costumbres y forma de vida.
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Sloan, Casey. "POSSESSING DRESSES: FASHION AND FEMALE COMMUNITY INTHE WOMAN IN WHITE." Victorian Literature and Culture 44, no. 4 (November 4, 2016): 801–16. http://dx.doi.org/10.1017/s106015031600022x.

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Margaret Oliphant much preferredThe Woman in White(published serially 1859–1860) toGreat Expectations(published serially 1860–1861). This partiality emerges in a comparative treatment of the texts in her oft-quoted 1862 treatise on sensation fiction, and it rests on the desirability of authors producing thrills using “modest and subtle means” (“Sensation Novels” 569) instead of “by fantastic eccentricities” and “high-strained oddity” (“Sensation Novels” 574). While the existence of an argument against the allegedly regrettable excesses of fantastical narratives will not shock any reader familiar with contemporary criticism of sensation fiction, or, for that matter, Romantic-era novels or Gothic works in general, the primary evidence Oliphant uses to argue her case might come as a surprise. In order to discredit Charles Dickens's ghostly accounts of Miss Havisham's bridal tomb in favor of Wilkie Collins's eerie images of Anne Catherick appearing on a moonlit moor, Margaret Oliphant turns to clothing.
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Prokhorova, Irina E. "„В уровень с годами”: к проблеме геронтологической рефлексии позднего Вяземского." Slavica Wratislaviensia 163 (March 17, 2017): 81–90. http://dx.doi.org/10.19195/0137-1150.163.7.

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„At the level of the years” to the problem of old Vyazemskyʼs gerontology reflectionI.E. Prokhorova’s article analyzes “poetry of the old age”, created by Petr Vyazemsky in the last two decades of his life 1860–1870’s. It is distinguished by intensive philosophical and psychological reflection on the problems of “extended” life, death and immortality, tragical awareness of the transformation of oldster`s identity as well as unique degree of poetic expression candor. Particular attention is paid to Vyazemsky’s lyrical cycle “Gloom with glimpses” 1876? and poems “Old age” 1862 and “Our life at senile age — a worn-out robe ...” 1874–1877. In them poet succeeded to manifest his perception of “last age” ambivalence as fully, clearly and brightly as possible and to raise the questions about the values of “perfect” cheerful oldness and the conditions to achieve it at the same time.„Stosownie do wieku”: ze studiów nad refleksją gerontologiczną późnego WiaziemskiegoW artykule poddano analizie „poezję starości” Piotra Wiaziemskiego, która powstała w dwóch ostatnich dziesięcioleciach jego życia lata 1860–1870. Wyróżnia się ona filozoficzno-psychologiczną refleksją nad problemami „przedłużonego” życia, śmierci i nieśmiertelności, wyraża tragiczną świadomość transformacji osobowości człowieka w podeszłym wieku, cechuje się szczerością wypowiedzi. Szczególną uwagę poświęcono cyklowi lirycznemu Wiaziemskiego Chandra z przebłyskami Хандра с проблесками, 1876?, wierszom Starość Старость, 1862 i Życie nasze w starości — niczym znoszony szlafrok… Жизнь наша в старости — изношенный халат..., 1874–1877. Poeta najpełniej wyraził w nich pogląd na ambiwalentność „ostatniego wieku”, ocenił wartość godnej starości i zastanowił się, jak ją osiągnąć.
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Gomes, Sandro Aramis Richter. "Definição de candidaturas parlamentares e relações entre chefes partidários no Brasil monárquico: o caso da participação de Zacarias de Góis e Vasconcelos em eleições na Província do Paraná (1861-1862)." Almanack, no. 16 (August 2017): 121–67. http://dx.doi.org/10.1590/2236-463320171603.

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Resumo Este artigo comporta uma investigação sobre as articulações políticas que resultaram no lançamento das candidaturas do bacharel baiano Zacarias de Góis e Vasconcelos (1815-1877) a deputado geral pela província do Paraná, nos anos de 1861 e 1862. O presente estudo, portanto, consiste em uma análise acerca das implicações da ausência de regras precisas para o relacionamento entre os membros das instâncias administrativas dos partidos monárquicos. No Paraná dos anos 1860, as principais implicações dessa ausência eram a ingerência de lideranças nacionais do Partido Liberal sobre processos de definição de candidaturas parlamentares e a neutralização do poder da elite política provincial. De outra parte, é evidenciado que a ingerência de lideranças nacionais na dinâmica eleitoral da província também inibia o lançamento de candidaturas pelo Partido Conservador. Nesse quadro, demonstra-se que os desígnios eleitorais de líderes nacionais do Partido Liberal, no princípio dos anos 1860, limitaram a autonomia das lideranças paranaenses da agremiação no tocante aos modos de gestão desse partido.
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Makarov, Kirill Vladimirovich, Yurii Nikolaevich Sundukov, and Andrey Vladimirovich Matalin. "Ground beetles (Coleoptera, Carabidae) in fumarole fields of Kunashir Island, Kuril Archipelago, Russia." Acta Zoologica Academiae Scientiarum Hungaricae 66, Suppl. (December 30, 2020): 97–146. http://dx.doi.org/10.17109/azh.66.suppl.97.2020.

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Five species of ground beetles are permanent inhabitants of the fumarola fields on Kunashir Island: Cicindela (Cicindela) sachalinensis A. Morawitz, 1862; Cylindera (Eugrapha) elisae (Motschulsky, 1859); Bembidion (Ocydromus) dolorosum (Motschulsky, 1860); B. (Peryphanes) sanatum Bates, 1883, and Poecilus (Poecilus) samurai (Lutshnik, 1916). These species respond differently to extreme conditions. In some species, the size is decreased (C. elisae, B. dolorosum), but is increased in P. samurai; in B. dolorosum, the pigmentation is decreased, while increased in others (C. sachalinensis, C. elisae, P. samurai). The degree of these variations depends neither on taxonomic relations nor the adaptation time. The areas of moderate thermal activity of Kunashir volcanoes could have served as refugia during the colder climatic periods. Based on data on the variability and barcoding of B. dolorosum, the following new synonymy is established: Bembidion (Ocydromus) dolorosum (Motschulsky, 1860) = Bembidion (Ocydromus) negrei Habu, 1958, syn. nov. = Bembidion (Peryphus) kuznetsovi Lafer, 2002, syn. nov.
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CLEMENTI, MORENO, NEVENA KUZMANOVIĆ, ZOLTAN BARINA, DMITAR LAKUŠIĆ, and SNEŽANA VUKOJIČIĆ. "Typification of five names listed by Roberto de Visiani in Plantarum Serbicarum Pemptas." Phytotaxa 170, no. 1 (May 19, 2014): 057. http://dx.doi.org/10.11646/phytotaxa.170.1.9.

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Roberto de Visiani (1800–1878) was a Dalmatian botanist of Italian ancestry. During the 1850s he started a long lasting collaboration with a Serbian professor - botanist Josif Pančić (1814–1888), who worked in Belgrade. During this period, from 1858 to 1871, they described thirty-five new species and one new variety, in four articles (Visiani 1860, Visiani & Pančić 1862, Visiani & Pančić 1865, Visiani & Pančić 1870). Many of their names are still in general use or are basionyms of the names in use (Euro+Med 2014), but, with few exceptions, they have not yet been typified.
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Dissertations / Theses on the topic "1860-1862"

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Liu, Ensheng Yuan Jian-Min. "Sensitivity, non-equilibrium thermodynamic and control analyses of insulin metabolic signaling pathways /." Philadelphia, Pa. : Drexel University, 2007. http://hdl.handle.net/1860/1862.

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Breimer, Matteus. "Fäder på vakt. : Rikets Ständers debatt om giftomannarätten 1859-1860 och 1862-1863." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-109982.

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Davis, Ivan. "(Inter)disciplinary roots : a study of influence and collaboration in the work of Fred Newton Scott." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1233205.

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Building on Donald and Patricia Stewarts' The Life and Legacy of Fred Newton Scott (1997), this dissertation addresses aspects of Scott's life which have been ignored or left underdeveloped in the work of composition historians, including Scott's early education at the Indiana State Normal School and at Battle Creek College, along with his personal, academic and professional relationships with Dr. John Harvey Kellogg, John Dewey, and Joseph Villiers Denney. This examination, providing a more precise knowledge of Scott's academic and professional life, clarifies the significance and originality of Scott's contributions to the discipline.At the Indiana State Normal School, Scott was exposed to an innovative adaptation of Pestalozzian and Herbartian educational philosophies. The philosophy and methodologies employed at the school likely influenced Scott's thinking about teacher training, while encouraging his adaptation of psychology in the teaching of English.Scott again was exposed to a reform-minded educational agenda at Battle Creek College. There, Scott encountered an holistic educational program that sought to improve the intellectual, physical, and spiritual components of students' lives.Through his long friendship with Dr. John Harvey Kellogg, Scott gained an intimate knowledge of the medical profession, an awareness Scott utilized in his own writing about understanding student errors in composition. Scott's academic and professional relationship with John Dewey at the University of Michigan demonstrates their multiple shared interests and activities. The Thought News newspaper project illustrates their attempt to implement philosophy into practical arenas. Their working relationship, as well as Scott's educational background at the Indiana State Normal School and at Battle Creek College, suggests that Dewey has been erroneously viewed as the source of Scott's innovative approach to composition.Finally, Scott's collaborative relationship with Joseph Villiers Denney, the writer with whom Scott wrote his most popular textbooks, illustrates the importance Scott placed on collaboration as well as the competence of those with whom he collaborated. Denney's own scholarly work in composition demonstrates his originality and resourcefulness as an equal partner in their collaborations.
Department of English
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Corban, Antonela. "Nietzsche et Klimt : la métaphysique en question." Dijon, 2009. http://www.theses.fr/2009DIJOL021.

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Goyet, Florence. "La nouvelle au tournant du siècle en France, Italie, Japon, Russie et pays anglo-saxons : Maupassant, Verga, Mori Ogai, Akutagawa Ryonosuke, Tcheckhov et James." Paris 4, 1990. http://www.theses.fr/1990PA040004.

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L'étude de nouvelles extrêmement différentes montre une conception identique de la structure, des conditions matérielles de publication, et du rapport lecteur-personnage. I-structure : personnages exemplaires, rendus presque abstraits par un traitement qui en fait des prodiges dans leur catégorie (ch. 1), et les oppose violemment dans une structure antithétique (ch. 2). La "pointe" est la traduction dynamique de cette antithèse (ch. 4). Pour permettre l'adhésion immédiate du lecteur, la nouvelle s'appuie sur des représentations préexistantes (ch. 3). Nouvelles longues et non-narratives échappent parfois à ce type d'approche (ch. 5). II-rôle de la presse : l'analyse d'une quarantaine de périodiques montre que les personnages ne peuvent jamais appartenir au monde des lecteurs : la nouvelle est "exotique". III-le regard exotique : c'est que tous les moyens rhétoriques sont utilisés dans le texte court pour mettre le personnage à distance. Tous les procédés classiques de l'ironie (ch. 2 & 3), mais aussi le discours rapporté et le "patois" (ch. 4), les narrateurs et les "récepteurs" (ch. 5 & 6) sont utilisés pour rejeter le personnage dans une "autre planète" (Maupassant), et, le plus souvent, le disqualifier. La nouvelle est le genre monologique par excellence, ne permettant pas la confrontation de deux "voix" (Bakhtine) de même statut (ch. 7)
The study of a very wide range of very different stories shows that they share a common approach of structure, publishing conditions, and conception of their subject. Part I (structure): making of every element a paragon in its category (ch. 1), the short story uses them in an antithetic structure (ch. 2), which importance supersedes that of the characterization. "whip-ends" may dramatize such a tension (ch. 4). What allows the story to be short is that it relies heavily on readymade materials (ch. 3). Long stories and non-narrative stories may, however, escape such "laws" (ch. 5). Part II (publishing conditions) shows on forty-odd periodicals that the characters in the story could never belong to the readers' own world. "exotism" is the rule, even for realist or "naturalist" texts. Part III (the estranging look) shows this as being the result of conceiving the subject as "exotic". Close analysis of all rhetoric devices (with special discussion of the "free indirect speech" and "patois", plus the use of narrators and "reflectors" -ch4, 5 & 6) shows how they estrange the reader from the characters. The short story is a monological text: it never allows the confrontation of two equally valid "voices" (Bakhtine: ch. 7)
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Goldman, Noémie. "Un Monde pour les XX: Octave Maus et le groupe des XX :analyse d'un cercle artistique dans une perspective sociale, économique et politique." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209691.

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Notre thèse se concentre sur la question des mécanismes de restructuration du système du monde de l’art à Bruxelles à la fin du XIXe siècle. Nous cherchons à démontrer comment une nouvelle scène artistique construite autour du cercle des XX à Bruxelles, dont l’épanouissement sera pris en charge par l’animateur d’art Octave Maus, produit un art qui est influencé par les enjeux sociaux et politiques portés par un milieu défini de manière sociale, culturelle et générationnelle.

Nous avons ainsi voulu replacer le groupe des XX dans son contexte économique, politique et social. La diversification des approches et des sources était donc un aspect essentiel de nos recherches. Plusieurs voies d’approche ont été empruntées, telles que l’histoire culturelle, la sociologie de l’art, l’histoire du marché de l’art, l’analyse politique ainsi que l’étude de la visual culture.

Dans un premier temps, nous analysons l’émergence de la nouvelle scène artistique construite autour du groupe des XX. Nous débutons par une analyse plus monographique du parcours de Maus afin de définir les qualités essentielles de l’animateur d’art qu’il incarne, ainsi que son rôle dans la reconfiguration du milieu culturel. Ensuite, notre étude se concentre sur la mobilisation d’un public autour des salons et la mise en place d’un nouveau marché de l’art aux XX.

Dans un second temps, notre étude se penche sur les œuvres créées par les XX et sélectionnées par le public d’amateurs fidèles au groupe. Nous éclairons cette production artistique en y décelant les influences des questionnements et des prises de position sociales et politiques du public des XX, défini précédemment. L’analyse iconographique et stylistique des œuvres s’accompagne d’un travail sur ce milieu culturel, et particulièrement sur ses positions face aux débats sociaux de l’époque. Cette étude aboutit, d’une part, à une description approfondie du public des XX, et, d’autre part, à une meilleure compréhension de l’originalité de la production esthétique des artistes du groupe. /

This PhD thesis concentrates on the mechanisms by which the artistic world in Brussels was reorganized at the end of the 19th century. The research focuses on the places, institutions, publics, art markets and aesthetic developments that characterized the new artistic scene constructed around the “Salon des XX”. The purpose of this study is to demonstrate that this artistic circle, led by Octave Maus, produced an art influenced by social, political and economic issues. Another aim has been to analyze the public that defended the artists by studying its social, cultural and generational nature.

This thesis, which is divided into two parts, for the first time explores the circle of the XX in its economic, political and social environment. The diversification of sources and scientific methods was therefore an essential aspect of the research. Different methods were applied such as, for example, the cultural history, the sociology of art, the history of the art market, political sciences and the visual culture.

The first part of this study is about the emergence of a new artistic scene founded around the “Groupe des XX”. The first objective was to investigate the personal and professional path followed by Octave Maus, the manager of the XX, who played a major role in the evolution of the cultural world. Subsequently the research focuses on the mobilization of a particular public and the creation of a new art market around the XX’s exhibitions.

The second part of this thesis considers the works of art created by the artists of the “Groupe des XX” and chosen by the public for private collections. New light is shed on this artistic production by the study of the social and political position of the XX’s public, considered as a social group. Hence the iconographic and stylistic analysis of the works goes together with a study of the XX’s milieu, and in particular with its political action. The present thesis, and the method that aims to study the works in parallel with the public’s social nature, lead to a better understanding of the cultural milieu and, at the same time, of the originality of the XX’s artistic creation.


Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished

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Hayat, A. Cyrus. "Billy Sunday and the Masculinization of American Protestantism: 1896-1935." Thesis, 2008. http://hdl.handle.net/1805/1860.

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Books on the topic "1860-1862"

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Alekseevich, Mili︠u︡tin Dmitriĭ. Vospominanii︠a︡: 1860-1862. Moskva: Redakt︠s︡ii︠a︡ alʹmanakha "Rossiĭskiĭ arkhiv", 1999.

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Sing, Beverly J. Deutsche Musik-Zeitung, 1860-1862. Ann Arbor, Mich: U.M.I., 1994.

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Sordo, Dario Lo. Giuseppe Antonio Conte: Reazionario borbonico o brigante? : 1860-1862. 2nd ed. Fondi: Arti grafiche Kolbe, 1999.

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Alekseevich, Mili͡utin Dmitriĭ. Vospominanii͡a general-felʹdmarshala grafa Dmitrii͡a Alekseevicha Mili͡utina, 1860-1862. Moskva: Rossiĭskiĭ fond kulʹtury, 1999.

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Franco, Silvano. Ambiente, salute e società in Terra di lavoro: 1860-1862. Roma: APES, 1995.

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Bourboulon, Catherine de. L' Asie cavalière: De Shang-Haï à Moscou, 1860-1862. Paris: Phébus, 1991.

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Ḥawādith 1860 fī Lubnān wa-Dimashq: Lajnat Bayrūt al-Dawlīyah : al-maḥāḍir al-kāmilah, 1860-1862. Bayrūt: Mukhtarāt, 1996.

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Columbia, British. List of proclamations for 1858, 1859, 1860, 1861, 1862 and 1863. [British Columbia: s.n., 2003.

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Linda, Dorricott, and Cullon Deidre, eds. The private journal of Captain G.H. Richards: The Vancouver Island survey (1860-1862). Vancouver: Ronsdale Press, 2011.

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Łaniec, Stanisław. Ziemie białoruskie w latach reformy agrarnej, manifestacji patriotycznych i konspiracji narodowej: 1860-1862. Toruń: Top Kurier, 1998.

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Book chapters on the topic "1860-1862"

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Pearson, Roger. "‘Un faune lascif’ (1860–1862)." In Unfolding Mallarmé, 21–39. Oxford University Press, 1996. http://dx.doi.org/10.1093/acprof:oso/9780198159179.003.0004.

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"The Beginning of the Civil War, 1860-1862." In George Peabody, A Biography, 110–23. Vanderbilt University Press, 2020. http://dx.doi.org/10.2307/j.ctv176kvjp.19.

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"Thirteen. At the Top of the Tree (1860-1862)." In The King of Inventors, 227–46. Princeton University Press, 1993. http://dx.doi.org/10.1515/9781400863457.227.

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Riall, Lucy. "Liberal Policy and the Control of Public Order, 1860–1862." In Sicily and the Unification of Italy, 138–55. Oxford University Press, 1998. http://dx.doi.org/10.1093/acprof:oso/9780198206804.003.0006.

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Powell, Jim. "A Three-Phase Supply." In Losing the Thread, 51–70. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781789622492.003.0004.

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This chapter describes the three phases of the war as experienced by the British cotton trade. The first phase (November 1860 to end June 1862) was characterised by a complacency in the trade, which expected neither a civil war nor a cotton scarcity. The Confederacy’s King Cotton strategy and its failure are examined, as well as British public opinion and British government policy. During the second phase (July 1862 to end August 1864), the full scale of the catastrophe was belatedly recognised and prices soared. Cotton speculation in the Liverpool market became endemic. A price collapse in September 1864 marked the end of the phase. Thereafter, confusion was widespread and prices oscillated violently, as did speculation. This third phase arguably lasted until 1876. The chapter concludes that the civil war period in Liverpool can best be seen as an extended series of bets on whether a war would start and how long it would last.
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Cove, Patricia. "Wounded Utterance: Trauma and Italy’s Second War of Independence in Elizabeth Barrett Browning’s Poems Before Congress and Last Poems." In Italian Politics and Nineteenth-Century British Literature and Culture, 125–56. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474447249.003.0005.

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Chapter 4 traces the traumatic impact of the 1859 Second Italian War of Independence in Elizabeth Barrett Browning ’s Poems Before Congress (1860) and Last Poems (1862). Despite voicing enthusiastic support for unification, Barrett Browning’s poems also recognise the Risorgimento’s failures and costs. ‘Napoleon III. in Italy’, ‘Mother and Poet’, ‘Died . . .’, ‘The Forced Recruit’ and ‘A Tale of Villafranca Told in Tuscany’ explore the uses and limits of lyric utterance, using familial and intergenerational motifs to demonstrate how a performative poetic voice that ushers Italy into being conflicts with the historical trauma that precludes speech and severs the correspondence between words and deeds. EBB attempts a kind of wounded utterance, exploring a poetics of recognition that acknowledges the deep roots of political trauma embedded in the nation-making process while accepting and respecting the wartime suffering and grief that are beyond the powers of poetic convention and speech.
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Carriere, Marius M. "Nativism Struggles: 1858–60." In The Know Nothings in Louisiana, 108–28. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496816849.003.0006.

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Chapter 5 discusses how some Know Nothing felt the American party’s candidates’ inaction and the lethargy of the party’s leaders led to the party’s defeat in 1857. Some Know Nothings continued to oppose the Democrats and the Democrats’ radicalism, but the party witnessed its strength reduced to the New Orleans area. The party did remain successful in New Orleans and many old Whigs and Know Nothings continued to resist the Democrats. This chapter discusses the 1859 state election when an “Opposition” ticket appeared to replace the Know Nothings. In 1860, remnants of Know Nothings, Whigs, and a few Democrats refused to support Breckinridge and hoped to avoid a national disaster. These conservative men supported the Constitutional Union party, with a few old Know Nothings deciding not to “accept Unionism at any price,” and going with Breckinridge. In May 1862, Know Nothingism disappeared with the Know Nothing mayor of New Orleans surrendering the city to the Union forces
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Cutrer, Thomas W. "Introduction." In Theater of a Separate War. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469631561.003.0025.

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The Confederate states of Arkansas, Texas, and Missouri, the parishes of Louisiana west of the Mississippi, the Indian Territory, and the New Mexico Territory constituted what Richmond editor Edward Alfred Pollard called “the distant and obscure theatre of the Trans-Mississippi.” But “distant and obscure” as it might have seemed to a citizen of Richmond in 1862, the trans-Mississippi was an area of tremendous potential significance. For one thing, at 600,000 square miles, the trans-Mississippi Confederacy comprised more than one-half of the entire Confederate landmass, and the area was as variable as it was vast. In addition, manpower reserves were substantial. In 1860, Arkansas had a white population of more than 324,000; Louisiana, 375,000; Texas, 420,000; and Missouri, in excess of 1,000,000. The black populations of these states were also significant, with Louisiana’s slave population nearly equaling that of its free citizens. Texas had a slave population of more than 180,000, and Arkansas and Missouri each had more than 100,000 enslaved black people. With the coming of emancipation and the enlistment of former slaves into the Union army, many of these men flocked to the colors and played significant roles in the campaigns of 1863 and 1864. Of Louisiana’s black men of military age, 24,052, or 31 percent, joined the army, and in Arkansas, that number was 5,526, or 24 percent. From Texas, however, a state that largely avoided Federal invasion and occupation and therefore held its slaves until the war was ended, only 47 black men enlisted, a mere .001 percent of its prewar slave population....
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Cobden, Richard. "To John Bright, Midhurst, 1 January 1862." In The Letters of Richard Cobden, Vol. 4: 1860–1865, 249–50. Oxford University Press, 2015. http://dx.doi.org/10.1093/oseo/instance.00192881.

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Cobden, Richard. "To John Bright, Midhurst, 7 January 1862." In The Letters of Richard Cobden, Vol. 4: 1860–1865, 251. Oxford University Press, 2015. http://dx.doi.org/10.1093/oseo/instance.00192882.

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Reports on the topic "1860-1862"

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Savings Bank of New South Wales - Sydney (Head Office) - Signature Registers - Accounts - 53466-63330 - 1860-1862. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_2006/21590.

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