Academic literature on the topic '1863-1944'
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Journal articles on the topic "1863-1944"
Fusar-Poli, Laura, Natascia Brondino, Matteo Rocchetti, and Pierluigi Politi. "Edvard Munch, 1863–1944." American Journal of Psychiatry 174, no. 4 (April 2017): 317–18. http://dx.doi.org/10.1176/appi.ajp.2017.16121333.
Full textPitman, Alexandra. "Edvard Munch (1863–1944)." British Journal of Psychiatry 197, no. 4 (October 2010): 312. http://dx.doi.org/10.1192/bjp.197.4.312.
Full textFanta, H. "Eduard Zirm (1863-1944)." Klinische Monatsblätter für Augenheilkunde 189, no. 07 (July 1986): 64–66. http://dx.doi.org/10.1055/s-2008-1050756.
Full textPitman, Alexandra. "Edvard Munch (1863-1944) The Scream." British Journal of Psychiatry 198, no. 1 (January 2011): 72. http://dx.doi.org/10.1192/bjp.198.1.72.
Full textMaillard, Alain, Francoise Basch, Liliane Crips, and Pascale Gruson. "Victor Basch (1863-1944). Un intellectuel cosmopolite." Le Mouvement social, no. 201 (October 2002): 99. http://dx.doi.org/10.2307/3779880.
Full textOzarin, Lucy. "I.L. Nascher, M.D. (1863-1944): The First American Geriatrician." Psychiatric News 43, no. 22 (November 21, 2008): 24. http://dx.doi.org/10.1176/pn.43.22.0024.
Full textGeisler, Sheryl L. "Death in the Sick Room Edvard Munch (1863-1944)." Journal of Physician Assistant Education 17, no. 3 (2006): 56–57. http://dx.doi.org/10.1097/01367895-200617030-00012.
Full textWołczański, Józef. "Likwidacja klasztoru Sióstr Niepokalanek w Jazłowcu w 1946 roku." Nasza Przeszłość 110 (December 30, 2008): 195–237. http://dx.doi.org/10.52204/np.2008.110.195-237.
Full textZwick, Ludmila Menezes. "O diário do autor louco, de Edvard Munch (1863–1944)." Manuscrítica: Revista de Crítica Genética, no. 49 (August 1, 2023): 300–319. http://dx.doi.org/10.11606/issn.2596-2477.i49p300-319.
Full textZwick, Ludmila Menezes. "Edvard Munch em tradução: esboços e textos." Em Tese 26, no. 1 (November 19, 2020): 270. http://dx.doi.org/10.17851/1982-0739.26.1.270-276.
Full textDissertations / Theses on the topic "1863-1944"
Calligaro, Claude. "Edvard Munch ou la frise de la vie : approche psychanalytique, aperçu phénoménologique." Bordeaux 2, 1988. http://www.theses.fr/1988BOR25416.
Full textMOORE, OLIVIER. "Approche psychopathologique de la vie et de l'oeuvre de edvard munch." Amiens, 1992. http://www.theses.fr/1992AMIEM049.
Full textBellido, Valdivia Francisco Javier. "La pintura como expresión de lo interior." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2013. http://tesis.pucp.edu.pe/repositorio/handle/123456789/5075.
Full textBimer, Barbara Susan Travitz. "Edvard Munch's Fatal Women: A Critical Approach." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc504386/.
Full textMedawar, Christian. "Mary Edith Durham and the Balkans, 1900-1914." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23726.
Full textThe research consists of both published works and unpublished sources, some of which have not been used for studying Durham. These include Durham's personal manuscripts, correspondence from other personal papers, and documents from the British Foreign Office archives. (Abstract shortened by UMI.)
Ferreira, Mariana Rodrigues Festucci. "Melancolia, capitalismo e laço social: uma leitura de Edvard Munch." Pontifícia Universidade Católica de São Paulo, 2016. https://tede2.pucsp.br/handle/handle/19600.
Full textMade available in DSpace on 2017-01-10T11:29:59Z (GMT). No. of bitstreams: 1 Mariana Rodrigues Festucci Ferreira.pdf: 3092476 bytes, checksum: e46bb84f3238cf7d45347d8934cefe5f (MD5) Previous issue date: 2016-12-12
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This dissertation proposes to think the condition of melancholy from aspects that define your way of structuring psychically and is located in the bonds and speeches, especially in speech capitalist, who prepare the enjoyment in contemporary society. For both, performs a qualitative research of interlocution between psychoanalysis and art, which unfolds in five stages:1. A history of the theorized about the melancholy of antiquity to modernity. 2. The melancholy in Freud, since their first approximations of the theme in the letters and drafts, who directs the then friend Fliess until the formalization conceptually undertaken in test Mourning and melancholy, not if I leave aside the additional considerations made in subsequent texts. 3. The Melancholy from theoretical considerations developed by Jacques Lacan regarding the constitution of the subject since the stadium of the mirror until the formalization of object a, passing by re-reading of Lacan testing of Freud in different moments of his teaching, his articulation of melancholy to pain to exist from Buddhism and culminating in the meeting of elements that allow to situate melancholy while clinical type of psychosis. 4. The relationship between melancholy, capitalism and social bond through the critique of the capitalist economic system operated by Benjamin, the theorizing of capitalist discourse as an offshoot of the discourse of the master proposed by Lacan, theorists who think the implications of this speech to the subjectivity of the subject in contemporary times without giving up the factors that count as the psychic structure, including Sidi Askofaré , Pacheco Filho and Vladimir Safatle, and joints to be made between the capitalist discourse and the outside-the-discourse of psychosis. 5. The reading of the melancholic expression, both regarding the psychic implications as social, in the work of painter Munch, aiming to take it as index of contemporary society. "Never will people understand that my paintings were created from seriousness and suffering" (Munch apud Tojner, 2004). It is concluded that such seriousness and suffering, however, served as an upholstery for him to go beyond his Art, marking how this way can act both in favor of the structural implications of the melancholic in the loop and the difficulties accentuated by the capitalist discourse. To this discourse Art, with its inventive potential, makes a hole, pointing out an alternative
Esta dissertação se propõe a pensar a condição do melancólico a partir dos aspectos que delimitam seu modo de se estruturar psiquicamente e se situar nos laços e discursos, especialmente no discurso capitalista, que aparelha o gozo na sociedade contemporânea. Para tanto, realiza uma pesquisa qualitativa de interlocução entre a Psicanálise e Arte, que se desdobra em cinco momentos: 1. Um percurso histórico das teorizações sobre a melancolia da Antiguidade à Modernidade 2. A melancolia em Freud, desde as suas primeiras aproximações do tema nas cartas e rascunhos que dirige ao então amigo Fliess até a formalização conceitual empreendida no ensaio Luto e Melancolia, não sem deixar de lado as considerações complementares realizadas em textos posteriores. 3. A melancolia a partir das considerações teóricas desenvolvidas por Jacques Lacan no que tange a constituição do sujeito desde o estádio do espelho até a formalização do objeto a, passando pela releitura de Lacan do ensaio de Freud nos diferentes momentos de seu ensino, a sua articulação da melancolia à dor de existir a partir do budismo e culminando na reunião de elementos que permitem situar a melancolia enquanto tipo clínico da psicose. 4. A articulação entre melancolia, capitalismo e laço social através da crítica do sistema econômico capitalista operada por Benjamin, a teorização do discurso capitalista como um desdobramento do discurso do mestre proposto por Lacan, os teóricos que pensam as implicações deste discurso para a subjetividade do sujeito na contemporaneidade sem abrir mão dos fatores que contam como a estruturação psíquica, incluindo Sidi Askofaré, Pacheco Filho e Vladimir Safatle, e as articulações possíveis de serem realizadas entre o discurso capitalista e o fora-do-discurso da psicose. 5. A leitura da expressão melancólica, tanto no que tange as implicações psíquicas quanto sociais, na obra do pintor Munch, visando toma-la como índice na sociedade contemporânea. “Nunca as pessoas vão entender que as minhas pinturas foram criadas a partir da seriedade e do sofrimento” (Munch apud Tojner, 2004). Conclui-se que tal seriedade e sofrimento, entretanto, serviram de estofo para que ele fosse além com a sua Arte, marcando como esta via pode atuar tanto em favor das implicações estruturais do melancólico no laço quanto das dificuldades acentuadas pelo discurso capitalista. A este discurso a Arte, com o seu potencial inventivo, faz furo, apontando uma alternativa
Lachana, Evanghélia. "Edvard Munch : le peintre face au théâtre." Paris 3, 1997. http://www.theses.fr/1997PA030125.
Full textLangevin-Formaux, Nathalie. "L' expressionnisme : l'art comme expérience métaphysique." Paris 1, 2010. http://www.theses.fr/2010PA010612.
Full textBarboza, Lívia Krassuski [UNESP]. "A santa, a prostituta e a amante infeliz: as imagens simbólicas do feminino de Edvard Munch, sob abordagem da psicologia analítica de C.G. Jung." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/86893.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Tendo por principal referencial teórico os conceitos de Carl Gustav Jung (1875-1961) sobre os arquétipos e o inconsciente coletivo, neste trabalho proponho-me mostrar como o conteúdo simbólico universal se manifesta na expressão artística individual do pintor norueguês Edvard Munch (1863-1944). Coloco em foco imagens que retratam a mulher e as relações afetivas entre o homem e a mulher que o artista produziu na segunda fase de sua carreira, entre 1889 e 1908. Não obstante referirem-se à visão pessoal do artista, revelam simultaneamente a “nova mulher” que emergia na sociedade de seu tempo. Desta forma, ao contextualizar a produção artística de Munch e analisar seu conteúdo simbólico, proponho-me mostrar como a obra de arte pode expressar, muito além dos conflitos particulares de seu autor, o espírito da época em que foi criada, mediante temas universais.
Having as main theoretic reference the concepts of Carl Gustav Jung (1875-1961) on the archetypes and the collective unconscious, in this work I propose to demonstrate how the universal symbolic tenor is manifested in the individual artistic expression of the Norwegian painter Edvard Munch (1863- 1944). I put into perspective images that portray the woman and the relations of affection between man and woman, that the artist produced in the second phase of his career, between 1889 and 1908. Notwithstanding those refer to the personal view of the artist, they simultaneously bring forth the “new woman” that emerged in the society then. Thus, in contextualizing Munch´s artistic production and analyzing its symbolic content, I propose to show how the work of art can express, far beyond the private conflicts and idiosyncrasies of its author, the spirit of the time in which it was created, through universal themes.
Hong, Sunmi. "L' ombre de la Mère : un enjeu essentiel de la création de l'image dans la peinture." Aix-Marseille 1, 2010. http://www.theses.fr/2010AIX10111.
Full textBooks on the topic "1863-1944"
Fundació Caixa de Pensions (Barcelona, Spain). Centre Cultural., ed. Munch 1863-1944. Barcelona: Fundació Caixa de Pensions, 1986.
Find full textBjerke, Storm, and Bonito Oliva Achille, eds. Munch (1863-1944). Milano: Skira, 2005.
Find full textBischoff, Ulrich. Edvard Munch: 1863-1944. Koln, West Germany: Benedikt Taschen, 1988.
Find full textGuleng, Mai Britt, editor of compilation, Sauge, Birgitte, editor of compilation, Steihaug, Jon-Ove, editor of compilation, Munch-museet (Oslo Norway), and Nasjonalgalleriet (Norway), eds. Edvard Munch, 1863-1944. Milano, Italy: Skira Editore S.p.A., 2013.
Find full textMarie, Roosen-Runge, and Möller Kai Robert, eds. Adolph Goldschmidt, 1863-1944: Lebenserinnerungen. Berlin: Deutscher Verlag für Kunstwissenschaft, 1989.
Find full textBook chapters on the topic "1863-1944"
Auspos, Patricia. "2. A “Two Person Career”." In Breaking Conventions, 93–174. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0318.02.
Full textMargairaz, Michel. "Joseph Caillaux (1863-1944)." In Dictionnaire historique des inspecteurs des Finances 1801-2009, 264–65. Institut de la gestion publique et du développement économique, 2012. http://dx.doi.org/10.4000/books.igpde.3659.
Full textNeville, Julia, and Helen Turnbull. "Florence Gascoyne-Cecil (1863–1944)." In Devon Women in Public and Professional Life, 1900–1950, 135–56. University of Exeter Press, 2021. http://dx.doi.org/10.47788/ofem9606.
Full textBordas, Jean. "Marcel François Delanney (1863-1944)." In Les directeurs généraux des douanes, l’administration et la politique douanière, 1801-1939, 650–66. Institut de la gestion publique et du développement économique, 2004. http://dx.doi.org/10.4000/books.igpde.14052.
Full text"Narbeth, John (1863–1944) British:." In Who's Who in Naval History, 315–19. Routledge, 2004. http://dx.doi.org/10.4324/9780203013519-91.
Full textBentley, Ronald. "Bartolomeo Gosio, 1863–1944: An appreciation." In Advances in Applied Microbiology, 229–50. Elsevier, 2001. http://dx.doi.org/10.1016/s0065-2164(01)48005-1.
Full text"Shlomoh Zalman Ehrenreich." In Wrestling with God, edited by Steven T. Katz, Shlomo Biderman, and Gershon Greenberg, 61–72. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195300147.003.0006.
Full textTambling, Jeremy. "The Cambridge School: Sir Arthur Quiller- Couch (1863-1944), I. A. Richards (1893- 1979) and William Empson (1906-1984)." In Edinburgh Encyclopaedia of Modern Criticism and Theory, 665–73. Edinburgh University Press, 2022. http://dx.doi.org/10.1515/9780748672554-086.
Full textTambling, Jeremy. "The Cambridge School: Sir Arthur Quiller- Couch (1863-1944), I. A. Richards (1893-1979) and William Empson (1906-1984)." In Introducing Literary Theories, 665–73. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474473637-086.
Full text"The Photography of Sergei Mikhailovich Prokudingorskii (1863–1944), Prokudingorskii Collection. Library of Congress Prints and Photographs Division. Washington D.C." In A World History of Railway Cultures, 1830–1930, edited by Matthew Esposito, 276–80. Routledge, 2020. http://dx.doi.org/10.4324/9781351211710-53.
Full textConference papers on the topic "1863-1944"
Bortulucce, Vanessa Beatriz. "O artista e o seu meio social: considerações acerca da pintura auto-retrato com cigarro de Edvard Munch." In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.3786.
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