Academic literature on the topic '1864-1955'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic '1864-1955.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "1864-1955"
1
RÉDEI, DÁVID. "Taxonomic corrections on Cronion (Hemiptera: Heteroptera: Plataspidae)." Zootaxa 4362, no. 4 (2017): 584. http://dx.doi.org/10.11646/zootaxa.4362.4.7.
Full textAbstract:
Vollenhoven (1864) presented a preliminary report and subsequently (Vollenhoven 1865) a detailed description of a new genus of pentatomoid true bugs (Hemiptera: Heteroptera), Poseidon Vollenhoven, 1864, with a single included species, P. malayanus Vollenhoven, 1864; the species is therefore the type species of the genus by monotypy. The genus was placed into Scutelleridae by Vollenhoven (1864, 1865), but the latter taxon was defined broadly, in a way much different from the current concept of this family (see e.g. Rider et al. 2017); Stål (1876) transferred it into Plataspidae defined in the present sense. Bergroth (1891) showed that Poseidon was preoccupied by Poseidon Girard, 1825, a valid genus of ribbon worms (Nemertea), and therefore he proposed a replacement name, Cronion Bergroth, 1891, for it. Miller (1955) described another new plataspid genus, Triodocoris Miller, 1955, and designated the newly described T. cinctus Miller, 1955, as its type species. Both of these genera have remained monotypic, and no author have presented new data on them since their original descriptions.
2
JENDEK, EDUARD, and OTO NAKLÁDAL. "Taxonomic, distributional and biological study of the genus Agrilus (Coleoptera: Buprestidae). Part III." Zootaxa 4963, no. 1 (2021): 58–90. http://dx.doi.org/10.11646/zootaxa.4963.1.3.
Full textAbstract:
Two hundred and eighteen taxa of the genus Agrilus (Coleoptera, Buprestidae) mostly from the Palaearctic and Oriental regions are studied and their taxonomic, nomenclatural, distributional or biological data are updated. For some species, the biological information is supplemented by images from the field, or distributional data by maps showing the whole range of the species. The synonymy of following Agrilus is updated: A. blairi Bourgoin, 1925 (A. telawensis Fisher, 1935 syn. nov.); A. lancifer Deyrolle, 1864 (A. perakianus Kerremans, 1900 syn. nov.); A. lestagei Théry, 1930 (A. collartianus Descarpentries & Villiers, 1963 syn. nov.); A. lugubris Kerremans, 1914 (A. achilleus Obenberger, 1935 syn. nov.); A. ocularis Deyrolle, 1864 (A. capitatus Deyrolle, 1864 syn. nov.), A. bidentellus Obenberger, 1924 syn. nov.) and Agrilus velatus Kerremans, 1912 (A. kuchingensis Tôyama, 1987 syn. nov.). The invalid synonyms A. myrmido Kerremans, 1912; A. myrmidonius Obenberger, 1936 and A. miwai Théry, 1936 are moved from the synonymy of A. achilleus Obenberger, 1935 to synonymy of A. lugubris Kerremans, 1914. A. massanensis Schaefer, 1955 is downgraded to subspecies A. pratensis massanensis Schaefer, 1955 status nov. The specific name samyi Baudon, 1968 is resurrected from the synonymy of A. suturaalba Deyrolle, 1864 and revalidated as Agrilus samyi Baudon, 1968 (nomen revalidatum).
3
Stefan, Bittmann. "The Real Origin of Alice in Wonderland Syndrome in Childhood is still Unknown: Does Physical Abuse Play a Major Role?" Journal of Clinical Cases & Reports 2, no. 2 (2019): 41–42. http://dx.doi.org/10.46619/joccr.2019.2-1036.
Full textAbstract:
Lewis Carroll wrote in 1864 the novel of Alice in Wonderland “Alice`s Adventures under Ground” [1]. The British psychiatrist John Todd (1914-1987) described the curious condition of micro-and macrosomatognosia, altered perceptions of body image, and described it as Alice in Wonderland Syndrome. John Todd described it 1955 and gave it the literary name in his publication
4
Moreau, Jean. "Un Guadeloupéen à Alger. Me Maurice L’Admiral (1864-1955)." Humanisme N° 305, no. 4 (2014): 116. http://dx.doi.org/10.3917/huma.305.0116.
Full text
5
Mecke, Roland, and Maria Helena M. Galileo. "A review of the weevil fauna (Coleoptera, Curculionoidea) of Araucaria angustifolia (Bert.) O. Kuntze (Araucariaceae) in South Brazil." Revista Brasileira de Zoologia 21, no. 3 (2004): 505–13. http://dx.doi.org/10.1590/s0101-81752004000300013.
Full textAbstract:
The beetle superfamily Curculionoidea includes 43 species associated with Araucaria angustifolia trees in South Brazil. These weevil species belong to the families Nemonychidae (Brarus Kuschel, 1997, Rhynchitoplesius Voss, 1952), Brentidae (Taphroderes Schönherr, 1826) and Curculionidae, the latter including the subfamilies Curculioninae (Heilipodus Kuschel, 1955, Spermologus Schönherr, 1843), Cossoninae (Araucarius Kuschel, 1966, Eurycorynophorus Voss, 1964), Scolytinae (Ambrosiodmus Hopkins, 1915, Araptus Eichhoff, 1871, Cnesinus LeConte, 1868, Corthylus Erichson, 1836, Cryptocarenus Eggers, 1936, Hypothenemus Westwood, 1834, Monarthrum Kirsch, 1866, Pagiocerus Eichhoff, 1868, Phloeotribus Latreille, 1896, Pityophthorus Eichhoff, 1864, Xylechinosomus Schedl, 1963, Xyleborus Eichhoff, 1864, Xyleborinus Reitter, 1913) and Platypodinae (Cenocephalus Chapuis, 1865, Platypus Herbst, 1893, Tesserocerus Saunders, 1836). A checklist of all species including remarks on their life histories and taxonomic notes are presented. In addition, a key for the identification of adult Curculionoidea associated with Araucaria angustifolia to genus or species level is provided.
6
Deighton, Alan. "The Literary Context of The Wall-Painting at Idsworth, Hampshire." Antiquaries Journal 73 (September 1993): 69–75. http://dx.doi.org/10.1017/s0003581500071687.
Full textAbstract:
The fourteenth-century wall-painting in the church of St Hubert, Idsworth, Hampshire, have attracted repeated attention since their initial discovery in 1864. This is, of course, partly a reflection of their artistic quality—both E. W. Tristram (1955, 89) and David Lloyd (Pevsner and Lloyd 1967, 307) referred to their liveliness and vigour and the exceptional quality of their design—but clearly also reflects the difficulties art historians have found in providing a convincing interpretation of their iconographic programme.
7
Bois, Mathilde. "Judith en 1951 : le statut de l’infigurable dans l’oeuvre d’Ozias Leduc." Articles 83, no. 1-2 (2017): 61–77. http://dx.doi.org/10.7202/1040858ar.
Full textAbstract:
Le point de départ de cette étude est l’hypothèse d’une nouvelle datation pour Judith, oeuvre du peintre québecois Ozias Leduc (1864-1955), reconnu tant pour ses grandes décorations religieuses que ses tableaux de chevalet. Cette nouvelle datation permet d’éclairer l’oeuvre à la lumière des écrits tardifs d’Ozias Leduc, dont l’auteure propose une relecture, visant à mettre en évidence leur fond métaphysique et religieux dans sa relation avec le rôle spirituel que le peintre accorde à l’image. Le symbolisme de Leduc, traditionnellement interprété en référence à l’esthétique thomiste de Jacques Maritain, gagne par cette analyse une nouvelle dimension, caractérisée par l’idée, de sensibilité existentialiste, d’un passage plus trouble entre le terrestre et le céleste, la matière et l’esprit.
8
MONNÉ, MIGUEL A., ANTONIO SANTOS-SILVA, and MARCELA L. MONNÉ. "Key to South American genera of Acanthocinini (Coleoptera, Cerambycidae, Lamiinae) without erect setae on elytra; synonymies, transferences, revalidation, and notes on genera with erect setae on elytra." Zootaxa 4863, no. 1 (2020): 1–65. http://dx.doi.org/10.11646/zootaxa.4863.1.1.
Full textAbstract:
A key for identification for the 54 South American genera of Acanthocinini (Cerambycidae, Lamiinae) without erect setae on the elytra is provided. Diagnosis for each genus is provided, as well as type-locality and geographical distribution of the type species, and of the transferred species. Cristurges Gilmour, 1961 is considered a junior synonymy of Lophopoeum Bates, 1863. Ozineus Bates, 1863 is considered a genus that includes only the type species, Ozineus elongatus Bates, 1863 because it is the only species with erect setae on the elytral surface. Sternacutus Gilmour, 1961 is revalidated to include the species transferred from Ozineus. Nyssocuneus Gilmour, 1960 and Nyssodrysina Casey, 1913 are synonymized with Atrypanius Bates, 1864. Nyssodrysina Casey, 1913 is also considered a junior synonymy of Atrypanius. Nyssodectes Dillon, 1955 is considered junior synonymy of Stenolis Bates, 1864. Lepturguncus (Lepturguncus) Gilmour, 1961 is synonymized with Pattalinus Bates, 1881. Lepturdrys Gilmour, 1960 is considered a junior synonymy of Eucharitolus Bates, 1885. Lepturguncus (Chaeturguncus) is removed from the synonym of Pattalinus and considered a junior synonym of Paroecus Bates, 1863. The country of the type-locality of Oxathridia roraimae Gilmour, 1963 is corrected. The genus of Neseuterpia couturieri Tavakilian, 2001 is questioned. Additionally, the following genera omitted in the key by Monné et al. (2020) are listed and included in their previous key: Ozineus Bates, 1863; Paroecus Bates, 1863; Pseudosparna Mermudes & Monné, 2009; Probatiomimus Melzer, 1926; and Calolamia Tippmann, 1953. Paroectropsis Cerda, 1953 is transferred to Desmiphorini.
9
Cook, G. C. "The practice of euthanasia at the highest level of society: the Lords Dawson (1864–1945) and Horder (1871–1955)." Journal of Medical Biography 14, no. 2 (2006): 90–92. http://dx.doi.org/10.1258/j.jmb.2006.05-36.
Full text
10
Caron, Edilson, Cibele S. Ribeiro-Costa, and Alfred F. Newton. "Cladistic analysis and revision of Piestus Gravenhorst with remarks on related genera (Coleoptera : Staphylinidae : Piestinae)." Invertebrate Systematics 25, no. 6 (2011): 490. http://dx.doi.org/10.1071/is10016.
Full textAbstract:
Rove beetles of the genus Piestus Gravenhorst, 1806 are commonly captured under the bark of or inside decaying logs from Neotropical forests. Piestus belongs to the subfamily Piestinae, historically an ill-defined dumping-ground for Staphylinidae defined by plesiomorphic characters, but which has gradually been restricted in concept and currently includes only six additional extant genera worldwide. Piestinae in this restricted sense has been considered a probably monophyletic subfamily, but its status and phylogenetic position, as a possible sister-group of Osoriinae within the recently proposed Oxyteline group of staphylinid subfamilies, are uncertain and need confirmation. The main aim of the present study was to provide a morphological cladistic analysis and complete taxonomic revision of Piestus, which, as the type and most speciose genus of Piestinae, is critical for future phylogenetic studies involving the subfamily. In our study, the monophyly of Piestus is established and phylogenetic relationships among its species are proposed based on 70 adult morphological characters. Piestus is supported by 11 synapomorphies and high branch support. All species of Piestus are revised and the genus is redefined. The genus contains 43 species, including 13 species described here for the first time. The previously proposed subgenera Antropiestus Bernhauer, 1917, Eccoptopiestus Scheerpeltz, 1952, Elytropiestus Scheerpeltz, 1952, Lissopiestus Scheerpeltz, 1952, Piestus s. str., Trachypiestus Scheerpeltz, 1952 and Zirophorus Dalman, 1821 have not been confirmed, as they were found to be poly- or paraphyletic, or are here removed from Piestus, and therefore subgenera are not used. The main taxonomic changes are as follows. Lissopiestus, syn. nov. is proposed as new synonym of Eleusis Laporte, 1835 and its species, E. interrupta (Erichson, 1840), comb. rest., is transferred again to that genus. Antropiestus, syn. nov. and Eccoptopiestus, syn. nov. are proposed as new synonyms of Hypotelus Erichson, 1839 and their species, H. laevis (Solsky, 1872), comb. nov. and H. andinus (Bernhauer, 1917), comb. nov., are transferred to Hypotelus. Fourteen new synonymies are proposed (valid species listed first): P. lacordairei Laporte, 1835 = Z. furcatus Sharp, 1887, syn. nov.; P. capricornis Laporte, 1835 = P. frontalis Sharp, 1876, syn. nov.; P. pennicornis Fauvel, 1864 = P. plagiatus Fauvel, 1864, syn. nov.; P. rectus Sharp, 1876, syn. nov.; P. pygialis Fauvel, 1902, syn. nov.; P. surinamensis Bernhauer, 1928, syn. nov.; P. minutus Erichson, 1840 = P. nigrator Fauvel, 1902, syn. nov.; P. sulcatus Gravenhorst, 1806 = P. sanctaecatharinae Bernhauer, 1906, syn. nov.; P. condei Wendeler, 1955, syn. nov.; P. gounellei Fauvel, 1902 = P. wasmanni Fauvel, 1902, syn. nov.; P. mexicanus Laporte, 1835 = P. alternans Sharp, 1887, syn. nov.; P. aper Sharp, 1876 = P. schadei Scheerpeltz, 1952, syn. nov.; P. angularis Fauvel, 1864 = P. crassicornis Sharp, 1887, syn. nov.; H. andinus (Bernhauer, 1917) = P. strigipennis Bernhauer, 1921, syn. nov. One species is revalidated: P. fronticornis (Dalman, 1821), stat. rev., and one synonym is restored: P. penicillatus (Dalman, 1821) = P. erythropus Erichson, 1840, syn. rest. Neotypes are designated for P. lacordairei Laporte, 1835 and Oxytelus bicornis Olivier, 1811, and lectotypes are designated for P. puncticollis Fauvel, 1902, P. capricornis variety muticus Fauvel, 1902, P. zischkai Scheerpeltz, 1951, P. pennicornis Fauvel, 1864, P. plagiatus Fauvel, 1864, P. pygmaeus Laporte, 1835, P. niger Fauvel 1864, P. minutus Erichson, 1840, P. nigratror Fauvel, 1902, P. sulcatus Gravenhorst, 1806, P. sanctaecatharinae Bernhauer, 1906, P. sulcipennis Scheerpeltz, 1952, P. aper Sharp, 1876, P. schadei Scheerpeltz, 1952 and P. andinus Bernhauer, 1917.
Dissertations / Theses on the topic "1864-1955"
1
Garant, Nicolas. "Melancolie et desenchantement : analyse conceptuelle et destins personnels : jose ortega y gasset, joseph shumpeter, max weber." Paris 1, 1997. http://www.theses.fr/1997PA010313.
Full textAbstract:
L'etude comparative des ecrits de max weber, joseph schumpeter et jose ortega y gasset revele que tous les trois sont preoccupes par l'evolution du monde moderne et l'avenir de la civilisation occidentale. Leur inquietude s'adresse precisement au developpement paroxystique des entreprises de la modernite : la rationalisation, la bureaucratisation, la massification et la specialisation progressives du monde qui accompagnent le developpement des societes capitalistes modernes menacent les pratiques sociales et la civilisation individualiste liberale bourgeoise. Que ce soit a travers l'image nostalgique weberienne du protestant inspire soucieux de confirmer son election, des minorites d'elite generationnelles orteguiennes appelees a rompre avec les produits scleroses d'une culture ritualisee ou de l'entrepreneur bourgeois schumpeterien contribuant au processus de destruction creatrice du capitalisme, il y a chez ces trois auteurs une interrogation sur les possibilites de realisations individuelles dans un monde ou des regles et des modalites de fonctionnement rationalisees et impersonnelles limitent de plus en plus la marge de manoeuvre et par consequent la responsabilite et la dignite de l'individu vis-a-vis le deroulement de sa vie. Une interrogation qui debouche sur une vision pessimiste : la routinisation weberienne etendue a l7ensemble des spheres sociales d'activite, la renaturalisation du monde orteguien et la socialisation schumpeterienne de la civilisation capitaliste se rencontraient ainsi dans leur facon d'associer le developpement des societes modernes a une normalisation et une institutionnalisation mortiferes des capacites novatrices et creatrices de l'individu comme sujet<br>A comparative study of max weber, joseph schumpeter and jose ortega y gasset reveals that all three were preoccupied by the evolution of the modern world and the future of western civilization. Their uneasiness specifically addresses the paroxystic development of modern enterprises. Bourgeois capitalism, individual progress or entrepreneurship and liberal democracy seem unlikely to survive the new conditions that their own progress contribute to diffuse and, progressively, to impose. Nothing guarantees that societies will be able to continue to benefit from competition, brought about by technical and organizational progress, which mankind seems increasing unable to understand and control. For weber, schumpeter and ortega, modernity does not emerge as an inoffensive "inheritance" : the progressive rationalization, bureaucratization, massification and specialization of the world that our thesis underscores represent, in the discourse of these three authors, the new conditions that accompany the development of modern capitalist societies. These conditions, as on-going processes, menace social practices with an excessive "petrification" and mecanization. This explains the pessimism of the three authors in relation to western capitalist civilization, which they associate, often in ideal-type fashion, with exemplary individual behavior which is henceforth threatened by the rationalization and the objectivation of social spheres of activity : creative minorities for ortega, the heroic entrepreneur for schumpeter and the individual prompted by a "calling" for weber
2
Olivé, Pérez Alfonso. "La perspectiva filosófica y biológica de la noción orteguiana de “vida”." Doctoral thesis, Universitat de Barcelona, 2018. http://hdl.handle.net/10803/585875.
Full textAbstract:
José Ortega y Gasset sufre una primera crisis filosófica alrededor de 1911, lo que le obliga a regresar a Marburgo. Como consecuencia de ella incia un progresivo abandono del idealismo neo-kantiano y una aproximación a la Fenomenología.
Durante su estancia en Alemania, sea por influjo de Hartmann o de Scheler o de ambos, se interesa por el problema de la “vida” y en 1913, lee a Jacob von Uexküll en el que encuentra la ayuda necesaria para, por una parte, considerar la vida como la realidad radical, imposible de definir y captable solo por intuición. Por otra parte, con el concep- to de Umwelt–ya utilizado por Scheler–ve la oportunidad de superar el subjetivismo idealista desarrollando el concepto de circunstancia. De este modo, el sujeto de la filosofía, deja de ser el hombre pensante y se convierte en el hombre y su circunstancia, hombre viviente.
Durante el periodo que abarca entre 1911-1914 a 1927-1930– momento de una nueva crisis–Ortega tematiza y desarrolla los argumentos de von Uexküll, meditando sobre la perspectiva, la circunstancia, el hombre. Todo ello nos permite encuadrarlo dentro del amplio movimiento de la Lebensphilosophie.
Mi trabajo se ha centrado en este periodo considerando, no solo la evolución de diversos temas claves de la filosofía orteguiana, sino especialmente centrándome en las diversas influencias, directas o indirectas, de autores como Nietzsche, Bergson, Simmel, Scheler, Hartmann, Husserl, Natorp, Köhler, von Uexküll, Plessner y, al final del periodo, Heidegger, mostrando que nuestro autor está plenamente integrado en la corriente filosófica europea de su tiempo.
En el curso del estudio intentaremos ver la aparición del ambicioso proyecto de la razón vital, de los esfuerzos para superar el relativismo y de su ambición, fallida en este tiempo, de construir un sistema basado en la realidad radical de la vida.<br>José Ortega y Gasset experiences his first philosophical crisis around 1911, forcing him to return to Marburg. As a consequence, he enters into a period of progressive abandonment of neo-kantian idealism and moves toward Phenomenology.
During his time in Germany, either by the influence of Hartmann or Scheler or both, he becomes interested in the problem/question of "life”. In 1913 he reads Jacob von Uexküll where he finds the support necessary on the one hand, to consider life as a radical reality, impossible to define and perceived/understood by intuition alone. On the other hand, with the concept of Umwelt-already being used by Scheler- Ortega had the opportunity to overcome idealistic subjectivism, developing the concept of circumstance. In this way, the subject of philosophy ceases to be the thinking man and becomes man and his circumstances, the living man.
During the periods spanning between 1911-1914 to 1927-1930– the time of a new crisis– Ortega finds themes/organises and develops the arguments of Uexküll, contemplating perspective, circumstance, man. All of which allows us to frame him within the broad spectrum of the Lebensphilosophie movement.
My work has focused on this period, not only considering the evolution of various key topics of the Ortegian philosophy, but particularly focusing on the different influences, direct or indirect, by authors such as Nietzsche, Bergson, Simmel, Scheler, Hartmann, Husserl, Natorp, Köhler, von Uexkull, Plessner and, at the end of the period, Heidegger, showing that our author is fully integrated in the European philosophical current of his time.
Throughout the course of the study, we will try to examine the emergence of the ambitious project of vital reason, his efforts to overcome relativism and his own ambition, flawed at the time, to build a system based on the radical reality of life.
3
BOULON, FABRICE. "L'alcoolisme chez quatre patients particuliers : utrillo, soutine, toulouse lautrec, modigliani." Lille 2, 1992. http://www.theses.fr/1992LIL2M168.
Full text
4
Vincent, Carine. "La voix textuelle : En torno al casticismo de Miguel de Unamuno, Las sonatas de Ramòn del Valle-Inclàn, La lluvia amarilla de Julio Llamazares." Pau, 2007. http://www.theses.fr/2007PAUU1010.
Full textAbstract:
Ce travail de recherche a pour but de mettre à jour les lieux de l’écriture où viennent s’incarner les composantes de la voix textuelle. Le corpus choisi pour mener à bien cette quête prend pour objet le discours narratif dans une perspective comparée et il se compose de trois ouvrages de la littérature espagnole écrits à des époques différentes et / ou marqués par des tonalités discursives distinctes. Tout d’abord, « En torno al casticismo », œuvre philosophique de Miguel de Unamuno encore marquée par certains canons stylistiques du XIXe, puis « Las sonatas » de Ramón del Valle-Inclán, œuvre charnière du début du XXe et qui constitua, en son temps, une rupture avec l’écriture du siècle précédent ; enfin, nous terminerons par « La lluvia amarilla » de Julio Llamazares, une œuvre contemporaine de la fin du XXe siècle. Les outils d’analyse convoqués pour l’approche de la voix textuelle au sein de ces trois ouvrages sont divers. En termes traditionnels, ils pourraient être rangés dans la catégorie large de la stylistique, à condition d’entendre cette dernière comme le regroupement éclectique de phénomènes relevant d’une synergie entre les mécanismes linguistiques, d’énonciation, de narrativité, de sémio-pragmatique, de rhétorique et de mise en forme graphique du discours, notamment par le biais de la ponctuation. Notre postulat, c’est que la voix textuelle sourd précisément d’une synergie, d’un conglomérat de phénomènes qui paraissent isolés dans un premier temps, mais en réalité « font système » au sein d’un discours donné<br>This research work is aimed at updating the places of writing where come to be embodied the elements of textual voice. The corpus chosen to complete successfully this quest speech for object in a compared perspective and it is made up of three works of Spanish literature written in different epochs and / or marked by distinct discursive tonalities. First of all, “En torno al casticismo”, philosophical work of Miguel de Unamuno still marked by certain stylistic cannons of the XIXth century, then “Las sonatas” de Ramón del Valle-Inclán, work hinge of the beginning of the XXth century and which constituted a break, at its time, with the writing of the previous century; finally, we end by “La lluvia amarilla” of Julio Llamazares, a contemporary work of the end of the XXth century. The called tools of analysis for the approach textual voice within these three works are various. In traditional terms, they could be lined up in the broad category of stylistic, on the condition of hearing this last as the eclectic grouping of phenomena being recovering from a synergy between the linguistic mechanisms, of enunciation, of narration, of semio-pragmatic, of rhetoric and graphic format of speech, notably by means of punctuation. Our postulate it is that textual voice results precisely from a synergy, from a conglomerate of phenomena, which seem insulated at first but in reality “make system” within a given speech
5
Riu, de Martín Mª del Carmen. "Reflexión estético-política en torno a Unamuno, Ortega y D'Ors, Una." Doctoral thesis, Universitat de Barcelona, 1990. http://hdl.handle.net/10803/1760.
Full textAbstract:
Esta tesis doctoral se divide en cuatro partes, que tratan sobre lo siguiente: 1) Política y filosofía, 2) El problema catalán, 3) Estética y filosofía, 4) Literatura y plástica.<br/><br/>En la primera parte se explica la doctrina de Unamuno, Ortega y D'Ors y se examinan los postulados de los que parten estos tres autores. Se comparan los diversos puntos de vista de cada uno y cómo desembocan en tres actitudes filosóficas distintas. Se observa en qué se distinguen estos planteamientos y cómo incide su filosofía en sus ideas políticas.<br/><br/>Esta primera parte no trata de ser una exposición exhaustiva de la actitud vitalista de Unamuno, la raciovitalista de Ortega y la intelectualista de D'Ors; tarea que ya han desarrollado con anterioridad otros autores. Citamos algunos autores que examinan aspectos relacionados con los temas expuestos. Los autores son teóricos importantes para comprender el pensamiento filosófico español de fines del siglo pasado e inicios del siglo XX y su relación con el europeo. Extraemos del conjunto de su pensamiento únicamente los rasgos filosóficos que ayuden a comprender su política.<br/><br/>La segunda parte gira en torno al problema catalán, el cual contrasta con las diversas actitudes políticas de estos autores. Debido a que sus actitudes políticas se hallan influidas por los problemas de su tiempo, se les incluye en su contexto hist6rico. Se habla de las perspectivas políticas europeísta y españolista y, al examinarse los nexos Cataluña-España, se muestra el contraste ideológico que existe en torno al centralismo y al separatismo.<br/><br/>El estudio incide sobretodo en los años veinte y en la Segunda República. Se exponen las opiniones de Unamuno, Ortega y D'Ors sobre el citado tema y se aportan datos documentales extraídos de los periódicos de la época. Unamuno adopta una actitud centralista sobre la autonomía catalana, Ortega es partidario del regionalismo, y D'Ors pasa de defender el nacionalismo catalán a desentenderse de dicho asunto.<br/><br/>La tercera parte muestra la conexión de sus ideas filosóficas y estéticas. Se contrastan ambos aspectos y para ello se examinan: el lenguaje en Unamuno, la teoría del conocimiento en Ortega y los posibles nexos entre la metafísica y el Novecentismo en D'Ors, porque estos temas ayudan a comprender la teoría estética de estos autores, la cual también se explica.<br/><br/>La cuarta parte se refiere a literatura y plástica. Unamuno pertenece a la Generación del 98 y coincide en algunos puntos con los escritores de este grupo. Ortega tiene un estilo literario que le acerca al Modernismo y D'Ors es el padre del Novecentismo. D'Ors y Unamuno escribieron numerosas novelas con personajes que nos permiten llegar a comprender su filosofía y su ética.<br/><br/>La tesis termina con unas conclusiones que muestran el contraste que existe en sus planteamientos políticos y en sus visiones estéticas. Además se relacionan los aspectos políticos y estéticos que se han ido exponiendo a lo largo del trabajo, pues la actitud política de cada uno condiciona la estética y viceversa.<br/><br/>El estudio aporta una nueva interpretación de estos tres autores y a la par ofrece una visión documentada de las opiniones que estos hombres tuvieron sobre Cataluña. También se justifican sus planteamientos estéticos. En definitiva, se comparan tres personajes (Unamuno, Ortega y D'Ors) que son básicos para comprender la política y la estética española de finales del siglo XIX y de comienzos del XX.
6
Lafontaine, Nancy. "L'iconographie historique et ouvrière d'Ozias Leduc à Shawinigan-Sud." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ44708.pdf.
Full text
7
Corré, Laurence. "Le concept de rationalisation dans la pensée constitutionnelle française : essai d'analyse." Thesis, La Réunion, 2010. http://www.theses.fr/2010LARE0011.
Full textAbstract:
Le concept de rationalisation du parlementarisme fait aujourd’hui partie des concepts marquants du droit public français. Tout semble avoir été dit sur les techniques de rationalisation consacrées par la constitution de 1958. Pourtant, force est de constater que le concept de rationalisation reste mal connu. Inventé à la fin des années vingt par le juriste d’origine ukrainienne Boris Mirkine-Guetzévitch pour décrire la dynamique de constitutionnalisation à l’œuvre dans les nouveaux Etats d’Europe centrale et orientale au lendemain de la Première Guerre mondiale, le concept de rationalisation du parlementarisme dérive du concept général de rationalisation du pouvoir qui renvoie à l’idée d’une société entièrement régie par le droit. Quelles sont les sources d’inspiration du concept de rationalisation ? Comment se traduit son implantation et son évolution dans la pensée constitutionnelle française des années trente à nos jours ? « Dépoussiérer » le concept de rationalisation du pouvoir implique d’identifier ses soubassements théoriques et de déterminer sa portée idéologique. L’étude de l’acclimatation du concept mirkinien (ainsi que de son idéologie sous-jacente et de ses techniques de réalisation) permet de souligner les adaptations et les réinterprétations dont il a été l’objet en accord avec la pensée juridique dominante et les grandes orientations du droit positif<br>The concept of rationalization of parliamentarism is nowadays part of the significant concepts of the French public Law. Everything seems to be said about the techniques of rationalization established by the constitution in 1958. However, we are forced to notice that the rationalization concept remains badly knows. Invented at the end of the twenties by the jurist Boris Mirkine-Guetzévitch to describe the dynamic of constitutionalization in action in the new eastern and central Europe states, just afeter the first World war, the concept of rationalization of parlementarism results from the general concept of rationalization of the authority which refers to the idea of a society entirely ruled by law. What are the sources of inspiration of the rationalization concept? How are converged its presence and its development int the french constitutional thought from the thirties up to now? To dust the concept of rationalization of the authority implies to identify its theorical basis and determine its ideological impact. The study of the acclimatatization of the mirkinian concept (as well as its underlying ideology and its techniques of realization) allows to underline the adaptations and reinterpretations it has been the subject in harmony with the main juridical thought and the great trends of positive law
8
Senécal, Micheline. "Le cycle des tableaux d'Ozias Leduc à la cathédrale Saint-Charles-Borromée de Joliette (1892-1894)." Mémoire, 2007. http://www.archipel.uqam.ca/4798/1/M9816.pdf.
Full textAbstract:
Fascinée par l'œuvre d'Ozias Leduc (1864-1955) et lanaudoise d'adoption depuis plus de trente ans, j'ai concilié mes intérêts pour cet artiste et pour le patrimoine régional en étudiant le cycle des tableaux d'Ozias Leduc à la cathédrale de Joliette. Comme il s'agit de la première commande d'envergure en décoration d'église du jeune peintre et que ce décor religieux n'a pas encore été étudié de façon exhaustive, il me semble justifié d'en faire une étude approfondie. En 1892, Ozias Leduc alors à ses débuts comme peintre autonome, reçoit du curé Prosper Beaudry l'offre de peindre vingt-trois tableaux pour décorer la nouvelle église Saint-Charles-Borromée de Joliette. Le thème choisi sera les mystères du Rosaire et huit scènes du Nouveau Testament. L'étude de cette première œuvre religieuse d'importance de Leduc, largement inspirée de la tradition européenne, permet d'analyser l'apport créatif de l'artiste, de voir comment il a interprété les thèmes en fonction de l'architecture tout en intégrant des éléments de son propre univers pictural. L'inventaire des thèmes récurrents permet de comprendre le rôle joué par cette première commande dans la future carrière du plus célèbre peintre décorateur d'église au Canada. Ce travail comprend l'analyse iconographique et comparative de ces vingt-trois tableaux avec leurs sources d'inspiration. Celles-ci, pour la plupart, étaient jusqu'à maintenant inconnues. Après avoir déterminé le contexte politique, économique, religieux et culturel de la fin du XIXe siècle au Québec, particulièrement à Joliette, les conditions de la commande seront analysées, faisant intervenir les notions de conventions chrétiennes, de réseaux et de copie.
______________________________________________________________________________
MOTS-CLÉS DE L’AUTEUR : Ozias Leduc, Joliette, Décor, Mystères du Rosaire, Sources d'inspiration, Cathédrale
9
Myers, Perry. "The double edged sword: the cult of Bildung, its downfall and reconstitution in fin-de-siècle Germany (Thomas Mann, Rudolf Steiner, and Max Weber)." Thesis, 2002. http://hdl.handle.net/2152/808.
Full textBooks on the topic "1864-1955"
2
Un Guadeloupéen à Alger: Me Maurice L'Admiral, 1864-1955. Riveneuve éditions, 2014.
Find full text
3
Mora, José Ferrater. Three Spanish philosophers: Unamuno, Ortega, Ferrater Mora. State University of New York Press, 2003.
Find full text
4
Politics, death, and the devil: Self and power in Max Weber and Thomas Mann. University of California Press, 1992.
Find full text
5
Harvey, Goldman. Max Weber and Thomas Mann: Calling and the shaping of the self. University of California Press, 1988.
Find full text
6
Callahan, James J. The Geometry of Spacetime: An Introduction to Special and General Relativity. Springer New York, 2000.
Find full text
7
Modernism and masculinity: Mann, Wedekind, Kandinsky through World War I. University of Chicago Press, 2000.
Find full text
8
Goldman, Harvey. Max Weber and Thomas Mann: Calling and the Shaping of the Self. University of California Press, 1991.
Find full text
9
Goldman, Harvey. Politics, Death, and the Devil: Self and Power in Max Weber and Thomas Mann. University of California Press, 1992.
Find full textBook chapters on the topic "1864-1955"
1
Pope-Levison, Priscilla. "Mary Lee Cagle (1864–1955)." In Turn the Pulpit Loose. Palgrave Macmillan US, 2004. http://dx.doi.org/10.1007/978-1-349-63340-1_12.
Full text
2
"Development and Application 1864-1955." In Renold Chains. Routledge, 2013. http://dx.doi.org/10.4324/9781315019994-12.
Full text
3
POPE-LEVISON, PRISCILLA. "Mary Lee Cagle (1864–1955):." In Southern Women in the Progressive Era. University of South Carolina Press, 2019. http://dx.doi.org/10.2307/j.ctv6mtfc6.9.
Full text
4
"Precision Chain Invention and Design 1864-1955." In Renold Chains. Routledge, 2013. http://dx.doi.org/10.4324/9781315019994-11.
Full text
5
Camps, Martín. "From the Center to the Margins." In The Oxford Handbook of the Latin American Novel. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780197541852.013.10.
Full textAbstract:
Abstract This chapter begins by studying Fernández de Lizardi’s (1776–1827) novel El Periquillo Sarniento (The Mangy Parrot, 1816), considered the first Mexican novel. The twentieth century opens with Santa (1903) by Federico Gamboa (1864–1939), borrowing from realist and naturalist styles. A watershed moment in the country’s history was the Mexican Revolution. Its violence and failure inspired novels by Mariano Azuela (1873–1952), among others. Two masterpieces published in 1955, Agustín Yáñez’s (1904–1980) Al filo del agua (The Edge of the Storm, 1955) and Juan Rulfo’s (1917–1986) Pedro Páramo (1955), open the era of the modern novel in Mexico. The mid-century generation modernized Mexican fiction by moving away from regional themes with works by Carlos Fuentes (1928–2012), and Elena Garro (1916–1998), among others. The 1960s in Mexico were marked by the 1968 Tlatelolco massacre, a moment of change expressed in the novels of La onda (The Wave), by José Agustín (1944) and Gustavo Sáinz (1940–2015). In the 1970s, Luis Zapata’s (1951–2020) El vampiro de la colonia Roma (Adonis García: a Picaresque Novel 1979) became a milestone in Mexican homosexual literature. In the 1980s, Fernando del Paso’s (1935–2018) Noticias del Imperio (News from the Empire, 1986) revisits the period of Emperor Maximilian in a masterful historical novel. Another important 1990s movement is the Generación del Crack (Generation of the Crack). Notwithstanding Mexico City’s magnetic pull, writers from the north of Mexico also write from or about the marginal “provinces.” The chapter closes by looking at a talented group of women writers, such as Fernanda Melchor (1982-) and Valeria Luiselli (1983).